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Video Production Techniques: Theory and Practice From Concept to Screen (Lea’s Communication Series)
by Donald L. DiefenbachVideo Production Techniques begins with the basic skills of video production, so students experience writing, shooting and editing right away. It then moves to short-form projects and in-depth explorations of lighting and sound, concluding with an exploration of documentaries, news, and other nonfiction forms. The final section is dedicated to advanced applications, including the process of creating long-form projects, the elements of directing, and strategies for effective marketing and distribution. The book concludes with a chapter exploring professional opportunities in production and options for further study.
Video Production Techniques: Theory and Practice from Concept to Screen
by Donald L Diefenbach Anne E SlattonVideo Production Techniques is an essential guide to the art and craft of video production. It introduces students to the theoretical foundations as well as the practical skills needed to make a successful video project. The opening chapter introduces the reader to the language of motion pictures and sets the stage for effective visual storytelling. Unit I guides students through the theory, techniques, and processes of writing, shooting, and editing video productions. Unit II expands on these basic principles to explore the crafts of sound recording/design, lighting, and directing. Unit III surveys the industries, formats, and methods for creating fiction and nonfiction programs. The final unit of the text examines options for distribution and career opportunities in video production. Newly updated and revised, the second edition of Video Production Techniques unifies theory and practice for instructors and students. It is a great tool for use in introductory-level video production courses and for the independent learner. The accompanying companion website features instructor resources including a sample syllabus, quiz bank, sample assignments, and PowerPoint slides for each chapter, alongside illustrative video demonstrations for students.
Video Production Workshop: DMA Series (Dv Expert Ser.)
by Tom WolskyVideo Production Workshop is the first book written to be accessible and appealing to a younger, digitally savvy audience interested in learning the full range of skills involved in planning and executing a video project. It introduces all the digital tools and basic techniques in sequence for readers to build proficiency and gain a well-rounded mastery of the art and craft of video production. Author Tom Wolsky begins with lessons in video editing and camera handling, and then moves on to scripting and storyboarding a production. Readers then step through a series of exercise projects. Separate chapters explore how to light different types of scenes as well as how to obtain well-recorded sound. The book is designed both for independent students as well as for classroom use, and it includes lessons on video journalism and its rights, responsibilities, and ethics. Related techniques for interviewing and working in a live studio are also presented. The book concludes with lessons in post-production techniques, especially motion graphics and special effects. The downloadable resources are packed with DV footage for projects, plus demo plug-ins and free software.
Video Production: Disciplines and Techniques
by Jim Foust Edward J Fink Lynne GrossThe revised twelfth edition of Video Production: Disciplines and Techniques introduces readers to the operations underlying video production. It provides thorough coverage of the theory and techniques readers need to know, balancing complexity with practical how-to information about detailed subjects in a concise, conversational style. The book has been updated to incorporate recent changes in the video production pipeline—emphasizing digital video, non-linear video production, streaming platforms, and mobile production—while maintaining the foundational, nuanced, teamwork-based approach that has made the book popular. Each chapter includes key takeaways, review questions, and on-set exercises, and a comprehensive glossary defines all the key production terms discussed. An accompanying eResource includes downloadable versions of the forms and paperwork used in the book, in addition to links to further online resources.
Video Production: Disciplines and Techniques
by James C. Foust Edward J. Fink Phil Beskid Jose A. Cardenas Robert Gordon Jr. James B. LohreyThis seminal text, now in its thirteenth edition, provides a comprehensive and accessible overview of the operations underlying video production.It provides thorough coverage of the theory and techniques readers need to know, balancing complexity with practical how-to information about detailed subjects in a concise, conversational style. The book has been updated to incorporate recent changes in the video production pipeline–emphasizing digital video, non-linear video production, streaming platforms, mobile production, and do-it-yourself video–while maintaining the foundational, nuanced, teamwork-based approach that has made the book popular.Chapters include key takeaways, review questions, on-set exercises, and QR codes, and a comprehensive glossary defines all the key production terms discussed. An accompanying eResource includes downloadable versions of the forms and paperwork used in the book, in addition to links to further online resources.
Video Production: Disciplines and Techniques (10th edition)
by Lynne S. Gross James C. FoustWritten in a readable style, this text introduces students to the operations underlying multiple-camera video production. In addition to covering technological skills and equipment, the text also emphasizes the importance of interpersonal skills, teamwork, and professionalism. Early chapters of the text overview the differences between studio, field, and remote truck production, review the duties of cast and crew, and outline crucial producing and directing functions. These chapters are followed by seven equipment chapters, and a final chapter on field production. B&w photos, drawings, chapter exercises, and a glossary are included. This tenth edition is revised and reorganized to take into account recent changes in the field of video production, with increased emphasis on digital and high-definition formats. It features annotated screen shot examples of nonlinear editing programs, information on preparing video for use on the Internet and portable devices, and additional emphasis throughout on video production for newscasts. There is also updated coverage of various file formats for traditional and alternate content delivery systems. A companion web site contains interactive exercises, review quizzes, flash cards for vocabulary review, downloadable sample forms, and video and audio clips demonstrating principles and techniques. Gross is affiliated with California State University-Fullerton. Foust is head of the Broadcast Journalism sequence in the Department of Journalism at Bowling Green State University. Annotation ©2008 Book News, Inc., Portland, OR (booknews. com)
Video Revolutions: On the History of a Medium
by Michael Z. NewmanSince the days of early television, video has been an indispensable part of culture, society, and moving-image media industries. Over the decades, it has been an avant-garde artistic medium, a high-tech consumer gadget, a format for watching movies at home, a force for democracy, and the ultimate, ubiquitous means of documenting reality. In the twenty-first century, video is the name we give all kinds of moving images. We know it as an adaptable medium that bridges analog and digital, amateur and professional, broadcasting and recording, television and cinema, art and commercial culture, and old media and new digital networks. In this history, Michael Z. Newman casts video as a medium of shifting value and legitimacy in relation to other media and technologies, particularly film and television. Video has been imagined as more or less authentic or artistic than movies or television, as more or less democratic and participatory, as more or less capable of capturing the real. Techno-utopian rhetoric has repeatedly represented video as a revolutionary medium, promising to solve the problems of the past and the present—often the very problems associated with television and the society shaped by it—and to deliver a better future. Video has also been seen more negatively, particularly as a threat to movies and their culture. This study considers video as an object of these hopes and fears and builds an approach to thinking about the concept of the medium in terms of cultural status.
Video Shooter: Mastering Storytelling Techniques (Dv Expert Ser.)
by Barry BravermanTired of the all the digital filmmaking guidebooks that give you only the nuts and bolts of how to use a camera? The third edition of Video Shooter takes the how-to knowledge a step further by showing you how to craft a story in your video. Barry Braverman is an experienced shooter and filmmaker whose is highly regarded in the field. This book covers everything from framing a shot, to lighting, to the type of camera (and tripod) you should use, and perhaps most importantly--how to translate the use of all this equipment and techniques into a story. The author is a veteran cinematic storyteller, and he shares practiced film-style techniques for use on your own DV cam.Humorous and opinionated, the author provides anecdotes and full-color illustrations that help you to learn the tricks of the trade. He gets right to the point of what you need to know to get good shots-and on a budget. New to this edition: * more up-to-date techniques involving HD technology* more coverage on the multi-skillset required of today's filmmakers (who are asked to act simultaneously as Director, Director of Photography, Cinematographer, Sound Recordists, etc.)*Website including craft tips, equipment review/blogs, and a teacher's corner to support use of the book in film studies/digital media class (includes student work completed in class using the text)
Video: Digital Communication & Production
by Jim StinsonComprehensive textbook designed as a complete introductory course in video-the 21st centruy hybrid of television and film techniques that is the future of all media production.
Video: Digital Communication and Production (3rd Edition)
by Jim StinsonThe comprehensive textbook has been updated to include the most up-to-date digital equipment and processes prevalent in the video industry and addresses all major video production topics, including an overview of the video production process, video composition, program development, the operation of video camera systems, lighting equipment and techniques, audio equipment and recording, directing, editing principles, and digital software basics.
Videoclub: Las películas que cambiaron nuestra vida
by Jaume RipollUNA HISTORIA DE PELÍCULA DE LA MANO DEL COFUNDADOR DE FILMIN Esta es la historia de un niño con sobrepeso y acné que se despertaba de madrugada para ver películas. Esta también es la historia del padre de ese niño, propietario de videoclubs, coleccionista de VHS y el hombre que pensaba que la mejor educación para su hijo era el cine. Esta es la historia de cómo el cine puede cambiar nuestras vidas y hacerlas mejores.Jaume Ripoll, cofundador de Filmin -una de las plataformas de cine más prestigiosas de los últimos tiempos- nos relata en este libro su historia de amor incondicional con el séptimo arte. De su mano, volveremos a los videoclubs de barrio en un recorrido nostálgico y fascinante lleno de anécdotas y recomendaciones que nos harán (re)descubrir y recuperar las obras imprescindibles que marcaron varias generaciones. «He hecho un viaje de espectador a distribuidor, del placer al trabajo, y ahora escribo este libro con la esperanza de que restaure parte de la ilusión perdida y permita al lector descubrir y recuperar obras que posiblemente han significado tanto en su vida como lo han hecho en la mía. Al fin y al cabo, el cine es una experiencia solitaria que se disfruta en compañía». La crítica ha dicho:«Jaume Ripoll nos ofrece una panorámica certera de los últimos 30 años de cine en este país; del siglo XX al XXI, entre rebobinados, recs y pausas. Un libro que es autobiografía, novela de aprendizaje y manual de supervivencia. Lleno de gracia e inteligencia, respira amor por el cine en cada página».Jonás Trueba «Una emocionante celebración del cine».El Periódico«Un libro rebosante de nostalgia, anécdotas, confesiones, reflexiones sobre el devenir de una industria cinematográfica… un canto de amor al cine».David Gallardo, Infolibre «Un conmovedor homenaje al cine».Vogue «Unas deliciosas memorias».Oskar Belategui, El Correo«Muy interesante».El País «Una delicia que se acaba demasiado pronto».Saltos de Eje
Videoconferencing: The Whole Picture
by James R. WilcoxThis text aims to help the reader understand all aspects of videoconferencing. It includes: an overview of the history and technology; a section on security for Internet-based videoconferencing as well as expanded coverage of standards.
Videojournalism: Multimedia Storytelling for Online, Broadcast and Documentary Journalists
by Kenneth KobreVideojournalism: Multimedia Storytelling for Online, Broadcast and Documentary Journalists is an essential guide for solo video storytellers—from "backpack" videojournalists to short-form documentary makers to do-it-all broadcast reporters.Based on interviews with award-winning professionals sharing their unique experiences and knowledge, Videojournalism covers topics such as crafting and editing eye-catching short stories, recording high-quality sound, and understanding the laws and ethics of filming in public and private places. Other topics include:• understanding the difference between a story and a report• finding a theme and telling a story in a compact time frame• learning to use different cameras and lenses—from smart phones to mirrorless and digital cinema cameras• using light, both natural and artificial • understanding color and exposureThe second edition of this best-selling text has been completely revised and updated. Heavily illustrated with more than 550 photographs, the book also includes more than 200 links to outstanding examples of short-form video stories. Anatomy of a News Story, a short documentary made for the book, follows a day in the life of a solo TV videojournalist on an assignment (with a surprise ending), and helps readers translate theory to practice.This book is for anyone learning how to master the art and craft of telling real, short-form stories with words, sound, and pictures for the Web or television.A supporting companion website links to documentaries and videos, and includes additional recommendations from the field’s most prominent educators.
Videoland
by Daniel HerbertVideoland offers a comprehensive view of the "tangible phase" of consumer video, when Americans largely accessed movies as material commodities at video rental stores. Video stores served as a vital locus of movie culture from the early 1980s until the early 2000s, changing the way Americans socialized around movies and collectively made movies meaningful. When films became tangible as magnetic tapes and plastic discs, movie culture flowed out from the theater and the living room, entered the public retail space, and became conflated with shopping and salesmanship. In this process, video stores served as a crucial embodiment of movie culture's historical move toward increased flexibility, adaptability, and customization.In addition to charting the historical rise and fall of the rental industry, Herbert explores the architectural design of video stores, the social dynamics of retail encounters, the video distribution industry, the proliferation of video recommendation guides, and the often surprising persistence of the video store as an adaptable social space of consumer culture. Drawing on ethnographic fieldwork, cultural geography, and archival research, Videoland provides a wide-ranging exploration of the pivotal role video stores played in the history of motion pictures, and is a must-read for students and scholars of media history.
Viewers Like You: How Public TV Failed the People
by Laurie OulletteHow "public" is public television if only a small percentage of the American people tune in on a regular basis? When public television addresses "viewers like you," just who are you? Despite the current of frustration with commercial television that runs through American life, most TV viewers bypass the redemptive "oasis of the wasteland" represented by PBS and turn to the sitcoms, soap operas, music videos, game shows, weekly dramas, and popular news programs produced by the culture industries. Viewers Like You? traces the history of public broadcasting in the United States, questions its priorities, and argues that public TV's tendency to reject popular culture has undermined its capacity to serve the people it claims to represent. Drawing from archival research and cultural theory, the book shows that public television's perception of what the public needs is constrained by unquestioned cultural assumptions rooted in the politics of class, gender, and race.
Viewfinder: A Memoir of Seeing and Being Seen
by Jeremy McCarter Jon M. ChuFrom visionary director Jon M. Chu comes a powerful, inspiring memoir of belonging, creativity, and learning to see who you really are.&“A must-read for aspiring artists and dreamers of all kinds.&”—Ava DuVernayLong before he directed Wicked, In The Heights, or the groundbreaking film Crazy Rich Asians, Jon M. Chu was a movie-obsessed first-generation Chinese American, helping at his parents&’ Chinese restaurant in Silicon Valley and forever facing the cultural identity crisis endemic to children of immigrants. Growing up on the cutting edge of twenty-first-century technology gave Chu the tools he needed to make his mark at USC film school, and to be discovered by Steven Spielberg, but he soon found himself struggling to understand who he was. In this book, for the first time, Chu turns the lens on his own life and work, telling the universal story of questioning what it means when your dreams collide with your circumstances, and showing how it&’s possible to succeed even when the world changes beyond all recognition. With striking candor and unrivaled insights, Chu offers a firsthand account of the collision of Silicon Valley and Hollywood—what it&’s been like to watch his old world shatter and reshape his new one. Ultimately, Viewfinder is about reckoning with your own story, becoming your most creative self, and finding a path all your own.
Viewing America
by Christopher BigsbySomething has happened in the world of television drama. For the last decade and a half America has assumed a dominant position. Novelists, screenwriters and journalists, who would once have had no interest in writing for television, indeed who often despised it, suddenly realised that it was where America could have a dialogue with itself. The new television drama was where writers could engage with the social and political realities of the time, interrogating the myths and values of a society moving into a new century. Familiar genres have been reinvented, from crime fiction to science fiction. This is a book as much about a changing America as about the television series which have addressed it, from The Sopranos and The Wire to The West Wing, Mad Men and Treme, in what has emerged as the second golden age of American television drama.
Viewing Photography in Post-Dictatorship Latin America: Visual Interruptions, 1997-2016
by David RojinskyThis book examines the archival aesthetic of mourning and memory developed by Latin American artists and photographers between 1997-2016. Particular attention is paid to how photographs of the assassinated or disappeared political dissident of the 1970s and 1980s, as found in family albums and in official archives, were not only re-imagined as conduits for private mourning, but also became allegories of social trauma and the struggle against socio-political amnesia. Memorials, art installations, photo-essays, street projections, and documentary films are all considered as media for the reframing of these archival images from the era of the Cold War dictatorships in Argentina, Chile, Guatemala, and Uruguay. While the turn of the millennium was supposedly marked by “the end of history” and, with the advent of digital technologies, by “the end of photography,” these works served to interrupt and hence, belie the dominant narrative on both counts. Indeed, the book's overarching contention is that the viewer’s affective identification with distant suffering when engaging these artworks is equally interrupted: instead, the viewer is invited to apprehend memorial images as emblems of national and international histories of ideological struggle.
Vin Diesel
by Nancy KrulikHE'S DIESEL POWERED! Vin Diesel's come a long way since his syage debut at the age of seven -- a gig he was offered after getting caught breaking into a New York City theater! But these days Vin's getting noticed for other talents -- and this time they're legal. There is more to Vin than his pumped-up action-hero exterior. He's a serious actor who's written, directed and produced films that have been screened at the most prestigious film festivals in the world. Vin's got the skills and determination that took him from earning $20 a week to $20 million a film, and he knew he would be a star all along...He was just waiting for the rest of us to figure it out.
Vin Diesel XXXposed
by Michael Robin Todd Rone OwensVin Diesel is everywhere -- the newly crowned king of the box office and the newsstand. But who is he really? The world's hottest star is also its most mysterious. Few fans realize that this so-called overnight success is actually the product of a lifetime of planning and struggle. This book follows every step of Vin Diesel's rise from his days as a poor but happy mischief-maker in New York's Greenwich Village -- where an act of vandalism led to his stage debut at the age of seven -- through the long years spent toiling as a bouncer in Manhattan's trendiest clubs while trying to break into Hollywood -- to his first "big break" from Steven Spielberg. Take a look behind the scenes of each of Vin's films -- the roles he fought for, the role he walked away from after filming had begun, and the leading ladies he continued to see off-screen. VIN DIESEL: XXXPOSED takes on the rumors about his background and his ego and reveals how fame has taken its toll on the intensely private star. This is the unlikely and inspiring story of how an outsider who wouldn't give up transformed himself into the action hero of the new millennium.
Vincent Price
by Victoria PriceSince his death in 1993, Vincent Price's legacy as a Hollywood legend has only grown in stature. His lengthy and distinguished career--as the voice of The Saint on the radio; as an actor in such unforgettable horror films as House of Wax and The Fly, in classic movies such as Laura and The Song of Bernadette, and on popular TV shows such as Batman and The Brady Bunch; and as a star on the Broadway stage--spanned sixty-five years. In addition to being an icon of stage and screen, Price was an art historian and collector who did much to popularize the visual arts in the United States, as well as a gourmet chef and author of bestselling cookbooks. Widely revered for his elegance and erudition, this Renaissance man left his mark on many areas of American culture during the twentieth century. Vincent Price was also a loving father to his daughter Victoria, who was born shortly before he turned fifty-one, at the height of his popularity. Though the star's busy film schedule took him in and out of his young daughter's life, he was always a larger-than-life presence and, simply, her father. The deep bond between father and daughter managed to survive the machinations of Price's third wife, the elegant British actress Coral Browne, who resented the close relationship between Price and his children and grandchildren. After Browne's death, Price and his daughter spent over a year taping conversations that would form the basis of this compelling biography-cum-memoir. In writing about the father she adored, Victoria Price reveals a man complex, human, and humorous. An actor of range, less than one-third of the movies in which he appeared were in the horror genre. As a pre-war anti-Nazi sympathizer, he was greylisted during the Red Scare of the 1950s until, in a desperate gesture, he signed a secret oath that saved his career. His passion for the arts gave him a second life as a savvy columnist and museum founder, even as his films were featured in drive-ins nationwide. And through it all, Vincent Price's professionalism, grace under pressure, and tongue-in-cheek humor earned him lifelong friendships among his peers and generation after generation of loyal fans. Victoria Price's account of her father is one of candor and honesty; both his passionate and charismatic public persona and his conflicted inner life are treated with curiosity and understanding. Vincent Price: A Daughter's Biography is, in short, the thorough--and uniquely intimate--life of a legend. For more information about Vincent Price, please visit vincentprice.com.
Vincent Price: A Daughter's Biography
by Victoria Price Roger CormanSince his death in 1993, Vincent Price’s legacy as a Hollywood legend has only grown in stature. His lengthy and distinguished career—as the voice of The Saint on the radio; as an actor in such unforgettable horror films as House of Wax and The Fly, in classic movies such as Laura and The Song of Bernadette, and on popular TV shows such as Batman and The Brady Bunch; and as a star on the Broadway stage—spanned sixty-five years. In addition to being an icon of stage and screen, Price was an art historian and collector who did much to popularize the visual arts in the United States, as well as a gourmet chef and author of bestselling cookbooks. Widely revered for his elegance and erudition, this Renaissance man left his mark on many areas of American culture during the twentieth century. <P><P> Vincent Price was also a loving father to his daughter Victoria, who was born shortly before he turned fifty-one, at the height of his popularity. Though the star’s busy film schedule took him in and out of his young daughter’s life, he was always a larger-than-life presence and, simply, her father. The deep bond between father and daughter managed to survive the machinations of Price’s third wife, the elegant British actress Coral Browne, who resented the close relationship between Price and his children and grandchildren. After Browne’s death, Price and his daughter spent over a year taping conversations that would form the basis of this compelling biography-cum-memoir. <P><P> In writing about the father she adored, Victoria Price reveals a man complex, human, and humorous. An actor of range, less than one-third of the movies in which he appeared were in the horror genre. As a pre-war anti-Nazi sympathizer, he was greylisted during the Red Scare of the 1950s until, in a desperate gesture, he signed a secret oath that saved his career. His passion for the arts gave him a second life as a savvy columnist and museum founder, even as his films were featured in drive-ins nationwide. And through it all, Vincent Price’s professionalism, grace under pressure, and tongue-in-cheek humor earned him lifelong friendships among his peers and generation after generation of loyal fans. <P><P> Victoria Price’s account of her father is one of candor and honesty; both his passionate and charismatic public persona and his conflicted inner life are treated with curiosity and understanding. Vincent Price: A Daughter’s Biography is, in short, the thorough—and uniquely intimate—life of a legend.
Vincente Minnelli: Hollywood's Dark Dreamer
by Emanuel LevyVincente Minnelli, Hollywood's Dark Dreamer is the first full-length biography of Vincente Minnelli, one of the most legendary and influential directors in the twentieth century, encompassing his life, his art, and his artistry. Minnelli started out as a set and costume designer in New York, where he first notably applied his aesthetic principles to the Broadway stage design of Scheherazade. He became the first director of New York's Radio City Music Hall, as well as some of the most lavish Broadway musicals, including Ziegfeld Follies, and brought Josephine Baker back from Paris to star in his shows. As a film director, he discovered Lena Horne in a Harlem nightclub and cast her in his first movie, the legendary musical Cabin in the Sky. The winner of the Director Oscar for Gigi, the first film to win in all nine of its Oscar nominations, Minnelli directed such classics as the Oscar-winning An American in Paris, Meet Me in St. Louis, Father of the Bride, The Bad and the Beautiful, and Some Came Running. He was married to Judy Garland, who he met on the set of Meet Me in St. Louis and directed in such landmark films as The Clock; their daughter is actress-singer Liza Minnelli.
Vindicated: Confessions of a Video Vixen, Ten Years Later
by Karrine SteffansFor a decade, Confessions of a Video Vixen author Karrine Steffans and the details of her private life have been the subject of debate and scrutiny. But, as gossipmongers and critics speculated, assumed, and manufactured tall tales about the New York Times bestselling author, Karrine hid herself and her truth from the world, imprisoned by an abusive marriage and the judgments of society. In Vindicated: Confessions of a Video Vixen, Ten Years Later, Karrine takes readers into the belly of the beast as she harrowingly chronicles the systematic breakdown of her mind, body, and spirit at the hand of one man and the events that propelled her back to prosperity after losing everything. She candidly shares her struggle to be what others demand, her obsession with the American dream, her desperation to appear normal, the lengths to which she went, and the price she paid for it all. This dark, long journey into the life of an abused and tormented woman, wife, and mother uncovers a long-guarded set of painful personal truths, reveals the inspiring details of her life-saving triumph, and will change everything you thought you knew about Karrine Steffans.
Violated Frames: Armando Bó and Isabel Sarli's Sexploits (Feminist Media Histories #2)
by Victoria RuetaloWhen Armando Bó and Isabel Sarli began making sexploitation films together in 1956, they provoked audiences by featuring explicit nudity that would increasingly become more audacious, constantly challenging contemporary norms. Their Argentine films developed a large and international fan base. Analyzing the couple's films and their subsequent censorship, Violated Frames develops a new, roughly constructed, and "bad" archive of relocated materials to debate questions of performance, authorship, stardom, sexuality, and circulation. Victoria Ruétalo situates Bó and Sarli’s films amidst the popular culture and sexual norms in post-1955 Argentina, and explores these films through the lens of bodies engaged in labor and leisure in a context of growing censorship. Under Perón, manual labor produced an affect that fixed a specific type of body to the populist movement of Peronism: a type of body that was young, lower-classed, and highly gendered. The excesses of leisure in exhibition, enjoyment, and ecstasy in Bó and Sarli's films interrupted the already fragmented film narratives of the day and created alternative sexual possibilities.