- Table View
- List View
Black Women Film and Video Artists (AFI Film Readers)
by Jacqueline BoboFirst published in 1998. Routledge is an imprint of Taylor & Francis, an informa company.
Blackjack Strategy Book (The Everything )
by Tom Hagen Sonia WeissExpert player Tom Hagen and author Sonia Weiss guide you through the basic rules, and reveal the surprisingly easy tricks the casinos don't want you to know. Whether you're counting cards or doubling down, you'll master the intricate techniques you need to win-putting the odds in your favor every time!The Everything Blackjack Strategy Book includes:Complete rules for blackjack and its many variationsBasic and complex strategies including surrendering, entering early, and insurance Tips for playing onlineTricks for understanding odds and probabilityGuidelines for casino etiquetteHints for tournament playWhether you're an amateur or a pro, The Everything Blackjack Strategy Book will give you the advantage, skill, and confidence you need to beat the house every time!
Blacklist (Beautiful Idols #2)
by Alyson NoelFans of Pretty Little Liars will crave the mystery and suspense in the second book of #1 New York Times bestselling author Alyson Noël’s Beautiful Idols series, where celebrity worship is a dangerous game.Wannabe reporter LAYLA, aspiring actress ASTER, and fledgling musician TOMMY joined the Unrivaled nightclub competition for the same reason—they knew winning it would change their lives. They just never imagined that somewhere along the way they’d become entangled in the disappearance of mega starlet MADISON BROOKS. Now each of them is smack in the center of a media frenzy that threatens to take all of them down.Banding together to clear their names, the fierce adversaries become temporary allies and vow to dig up the truth. But when Layla, Aster, and Tommy team up with an unsuspecting insider, they will find that some secrets are best kept in the grave.
Blackness Is Burning: Civil Rights, Popular Culture, and the Problem of Recognition (Contemporary Approaches to Film and Media Series)
by Treaandrea M. RusswormBlackness Is Burning is one of the first books to examine the ways race and psychological rhetoric collided in the public and popular culture of the civil rights era. In analyzing a range of media forms, including Sidney Poitier’s popular films, black mother and daughter family melodramas, Bill Cosby’s comedy routine and cartoon Fat Albert, pulpy black pimp narratives, and several aspects of post–civil rights black/American culture, TreaAndrea M. Russworm identifies and problematizes the many ways in which psychoanalytic culture has functioned as a governing racial ideology that is built around a flawed understanding of trying to “recognize” the racial other as human. The main argument of Blackness Is Burning is that humanizing, or trying to represent in narrative and popular culture that #BlackLivesMatter, has long been barely attainable and impossible to sustain cultural agenda. But Blackness Is Burning makes two additional interdisciplinary interventions: the book makes a historical and temporal intervention because Russworm is committed to showing the relationship between civil rights discourses on theories of recognition and how we continue to represent and talk about race today. The book also makes a formal intervention since the chapter-length case studies take seemingly banal popular forms seriously. She argues that the popular forms and disreputable works are integral parts of our shared cultural knowledge. Blackness Is Burning’s interdisciplinary reach is what makes it a vital component to nearly any scholar’s library, particularly those with an interest in African American popular culture, film and media studies, or psychoanalytic theory.
Blackpool in Film and Popular Music
by Ewa MazierskaThis collection examines Blackpool, Britain’s first and largest working-class seaside resort as a location for the production and consumption of British film and popular music, and the meaning of ‘Blackpool’ in films and songs. It examines representation of Blackpool in films such as Hindle Wakes, A Taste of Honey, Bhaji on the Beach, Away, Bob’s Weekend, The Harry Hill Movie and Miss Peregrine's Home for Peculiar Children, linking it to the concepts of heterotopia, purgatory, fantasy, simulacra and the carnivalesque. It also presents music in Blackpool through the history of its venues and examines development of punk and grime music in this seaside town. The authors argue that Blackpool in filmic and musical texts often stands for British culture, but increasingly for culture which is remembered or imagined rather than present and real.
Blacksmith's Song
by Elizabeth Van SteenwykThe son of an enslaved blacksmith learns that his father is using the rhythm of his hammering to communicate with travelers on the Underground Railroad. When Pa falls ill, it's up to his son to help others along the journey―and also lead his family to freedom.Pa works hard as a blacksmith. But he's got another important job to do as well: using his anvil to pound out the traveling rhythm―a message to travelers on the Underground Railroad. His son wants to help, but Pa keeps putting him off. Then one day, Pa falls ill, and the boy has to take over.A little-known piece of history comes to life in Elizabeth Van Steenwyk's absorbing story, exquisitely illustrated by Anna Rich. Ripe with themes of bravery, community, family, freedom, and hope, this award-winning book is perfect for Black and Civil War-era history units
Blade Runner (Philosophers on Film)
by David Davies Amy CoplanRidley Scott’s Blade Runner is widely regarded as a "masterpiece of modern cinema" and is regularly ranked as one of the great films of all time. Set in a dystopian future where the line between human beings and ‘replicants’ is blurred, the film raises a host of philosophical questions about what it is to be human, the possibility of moral agency and freedom in ‘created’ life forms, and the capacity of cinema to make a genuine contribution to our engagement with these kinds of questions. This volume of specially commissioned chapters systematically explores and addresses these issues from a philosophical point of view. Beginning with a helpful introduction, the seven chapters examine the following questions: How is the theme of death explored in Blade Runner and with what implications for our understanding of the human condition? What can we learn about the relationship between emotion and reason from the depiction of the ‘replicants’ in Blade Runner? How are memory, empathy, and moral agency related in Blade Runner? How does the style and ‘mood’ of Blade Runner bear upon its thematic and philosophical significance? Is Blade Runner a meditation on the nature of film itself? Including a brief biography of the director and a detailed list of references to other writings on the film, Blade Runner is essential reading for students – indeed anyone - interested in philosophy and film studies. Contributors: Colin Allen, Peter Atterton, Amy Coplan, David Davies, Berys Gaut, Stephen Mulhall, C. D. C. Reeve.
Blade Runner (Cultographies)
by Matt HillsMore than just a box office flop that resurrected itself in the midnight movie circuit, Blade Runner (1982) achieved extraordinary cult status through video, laserdisc, and a five-disc DVD collector's set. Blade Runner has become a network of variant texts and fan speculations-a franchise created around just one film. Some have dubbed the movie "classroom cult" for its participation in academic debates, while others have termed it "meta-cult," in line with the work of Umberto Eco. The film has also been called "design cult," thanks to Ridley Scott's brilliant creation of a Los Angeles in 2019, the graphics and props of which have been recreated by devoted fans. Blade Runner tests the limits of this authenticity and artificiality, challenging the reader to differentiate between classic and flop, margin and mainstream, true cult and its replicants.
Blade Runner
by Matt HillsMore than just a box office flop that resurrected itself in the midnight movie circuit, Blade Runner (1982) achieved extraordinary cult status through video, laserdisc, and a five-disc DVD collector's set. Blade Runner has become a network of variant texts and fan speculations--a franchise created around just one film. Some have dubbed the movie "classroom cult" for its participation in academic debates, while others have termed it "meta-cult," in line with the work of Umberto Eco. The film has also been called "design cult," thanks to Ridley Scott's brilliant creation of a Los Angeles in 2019, the graphics and props of which have been recreated by devoted fans. Blade Runner tests the limits of this authenticity and artificiality, challenging the reader to differentiate between classic and flop, margin and mainstream, true cult and its replicants.
Blade Runner
by Sean RedmondRidley Scott's 1982 film Blade Runner is now widely recognized as an undisputed masterwork of science fiction cinema and one of the most influential films released in the last forty years. Yet on its original release it was both a critical and commercial failure, criticized for its perceived prioritizing of style over content and a narrative that did not deliver the anticipated high octane action that its star casting and large budget normally promise. How did a film that was removed from circulation within a month of its premiere come to mean so much to modern audiences and provide such a rich seam of material for film and media studies? Sean Redmond excavates the many significances of the film - its breakthrough use of special effects as a narrative tool; its revolutionary representation of the future city; its treatment of racial and sexual politics; and its unique status as a text whose meaning was fundamentally altered in its re-released Director's Cut form, then further revised in a Final Cut in 2007, and what this means in an institutional context.This volume was previously published as Studying Blade Runner in 2008.
Blade Runner: Instructor's Edition (Constellations)
by Sean RedmondRidley Scott's 1982 film Blade Runner is now widely recognized as an undisputed masterwork of science fiction cinema and one of the most influential films released in the last forty years. Yet on its original release it was both a critical and commercial failure, criticized for its perceived prioritizing of style over content and a narrative that did not deliver the anticipated high octane action that its star casting and large budget normally promise. How did a film that was removed from circulation within a month of its premiere come to mean so much to modern audiences and provide such a rich seam of material for film and media studies? Sean Redmond excavates the many significances of the film – its breakthrough use of special effects as a narrative tool; its revolutionary representation of the future city; its treatment of racial and sexual politics; and its unique status as a text whose meaning was fundamentally altered in its re-released Director's Cut form, then further revised in a Final Cut in 2007, and what this means in an institutional context.This volume was previously published as Studying Blade Runner in 2008.
The Blade Runner Experience: The Legacy of a Science Fiction Classic
by Will BrookerSince its release in 1982, Ridley Scott's Blade Runner, based on Philip K. Dick's novel Do Androids Dream of Electric Sheep?, has remained a cult classic through its depiction of a futuristic Los Angeles; its complex, enigmatic plot; and its underlying questions about the nature of human identity. The Blade Runner Experience: The Legacy of a Science Fiction Classic examines the film in a broad context, examining its relationship to the original novel, the PC game, the series of sequels, and the many films influenced by its style and themes. It investigates Blade Runner online fandom and asks how the film's future city compares to the present-day Los Angeles, and it revisits the film to pose surprising new questions about its characters and their world.
The Blade Runner Experience: The Legacy of a Science Fiction Classic
by Will BrookerSince its release in 1982, Ridley Scott's Blade Runner, based on Philip K. Dick's novel Do Androids Dream of Electric Sheep?, has remained a cult classic through its depiction of a futuristic Los Angeles; its complex, enigmatic plot; and its underlying questions about the nature of human identity. The Blade Runner Experience: The Legacy of a Science Fiction Classic examines the film in a broad context, examining its relationship to the original novel, the PC game, the series of sequels, and the many films influenced by its style and themes. It investigates Blade Runner online fandom and asks how the film's future city compares to the present-day Los Angeles, and it revisits the film to pose surprising new questions about its characters and their world.
The Blair Witch Project
by Peter TurnerTells the story of the film from conception and production to audience response.
The Blair Witch Project
by Peter TurnerFew films have had the influence and impact of The Blair Witch Project (1999). Its arrival was a horror cinema palette cleanser after a decade of serial killers and postmodern intertextuality, a bare bones 'found footage' trend setter. In this Devil's Advocate, Peter Turner tells the story of the film from his conception and production then provides a unique analysis of the techniques used, their appeal to audiences and the themes that helped make the film such an international hit, including the pionerring internet marketing.
Blake Edwards: Film Director as Multitalented Auteur (Film Directors in America)
by William Luhr Peter LehmanBLAKE EDWARDS Blake Edwards: Film Director as Multitalented Auteur is the first critical analysis to focus on the dramatic works of Blake Edwards. Best known for successful comedies such as The Pink Panther series with Peter Sellers, Blake Edwards wrote, produced, and directed serious works in radio, television, film, and theater for seven decades. Although hit films such as Breakfast at Tiffany’s and ‘10’ remain popular, many of Edwards’s dramas have been forgotten or marginalized. In this unique book, William Luhr and Peter Lehman draw on original research from numerous set visits and personal interviews with Edwards and many of his creative and business collaborators to explore his dramas, radio and television work, theatrical productions, one-man art shows, and unproduced screenplays. In-depth chapters analyze non-comedic films including Experiment in Terror, Days of Wine and Roses, and The Tamarind Seed, the theatrical feature film Gunn and the made-for-television film Peter Gunn, the musical adaptation of Victor/Victoria, and lesser-known films written but not directed by Edwards, such as Drive a Crooked Road. Throughout the book, the authors apply contemporary film theory to auteur criticism of different works while sharing original insights into how Edwards worked creatively in disparate genres and media using composition, editing, sound, and visual motifs to shape his films and radio and television series. A one-of-a-kind examination of one of the most influential film directors of his generation, Blake Edwards: Film Director as Multitalented Auteur is an excellent supplementary text for university courses in American cinema, genres, auteurs, and film criticism, and a must-read for critics, scholars, and general readers interested in the works of Blake Edwards.
Blake Edwards: Interviews (Conversations with Filmmakers Series)
by Gabriella OldhamBlake Edwards (1922-2010) was a multitalented, versatile director constantly exploring who he was, not only in filmmaking but also in life. Often typecast as a comedy director, he also created westerns, thrillers, musicals, and heart-wrenching dramas. His strength as a filmmaker came from his ability to be a triple threat—writer, director, and producer—allowing him full control of his films, especially when the studio system failed him. Blake Edwards: Interviews highlights how the filmmaker created the hugely successful Pink Panther franchise; his long partnership with award-winning composer Henry Mancini; his principles of comedy as influenced by the comic greats of film history, especially silent comedies; his decades-long marriage and film collaborations with Julie Andrews; and his unique philosophy of life. Continually testing his abilities as a writer, which he considered himself to be above all other professions, Edwards did not hesitate to strip comedy from films that clearly and purposefully explored other genres with sharp, dramatic insight. He created thrilling suspense (Experiment in Terror); rugged westerns (Wild Rovers); riveting drama (Days of Wine and Roses); and bittersweet romance (Breakfast at Tiffany's). He also created musicals, namely Darling Lili and Victor/Victoria, showcasing the talents of Andrews. In fact, many of these films have been considered some of Edwards's finest in his appreciable career. Reinventing himself throughout his sixty-year career, Edwards found new outlets of expression that fueled his creativity to the very end. This long-overdue collection of published interviews explores the ups and downs—and ups again—of a sometimes flawed but always gifted and often surprising filmmaker.
Blanche: The Life and Times of Tennessee Williams's Greatest Creation
by Nancy SchoenbergerA penetrating consideration of Tennessee Williams’s most enduring character—Blanche DuBois from A Streetcar Named Desire—written by the co-author of The Fabulous Bouvier Sisters and Furious Love.Ever since Jessica Tandy glided onto the stage in Tennessee Williams’s A Streetcar Named Desire at the Ethel Barrymore Theatre in 1947, Blanche DuBois has fascinated generations of audiences worldwide and secured a place in the history of literature, theater, and film. One of Williams’s greatest creations, Blanche has bedazzled, amused, and broken the hearts of generations of audiences. Before the Covid pandemic, the stage classic was performed somewhere in the world every hour. It has been adapted into a ballet and an opera, and it was satirized in an episode of The Simpsons. The final twelve words Blanche utters at the play’s end—“I have always depended on the kindness of strangers”—have taken on a life of their own. Endlessly fascinating, this indelible figment of one of America’s greatest midcentury playwrights garners nearly universal interest—but why?In Blanche, Nancy Schoenberger searches for the answer. An exploration of the cultural impact of Blanche DuBois, Schoenberger’s absorbing study examines Tennessee Williams's most enduring creation through the performances of seven brilliant actresses who have taken on the role—Jessica Tandy, Vivien Leigh, Ann-Margret, Jessica Lange, Patricia Clarkson, Cate Blanchett, and Jemier Jackson—as well as the influence of the playwright's tragic sister, Rose Williams, the person he was most haunted and inspired by. In examining various Blanches from throughout the decades and their critical reception, Schoenberger analyzes how our perception and understanding of this mesmerizing figure has altered and deepened over time. Exploring themes of womanhood, sexuality, mental illness, and the idealized South, Blanche is an engrossing cultural history of a rich and complex character that sheds light on who we are.Blanche includes 20-30 color and black-and-white photographs.
Blaxploitation Films of the 1970s: Blackness and Genre (Studies in African American History and Culture)
by Novotny LawrenceDuring the early years of the motion picture industry, black performers were often depicted as shuckin’ and jivin’ caricatures. Specifically, black males were portrayed as toms, coons and bucks, while the mammy and tragic mulatto archetypes circumscribed black femininity. This misrepresentation began to change in the 1950s and 1960s when performers such as Dorothy Dandridge and Sidney Poitier were cast in more positive roles. These performers paved the way for the black exploitation or blaxploitation movement, which began in 1970 and flourished until 1975. The movement is characterized by films that feature a black hero or heroine, black supporting characters, a predominately black urban setting, a display of black sexuality, excessive violence, and a contemporary rhythm and blues soundtrack. Blaxploitation films were made across varying genres, but the questionable elements of some of the pictures caused them to be referred to as "blaxploitation" films with little or no regard given to their generic categorization. This book examines how Cotton Comes to Harlem (1970), Blacula (1972), The Mack (1973), and Cleopatra Jones (1973) can be classified within the detective, horror, gangster, and cop action genres, respectively, and illustrates the manner in which the inclusion of "blackness" represents a significant revision to the aforementioned genres.
Blender All-in-One For Dummies
by Jason van GumsterCreate excellent 3D animations with free, open-source software When you’re looking for help with creating animation with Blender, look no further than the top-selling Blender book on the market. This edition of Blender For Dummies covers every step in the animation process, from basic design all the way to finished product. This book walks you through each project phase, including creating models, adding lighting and environment, animating objects, and building a final shareable file. Written by long-time Blender evangelist Jason van Gumster, this deep reference teaches you the full animation process from idea to final vision. With this fun and easy guide, you’re on your way toward making your animation dreams a reality. Set up Blender and navigate the interface Learn how to build models in virtual space Texture, light, and animate your figures—then render your final product Get help and inspiration from the Blender community If you’re new to Blender or an experienced user in need of a reference, Blender For Dummies is the easy-to-use guide for you.
Bless The Beasts (Star Trek #10)
by Karen HaberIn desperate need of crucial repairs, the Starship VoyagerTMhas come to Sardalia, a planet blessed with great natural beauty and apparently friendly inhabitants. The Sardalians welcome Voyagerenthusiastically, but Captain Janeway soon grows suspicious. The Sardalians seem almost too eager to help. Janeway fears they are hiding some secret agenda. When Tom Paris and Harry Kim disappear while visiting the planet, the captain and her crew find themselves caught in the middle of a planetary war -- and faced with an agonizing moral dilemma.
Blessed: The Breakout Year of Rampaging Roy Slaven
by John DoyleWho is Rampaging Roy Slaven? An Australian icon, a raconteur, an athlete of unsurpassable - and some may say improbable - sporting feats. Whether it was riding Rooting King to another Melbourne Cup victory, commentating the Olympics or hobnobbing with the country's upper crust, Rampaging Roy Slaven has lived an extraordinary life.But even some of the greatest men come from humble beginnings. Before he shot to fame as Australia's most talented sportsman, he was just another kid in Lithgow, trying to avoid Brother Connell's strap and garner the attention of Susan Morgan from the local Catholic girls school.Blessed follows one year in the life of the boy who would become Rampaging Roy Slaven, a boy who, even at the age of fifteen, knew he was destined for greatness but had to get through high school first.
Blessed: The Breakout Year of Rampaging Roy Slaven
by John DoyleWho is Rampaging Roy Slaven? An Australian icon, a raconteur, an athlete of unsurpassable - and some may say improbable - sporting feats. Whether it was riding Rooting King to another Melbourne Cup victory, commentating the Olympics or hobnobbing with the country's upper crust, Rampaging Roy Slaven has lived an extraordinary life.But even some of the greatest men come from humble beginnings. Before he shot to fame as Australia's most talented sportsman, he was just another kid in Lithgow, trying to avoid Brother Connell's strap and garner the attention of Susan Morgan from the local Catholic girls school.Blessed follows one year in the life of the boy who would become Rampaging Roy Slaven, a boy who, even at the age of fifteen, knew he was destined for greatness but had to get through high school first.John Doyle, the man who knows him best, delves into the early years of the master of midfield mayhem.
Blessed Life: My Surprising Journey of Joy, Tears, and Tales from Harlem to Hollywood
by Todd Gold Kim FieldsFrom "Facts of Life" to "Living Single" to "Dancing with the Stars" to wife and mom, here's the BLESSED LIFE of Kim Fields, veteran actress, TV personality, and star. Kim Fields has lived most of her life with people thinking they know her, which is understandable. From her first job on a Mrs. Butterworth syrup commercial at age 7, she has spent 40 years in the public eye. There were 9 years as Dorothy "Tootie" Ramsey on the classic sitcom The Facts of Life, 5 more in her 20s starring as Regine Hunter on the seminal coming-of-age show Living Single, and most recently appearing as herself on Real Housewives of Atlanta and Dancing with the Stars. Behind the camera, she has directed episodes of Kenan & Kel, Tyler Perry's Meet the Browns and House of Payne, and BET's Let's Stay Together. Between gigs, the pop culture icon's life has included theater, spoken word, music, speaking engagements, and simply being present to the point that she cannot go a day without someone stopping her to say, "When I was a kid, I wanted to be Tootie" or "You were my role model." Flattered and blessed, after four decades in the business, Kim finally understands the role she has played onscreen and off as a successful, outspoken African-American woman. However, for as much as she's been in the public eye, people have really never known her the way they think they have, and that's because she, herself, spent most of her life figuring herself out. Now, at age 48, she is ready to set the record straight. She says, "It's not that I've been misunderstood. It's that I finally feel like I understand me enough to tell the life story that I've been asked to write for years." It will be a chronicle of living, learning, and keen moments of self-discovery as she's journeyed through the many facets and chapters of life. Fields found faith at age 14 and has found God to be right there every step of the way since then.
