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"When the legend becomes fact, print the legend." This line comes from director John Ford's film, The Man Who Shot Liberty Valance, but it also serves as an epigram for the life of the legendary filmmaker. Through a career that spanned decades and included work on dozens of films -- among them such American masterpieces as The Searchers, The Grapes of Wrath, The Quiet Man, Stagecoach, and How Green Was My Valley -- John Ford managed to leave as his legacy a body of work that few filmmakers will ever equal. Yet as bold as the stamp of his personality was on each film, there was at the same time a marked reticence when it came to revealing anything personal. Basically shy, and intensely private, he was known to enjoy making up stories about himself, some of them based loosely on fact but many of them pure fabrications. Ford preferred instead to let his films speak for him, and the message was always masculine, determined, romantic, yes, but never soft -- and always, always totally "American." If there were other aspects to his personality, moods and subtleties that weren't reflected on the screen, then no one really needed to know. Indeed, what mattered to Ford was always what was up there on the screen. And if it varied from reality, what did it matter? When you are creating legend, fact becomes a secondary matter. Now, in this definitive look at the life and career of one of America's true cinematic giants, noted biographer and critic Scott Eyman, working with the full participation of the Ford estate, has managed to document and delineate both aspects of John Ford's life -- the human being and the legend. Going well beyond the legend, Eyman has explored the many influences that were brought to play on this remarkable and complex man, and the result is a rich and involving story of a great film director and of the world in which he lived, as well as the world of Hollywood legend that he helped to shape. Drawing on more than a hundred interviews and research on three continents, Scott Eyman explains how a saloon-keeper's son from Maine helped to shape America's vision of itself, and how a man with only a high school education came to create a monumental body of work, including films that earned him six Academy Awards -- more than any filmmaker before or since. He also reveals the truth of Ford's turbulent relationship with actress Katharine Hepburn, recounts his stand for freedom of speech during the McCarthy witch-hunt -- including a confrontation with archconservative Cecil B. DeMille -- and discusses his disfiguring alcoholism as well as the heroism he displayed during World War II. Brilliant, stubborn, witty, rebellious, irascible, and contradictory, John Ford remains one of the enduring giants in what is arguably America's greatest contribution to art -- the Hollywood movie. In Print the Legend, Scott Eyman has managed at last to separate fact from legend in writing about this remarkable man, producing what will remain the definitive biography of this film giant.
A.: This is the story of a working-class guy from Ohio with little real knowledge of Ambidextrous Presidents, Things Made from Rubber, and hundreds of other categories, but who nonetheless plunges so far into cramming for Jeopardy! that it changes his relationships, bends his worldview, and literally leads him to the ends of the earth, trying to understand it all. Q.: What is Prisoner of Trebekistan? Welcome to a world where obscure information is crucial to survival, vast sums of cash are at stake, and milliseconds can change not just a game but the course of your entire life. (Plus, you could win two Camaros and enough Bon Ami cleanser to scrub a small nation. ) Prisoner of Trebekistan is Bob Harris's hilarious, insightful account of one man's unlikely epic journey through Jeopardy!, gleefully exploring triumph and failure, the nature of memory, and how knowledge itself can transform you in unpredictable ways--all against the backdrop of the most popular quiz show in history. In Prisoner of Trebekistan, Bob chronicles his transformation from a struggling stand-up comic who repeatedly fails the Jeopardy! audition test into an elite player competing against the show's most powerful brains. To get there, he embarks on a series of intense study sessions, using his sense of humor to transform conventional memory skills into a refreshingly playful approach to learning that's as amusing as it is powerful. What follows is not only a captivating series of high-stakes wins and losses on Jeopardy!, but also a growing appreciation of a borderless world that Bob calls Trebekistan, where a love of learning reigns and the smarter you get the more you realize how much you don't yet know. Filled with secrets that only a veteran contestant could share--from counter-intuitive game strategies to Jedi-like tactics with the Jeopardy!signaling device--Prisoner of Trebekistan also gives you the chance to play along with the actual clues that led to victory or defeat in high-level tournaments, plus candid, moving reflections on how the games affected Bob's offstage life--and vice versa. Not only an irresistible treat for Jeopardy! fans, Prisoner of Trebekistan is a delight for anyone who loves a rollicking tale that celebrates the unpredictability of life and the sneaky way it has of teaching us the things that really matter.
Private Screenings brings together essays that focus on the relationship among women, television, and consumer culture.
Recent Yale graduate Megan Smith comes to Manhattan with big plans for a career in journalism and even bigger student loan debt: $75,000. When she flails at her trashy tabloid job, she's given an escape hatch: tutor seventeen-year-old identical twins Rose and Sage Baker-- yes, the infamous Baker heiresses of Palm Beach, Florida, best known for their massive fortunes and their penchant for drunkenly flashing the paparazzi-- and get their SAT scores up enough to get into Duke. Impossible job-- yes. But if she succeeds, her student debts are history. Unfortunately for Megan, the Baker twins aren't about to curtail their busy social schedules for basic algebra. And they certainly aren't thrilled to have to sit down for a study session with dowdy Megan. Megan quickly discovers that if she's going to get her money, she'll have to learn her Pucci from her Prada. And if she can look the part, maybe, just maybe, she can teach the girls something along the way.
Humorous answers drawn from class rooms and examination papers.
Editors Sally Chivers and Nicole Markotic bring together the work of eleven of the best disability scholars from the U.S., the U.K., Canada, and South Korea to explore a new approach to the study of film by concentrating on cinematic representations of what they term "the problem body." The book is a much-needed exploration of the projection of disability on film combined with a much-needed rethinking of hierarchies of difference. The editors turned to the existing corpus of disability theory with its impressive insights about the social and cultural mediation of disabled bodies. They then sought, from scholars at every stage of their careers, new ideas about how disabled bodies coexist with a range of other bodies (gendered, queered, racialized, classed, etc.). To call into question why certain bodies invite the label "problem" more frequently than other bodies, the contributors draw on scholarship from feminist, race, queer, cultural studies, disability, and film studies arenas. In Chivers and Markotic's introduction, they draw on disability theory and a range of cinematic examples to explain the term "problem body" in relation to its projection. In explorations of film noir, illness narratives, classical Hollywood film, and French film, the essays reveal the "problem body" as a multiplication of lived circumstances constructed both physically and socially.
"Frederik L. Schodt has at long last unveiled the fascinating story of 'Professor Risley.' Circus scholars, history buffs, and anyone with an ounce of curiosity should be grateful to him."--Dominique Jando, Circopedia.org "Professor" Risley (Richard Risley Carlisle) introduced the Western circus to Japan in 1864. Three years later, this former acrobat gave many in the West their first glimpse of Japan when he took his "Imperial Japanese Troupe" of acrobats and jugglers on a triumphant tour of North America and Europe. Over the next few years, the Troupe performed before presidents, monarchs, and ordinary citizens. Frederik L. Schodt argues compellingly that such early popular entertainments helped stir a curiosity about all things Japanese that eventually led to japonisme, The Mikado, and, in our time, the boom in manga and anime. Schodt's depiction of Risley and his troupe is enlivened by portraits of the circus demimonde and supported by nineteenth-century photographs, posters, and drawings, many in color. His accounts of these first meetings between Westerners and Japanese shed new light on how different cultures meet, mingle, and influence each other. Descriptions of crowds, dazzling routines, and superstar troupe performers like the famous Little All Right are a delightful revelation to anyone interested in Asia, the circus, and popular entertainment. Frederik L. Schodt has authored numerous books about Japan, including Manga! Manga! and Native American in the Land of the Shogun. In 2009 for his work he was awarded the Order of the Rising Sun, Gold Rays with Rosette.
Alec Baldwin, one of the best-known actors and Kim Basinger, the Academy Award-winning actress, have a daughter named Ireland. Theirs seemed to be the model of a successful Hollywood marriage until their divorce in 2002. Their split---specifically the custody battle surrounding Ireland---would be the subject of media attention for years to come. This is an important, informative, and deeply felt book on a contentious subject that offers hope of finding a better way.
In an unusual blend of autobiography, narrative, and academic content, reflecting the unique nature of the experience, David Crystal recounts the first attempt in over 50 years to mount a full-length Shakespeare play in original pronunciation.
Watkins investigates the variable roles of music primarily from the angle of the Entente nations' perceived threat of German hegemony in matters of intellectual and artistic accomplishment--a principal concern not only for Europe but also for the United States, whose late entrance into the fray prompted a renewed interest in defining America as an emergent world power as well as a fledgling musical culture.
Trained to be a detective by his father, blessed with astounding powers of observation and deduction, and cursed with a refusal to take anything seriously, Shaw Spencer has convinced everyone he's psychic. Now, with his best friend, Gus, he's either going to clean up . . . or be found out. With eighty-seven parking tickets to their credit, it doesn't take a psychic to predict what happens when Shawn and Gus go to pick up Gus's impounded car: They get busted. Shawn is convinced they've stumbled across a criminal conspiracy, but Gus just wants to get away intact. Unfortunately, the fleeing Gus is run over by a speeding Mercedes. When he wakes up in the hospital, things have gotten even worse. Because while Gus was unconscious, Shawn picked up a new sidekick: Tara Larison, a beautiful woman who insists she's Shawn's psychic slave . . . and who won't leave them alone until she's fulfilled every one of Shawn's desires. But when Shawn's enemies start turning up dead, the pair must figure out if it's the work of the criminal conspiracy they've discovered--or Shawn's subconscious, sending his new minion out to do his dirty work.
Based on the hit usa network series Shawn Spencer has convinced everyone he's psychic. Now, he's either going to clean up- or be found out. Murder and Magic are all in the mind... <P><P>When a case takes Shawn and Gus into an exclusive club for professional magicians, they're treated to a private show by the hottest act on the Vegas Strip, "Martian Magician" P'tol P'kah. But when the wizard seemingly dissolves in a tank of water, he never rematerializes. And in his place there's a corpse in a three piece suit and a bowler hat. Eager to keep his golden boy untarnished, the magician's manager hires Shawn and Gus to uncover the identity of the dead man and find out what happened to P'tol P'kah. But to do so, the pair will have to pose as a new mentalist act, and go undercover in a world populated by magicians, mystics, Martians-and one murderer...
Encounters with Russia's scientifically tested psychics and their research in Soviet Russia, Bulgaria and Czechoslovakia
The host of America's Most Wanted, John Walsh has formed a vital partnership with the public, the media, and law enforcement that has led to the capture of hundreds of the worst serial killers, kidnappers, pedophiles, and rapists of our time. In Public Enemies he reveals the cost -- the blood, sweat, and tears -- behind the relentless pursuit of hard justice, in such infamous cases as: Kyle Bell: A lifelong sexual predator whose madness culminated in the slaying of an eleven-year-old North Dakota girl. Bell was one of the only fugitives AMW had to capture twice -- and his case stirred more outrage than any other broadcast in AMW's history. Kathleen Soliah: This accused Symbionese Liberation Army terrorist disappeared in 1969 only to resurface twenty-five years later as suburban housewife and soccer mom Sara Jane Olson. Her arrest, following AMW's profile of Soliah and her former SLA partner James Kilgore, incited a stunning controversy. Rafael Resendez-Ramirez: aka The Railroad Killer. A sociopathic drifter, he rode the Texas rails, stopping only to rape and kill. His case was first brought to the public eye by AMW, and it was a secret call to the program's hot line that ultimately led to his surrender. In those and other gripping true-crime profiles, John Walsh exposes the behind-the-scenes drama of the groundbreaking show, and what actually unfolds between the crimes and the captures -- the vital leads from strangers, the dangerous manhunts, the developments cut from the AMW broadcasts, and the dogged investigations by authorities. He divulges stunning lapses in the judicial process that release monsters to the streets time and again. He takes readers inside the hearts and souls of the grieving families, and gives eyewitness accounts of the dramatic final moments when fugitives are finally taken down. An outspoken and unstoppable crusader, John Walsh ignites Public Enemies with righteous anger and gut-level emotion. But his heartfelt motto echoes throughout: I truly believe, with all my heart and soul, that together we can make a difference. It's a conviction Walsh offers as inspiration to the innocents affected by crime, and to all who feel powerless in the face of unfathomable evil.
Filled with over one hundred playful puns, goofy gigglers, sly spoofs, and more, each joke book in this laugh-out-loud series will keep kids howling for more!
The puppet creates delight and fear. It may evoke the innocent play of childhood, or become a tool of ritual magic, able to negotiate with ghosts and gods. Puppets can be creepy things, secretive, inanimate while also full of spirit, alive with gesture and voice. In this eloquent book, Kenneth Gross contemplates the fascination of these unsettling objects-objects that are also actors and images of life. The poetry of the puppet is central here, whether in its blunt grotesquery or symbolic simplicity, and always in its talent for metamorphosis. On a meditative journey to seek the idiosyncratic shapes of puppets on stage, Gross looks at the anarchic Punch and Judy show, the sacred shadow theater of Bali, and experimental theaters in Europe and the United States, where puppets enact everything from Baroque opera and Shakespearean tragedy to Beckettian farce. Throughout, he interweaves accounts of the myriad faces of the puppet in literature-Collodi's cruel, wooden Pinocchio, puppetlike characters in Kafka and Dickens, Rilke's puppet-angels, the dark puppeteering of Philip Roth's Micky Sabbath-as well as in the work of artists Joseph Cornell and Paul Klee. The puppet emerges here as a hungry creature, seducer and destroyer, demon and clown. It is a test of our experience of things, of the human and inhuman. A book about reseeing what we know, or what we think we know, Puppet evokes the startling power of puppets as mirrors of the uncanny in life and art.
The 'puppies' are humans who have chosen a life of luxury and leisure as the pets of powerful aliens, as opposed to the wild Dingoes who maintain a crumbling society on Earth. The Puppies of Terra is an expansion of the short story White Fang Goes Dingo.
From a wildly imaginative meditation on who Lolita would be at age 50 to a skit entitled "I Love Loosely," in which Lucy and Ricky Ricardo play the parts of Hillary and President Clinton, this collection by comic genius Martin is both hilariously funny and intelligent in its skewering of the topic at hand.
When did Pilgrims first say "God Bless America?" The first time they heard America sneeze. Why did the farmer put suntan lotion on his turkey? He liked dark meat. What are unhappy cranberries called? Blueberries Why did the Indians whisper? The corn had ears. New and original riddles mixed with some old favorites are hilariously illustrated by Marylin Hafner.
Purpose is Wyclef Jean's powerful story of a life rooted in struggle, soul-searching, art, and survival. In his own voice the multi-platinum musician and producer shares everything, from his childhood in Haiti to his rise to the top of the American music scene. For the first time ever, Wyclef reveals the behind-the-scenes story of the Fugees, including his partnership with Lauryn Hill and Pras Michel, the details of their award-winning album The Score, and the solo career that followed. For fans of early Wyclef efforts like The Carnival or later albums like From the Hut, To the Projects, To the Mansion-and for fans of books like Jay-Z's Decoded or Russell Simmons' Super Rich-Wyclef's Purpose is an inspiring, one-of-a-kind look at one of the world's most talented artists.
There is a great mystique about the entertainment industry and a fervent desire in many to be part of it. But what many women don't realize is that most entertainment career guides are written from the point of view of the male executive, or are filled with industry and legal jargon-making them difficult to read and understand. Now, in PUT YOUR DREAMS FIRST, Thembisa Mshaka uses her 15 years of experience in the music industry to expose the hidden truths that women need to know as they aspire toward entertainment careers, such as how to avoid compromising one's self-respect and the little-known fact that women run a large part of the business. This highly informative guide is for every woman wanting to know how to navigate the entertainment superhighway and find that job of a lifetime.
An introduction to what goes into putting on a play: actors, directors, writers, and costume and stage design.
The first entry in a multivolume set that will be essential reading for aspiring producers and artists everywhere, Q on Producing presents the master's approach to making music.
Quincy Jones has won multiple grammy awards. He has been acknowledged as a masterful jazz, rock, and funk musician, has created some of the most memorable film scores of the pop era, and has sat at the production controls for numerous landmark albums, including Michael Jackson's Thriller, the biggest-selling long-player of all time.
Queen Latifah was a tomboy in her New Jersey city. But now, she's a rapper, (her CD's have sold millions), she is an actress, (She was nominated for an academy award, the first hip-hop artist to be nominated), and so much more. this children's biography highlights her career moves, from rap to acting, and what she hopes to accomplish in the future.
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