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Winter In Paradise: Book 1 in NYT-bestselling author Elin Hilderbrand's wonderful Paradise series (Winter in Paradise)
by Elin Hilderbrand'I just LOVE [Elin Hilderbrand's] books, they are such compulsive reads' -Marian KeyesWarm up for winter on a Caribbean beach with New York Times Bestselling author Elin Hilderbrand.Irene Steele's life is idyllic, until it is rocked by a late-night phone call that brings news of her husband's sudden death. Even in the midst of her crippling grief, Irene cannot get one question out of her head: why was his body found on St. John, a tropical Caribbean paradise far removed from their suburban life?Leaving the cold Nantucket winter behind, Irene flies hundreds of miles to get to the island - only to learn that her husband had a secret second family. As she delves deeper into the mysterious circumstances surrounding the death of the man she loved, she is plunged into a web of intrigue and deceit belied by the pristine white sandy beaches of St. John's. ************** Praise for Elin Hilderbrand: 'Oozes plenty of drama' - Heat 'A page turner' - Coastal Living 'Her imagination is endless' - Book Reporter(P)2019 Hodder & Stoughton Limited
Winter Kept Us Warm (Queer Film Classics)
by Chris DupuisWidely considered to be English Canada’s first queer film, Winter Kept Us Warm explores a romance between two young men at the University of Toronto in the early 1960s, a moment when homosexuality was still a crime in Canada.A true student film, Winter was written and directed by David Secter, a twenty-two-year-old English major, shot with amateur actors and a volunteer crew, and completed on a budget of only $8,000. Against the odds, the film was a huge success. Lauded by critics at home and abroad, it was selected to open the Commonwealth Film Festival, played art house cinemas across the United States and Europe, and became the first Anglo-Canadian fiction feature to screen at Cannes. Influential film journals including Sight and Sound and Cahiers du cinéma covered it, as did mainstream publications such as Variety and the New York Times. David Cronenberg has cited it as influential on his own work. Despite this acclaim, the film has largely vanished from the cultural consciousness and few queer people today have even heard of it, let alone seen it.With this new addition to the Queer Film Classics series, Chris Dupuis looks at the disconnect between the film’s historical importance and its subsequent disappearance, examining how the story of Winter Kept Us Warm can serve as a starting point for intergenerational queer dialogue.
Winter Season: A Dancer's Journal, with a new preface
by Toni BentleyAn irresistible inside look at one of the world's great dance companies, Winter Season is also a sensitive, intimate, and almost painfully honest account of the emotional and intellectual development of a young woman dedicated to one of the most demanding of all the arts.Bentley's association with the New York City Ballet began when she was accepted by the affiliated School of American Ballet at the age of eleven. Seven years later, she became a member of the company. In the fall of 1980, as the winter season opened, she found herself facing an emotional crisis: her dancing was not going well. At 22 she felt that her life had lost direction. To try to make something of her experience, on paper if not on stage, she began to keep a journal, describing her day-to-day activities and looking back on her past. The result is perhaps the closest that most of us will ever come to knowing what it feels like to be a dancer, on stage and off. It also offers memorable glimpses of some notable members of the City ballet, with, at the center, the man whose vision they all served--George Balanchine.
Wired: The Short Life & Fast Times of John Belushi
by Bob WoodwardBelushi The outrageous talent, addicted to life, with a huge appetite for drugs, food, and pleasure. Belushi The star who plummeted over the edge. And the friends, wife, agents, and groupies who couldn't stop him.
Wise Words Oasis
by DKFeaturing essential quotes from Noel and Liam Gallagher – because no one delivers one-liners quite like the biggest mouths in Britpop.Ahead of the hugely anticipated Oasis reunion tour in 2025, relive the funniest insights, insults, arguments, and everything in between.From snide asides by Noel…“[Liam is] like a man with a fork in a world of soup.”“I liked [my mum]... until she gave birth to Liam.”… to positive affirmations and advice on maintaining a healthy lifestyle from Liam…“I suppose I do get sad, but not for too long. I just look in the mirror and go, `What a f***ing good-looking f*** you are.` And then I brighten up!”“Rock stars exercising? I don’t think it’s right. You either got it or you ain’t.”…Wise Words Oasis has it all!A timeless gift for Oasis fans and lovers of witty one-liners, Wise Words Oasis captures the energy and humor of one of Britpop’s brightest duos. Whether you’re getting in the zone for the reunion tour or simply want a collection of Noel and Liam’s most memorable quotes, this book is for you.
Wise Young Fool
by Sean BeaudoinTeen rocker Ritchie Sudden is pretty sure his life has just jumped the shark. Except he hates being called a teen, his band doesn't play rock, and "jumping the shark" is yet another dumb cliché. Part of Ritchie wants to drop everything and walk away. Especially the part that's serving ninety days in a juvenile detention center. Telling the story of the year leading up to his arrest, Ritchie grabs readers by the throat before (politely) inviting them along for the (max-speed) ride. A battle of the bands looms. Dad split about five minutes before Mom's girlfriend moved in. There's the matter of trying to score with the dangerously hot Ravenna Woods while avoiding the dangerously huge Spence Proffer--not to mention just trying to forget what his sister, Beth, said the week before she died.This latest offering from acclaimed author Sean Beaudoin is alternately raw, razor-sharp, and genuinely hilarious.
Wishful Drinking
by Carrie FisherThe bestselling author of Postcards from the Edge comes clean (well, sort of) in her first-ever memoir, adapted from her one-woman Broadway hit show. Fisher reveals what it was really like to grow up a product of "Hollywood in-breeding," come of age on the set of a little movie called Star Wars, and become a cultural icon and bestselling action figure at the age of nineteen.Intimate, hilarious, and sobering, Wishful Drinking is Fisher, looking at her life as she best remembers it (what do you expect after electroshock therapy?). It's an incredible tale: the child of Hollywood royalty--Debbie Reynolds and Eddie Fisher--homewrecked by Elizabeth Taylor, marrying (then divorcing, then dating) Paul Simon, having her likeness merchandized on everything from Princess Leia shampoo to PEZ dispensers, learning the father of her daughter forgot to tell her he was gay, and ultimately waking up one morning and finding a friend dead beside her in bed. Wishful Drinking, the show, has been a runaway success. Entertainment Weekly declared it "drolly hysterical" and the Los Angeles Times called it a "Beverly Hills yard sale of juicy anecdotes." This is Carrie Fisher at her best--revealing her worst. She tells her true and outrageous story of her bizarre reality with her inimitable wit, unabashed self-deprecation, and buoyant, infectious humor.
Wishing on a Star: Wishing On A Star (The Cheetah Girls #1)
by Deborah GregoryFirst in the series that inspired the Disney Channel films—about fashion, music, and a group of girlfriends on the road to diva-hood in New York City . . . Galleria is fourteen, half black and half Italian, and a new student at Manhattan&’s Fashion Industries High School. Luckily her best friend, Chanel, is right there by her side. Wanting to beef up their cash flow, they decide to form a singing group of their own—and invite three other girls to join them. Now they have to get their act together, plan some stage-worthy outfits, and make their big debut at a Halloween bash. They&’re only freshmen—but could this be the start of something big for the Cheetah Girls?
Wit: A Play
by Margaret EdsonWinner of the 1999 Pulitzer Prize for Drama, the New York Drama Critics Circle Award, the Drama Desk Award, the Outer Critics Circle Award, the Lucille Lortel Award, and the Oppenheimer Award Margaret Edson's powerfully imagined Pulitzer Prizewinning play examines what makes life worth living through her exploration of one of existence's unifying experiencesmortalitywhile she also probes the vital importance of human relationships. What we as her audience take away from this remarkable drama is a keener sense that, while death is real and unavoidable, our lives are ours to cherish or throw awaya lesson that can be both uplifting and redemptive. As the playwright herself puts it, "The play is not about doctors or even about cancer. It's about kindness, but it shows arrogance. It's about compassion, but it shows insensitivity." In Wit,Edson delves into timeless questions with no final answers: How should we live our lives knowing that we will die? Is the way we live our lives and interact with others more important than what we achieve materially, professionally, or intellectually? How does language figure into our lives? Can science and art help us conquer death, or our fear of it? What will seem most important to each of us about life as that life comes to an end? The immediacy of the presentation, and the clarity and elegance of Edson's writing, make this sophisticated, multilayered play accessible to almost any interested reader. As the play begins, Vivian Bearing, a renowned professor of English who has spent years studying and teaching the intricate, difficult Holy Sonnets of the seventeenth-century poet John Donne, is diagnosed with advanced ovarian cancer. Confident of her ability to stay in control of events, she brings to her illness the same intensely rational and painstakingly methodical approach that has guided her stellar academic career. But as her disease and its excruciatingly painful treatment inexorably progress, she begins to question the single-minded values and standards that have always directed her, finally coming to understand the aspects of life that make it truly worth living.
Witch-Hunt in Hollywood: McCarthyism's War On Tinseltown
by Michael Freedland Barbra PaskinHow political paranoia shaped cinema for a decade: “One of the most readable and damning accounts of that period.” —The GuardianThis is the story of how the politicians took Tinseltown to task in the late 1940s and 1950s. As the Cold War with the Soviet Union began in earnest, the search for “Reds under the bed,” later led by Senator Joseph McCarthy, was felt most keenly in Hollywood, where the investigations were carried out under the full glare of the spotlights.Painstakingly researched and drawing on numerous exclusive interviews, this book charts the generation of actors who found their livelihood ruined by being blacklisted and the writers forced to hire “fronts” to continue to work; it reveals how Arthur Miller was offered the chance to have his hearing dropped in return for a photo opportunity with Marilyn Monroe; and how Kirk Douglas’s naming of Dalton Trumbo as the writer of Spartacus signaled the end of this extraordinary era. Witch Hunt in Hollywood is the definitive account of how political paranoia shaped cinema for a decade.
Witchfinder General
by Ian CooperWitchfinder General (1968), known as The Conqueror Worm in America, was directed by Michael Reeves and occupies a unique place in British cinema. Equally praised and vilified, the film fictionalizes the exploits of Matthew Hopkins, a prolific, real-life "witch hunter," during the English Civil War. For critic Mark Kermode, the release proved to be "the single most significant horror film produced in the United Kingdom in the 1960s," while playwright Alan Bennett called the work "the most persistently sadistic and rotten film I've ever seen." Steadily gaining a cult reputation, unimpeded by the director's death just months after the film's release, the film is now treated as a landmark, though problematic, accomplishment, as it exists in a number of recut, retitled, and rescored versions. This in-depth study positions the film within the history of horror and discusses its importance as a British and heritage film. It also considers the inheritance of Hopkins, the script's relationship to the novel by Ronald Bassett, and the iconic persona of the film's star, Vincent Price. Ian Cooper conducts close textual readings of specific scenes and explores the film's various contexts, from the creation of the X certificate and the tradition of Hammer gothic, to the influence on Ken Russell's The Devils (1971) and the "torture porn" of twenty-first-century horror.
Witchfinder General
by Ian CooperWitchfinder General (1968), known as The Conqueror Worm in America, was directed by Michael Reeves and occupies a unique place in British cinema. Equally praised and vilified, the film fictionalizes the exploits of Matthew Hopkins, a prolific, real-life "witch hunter," during the English Civil War. For critic Mark Kermode, the release proved to be "the single most significant horror film produced in the United Kingdom in the 1960s," while playwright Alan Bennett called the work "the most persistently sadistic and rotten film I've ever seen." Steadily gaining a cult reputation, unimpeded by the director's death just months after the film's release, the film is now treated as a landmark, though problematic, accomplishment, as it exists in a number of recut, retitled, and rescored versions. This in-depth study positions the film within the history of horror and discusses its importance as a British and heritage film. It also considers the inheritance of Hopkins, the script's relationship to the novel by Ronald Bassett, and the iconic persona of the film's star, Vincent Price. Ian Cooper conducts close textual readings of specific scenes and explores the film's various contexts, from the creation of the X certificate and the tradition of Hammer gothic, to the influence on Ken Russell's The Devils (1971) and the "torture porn" of twenty-first-century horror.
Witchfinder General (Devil's Advocates Ser.)
by Ian CooperWitchfinder General (1968), known as The Conqueror Worm in America, was directed by Michael Reeves and occupies a unique place in British cinema. Equally praised and vilified, the film fictionalizes the exploits of Matthew Hopkins, a prolific, real-life "witch hunter," during the English Civil War. For critic Mark Kermode, the release proved to be "the single most significant horror film produced in the United Kingdom in the 1960s," while playwright Alan Bennett called the work "the most persistently sadistic and rotten film I've ever seen." Steadily gaining a cult reputation, unimpeded by the director's death just months after the film's release, the film is now treated as a landmark, though problematic, accomplishment, as it exists in a number of recut, retitled, and rescored versions. This in-depth study positions the film within the history of horror and discusses its importance as a British and heritage film. It also considers the inheritance of Hopkins, the script's relationship to the novel by Ronald Bassett, and the iconic persona of the film's star, Vincent Price. Ian Cooper conducts close textual readings of specific scenes and explores the film's various contexts, from the creation of the X certificate and the tradition of Hammer gothic, to the influence on Ken Russell's The Devils (1971) and the "torture porn" of twenty-first-century horror.
Witch’s Canyon (Supernatural)
by Jeff MariotteSam and Dean Winchester lost their mother to a supernatural force. In the years after, their father, John, taught them about the paranormal evil that lives in the dark corners and on the back roads of America... and he taught them how to kill it.
With A Feather On My Nose (American Autobiography Ser.)
by Billie BurkeThe popular comedienne's account of her theatrical career and her married life with Florenz Ziegfeld.This is the life story of an actress, a beautiful redheaded actress who lived and played in a glittering era now gone but fondly remembered. Although she attained moments of great fame and happiness, she never knew security. Like her father, the well-known clown, she went through life with a feather on her nose.--Print Ed.
With Billie
by Julia BlackburnFrom Julia Blackburn, an author whose ability to conjure lives from other times and places is so vivid that one suspects she sees ghosts, here is a portrait of a woman whose voice continues to haunt anyone who hears it.Billie Holiday's life is inseparable from an account of her troubles, her addictions, her arrests, and the scandals that would repeatedly put her name in the tabloid headlines of the 1940s and 1950s. Those who knew her learned never to be surprised by what she might do. Her moods and faces were so various that she could seem to be a different woman from one moment to the next. Volatile, unpredictable, Billie Holiday remained, even to her friends, an elusive and perplexing figure.In With Billie, we hear the voices of those people-piano players and dancers, pimps and junkies, lovers and narcs, producers and critics, each recalling intimate stories of the Billie they knew. What emerges is a portrait of a complex, contradictory, enthralling woman, a woman who knew what really mattered to her. Reading With Billie, one is convinced that she has only just left the room but will return shortly.
With Billie: A New Look at the Unforgettable Lady Day
by Julia BlackburnFrom Julia Blackburn, an author whose ability to conjure lives from other times and places is so vivid that one suspects she sees ghosts, here is a portrait of a woman whose voice continues to haunt anyone who hears it.Billie Holiday’s life is inseparable from an account of her troubles, her addictions, her arrests, and the scandals that would repeatedly put her name in the tabloid headlines of the 1940s and 1950s. Those who knew her learned never to be surprised by what she might do. Her moods and faces were so various that she could seem to be a different woman from one moment to the next. Volatile, unpredictable, Billie Holiday remained, even to her friends, an elusive and perplexing figure.In With Billie, we hear the voices of those people–piano players and dancers, pimps and junkies, lovers and narcs, producers and critics, each recalling intimate stories of the Billie they knew. What emerges is a portrait of a complex, contradictory, enthralling woman, a woman who knew what really mattered to her. Reading With Billie, one is convinced that she has only just left the room but will return shortly.
With Dogs at the Edge of Life
by Colin DayanIn this original and provocative book, Colin Dayan tackles head-on the inexhaustible world, at once tender and fierce, of dogs and humans. We follow the tracks of dogs in the bayous of Louisiana, the streets of Istanbul, and the humane societies of the United States, and in the memories and myths of the humans who love them. Dayan reorients our ethical and political assumptions through a trans-species engagement that risks as much as it promises. She makes a powerful case for questioning what we think of as our deepest-held beliefs and, with dogs in the lead, unsettles the dubious promises of liberal humanism.Moving seamlessly between memoir, case law, and film, Dayan takes politics and animal studies in a new direction—one that gives us glimpses of how we can think beyond ourselves and with other beings. Her unconventional perspective raises hard questions and renews what it means for any animal or human to live in the twenty-first century. Nothing less than a challenge for us to confront violence and suffering even in the privileged precincts of modernity, this searing and lyrical book calls for another way to think the world. Theoretically sophisticated yet aimed at a broad readership, With Dogs at the Edge of Life illuminates how dogs—and their struggles—take us beyond sentimentality and into a form of thought that can make a difference to our lives.
With Love and Laughter, John Ritter
by Amy YasbeckWith Love and Laughter is actress Amy Yasbeck&’s most enduring memory of the life she shared with her husband, one of America&’s most popular and beloved film and television actors, John Ritter.We welcomed him into our homes weekly with his Emmy Award–winning portrayal of Jack Tripper on Three&’s Company and his hit comedy 8 Simple Rules for Dating My Teenage Daughter. On September 11, 2003, John Ritter&’s death from an undiagnosed aortic dissection, at the age of fifty-four, shocked and saddened not only his family and friends but also his millions of fans around the world. In this inspiring and enlightening memoir, Yasbeck reveals how she dealt with the loss and shock of losing John so unexpectedly. It is both a moving portrait of her husband, and an extremely relatable examination of the painful process of grieving. Enduring her grief with poise and patience, she is dedicated to preserving his name and With Love and Laughter, John Ritter is a wonderful and touching tribute to a man adored by the public and cherished by friends and family. Here are the unforgettable times she shared with a man who was adored for finding humor in everyday encounters, never failing to energize and entertain everyone around him. His philosophy was summed up by his favorite autograph for his fans, With Love and Laughter, John Ritter. Amy Yasbeck&’s powerful story reminds us that love never dies . . . and the laughter doesn&’t have to end.
With Love, Mommie Dearest: The Making of an Unintentional Camp Classic
by A. Ashley Hoff Bruce VilanchWhen she died in 1977, Joan Crawford was remembered as an icon of Hollywood's Golden Age—until publication the following year of her daughter's memoir, Mommie Dearest. Christina Crawford's book was an immediate bestseller, combining the infrequently discussed topic of child abuse with the draw of Hollywood drama. But when Paramount Pictures released the film version, starring Faye Dunaway as Crawford, it was panned, and it remains one of the most legendary critical bombs in film history. The lavish, big-screen adaptation drew unexpected laughter for its over the top the scenes depicting life in the Crawford household. Rarely have such good intentions been met with such ridicule. Despite this, the movie was a commercial success and remains, four decades later, immensely popular as an unintentional camp classic. Based on new interviews with people connected to the book and the film—from cast and crew members to industry insiders—With Love, Mommie Dearest details the writing and selling of Christina's book and the aftermath of its publication, as well as the filming of the motion picture, whose backstage drama almost surpassed what was viewed on-screen in the film.Hollywood historian A. Ashley Hoff explores the phenomenon, the camp, and the very real social issues addressed by the book and film.
With Nails: The Film Diaries of Richard E. Grant
by Richard E. GrantThe star of the cult classic Withnail and I offers &“a refreshing combination of comedy, confession, and coruscation&” in this memoir of the movie business (Kirkus Reviews). Richard E. Grant&’s acting career has included memorable roles in some of Hollywood&’s most critically acclaimed films, including Robert Altman&’s Gosford Park and Francis Ford Coppola&’s Dracula. But he attributes his success to his first film role, starring as a flamboyantly pathetic Shakespearean in the underground hit Withnail and I. As Grant explains, &“I had no notion that, almost without exception, every film offered since would be the result of playing an alcoholic out-of-work actor.&” In With Nails, Grant shares his long, maddening, and immensely rewarding journey through the world of film. From the hell of making Hudson Hawk to befriending Steve Martin on the set of L.A. Story; and from eating spaghetti with the Coppolas, to window-shopping with Sharon Stone, and working with and learning from the best actors and directors in the business, Grant&’s unvarnished memoir &“is a biting and wonderfully funny look at the movie business by an actor who is as clear-eyed and observant about himself as he is about the craziness surrounding him&” (Publishers Weekly, starred review).
With Powder on My Nose
by Billie Burke Cameron ShippFollowing on from her successful 1949 memoir "With a Feather on My Nose," here we have a further biography, first published in 1959, from famous Broadway and early silent film actress Billie Burke, best known as Glinda the Good Witch of the North in The Wizard of Oz and widow of Broadway producer Florenz Ziegfeld of Ziegfeld Follies fame.Co-author Cameron Shipp, a ghost writer who had also worked with Mack Sennett and Lionel Barrymore, assisted in assembling Miss Burke's copious notes and transcribed her enthusiastic monologues into this wonderful biography filled with good-humoured advice on marriage, career, exercise, food (included are some delicious recipes!), and even perfecting the art of lying about your age!A most enjoyable trip down a career film star's memory lane.
With a Crooked Stick—The Films of Oscar Micheaux
by J. Ronald GreenWith a "crooked stick," filmmaker Oscar Micheaux (1884–1951) sought to hit a "straight lick" by stressing the strategic importance of class mobility, or "uplift," for African Americans. A theme in all of his more than 40 feature-length, black-produced, black-directed, black-cast, and black-audience films, uplift would allow for the better things in life: fast cars and fancy clothes, freedom of belief, financial security, and an unencumbered intellectual life. Although racism was an impediment to uplift for Micheaux and other African Americans, race as a category was of a secondary order for him in the larger game of class. In With a Crooked Stick, J. Ronald Green pursues this seeming contradiction in a detailed analysis of each of Micheaux's 15 surviving films. He presents critical commentary on each film's plot and action and its contribution to the overall theme of uplift. Readers will also find this an invaluable guide to the preoccupations and features of Micheaux's remarkable career and the insight it provides into the African American experience of the 1920s and 30s.
Withdrawn Traces: Searching for the Truth about Richey Manic, Foreword by Rachel Edwards
by Sara Hawys Roberts Leon NoakesNew discoveries and a fresh perspective, with unprecedented access to Richey's personal archiveOn 1 February 1995, Richey Edwards, guitarist of the Manic Street Preachers, went missing at the age of 27. On the eve of a promotional trip to America, he vanished from his London hotel room, his car later discovered near the Severn Bridge, a notorious suicide spot.Over two decades later, Richey’s disappearance remains one of the most moving, mysterious and unresolved episodes in recent pop culture history. For those with a basic grasp of the facts, Richey's suicide seems obvious and undeniable. However, a closer investigation of his actions in the weeks and months before his disappearance just don’t add up, and until now few have dared to ask the important questions.Withdrawn Traces is the first book written with the co-operation of the Edwards family, testimony from Richey’s closest friends and unprecedented and exclusive access to Richey’s personal archive. In a compelling real-time narrative, the authors examine fresh evidence, uncover overlooked details, profile Richey's state of mind, and brings us closer than ever before to the truth.