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Quincy Jones has won multiple grammy awards. He has been acknowledged as a masterful jazz, rock, and funk musician, has created some of the most memorable film scores of the pop era, and has sat at the production controls for numerous landmark albums, including Michael Jackson's Thriller, the biggest-selling long-player of all time.
Queen Latifah was a tomboy in her New Jersey city. But now, she's a rapper, (her CD's have sold millions), she is an actress, (She was nominated for an academy award, the first hip-hop artist to be nominated), and so much more. this children's biography highlights her career moves, from rap to acting, and what she hopes to accomplish in the future.
In this biography of jazz singer Dinah Washington (1924-1963), Cohodas traces her life as a child in Tuscaloosa, Alabama, the beginnings of her career when she sang with Lionel Hampton's band, recordings and songs, and her performances with her trio, as a soloist, and other groups. A discography is provided. Cohodas is the author of other books on music and politics. Annotation ©2006 Book News, Inc. , Portland, OR (booknews. com)
One of the twentieth century's most important filmmakers--indeed one of its most important and influential artists--Ingmar Bergman and his films have been examined from almost every possible perspective, including their remarkable portrayals of women and their searing dramatizations of gender dynamics. Curiously however, especially considering the Swedish filmmaker's numerous and intriguing comments on the subject, no study has focused on the undeniably queer characteristics present throughout this nominally straight auteur's body of work; indeed, they have barely been noted. Queer Bergman makes a bold and convincing argument that Ingmar Bergman's work can best be thought of as profoundly queer in nature. Using persuasive historical evidence, including Bergman's own on-the-record (though stubbornly ignored) remarks alluding to his own homosexual identifications, as well as the discourse of queer theory, Daniel Humphrey brings into focus the director's radical denunciation of heteronormative values, his savage and darkly humorous deconstructions of gender roles, and his work's trenchant, if also deeply conflicted, attacks on homophobically constructed forms of patriarchic authority. Adding an important chapter to the current discourse on GLBT/queer historiography, Humphrey also explores the unaddressed historical connections between post-World War II American queer culture and a concurrently vibrant European art cinema, proving that particular interrelationship to be as profound as the better documented associations between gay men and Hollywood musicals, queer spectators and the horror film, lesbians and gothic fiction, and others.
Queer Cinema: Schoolgirls, Vampires, and Gay Cowboys illustrates queer cinematic aesthetics by highlighting key films that emerged at historical turning points throughout the twentieth century. The book traces the representation of gays and lesbians from the sexual liberation movements of the roaring 1920s in Berlin to the Stonewall Rebellion in New York City and the emergence of queer activism and film in the early 1990s. The book explains early tropes of queerness, such as the boarding school or the vampire, and describes the development of camp from 1950s Hollywood to underground art of the late 1960s in New York City. It concludes with an exploration of the contemporary mainstreaming of gay and lesbian films and global queer cinema. Queer Cinema: Schoolgirls, Vampires and Gay Cowboys thus offers an introduction to a gay and lesbian film history, but also contributes to an academic discussion about queer subversion of mainstream film.
Nadine Hubbs shows how a gifted group of Manhattan-based gay composers were pivotal in creating a distinctive "American sound" and in the process served as architects of modern American identity. Focusing on a talented circle that included Aaron Copland, Virgil Thomson, Leonard Bernstein, Marc Blitzstein, Paul Bowles, David Diamond, and Ned Rorem, The Queer Composition of America's Sound homes in on the role of these artists' self-identification.
Examines text and subtext in relationships between male characters in t.v. and film from the 1950s through the present.
Fifteen essays presented by Greene (philosophy, Weber State U) and Mohammad (language, literature, and philosophy, Southern Oregon U) explore a range of philosophical questions through engagements with the films of director Quentin Tarantino. Topics include a Nietzschean reading of Reservoir Dogs, the ethics of revenge and mercy and the recitation of the biblical passage Ezekiel 25:17 in Pulp Fiction, the ethics of vengeance in Kill Bill, knowledge and pragmatism in Jackie Brown, transformations of time and causality in Pulp Fiction, Kill Bill as Oedipal play, and elements of Buddhist philosophy in Kill Bill.
Is it possible to tell the story of a generation and a city through the history of a restaurent? A story of the lives of many people who ate at the famous Quentins.
"I've been dancing steadily since that Valentine's Day. I have taken countless lessons and classes, passed a professional certification exam, done several shows and a competition--yes, dressed in those outrageous gowns and false eyelashes--and then gone back home to the kids, the soccer, the housework, and to work the next day. It hasn't been easy to make room in the schedule for my passion, but I have done it, because I'm certain now that it is necessary for life. This new period is rich--as rich in some ways as having my two children because it has been a kind of birth--but it has also been extraordinarily painful thanks to the self-examination that dancing has provoked in me. And so, because of dance, I can say, unequivocally and gratefully, that I am alive at last." - From Quick, Before the Music Stops"There is no time for regret in dance. You have only now, this moment, for your performance, your glorious movement. Whatever you're going to do, do it now, quick, before the music stops." - Janet CarlsonIn her twenties, Janet Carlson was a successful competitive ballroom dancer, but she abandoned dancing to raise a family and pursue a more conventional profession as an editor for a luxury lifestyle magazine. Twenty years later, she seemed to have it all: two beautiful daughters, a glamorous job, and a handsome, talented husband. Despite all of her successes, she felt a terrible void - her marriage was deeply troubled, and she was somehow withdrawn in the very midst of her own life and the lives of her children. Then, one Valentine's Day, her husband gave her ballroom dancing lessons as a gift, and everything changed. She discovered the joy, passion, and confidence she hadn't realized had gone missing for so long. Over time, Janet discovers that ballroom dancing also contains the secrets to life and love: the give-and-take of dance, two bodies in rhythm and harmony, mirrors the reciprocity of human relationships. Total trust between partners is as vital on the dance floor as it is within a marriage. And yet, both partners - in dance and in life - must stand on their own two feet. The unadulterated joy Janet feels as she intuitively moves to the music speaks to the kind of absolute, whole-body happiness we were born to have. On the dance floor, she finds resolve in the waltz, self-confidence in the tango, and passion in nearly everything. Embracing dance once more allows her to let go of a marriage that was completely out of sync; put more heart and emotion into her work; find more time to truly be with her children; and ultimately rejoice in her intrinsic balance and poise.Told with precision, grace, and painstaking honesty, Quick, Before the Music Stops is the tale of one woman's midlife renewal through dance, and how her newfound empowerment transcends the dance floor and becomes immediate and relevant in every aspect of her life. It shows us how to recognize and celebrate both our strengths and our flaws, reignite passion for the everyday, and how to step from the periphery into the light and surrender to the music.
Everybody loves a party. And they'll love yours the most, thanks to this festive collection of themes, snacks, crafts, drinks, and decor...all handpicked by the party monsters at Quirk D.I.Y., the Quirk Books community for makers of everything awesome. So roll back the rug, call your friends, and let's get at least one of these parties started! Party Themes include: SPARKLE PARTY, featuring Mini Candy Apples, Holiday Cake Pops, Sweet Surrender Punch, and more. OVER EASY PARTY, Featuring Huevos Rancheros Tacos, Maple Bacon Cupcakes, Golden Hog Cocktail, and more. GIANT PARTY for kids, featuring Mini Corn Dogs, Super-Small Deep-Dish Pizzas, Teensy Funnel Cakes, and more. CRAFTERNOON TEA PARTY featuring Pansy Tea Sandwiches, English Rose Cocktail, homemade Pom-Pom Headbands, and more. THE WEATHER OUTSIDE IS FRIGHTFUL PARTY featuring Salted Caramel Hot Chocolate, Beef-and-Beer Chili, homemade Plush Penguin party favors, and more.
QUISTERS are puzzles which require only logic and abstract thinking to solve. To play, one person (who knows the solution) presents the problem to other players who attempt to solve it by asking questions the presenter may answer only with "Yes" or "No". An occasional "Sort of" or "Irrelevant" may be helpful.
Are you in love with a leech? What did last night's dream really mean? Will you be rich? Are you sexy? For years, quizzes appearing online and in magazines have fascinated and captured the attention of women of all ages. People send online quizzes to their friends and compare scores. Couples and girlfriends take them together to better understand each other.Quiz Therapy: The iVillage Big Book of Quizzes will feature more than 65 quizzes in categories such as Personality, Love, Dating, Couples, Weddings, Home and Beauty. Each quiz is 2 to 3 pages and allows readers to tally their points and match their score against the point ranges for the result groupings.
For those looking for a little more from musicians and composers than music here are quotations of wit and wisdom, anger and admission. Material is divided into 30 topics such as identity, humor, conducting, other musicians, wisdom, and society. Also featured are short interviews with Ron Carter, a discussion about Thelonious Sphere Monk with his son, and Benny Golson. Musicians and composers run the genre gamut, with jazz, classical, and popular musics featured most predominantly. Anderson is the host of Sunday Morning Harmony on WBGO in Newark. The book is geared to a popular readership. Annotation (c)2003 Book News, Inc. , Portland, OR (booknews. com)
[From the back cover] The Untold Story of How Radio Influenced America's Image of Jews From stereotypes to role models, the first comprehensive look at how Jews were portrayed on radio from the 1920s to the 1950s. Examines over 100 programs and characters, including comedy, drama, soap opera, religious, documentary and World War II. CD features sample excerpts from programs that stirred listeners' emotions 60 years ago. The Siegels' new book salvages many comedy, drama, and religious programs from obscurity, sheds new light on familiar Jewish-themed programs, and addresses anti-Semitic radio. A highly useful and often entertaining glimpse into Jewish radio, Radio and the Jews is a unique reference for scholars of 20th century radio, media and religion. Tona Hangen, Author of Redeeming the Dial: Radio, Religion, and Popular Culture in America David Siegel has been collecting Golden Age of Radio broadcasts, books and ephemera for over 40 years. He is the editor of The Witch's Tale, an anthology of scripts from a 1930s horror program and co-author of Flashgun Casey, Crime Photographer. Susan Siegel has been involved with radio for 20 years. She has co-authored two reference books about radio with her husband: A Resource Guide to the Golden Age and Radio Scripts in Print.
As a comprehensive and in-depth look at the role of domestic radio in the United States during the Second World War, this study demonstrates how radio broadcasting played a crucial role both in government propaganda and within the context of the broader cultural and political transformations of wartime America and argues that no medium merged entertainment, propaganda, and advertising more effectively than radio.
John Osborne has long been a fan of radio - from late night sessions of John Peel to Test Match Special at dawn, he has always enjoyed tuning in to the riches of our best broadcasts. When his dull temporary job became drearier than ever, John decided to remain attached to his headphones all day to listen to some of Britain's more unknown stations as well as revisiting the mainstream to fully experience the breadth of our radio output. The result is a funny, disarming ride through aspects of Britain that are uplifting, informative and sometimes plain bizarre. Throughout his month of intensive radio listening, John flits through talk radio, sports shows, dips into the mainstream and the minority, exalts in specialist music shows, comedy and local radio before expanding his mind with an experimental arts channel. It seems there is something for everyone at the turn of a dial, whether that is the ranting of the permanently enraged, the gentle tinkle of a string quartet, West Indian stomp or the sound of frozen peas being thrown around Elephant and Castle underground station. John also gets under the skin of the radio business by interviewing presenters such as Mark Radcliffe and Nicholas Parsons as well as insiders who run the Radio Times and Channel 4 online radio. John's daily life is directly affected by his radio habit as he finds himself organising a poker night during exposure to The Jazz, and Zane Lowe's energy on Radio One goads him into cooking his stir fry at the same speed as Morecambe and Wise prepared their breakfast. Finally, John decides to turn his life around and radio becomes his saviour.
Commentary from a frequent contributor to NPR's This American Life.
In New York Times Bestselling author Richard Castle's newest novel, an illegal immigrant falls from the sky and NYPD Homicide Detective Nikki Heat's investigation into his death quickly captures the imagination of her boyfriend the Pulitzer Prize-winning journalist, Jameson Rook. When he decides to work the case with Heat as his next big story, Nikki is at first happy to have him ride along. Yes, she must endure Rook's usual wild conspiracy speculations and adolescent wisecracks, but after reuniting following his recent assignment abroad, she's glad for the entertainment, the chance to bounce ideas, and just to be close to him again and feel the old spark rekindle. But when Rook's inquiry concludes that Detective Heat has arrested the wrong man for the murder, everything changes. <P> Balancing her high stakes job with a complicated romance has been a challenge ever since Nikki fell for the famous reporter. Now, her relationship lurches from mere complexity into sharp conflict over the most high-risk case of her career. Set against the raging force of Hurricane Sandy as it pounds New York, Heat battles an ambitious powerbroker, fights a platoon of urban mercenaries, and clashes with the man she loves. Detective Heat knows her job is to solve murders. She just worries that solving this one will be the death of her relationship.
Raised in poverty, longing for his father's approval, Issur Danielovitch went on to become a legendary Hollywood star - Kirk Douglas. Here in his own words is the story of his life.
Tumpie, a young black girl who will later become famous as the dancer Josephine Baker, longs to find the opportunity to dance amid the poverty and vivacious street life of St. Louis in the early 1900s.
Terri Fletcher longs to be a singer, and signs up for a summer music camp to which her father objects completely. When Terri's brother dies in a car accident, she has to work that much harder, and scheme, to be able to attend.
The year is 1978. Saturday Night Fever is breaking box office records. All over America kids are racing home to watch Dance Fever, Michael Jackson is poised to become the next major pop star, and in Hollis, Queens, fourteen-year-old Darryl McDaniels--who will one day go by the name D.M.C.--busts his first rhyme: "Apple to the peach, cherry to the plum. Don't stop rocking till you all get some." Darryl's friend Joseph Simmons--now known as Reverend Run--thinks Darryl's rhyme is pretty good, and he becomes inspired. Soon the two join forces with a DJ--Jason "Jam Master Jay" Mizell--and form Run-D.M.C. Managed by Run's brother, Russell Simmons, the trio, donning leather suits, Adidas sneakers, and gold chains, become the defiant creators of the world's most celebrated and enduring hip-hop albums-and in the process, drag rap music from urban streets into the corporate boardroom, profoundly changing everything about popular culture and American race relations. Through candid, original interviews and exclusive details about the group's extraordinary rise to the top--and its mortal end brought on by the tragic murder in 2002 of Jam Master Jay--Raising Hell tells of Run-D.M.C.'s epic story, including the rivalries with jealous peers, their mentoring of such legendary artists as the Beastie Boys and Public Enemy, and the battles with producers, record executives, and one another. Ronin Ro delivers a meticulously researched, compellingly written, affecting behind-the-music tale of family, friendship, betrayal, murder, and the building of the culture and industry known as hip-hop.
As the mother of hip-hop superstar Kanye West, Donda West has watched her son grow from a brilliant baby boy with all the intimations of fame and fortune to one of the hottest rappers on the music scene. And she has every right to be proud: she raised her son with strong moral values, teaching him right from wrong and helping him become the man he is today. In Raising Kanye, Donda not only pays homage to her famous son but reflects on all the things she learned about being his mother along the way. Featuring never-before-seen photos and compelling personal anecdotes, Donda's powerful and inspiring memoir reveals everything from the difficulties she faced as a single mother in the African-American community to her later experiences as Kanye's manager as he rose to superstardom. Speaking frankly about her son's reputation as a "Mama's Boy," and his memorable public outbursts about gay rights and President George W. Bush, Donda supports her son without exception, and here she shares the invaluable wisdom she has taken away from each experience -- passion, tolerance, patience, and above all, always telling the truth. Ultimately, she not only expresses what her famously talented son has meant to her but what he has meant to music and an entire generation.
A patriot and a political radical, Guthrie captured the spirit of his times in his enduring songs. From Booklist Although Woody Guthrie has been a favorite topic of children's books in recent years, there has not been a substantive adult biography written about him since Joe Klein's definitive Woody Guthrie (1980). Cray (Chief Justice: A Biography of Earl Warren, 1997) may well supplant Klein, as he was given access to the Woody Guthrie Archives, which contain previously unpublished letters, diaries, and journals. Although his narrative is sometimes too thick with details, Cray eloquently sums up the Okie songwriter's sorrowful life, during which he endured his sister's and daughter's deaths by fire, his mother's committal to an insane asylum, and his own diagnosis and death from Huntington's disease. Cray is especially insightful on Guthrie's politics and his deep empathy for Depression-era migrant workers. A man of contradictions, the songwriter emerges as an intellectual who took pains to hide his intellect and as a crusader for social justice who neglected his own family. His second wife, Marjorie, takes on near-heroic stature as the caregiver who, though they were long divorced, looked after him during the last decade of his debilitating illness. Joanne Wilkinson Copyright © American Library Association.
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