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We Shall Overcome
by Bryan CollierA celebration of the gospel anthem and Civil Rights protest song "We Shall Overcome," masterfully brought to life by Caldecott Honor recipient and a nine-time Coretta Scott King Award winner Bryan Collier."We Shall Overcome" is one of the most recognizable anthems of the Civil Rights movement, widely performed at protests and rallies to promote nonviolent civil rights activism. Now, these inspirational, empowering, legendary lyrics are brought to life with the stirring, evocative, and breathtaking illustrations from multi-award-winning talent Bryan Collier. Powerfully imagined for the present moment, Collier's illustrations meld the most emblematic moments of the twentieth-century Civil Rights movement with the present day, depicting the movements, protests, and demonstrations -- big and small -- as the fight for justice continues. With illustrations full of depth, tenderness, and expression, and offering historical context while remaining powerfully relevant to the present-day, this impactful picture book is a must-have for every home, classroom, and bookshelf.
We Should All Be Mirandas: Life Lessons from Sex and the City's Most Underrated Character
by Chelsea Fairless Lauren GarroniWhen Sex and the City premiered, many were hesitant to identify as the Miranda of their social circle - after all, sarcasm, workaholism, and dubious fashion choices are rarely considered aspirational. However, in the two-plus decades since her television debut, our culture has finally caught up with this forward-thinking icon and all she represents. The truth is, Miranda Hobbes is the feminist hero that we deserve - we were all just too busy obsessing over Carrie's corset tops to notice it at first.WE SHOULD ALL BE MIRANDAS is a celebration of a certain redheaded lawyer and the legions of fans who relate to her pragmatic, no-bullshit approach to work, love, and sex. Written by two self-proclaimed Mirandas, this humorous manifesto distils Ms. Hobbes' core principles into a strategic guide for navigating life's inevitable ups and downs. In it, you'll learn to:Overcome your internalised MirandaphobiaCope with humiliating sexual encountersMake Google Docs your bitchDump that Skipper that you've been datingEmbrace your bad hair days ...and so much more!With sharp, sardonic humor and nods to the series' most iconic moments, We Should All Be Mirandas is the perfect gift for fashionistas, pop culture mavens, and every woman who has dared to eat cake out of the garbage.
We Should All Be Mirandas: Life Lessons from Sex and the City's Most Underrated Character
by Chelsea Fairless Lauren GarroniA snarky guide to life inspired by the most underrated character on Sex and the City, from the creators of the Instagram sensation @everyoutfitonSATC When Sex and the City premiered, many were hesitant to identify as the Miranda of their social circle—after all, sarcasm, workaholism, and dubious fashion choices are rarely considered aspirational. However, in the two-plus decades since her television debut, our culture has finally caught up with this forward-thinking icon and all she represents. The truth is, Miranda Hobbes is the feminist hero that we deserve— we were all just too busy obsessing over Carrie&’s corset tops to notice it at first. WE SHOULD ALL BE MIRANDAS is a celebration of a certain redheaded lawyer and the legions of fans who relate to her pragmatic, no-bullshit approach to work, love, and sex. Written by two self-proclaimed Mirandas, this humorous manifesto distills Ms. Hobbes&’ core principles into a strategic guide for navigating life&’s inevitable ups and downs. In it, you&’ll learn to:Overcome your internalized MirandaphobiaCope with humiliating sexual encountersMake Google Docs your bitchDump that Skipper that you&’ve been datingEmbrace your bad hair days ...and so much more! With sharp, sardonic humor and fantastic send-ups to the series&’ most iconic moments, We Should All Be Mirandas is the perfect gift for fashionistas, pop culture mavens, and every woman who has dared to eat cake out of the garbage.
We Skate Hardcore: Photographs from Brooklyn's Southside
by Vincent CianniThe stunning photographs of We Skate Hardcore reveal the determination, the dreams, and the rough and tumble story of urban Latino youth coming of age in New York City. Vincent Cianni spent eight years photographing and documenting a group of Latino in-line skaters in the Southside of Williamsburg, Brooklyn. Cianni weaves together images of the skaters with their own words, showing the skaters' struggles to find a place to skate and build skate parks, and just to survive in the city. In the evacuated industrial spaces of their neighborhood, the skaters carve out places for enjoying their sport and showing off their skills—often thwarting established rules and authority figures in the process. Their stories are both personal and resonant; they reflect the trials and tenacity of a young urban culture, as well as life in Southside's Latino community. We Skate Hardcore, with its verve and youthful energy, will especially appeal to photographers, those interested in urban studies and adolescence, New Yorkers, and in-line skaters and extreme sports enthusiasts everywhere.
We Tell Ourselves Stories: Joan Didion and the American Dream Machine
by Alissa WilkinsonNamed one of the Most Anticipated Books of 2025 by the Washington Post, Los Angeles Times, W Magazine, and The Millions, and one of the Best Books of Spring 2025 by Oprah Daily and Town & Country Named one of the Most Anticipated Books of the month by the New York Times, Town & Country, and the Los Angeles Times. “Sharp, elegant and eye-opening . . . a crucial toolbox for understanding both Joan Didion and Hollywood.” —Emily Nussbaum Joan Didion opened The White Album (1979) with what would become one of the most iconic lines in American literature: “We tell ourselves stories in order to live.” Today, this phrase is deployed inspirationally, printed on T-shirts and posters, used as a battle cry for artists and writers. In truth, Didion was describing something much less rosy: our human tendency to manufacture delusions that might ward away our anxieties when society seems to spin off its axis. Nowhere was this collective hallucination more effectively crafted than in Hollywood. In this riveting cultural biography, New York Times film critic Alissa Wilkinson examines Joan Didion’s influence through the lens of American mythmaking. As a young girl, Didion was infatuated with John Wayne and his on-screen bravado, and was fascinated by her California pioneer ancestry and the infamous Donner Party. The mythos that preoccupied her early years continued to influence her work as a magazine writer and film critic in New York, offering glimmers of the many stories Didion told herself that would come to unravel over the course of her career. But out west, show business beckoned. We Tell Ourselves Stories eloquently traces Didion’s journey from New York to her arrival in Hollywood as a screenwriter at the twilight of the old studio system. She spent much of her adult life deeply embroiled in the glitz and glamor of the Los Angeles elite, where she acutely observed—and denounced—how the nation’s fears and dreams were sensationalized on screen. Meanwhile, she paid the bills writing movie scripts like A Star Is Born, while her books propelled her to celestial heights of fame. Peering through a scrim of celluloid, Wilkinson incisively dissects the cinematic motifs and machinations that informed Didion’s writing—and how her writing, ultimately, demonstrated Hollywood’s addictive grasp on the American imagination. More than a portrait of a writer, We Tell Ourselves Stories shines a new light on a legacy whose impact will be felt for generations.
We Were Dreamers: An Immigrant Superhero Origin Story
by Simu LiuThe star of Marvel’s first Asian superhero film, Shang-Chi and the Legend of the Ten Rings, tells his own origin story of being a Chinese immigrant, his battles with cultural stereotypes and his own identity, becoming a TV star, and landing the role of a lifetime. <p><p>In this honest, inspiring and relatable memoir, newly-minted superhero Simu Liu chronicles his family's journey from China to the bright lights of Hollywood with razor-sharp wit and humor. <p><p>Simu's parents left him in the care of his grandparents, then brought him to Canada when he was four. Life as a Canuck, however, is not all that it was cracked up to be; Simu's new guardians lack the gentle touch of his grandparents, resulting in harsh words and hurt feelings. His parents, on the other hand, find their new son emotionally distant and difficult to relate to - although they are related by blood, they are separated by culture, language, and values. <p><p>As Simu grows up, he plays the part of the pious child flawlessly—he gets straight A's, crushes national math competitions and makes his parents proud. But as time passes, he grows increasingly disillusioned with the path that has been laid out for him. <p><p>Less than a year out of college, at the tender age of 22, his life hits rock bottom when he is laid off from his first job as an accountant. Left to his own devices, and with nothing left to lose, Simu embarks on a journey that will take him far outside of his comfort zone into the world of show business. Through a swath of rejection and comical mishaps, Simu's determination to carve out a path for himself leads him to not only succeed as an actor, but also to open the door to reconciling with his parents. <p><p>We Were Dreamers is more than a celebrity memoir—it's a story about growing up between cultures, finding your family, and becoming the master of your own extraordinary circumstance. <p> <b>New York Times Bestseller</b>
We Wish You a Poopy Christmas: Fudgy the Poopman's Collection of Christmas Classics Made Crappy (Illustrated Bathroom)
by Bonnie MillerA hilariously sh*tty holiday gift for everyone who loves Christmas and anyone who poops. Curl up by the fire with some steaming hot chocolate and listen to Fudgy the Poopman offer his unique take on your favorite Christmas tales. You&’re probably familiar with Rudolph and his red-nose; but in this book, you hear how Christmas was saved by Rupert, whose case of IBS has left him with a shining red spot on the opposite end of his reindeer body. Like an overindulgent holiday feast, this is the gift that just keeps giving. Packaged as a high quality hardcover and fully illustrated in bright colors (as well as brown), the holiday reboots include &“Silent but Deadly Night,&” &“The Nutcracker&’s Dilemma,&” and &“The Twelve Days of Poopmas.&”
We'll Always Have Casablanca: The Life, Legend, and Afterlife of Hollywood's Most Beloved Movie
by Noah IsenbergFor the 75th anniversary of its premiere—the incredible story of how Casablanca was made and why it remains the most beloved of Hollywood films. Casablanca was first released in 1942, just two weeks after the city of Casablanca itself surrendered to American troops led by General Patton. Featuring a pitch-perfect screenplay, a classic soundtrack, and unforgettable performances by Humphrey Bogart, Ingrid Bergman, and a deep supporting cast, Casablanca was hailed in the New York Times as “a picture that makes the spine tingle and the heart take a leap.” The film won Oscars for best picture, best director, and best screenplay, and would go on to enjoy more revival screenings than any other movie in history. It became so firmly ensconced in the cultural imagination that, as Umberto Eco once said, Casablanca is “not one movie; it is ‘movies.’ ” We’ll Always Have Casablanca is celebrated film historian Noah Isenberg’s rich account of this most beloved movie’s origins. Through extensive research and interviews with filmmakers, film critics, family members of the cast and crew, and diehard fans, Isenberg reveals the myths and realities behind Casablanca’s production, exploring the transformation of the unproduced stage play into the classic screenplay, the controversial casting decisions, the battles with Production Code censors, and the effect of the war’s progress on the movie’s reception. Isenberg particularly focuses on the central role refugees from Hitler’s Europe played in the production (nearly all of the actors and actresses cast in Casablanca were immigrants). Finally, Isenberg turns to Casablanca’s long afterlife and the reasons it remains so revered. From the Marx Brothers’ 1946 spoof hit, A Night in Casablanca, to loving parodies in New Yorker cartoons, Saturday Night Live skits, and Simpsons episodes, Isenberg delves into the ways the movie has lodged itself in the American psyche. Filled with fresh insights into Casablanca’s creation, production, and legacy, We’ll Always Have Casablanca is a magnificent account of what made the movie so popular and why it continues to dazzle audiences seventy-five years after its release.
We'll Always Have the Movies: American Cinema During World War II
by Sally E. Parry Robert L. McLaughlinAn &“essential&” study of what Americans watched during wartime, and how films shaped their understanding of events (Publishers Weekly).During the highly charged years of World War II, movies perhaps best communicated to Americans who they were and why they were fighting. These films were more than just an explanation of historical events: they asked audiences to consider the Nazi threat; they put a face on both our enemies and allies, and they explored changing wartime gender roles.We&’ll Always Have the Movies shows how film after film repeated the narratives, character types, and rhetoric that made the war and each American&’s role in it comprehensible. Robert L. McLaughlin and Sally E. Parry have watched more than six hundred films made between 1937 and 1946—including many never before discussed in this context—and have analyzed the cultural and historical importance of these films in explaining the war to moviegoers. This extensive study shows how filmmakers made the chaotic elements of wartime familiar, while actual events became film history, and film history became myth.&“A terrific book that explores not only the themes of hundreds of films but also their impact on patriotism and national will in a time of war.&” —WWII History
We'll Be Here for the Rest of Our Lives: A Swingin' Show-Biz Saga
by David Ritz Paul ShafferFrom Shaffer, lifelong music junkie, hipster, and longtime leader of David Letterman's band, comes a candid, endearing, hilarious, and star-studded memoir of a life in--and a love of--show business.
We're Back!: The Wildest Show on Earth
by Francine HughesTwo New York City kids, Louie and Cecilia, meet four friendly dinosaurs that can talk! They all go to the Eccentric Circus, become hypnotized, then escape. Quick paced story.
We're In The Wrong Book!
by Richard ByrneWhen a potato sack race goes awry, Bella and Ben find themselves bumped from their familiar page into uncharted territory. It's a brave new world of lollipops and sphinxes--and Bella and Ben are on one page-turning adventure. How will they find their way back into their very own book?
We're Not Gonna Take It: A Children's Picture Book (LyricPop #0)
by Dee Snider Margaret McCartneyThis picture book of Dee Snider's classic song of empowerment and self-determination will strike a chord with kids everywhere. Oh we're not gonna take it No, we ain't gonna take it Oh we're not gonna take it anymore
We're Not Gonna Take It: A Children's Picture Book (LyricPop)
by Dee Snider Margaret McCartneyThis picture book of Dee Snider’s classic song of empowerment and self-determination will strike a chord with kids everywhere. “[A] story that both parents and children can easily relate to.” —Exclusive Magazine “We’re not gonna take it No, we ain’t gonna take it We’re not gonna take it Anymore!” We’re Not Gonna Take It is a playful picture book echoing 1980s hair band Twisted Sister’s most popular antiestablishment anthem. As part of their triple-platinum album Stay Hungry, “We’re Not Gonna Take It” spent fifteen weeks on the Billboard Hot 100 chart, reaching number twenty-one. With lyrics by Dee Snider and illustrations by Margaret McCartney, this picture book follows three toddlers on a mission to defy their parents, whether it be lunchtime, bath time, or bedtime. We’re Not Gonna Take It is a story both parents and children can relate to, and a song they can enjoy together.
We've Decided to Go in a Different Direction: Essays
by Tess Sanchez&“Funny, relatable, honest, and most of all, just like Tess Sanchez, a really good time.&” —Mindy Kaling, actress and New York Times bestselling author A funny and heartfelt essay collection about working in Hollywood, starting over, defining your identity, and the relatable messiness that ensues from unforeseen circumstances. Wife to a well-known actor, the mother of two, a sister, daughter, and general meddler, Tess Sanchez&’s life was like a #1-rated sitcom. But the loss of her career as a highly successful casting executive equaled series cancellation. Now, with humor and insight, Sanchez examines the aftermath of a major shift that forever changed the course of her life, and the resilience that came from reframing loss into possibility. &“We&’ve decided to go in a different direction&” was a phrase Sanchez rattled off to countless agents, actors, producers, and many more. But in the fall of 2020, the tables turned as she was on the receiving end of that phrase, when she lost the long-held job she adored. She quickly discovered how much that career defined her identity, from her personal relationships to her own perception of herself. In the midst of facing this upheaval, her father was diagnosed with a devastating illness and suddenly, Sanchez had to learn what it means to parent her parents. Moving, witty, and fun, We've Decided to Go in a Different Direction offers you both welcome comedy and empowering strength when it comes to tackling life&’s challenges.
Wear and Tear: The Threads of My Life
by Tracy TynanA candid, entertaining memoir told through clothes.Tracy Peacock Tynan grew up in London in the 1950's and 60s, privy to her parents' glamorous parties and famous friends--Laurence Olivier, Vivien Leigh, and Orson Welles. Cecil Beaton and Katharine Hepburn were her godparents. Tracy was named after Katherine Hepburn's character, Tracy Lord, in the classic film, The Philadelphia Story. These stylish showbiz people were role models for Tracy, who became a clotheshorse at a young age. Tracy's father, Kenneth Tynan, was a powerful theater critic and writer for the Evening Standard, The Observer, and The New Yorker. Her mother was Elaine Dundy, a successful novelist and biographer, whose works have recently been revived by The New York Review of Books. Both of Tracy's parents, particularly her father, were known as much for what they wore as what they wrote. In the Tynans' social circles, style was essential, and Tracy had firm ideas about her own clothing for as long as she can remember. Shopping was an art passed down through the family; though shopping trips with her mother were so traumatic that Tracy started shopping on her own when she was fourteen. When Tracy started writing about her life she found that clothing was the focus of many of her stories. She recalls her father's dandy attire and her mother's Pucci dresses, as well as her parents' rancorous marriage and divorce, her father's prodigious talents and celebrity lifestyle, and her mother's lifelong struggle with addiction. She tackles issues big and small using clothes as an entrée--relationships, marriage, children, stepchildren, blended families, her parent's decline and deaths, and her work as a costume designer are all recounted with humor, with insight, and with the special joy that can only come from finding the perfect outfit.
Webspinner: Songs, Stories, and Reflections of Duncan Williamson, Scottish Traveller
by John D. NilesBorn in 1928 in a tent on the shore of Loch Fyne, Argyll, Duncan Williamson (d. 2007) eventually came to be recognized as one of the foremost storytellers in Scotland and the world. Webspinner: Songs, Stories, and Reflections of Duncan Williamson, Scottish Traveller is based on more than a hundred hours of tape-recorded interviews undertaken with him in the 1980s. Williamson tells of his birth and upbringing in the west of Scotland, his family background as one of Scotland’s seminomadic travelling people, his varied work experiences after setting out from home at about age fifteen, and the challenges he later faced while raising a family of his own, living on the road for half the year. The recordings on which the book is based were made by John D. Niles, who was then an associate professor at the University of California, Berkeley. Niles has transcribed selections from his field tapes with scrupulous accuracy, arranging them alongside commentary, photos, and other scholarly aids, making this priceless self-portrait of a brilliant storyteller available to the public. The result is a delight to read. It is also a mine of information concerning a vanished way of life and the place of singing and storytelling in Traveller culture. In chapters that feature many colorful anecdotes and that mirror the spontaneity of oral delivery, readers learn much about how Williamson and other members of his persecuted minority had the resourcefulness to make a living on the outskirts of society, owning very little in the way of material goods but sustained by a rich oral heritage.
Weeki Wachee Springs
by Dan Pelland Maryan PellandMermaids are like leprechauns: it's very hard to sneak up and catch a glimpse of one. But in a hamlet on the Gulf Coast of Florida, people have been able to do just that since 1947, when Newton Perry opened a small roadside attraction with an underwater theater. For nearly 60 years, live mermaids have been the unique focal point of Weeki Wachee Springs. Mysterious and enchanting, these young performers have done everything from teaching a class to typing a letter underwater. They are carefully trained, completely enthusiastic, and delightful to see. Wander through the pages of this book and meet the mermaids of Weeki Wachee in their magical underwater theater.
Weimar Cinema and After: Germany's Historical Imaginary
by Thomas ElsaesserGerman cinema of the 1920s is still regarded as one of the 'golden ages' of world cinema. Films such as The Cabinet of Dr Caligari, Dr Mabuse the Gambler, Nosferatu, Metropolis, Pandora's Box and The Blue Angel have long been canonised as classics, but they are also among the key films defining an image of Germany as a nation uneasy with itself. The work of directors like Fritz Lang, F.W. Murnau and G.W. Pabst, which having apparently announced the horrors of fascism, while testifying to the traumas of a defeated nation, still casts a long shadow over cinema in Germany, leaving film history and political history permanently intertwined.Weimar Cinema and After offers a fresh perspective on this most 'national' of national cinemas, re-evaluating the arguments which view genres and movements such as 'films of the fantastic', 'Nazi Cinema', 'film noir' and 'New German Cinema' as typically German contributions to twentieth century visual culture. Thomas Elsaesser questions conventional readings which link these genres to romanticism and expressionism, and offers new approaches to analysing the function of national cinema in an advanced 'culture industry' and in a Germany constantly reinventing itself both geographically and politically.Elsaesser argues that German cinema's significance lies less in its ability to promote democracy or predict fascism than in its contribution to the creation of a community sharing a 'historical imaginary' rather than a 'national identity'. In this respect, he argues, German cinema anticipated some of the problems facing contemporary nations in reconstituting their identities by means of media images, memory, and invented traditions.
Weimar Cinema, Embodiment, and Historicity: Cultural Memory and the Historical Films of Ernst Lubitsch (Routledge Focus on Film Studies)
by Mason Kamana AllredIn its retrieval and (re)construction, the past has become interwoven with the images and structure of cinema. Not only have mass media—especially film and television—shaped the content of memories and histories, but they have also shaped their very form. Combining historicization with close readings of German director Ernst Lubitsch's historical films, this book focuses on an early turning point in this development, exploring how the medium of film shaped modern historical experience and understanding—how it moved embodied audiences through moving images.
Weimar Cinema: An Essential Guide to Classic Films of the Era
by Noah IsenbergTaken as a whole, the sixteen remarkable films discussed in this provocative new volume of essays represent the brilliant creativity that flourished in the name of German cinema between the wars. Encompassing early gangster pictures and science fiction, avant-garde and fantasy films, sexual intrigues and love stories, the classics of silent cinema and Germany's first talkies, each chapter illuminates, among other things: the technological advancements of a given film, its detailed production history, its critical reception over time, and the place it occupies within the larger history of the German studio and of Weimar cinema in general. Readers can revisit the careers of such acclaimed directors as F. W. Murnau, Fritz Lang, and G. W. Pabst and examine the debuts of such international stars as Greta Garbo, Louise Brooks, and Marlene Dietrich. Training a keen eye on Weimar cinema's unusual richness and formal innovation, this anthology is an essential guide to the revolutionary styles, genres, and aesthetics that continue to fascinate us today.
Weimar Cinema: An Essential Guide to Classic Films of the Era (Film and Culture Series)
by Editor Noah IsenbergTaken as a whole, the sixteen remarkable films discussed in this provocative new volume of essays represent the brilliant creativity that flourished in the name of German cinema between the wars. Encompassing early gangster pictures and science fiction, avant-garde and fantasy films, sexual intrigues and love stories, the classics of silent cinema and Germany's first talkies, each chapter illuminates, among other things: the technological advancements of a given film, its detailed production history, its critical reception over time, and the place it occupies within the larger history of the German studio and of Weimar cinema in general. Readers can revisit the careers of such acclaimed directors as F. W. Murnau, Fritz Lang, and G. W. Pabst and examine the debuts of such international stars as Greta Garbo, Louise Brooks, and Marlene Dietrich. Training a keen eye on Weimer cinema's unusual richness and formal innovation, this anthology is an essential guide to the revolutionary styles, genres, and aesthetics that continue to fascinate us today.
Weird Dance: Curious and Captivating Dance Trivia
by Tim Rayborn Abigail KeyesAttend a grand ball of the bizarre and never look at dance the same way again!Weird Dance processes through the odd, grim, and unintentionally humorous history of dance, uncovering strange stories and weird facts.These dark tales of murder, rivalry, insanity, and more reveal all sorts of grim goings-on, proving that—for dancers—life was not just one grand plié. Stories include: An elderly woman who stepped out of her Strasbourg home one summer day in 1518 and began to dance furiously; nothing and no one could stop her. Soon, dozens more joined her, and so began another strange epidemic of the deadly dancing plague. The horrific fate of a young ballerina who had a run-in with a gaslight and saw her career go up in smoke. The medieval Dance of Death that reminded all of their inevitable doom. The controversial ballet that sparked a riot. The strange and macabre fate of the infamous Mata Hari’s head after her execution. The grotesque scarf accident that led to Isadora Duncan’s demise.From Roman Bacchanals to medieval and Renaissance dancing plagues, from the bloody world of ballet to scandals, ghosts, spirit possessions, superstitions, and more, you will attend a grand ball of the bizarre that shows just how awful dancers, choreographers, and even audience members have been to each other over the centuries.
Weird Medieval Guys: How to Live, Laugh, Love (and Die) in Dark Times
by Olivia Swarthout'FASCINATING' Guardian | 'WE LOVE THIS BOOK' Blackwells | 'THE BEST GIFT BOOK THERE IS' IndependentA GUIDE TO LIVING IN DARK TIMES, FROM PEOPLE WHO REALLY DIDBursting with wisdom and artwork from the Middle Ages, this handy guide will give you time-tested solutions for all of life's biggest problems. Whether it's choosing an appropriate dog name like Garlik or Filthe, becoming an irresistible suitor even though you can't joust, surviving encounters with rabbits and dragons, or coming to terms with your inevitable demise, this book is full of illuminating advice that is sure to brighten up the darkest of times.Full of quizzes, how-to-guides, diagrams, and flow charts that take you from birth to your gruesome death, this is the ultimate laugh-out-loud read for history buffs.
Weird and Wonderful: The Dime Museum in America
by Andrea Stulman DennettThe book talks about the almost forgotten dime museum and its history. During its heyday, it was a unique institution that integrated many types of entertainment under one roof and for a single price.