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Wanna Cook? The Complete, Unofficial Companion to Breaking Bad
by Ensley F. Guffey K. Dale KoontzAn accessible and in-depth guide to all five seasons of Breaking Bad "I am not in danger . . . I am the danger. " With those words, Breaking Bad's Walter White solidified himself as TV's greatest antihero. Wanna Cook? explores the most critically lauded series on television with analyses of the individual episodes and ongoing storylines. From details like stark settings, intricate camerawork, and jarring music to the larger themes, including the roles of violence, place, self-change, legal ethics, and fan reactions, this companion book is perfect for those diehards who have watched the Emmy Award-winning series multiple times as well as for new viewers. Wanna Cook? elucidates without spoiling, and illuminates without nit-picking. A must-have for any fan's collection.
Wannabe: Reckonings with the Pop Culture That Shapes Me
by Aisha Harris“Aisha Harris is one of our smartest, most entertaining modern cultural critics. The nine pieces offer insight on Stevie Wonder, the Spice Girls, Pen15, and New Girl—among many other pop artifacts, of course—which might as well be parlance for, ‘Read me immediately.’” —ELLEAisha Harris has made a name for herself as someone you can turn to for a razor-sharp take on whatever show or movie everyone is talking about. Now, she turns her talents inward, mining the benchmarks of her nineties childhood and beyond to analyze the tropes that are shaping all of us, and our ability to shape them right back.In the opening essay, an interaction with Chance the Rapper prompts an investigation into the origin myth of her name. Elsewhere, Aisha traces the evolution of the “Black Friend” trope from its Twainian origins through to the heyday of the Spice Girls, teen comedies like Clueless, and sitcoms of the New Girl variety. And she examines the overlap of taste and identity in this era, rejecting the patriarchal ethos that you are what you like. Whatever the subject, sitting down with her book feels like hanging out with your smart, hilarious, pop culture–obsessed friend—and it’s a delight.
Want to Be in a Band?
by Giselle Potter Suzzy RocheDo you want to be in a band? Well, here's how! First, bug your two older sisters to start a band, and then beg them to join. (It helps if they already know how to sing and play guitar.) Then there are some tricky parts, like getting over STAGEFRIGHT and practicing until the tips of your fingers ache and playing gigs at not-so-big-time music clubs. At least, that's the way our little sister narrator explains it in her "guide" on how to start a band, based on the real-life experiences of author Suzzy Roche.From the Hardcover edition.
Wanted Cultured Ladies Only!: Female Stardom and Cinema in India, 1930s-1950s
by Neepa MajumdarWanted Cultured Ladies Only! maps out the early culture of cinema stardom in India from its emergence in the silent era to the decade after Indian independence in the mid-twentieth century. Neepa Majumdar combines readings of specific films and stars with an analysis of the historical and cultural configurations that gave rise to distinctly Indian notions of celebrity. She argues that discussions of early cinematic stardom in India must be placed in the context of the general legitimizing discourse of colonial "improvement" that marked other civic and cultural spheres as well, and that "vernacular modernist" anxieties over the New Woman had limited resonance here. Rather, it was through emphatically nationalist discourses that Indian cinema found its model for modern female identities. Considering questions of spectatorship, gossip, popularity, and the dominance of a star-based production system, Majumdar details the rise of film stars such as Sulochana, Fearless Nadia, Lata Mangeshkar, and Nargis
Wanting It All (Make Me a Star #3)
by Susan Beth PfefferAlison, Molly, TJ, Miranda, Rafe, and Bill have been on Hard Time High for five months--but real life is a lot more complicated than any TV script could make it seem Things are changing on the set of prime time's new hit series. For starters, the producer's daughter, bratty twelve-year-old Susie Goldstein, now has a role on the show. Sixteen-year-old Alison Blake, a former Miss Young America, has been wowing audiences since she was three . . . and supporting her family on her looks. Now she wants to be judged on her own merits. She gets a welcome reality check when her high school boyfriend, Seth Lewin, shows up on the set and announces he's moving to Los Angeles to be near her. Alison has to fight for the right to date Seth while keeping a secret that could get Molly fired from the show. Seasoned TV veteran Bill Douglas is vice president of his junior class. He wants to have it all--success, celebrity, and love. But his longtime girlfriend, Calista Hasbrouck, doesn't seem to see things his way. They're all on their way to stardom. But will the limelight translate into lasting fame--or leave them with broken dreams?
War Games (Quick Takes: Movies and Popular Culture)
by Jonna EagleThe word “wargames” might seem like a contradiction in terms. After all, the declaration “This is war” is meant to signal that things have turned deadly serious, that there is no more playing around. Yet the practices of war are intimately entangled with practices of gaming, from military videogames to live battle reenactments. How do these forms of play impact how both soldiers and civilians perceive acts of war? This Quick Take considers how various war games and simulations shape the ways we imagine war. Paradoxically, these games grant us a sense of mastery and control as we strategize and scrutinize the enemy, yet also allow us the thrilling sense of being immersed in the carnage and chaos of battle. But as simulations of war become more integrated into both popular culture and military practice, how do they shape our apprehension of the traumatic realities of warfare? Covering everything from chess to football, from Saving Private Ryan to American Sniper, and from Call of Duty to drone interfaces, War Games is an essential guide for anyone seeking to understand the militarization of American culture, offering a compact yet comprehensive look at how we play with images of war.
War Movies and Economics: Lessons from Hollywood’s Adaptations of Military Conflict (Routledge Economics and Popular Culture Series)
by Laura J. AhlstromWar Movies and Economics: Lessons from Hollywood’s Adaptations of Military Conflict applies ongoing research in the relatively new genre of economics in popular media to Hollywood’s war movies. Whether inadvertently or purposefully, these movies provide numerous examples of how economic principles often play an important role in military conflict. The authors of the chapters included in this edited collection work to illustrate economics lessons portrayed in adaptations such as Band of Brothers, Conspiracy, The Dirty Dozen, Dunkirk, Memphis Belle, Saving Private Ryan, Schindler’s List, Spartacus, Stalag 17, and Valkyrie. Aspects of these stories show how key economic principles of scarcity, limited resources, and incentives play important roles in military conflict. The movies also provide an avenue for discussion of the economics of public goods provision, the modern economic theory of bureaucracy, and various game-theoretic concepts such as strategic moves and commitment devices. Where applicable, lessons from closely related fields such as management are also provided. This book is ideal reading for students of economics looking for an approachable route to understanding basic principles of economics and game theory. It is also accessible to amateur and professional historians, and any reader interested in popular culture as it relates to television, movies, and military history.
War Pictures: Cinema, Violence, and Style in Britain, 1939-1945 (World War II: The Global, Human, and Ethical Dimension)
by Kent PuckettIn this original and engaging work, author Kent Puckett looks at how British filmmakers imagined, saw, and sought to represent its war during wartime through film. The Second World War posed unique representational challenges to Britain’s filmmakers. Because of its logistical enormity, the unprecedented scope of its destruction, its conceptual status as total, and the way it affected everyday life through aerial bombing, blackouts, rationing, and the demands of total mobilization, World War II created new, critical opportunities for cinematic representation.Beginning with a close and critical analysis of Britain’s cultural scene, War Pictures examines where the historiography of war, the philosophy of violence, and aesthetics come together. Focusing on three films made in Britain during the second half of the Second World War—Michael Powell and Emeric Pressburger’s The Life and Death of Colonel Blimp (1943), Lawrence Olivier’s Henry V (1944), and David Lean’s Brief Encounter (1945)—Puckett treats these movies as objects of considerable historical interest but also as works that exploit the full resources of cinematic technique to engage with the idea, experience, and political complexity of war. By examining how cinema functioned as propaganda, criticism, and a form of self-analysis, War Pictures reveals how British filmmakers, writers, critics, and politicians understood the nature and consequence of total war as it related to ideas about freedom and security, national character, and the daunting persistence of human violence. While Powell and Pressburger, Olivier, and Lean developed deeply self-conscious wartime films, their specific and strategic use of cinematic eccentricity was an aesthetic response to broader contradictions that characterized the homefront in Britain between 1939 and 1945. This stylistic eccentricity shaped British thinking about war, violence, and commitment as well as both an answer to and an expression of a more general violence.Although War Pictures focuses on a particularly intense moment in time, Puckett uses that particularity to make a larger argument about the pressure that war puts on aesthetic representation, past and present. Through cinema, Britain grappled with the paradoxical notion that, in order to preserve its character, it had not only to fight and to win but also to abandon exactly those old decencies, those “sporting-club rules,” that it sought also to protect.
War Plays by Women: An International Anthology
by Agnes Cardinal Elaine Turner Claire M. TyleeThis anthology consists of ten plays from countries involved in the First World War, including plays from Germany and France never before available in translation. Representing a range of dramatic forms, from radio play to street-epic, from comic sketch to musical, this anthology includes plays from: Gertrude Stein, Muriel Box, Marion Wentworth Craig, Dorothy Hewett, Berta Lask, Marie Leneru, Wendy Lill, Alice Dunbar Nelson, and Christina Reid. Highly successful in their day, these plays demonstrate how women have attempted to use theatre to achieve social change. The collection explores the historical development of theatrical conventions and genres and the historical context of social and gender issues.
War Representation in British Cinema and Television: From Suez to Thatcher, and Beyond (Britain and the World)
by Kevin M. FlanaganThis book explores alternatives to realist, triumphalist, and heroic representations of war in British film and television. Focusing on the period between the Suez Crisis of 1956 and the Falkland War but offering connections to the moment of Brexit, it argues that the “lost continent” of existential, satirical, simulated, and abstractly traumatic war stories is as central to understanding Britain’s martial history as the mainstream inheritance. The book features case studies that stress the contribution of exiled or expatriate directors and outsider sensibilities, with particular emphasis on Peter Watkins, Joseph Losey, and Richard Lester. At the same time, it demonstrates concerns and stylistic emphases that continue to the present in television series and films by directors such as Lone Scherfig and Christopher Nolan. Encompassing everything from features to government information films, the book explores related trends in the British film industry, popular culture, and film criticism, while offering a sense of how these contexts contribute to historical memory.
War and Cinema: The Logistics of Perception
by Paul VirilioReveals the convergence of perception and destruction in the parallel technologies of warfare and cinema. Translated by Patrick Camiller.
War as Performance: Conflicts in Iraq and Political Theatricality
by Lindsey MantoanThis book examines performance in the context of the 2003 Iraq War and subsequent conflicts with Daesh, or the so-called Islamic State. Working within a theater and performance studies lens, it analyzes adaptations of Greek tragedy, documentary theater, political performances by the Bush administration, protest performances, satiric news television programs, and post-apocalyptic narratives in popular culture. By considering performance across genre and media, War as Performance offers an interdisciplinary approach to the study of culture, warfare, and militarization, and argues that spectacular and banal aesthetics of contemporary war positions performance as a practice struggling to distance itself from appropriation by the military for violent ends. Contemporary warfare has infiltrated our narratives to such an extent that it holds performance hostage. As lines between the military and performance weaken, this book analyzes how performance responds to and potentially shapes war and conflict in the new century.
Warcraft: Behind the Dark Portal
by Daniel WallaceA stunning behind-the-scenes look at the making of Legendary Pictures’ and Universal Pictures’ Warcraft: Behind the Dark Portal, and based on Blizzard Entertainment’s World of Warcraft, the highest grossing role-playing video game series of all time.The peaceful realm of Azeroth stands on the brink of war as its civilization faces a fearsome race of invaders: Orc warriors fleeing their dying home to colonize another. As a portal opens to connect the two worlds, one army faces destruction and the other faces extinction. From opposing sides, two heroes are set on a collision course that will decide the fate of their family, their people, and their home.So begins a spectacular saga of power and sacrifice in which war has many faces and everyone fights for something. World of Warcraft holds the Guinness World Record for most popular MMORPG (massively multiplayer online role-playing game) ever and has grossed more than 11.5 billion dollars since it was released. Warcraft: Behind the Dark Portal tells the full story of the incredible creative journey that brought Blizzard Entertainment’s beloved epic adventure of world-colliding conflict to the big screen. Filled with stunning concept art, unit photography, and visual effects breakdowns, this book also features insightful interviews with the incredible cast and crew, as they share the secrets behind bringing war-torn Azeroth to life.Directed by Duncan Jones (Moon, Source Code) and written by Charles Leavitt and Jones, the film—starring Travis Fimmel, Paula Patton, Ben Foster, Dominic Cooper, Toby Kebbell, Ben Schnetzer, Rob Kazinsky, and Daniel Wu—is a Legendary Pictures, Blizzard Entertainment, and Atlas Entertainment production. The movie premieres June 10, 2016.
Warhol: A Life As Art
by Blake GopnikThe definitive biography of a fascinating and paradoxical figure, one of the most influential artists of his—or any—age To this day, mention the name “Andy Warhol” to almost anyone and you’ll hear about his famous images of soup cans and Marilyn Monroe. But though Pop Art became synonymous with Warhol’s name and dominated the public’s image of him, his life and work are infinitely more complex and multi-faceted than that. In Warhol, esteemed art critic Blake Gopnik takes on Andy Warhol in all his depth and dimensions. “The meanings of his art depend on the way he lived and who he was,” as Gopnik writes. “That’s why the details of his biography matter more than for almost any cultural figure,” from his working-class Pittsburgh upbringing as the child of immigrants to his early career in commercial art to his total immersion in the “performance” of being an artist, accompanied by global fame and stardom—and his attempted assassination. The extent and range of Warhol’s success, and his deliberate attempts to thwart his biographers, means that it hasn’t been easy to put together an accurate or complete image of him. But in this biography, unprecedented in its scope and detail as well as in its access to Warhol’s archives, Gopnik brings to life a figure who continues to fascinate because of his contradictions—he was known as sweet and caring to his loved ones but also a coldhearted manipulator; a deep-thinking avant-gardist but also a true lover of schlock and kitsch; a faithful churchgoer but also an eager sinner, skeptic, and cynic. Wide-ranging and immersive, Warhol gives us the most robust and intricate picture to date of a man and an artist who consistently defied easy categorization and whose life and work continue to profoundly affect our culture and society today.
Warm Up (Orca Limelights)
by Sara LeachJasmine used to love dance. Now she struggles to hold on to that love as her dance team trains for a big competition. Jasmine's teammates are bickering, and when their teacher suggests that Jasmine might not have what it takes to be on the team, Jasmine is ready to quit. At a particularly rough practice, she channels her anger into her moves, surprising everyone, including herself, with how well she dances. But the team is still falling apart, and it’s up to Jasmine to figure out a way to get her teammates to work together and celebrate the joy of dance. This short novel is a high-interest, low-reading level book for middle-grade readers who are building reading skills, want a quick read or say they don’t like to read! The epub edition of this title is fully accessible.
Warner Bros.: 100 Years of Storytelling
by Mark A. VieiraIn this official centennial history of the greatest studio in Hollywood, unforgettable stars, untold stories, and rare images from the Warner Bros. vault bring a century of entertainment to vivid life.The history of Warner Bros. is not just the tale of a legendary film studio and its stars, but of classic Hollywood itself, as well as a portrait of America in the last century. It&’s a family story of Polish-Jewish immigrants—the brothers Warner—who took advantage of new opportunities in the burgeoning film industry at a time when four mavericks could invent ways of operating, of warding off government regulation, and of keeping audiences coming back for more during some of the nation's darkest days. Innovation was key to their early success. Four years after its founding, the studio revolutionized moviemaking by introducing sound in The Jazz Singer (1927). Stars and stories gave Warner Bros. its distinct identity as the studio where tough guys like Humphrey Bogart and strong women like Bette Davis kept people on the edge of their seats. Over the years, these acclaimed actors and countless others made magic on WB&’s soundstages and were responsible for such diverse classics as Casablanca, A Streetcar Named Desire, A Star Is Born, Bonnie & Clyde, Malcolm X, Caddyshack, Purple Rain, and hundreds more. It&’s the studio that put noir in film with The Maltese Falcon and other classics of the genre, where the iconic Looney Tunes were unleashed on animation, and the studio that took an unpopular stance at the start of World War II by producing anti-Nazi films. Counter-culture hits like A Clockwork Orange and The Exorcist carried the studio through the 1970s and '80s. Franchise phenomena like Harry Potter, the DC universe, and more continue to shape a cinematic vision and longevity that is unparalleled in the annals of film history. These stories and more are chronicled in this comprehensive and stunning volume. Copyright © 2023 Warner Bros. Entertainment Inc.
Warner Bros: The Making of an American Movie Studio
by David ThomsonBehind the scenes at the legendary Warner Brothers film studio, where four immigrant brothers transformed themselves into the moguls and masters of American fantasyWarner Bros charts the rise of an unpromising film studio from its shaky beginnings in the early twentieth century through its ascent to the pinnacle of Hollywood influence and popularity. The Warner Brothers—Harry, Albert, Sam, and Jack—arrived in America as unschooled Jewish immigrants, yet they founded a studio that became the smartest, toughest, and most radical in all of Hollywood. David Thomson provides fascinating and original interpretations of Warner Brothers pictures from the pioneering talkie The Jazz Singer through black-and-white musicals, gangster movies, and such dramatic romances as Casablanca, East of Eden, and Bonnie and Clyde. He recounts the storied exploits of the studio’s larger-than-life stars, among them Al Jolson, James Cagney, Bette Davis, Errol Flynn, Humphrey Bogart, James Dean, Doris Day, and Bugs Bunny. The Warner brothers’ cultural impact was so profound, Thomson writes, that their studio became “one of the enterprises that helped us see there might be an American dream out there.”
Warning Shadows: Home Alone with Classic Cinema
by Gary GiddinsA brilliantly insightful and witty examination of beloved and little-known films, directors, and stars by one of America's most esteemed critics. In his illuminating new work, Gary Giddins explores the evolution of film, from the first moving pictures and peepshows to the digital era of DVDs and online video-streaming. New technologies have changed our experience of cinema forever; we have peeled away from the crowded theater to be home alone with classic cinema. Recounting the technological developments that films have undergone, Warning Shadows travels through time and across genres to explore the impact of the industry's most famous classics and forgotten gems. Essays such as "Houdini Escapes! From the Vaults! Of the Past!," "Edward G. Robinson, See," and "Prestige and Pretension (Pride and Prejudice)" capture the wit and magic of classic cinema. Each chapter--ranging from the horror films of Hitchcock to the fantastical frames of Disney--provides readers with engaging analyses of influential films and the directors and actors who made them possible.
Warped Factors: A Neurotic's Guide to the Universe
by Walter Koenig"Beneath the tinsel of Hollywood," Oscar Levant once said, "is the real tinsel." Beneath that lies a cornucopia of absurd behavior and bizarre experiences that rival the most creative silver screen fiction. As a young transplant from New York in the 1950s and '60s Walter Koenig quickly came to know Hollywood as a place of energy and opportunity where life's uncertainties loomed large. Launching an acting career in this unpredictable cultural cauldron, he wound his way through various misadventures before finding he had attained a degree of success that surprised even him. This is Koenig's story--from growing up as the neurotic child of Russian immigrants in 1940s Manhattan through his rise to Star Trek fame as Pavel Chekov, Russian navigator of the U.S.S. Enterprise, and beyond. Not a typical Hollywood memoir, Warped Factors is anything but aloof. Koenig's very human narrative is full of the kind of insecurities and quirks anyone can relate to. With wry wit, striking candor, and a true gift for storytelling, Koenig takes us on a sometimes bumpy but often hilarious trip through his galaxy. Blind faith and a healthy sense of irony seem to sustain him as he relates a steady stream of anecdotes, including: *** * Pitching a story to an NBC producer who is in the midst of an out-of-body experience; * Having a loaded gun placed in his ear by a jealous manager; * Performing a controversial play that was interrupted by someone believed to be a member of the American Nazi party dressed in the uniform of a Chicken Delight delivery boy; * Getting fired from a CBS movie of the week for staring at the director; * Being mistaken for a bellhop during a public appearance in his Star Trek uniform; * Declining a Star Trek convention attendee's invitation to help sacrifice a chicken in her hotel room. Of course, this amusing memoir also takes us behind the scenes of Star Trek, with fresh perspectives not only on the cast members themselves but also on the development and evolution of the megalithic sci-fi legend. In fact, Koenig includes a number of the script ideas he himself pitched over the years, including a proposed outline for Star Trek VI (one that saw the deaths of several main crew members, including Kirk) and several for The Next Generation series. Also included are Koenig's notes to producer Harve Bennett on Star Trek IT. The Wrath of Khan, as well as his commentary on several other projects. Finally, Koenig offers candid reflections not only on the Star Trek years but on his life and career since. Most notable are his well-received stints on stage and his current role as the insidious Alfred Bester on television's Babylon S. Enjoying both critical and popular success, Koenig has once again confirmed his enduring position in science fiction's acting pantheon.
Warren Beatty: A Private Man
by Suzanne Finstad"Whatever you have read or heard about me through articles or gossip, forget it. I am nothing like that Warren Beatty. I am nothing like what you have read." --Warren Beatty. Warren Beatty guarded his privacy even before he became a movie star, when he burst onto the screen in 1961 as the earnestly handsome all-American boy in Splendor in the Grass. When he started acting, Beatty kept secret the fact that actress Shirley MacLaine, already a star, was his older sister. Over time, he has cultivated a mystique, giving few interviews and instructing others not to talk about him. Until now. Through years of groundbreaking research, lauded biographer Suzanne Finstad gained unprecedented access to Beatty's family, close friends, and film colleagues, including such luminaries in the arts and politics as Jane Fonda, Goldie Hawn, Leslie Caron, Robert Towne, Mike Nichols, and Senators John McCain, George McGovern, and Gary Hart. Weaving hundreds of these candid interviews, photographs from private albums, personal letters, diaries, and the previously unpublished papers of the late Natalie Wood and mentors such as directors Elia Kazan and George Stevens, playwrights Clifford Odets and William Inge, and agent Charles Feldman, Warren Beatty unveils the real Beatty--a complex, sensitive visionary torn between the "fairly puritanical, football-playing boy" from Virginia and his Hollywood playboy image. Finstad paints a rich, fascinating portrait of the secretive film legend, taking us back to the "unrealized genius" parents who molded arguably the most famous brother and sister in Hollywood history, tracing the family influences and events in Beatty's past that directly inspired McCabe & Mrs. Miller, Shampoo, Heaven Can Wait, Reds, Ishtar, Dick Tracy, Bugsy, Love Affair, and Bulworth, and led to his political activism, culminating in a near-bid for the White House. Finstad constructs the definitive, myth-shattering account of Beatty's evolution from Hollywood's enfant terrible to producer of the revolutionary Bonnie and Clyde, launching him as the premier actor/director/writer/producer of his generation, the only person to twice earn Oscar nominations in all five major categories. Here also is the truth about Beatty the lover, setting the record straight on his storied relationships with such iconic actresses and beauties as Jane Fonda, Joan Collins, Natalie Wood, Leslie Caron, Julie Christie, Goldie Hawn, Michelle Phillips, Diane Keaton, Isabelle Adjani, and Madonna. Finstad's astute insights illuminate Beatty's private struggle to attain happiness, his complicated bond with his sister, Shirley, and the deeper reasons why, at fifty-four, the archetypal bachelor married actress Annette Bening. Stunningly researched, engrossing, and exquisitely detailed, Warren Beatty: A Private Man gives us a new understanding of the enigmatic, fiercely intelligent star who embodies the American dream.
Warrior Queen: The Totally Unauthorized Story of Joanie Laurer
by Scott EdelmanLADIES FIRST--OR ELSE! With her body of death, quick-fire moves, and show-no-mercy attitude, Joanie Laurer, also known as "Chyna," has definitely earned her nickname: The Ninth Wonder of the World. Not content to play with the girls, Joanie has belted her way into the men's division where she more than holds her own--while knocking countless guys to the mat. Raw and riveting, this is the incredible story of Joanie Laurer's awesome climb to the pinnacle of a sport she's made her own. NINTH WONDER OF THE WORLD They never know what hit 'em From the Paperback edition.
Warrior Women: Gender, Race, and the Transnational Chinese Action Star
by Lisa FunnellFinalist for the 2014 ForeWord IndieFab Book of the Year Award in the Women's Studies CategoryBronze Medalist, 2015 Independent Publisher Book Awards in the Women Issues CategoryWinnerof the 2015 Emily Toth Award presented by the Popular Culture Association & American Culture AssociationWarrior Women considers the significance of Chinese female action stars in martial arts films produced across a range of national and transnational contexts. Lisa Funnell examines the impact of the 1997 transfer of Hong Kong from British to Chinese rule on the representation of Chinese identities—Hong Kong Chinese, mainland Chinese, Chinese American, Chinese Canadian—in action films produced domestically in Hong Kong and, increasingly, in cooperation with mainland China and Hollywood. Hong Kong cinema has offered space for the development of transnational Chinese screen identities that challenge the racial stereotypes historically associated with the Asian female body in the West. The ethnic/national differentiation of transnational Chinese female stars—such as Pei Pei Cheng, Charlene Choi, Gong Li, Lucy Liu, Shu Qi, Michelle Yeoh, and Zhang Ziyi—is considered part of the ongoing negotiation of social, cultural, and geopolitical identities in the Chinese-speaking world.
Warrior Zone (Reality Show)
by Kristen SaBerreWhen Fiona enters a physical feats TV competition, she is excited to see how she matches up against other athletes from around the country. She works hard and beats out many of her competitors. But when she reaches the final round, she finds that the show has been rigged all along. The producers take her off-screen to tell her that one of the other contestants has been chosen to win and that she needs to pretend to lose—or she won't win any money. Fiona must choose between competing fairly or playing by the producers' rules.
Warriors, Witches, Whores: Women in Israeli Cinema
by Rachel S. HarrisWarriors, Witches, Whores: Women in Israeli Cinema is a feminist study of Israel’s film industry and the changes that have occurred since the 1990s. Working in feminist film theory, the book adopts a cultural studies approach, considering the creation of a female-centered and thematically feminist film culture in light of structural and ideological shifts in Israeli society. Author Rachel S. Harris situates these changes in dialogue with the cinematic history that preceded them and the ongoing social inequalities that perpetuate women’s marginalization within Israeli society. While no one can deny Israel’s Western women’s advancements, feminist filmmakers frequently turn to Israel’s less impressive underbelly as sources for their inspiration. Their films have focused on sexism, the negative impact of militarism on women’s experience, rape culture, prostitution, and sexual abuse. These films also tend to include subjects from society’s geographical periphery and social margins, such as female foreign workers, women, and refugees. Warriors, Witches, Whoresis divided into three major sections and each considers a different form of feminist engagement. The first part explores films that situate women in traditionally male spheres of militarism, considering the impact of interjecting women within hegemonic spaces or reconceptualizing them in feminist ways. The second part recovers the narratives of women’s experience that were previously marginalized or silenced, thereby creating a distinct female space that offers new kinds of storytelling and cinematic aesthetics that reflect feminist expressions of identity. The third part offers examples of feminist activism that reach beyond the boundaries of the film to comment on social issues, particularly those which affect women. This section demonstrates how feminists use film (and work within the film industry) in order to women’s position in society. While there are thematic overlaps between the chapters, each section marks structural differences in the modes of feminist response. Warriors, Witches, Whores considers the ways social and political power have impacted the representation of women and looks to how feminist filmmakers have fought against these inequities behind the camera, in the stories they tell, and in the ways women are depicted on screen. Students and scholars of film, gender, or cultural studies will appreciate this approachable monograph.
Was It Yesterday?: Nostalgia in Contemporary Film and Television (SUNY series, Horizons of Cinema)
by Matthew LeggattBringing together prominent transatlantic film and media scholars, Was It Yesterday? explores the impact of nostalgia in twenty-first century American film and television. Cultural nostalgia, in both real and imagined forms, is dominant today, but what does the concentration on bringing back the past mean for an understanding of our cultural moment, and what are the consequences for viewers? This book questions the nature of this nostalgic phenomenon, the politics associated with it, and the significance of the different periods, in addition to offering counterarguments that see nostalgia as prevalent throughout film and television history. Considering such films and television shows as La La Land, Westworld, Stranger Things, and American Hustle, the contributors demonstrate how audiences have spent more time over the last decade living in various pasts.