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Songwriting: Methods, Techniques and Clinical Applications for Music Therapy Clinicians, Educators, and Studentsby Felicity Baker Tony Wigram
This resource for music therapy clinicians, educators, and students describes the effective use of songwriting in working with a variety of client populations. Twelve case examples from experienced practitioners demonstrate how to apply therapeutic songwriting to meet the particular needs of (for example) children at a child and family psychiatric unit, teenagers in a mainstream secondary school, adults recovering from traumatic brain injuries, and hospice patients from diverse cultural backgrounds. The text is accompanied by notated examples of songs produced in therapy. Annotation ©2005 Book News, Inc. , Portland, OR (booknews. com)
Led by Il Maestro, the evil Sons of Entropy are assaulting the mansion that holds back the realm of monsters and stealing the life force from the besieged Gatekeeper.
Biography of the famous actress Sophia Loren up to 1979.
Sophocles' Antigone comes alive in this new translation that will be useful for academic study and stage production. Diane Rayor's accurate yet accessible translation reflects the play's inherent theatricality. She provides an analytical introduction and comprehensive notes, and the edition includes an essay by director Karen Libman. Antigone begins after Oedipus and Jocasta's sons have killed each other in battle over the kingship. The new king, Kreon, decrees that the brother who attacked with a foreign army remain unburied and promises death to anyone who defies him. The play centers on Antigone's refusal to obey Kreon's law and Kreon's refusal to allow her brother's burial. Each acts on principle colored by gender, personality and family history. Antigone poses a conflict between passionate characters whose extreme stances leave no room for compromise. The highly charged struggle between the individual and the state has powerful implications for ethical and political situations today.
In a playful and experimental way, Eloise Ristad encourages her students to learn a lot about themselves in unconventional ways. New approaches to sight-reading and learning rhythms, and even reading sheet music, delight her students. Students find that they have clearer minds as they confront their "inner judges" and turn them into advisors. And you too, can do the same.
This book explores everything from Aristotle to ziti. The chapters cover topics from each of the traditional branches of western philosophy: metaphysics (the problem of evil, philosophical psychology), epistemology (self-knowledge), value theory (ethics, aesthetics, political philosophy), as well as eastern philosophy (Sun Tzu), history of philosophy (Plato, Nietsche, Machiavelli) and contemporary postmodern themes (feminism and identity issues).
This must-have book for every fan of HBO's hit show "The Sopranos" packs five scripts from the best episodes, handpicked by series creator David Chase. Completed scripts are included for the episodes: Pilot, College, The Happy Wanderer, The Knight in White Satin Armor, and Pine Barrens. 8-page photo insert.
The sixties were a tremendously important time of transition for both civil rights activism and the U.S. film industry. Soul Searching examines a subject that, despite its significance to African American film history, has gone largely unexplored until now. By revisiting films produced between the march on Washington in 1963 and the dawn of the "blaxploitation" movie cycle in 1970, Christopher Sieving reveals how race relations influenced black-themed cinema before it was recognized as commercially viable by the major studios. The films that are central to this book--Gone Are the Days (1963), The Cool World (1964), The Confessions of Nat Turner (never produced), Uptight (1968), and The Landlord (1970)--are all ripe for reevaluation and newfound appreciation. Soul Searching is essential reading for anyone interested in the politics and cultural movements of the 1960s, cinematic trends like blaxploitation and the American "indie film" explosion, or black experience and its many facets.
Eddie Hernandez and his band have been invited to play in a festival. One member refuses to practice. Will the band be ready in time?
Maria, the wonderful, lively heroine of The Sound of Music, is a postulant at an Austrian abbey when the play begins. Happy, young, and well-liked, she is nevertheless in difficulty at the abbey. It seems that Maria can't control her desire to sing. The young postulant is sent to the home of Captain von Trapp, a widower, to act as governess for his seven children.
When even his friends refer to him as 'a balding, bug-eyed opportunist with the looks of a beach ball, the charisma of a glove-puppet and an ego the size of a Hercules supply plane,' the odds of Toby Young scoring - in any sense - appear to be slim. But then How to Lose Friends and Alienate People, his memoir about failing to take Manhattan, becomes an international bestseller. Now Tinseltown beckons. After receiving a once-in-a-lifetime opportunity from a Hollywood producer, Toby sets his sights anew on a high-flying career, this time on the West Coast. But it doesn't take long for Toby's self-sabotaging instincts to reassert themselves. On the home front, though, things are looking up: Toby persuades his girlfriend to marry him and move to Los Angeles - but then she decides to abandon her promising legal career in order to become a full-time housewife. . . and mother.
In this star-studded autobiography, Clive Davis shares a personal, candid look into his remarkable life and the last fifty years of popular music as only a true insider can.In the history of popular music, no one looms as large as Clive Davis. His career has spanned more than forty years, and he has discovered, signed, or worked with a staggering array of artists: Whitney Houston, Janis Joplin, Simon and Garfunkel, Barry Manilow, Patti Smith, Lou Reed, Dionne Warwick, Carlos Santana, The Grateful Dead, Alicia Keys, Kelly Clarkson, Jennifer Hudson, and Aretha Franklin, to name a few. He has been inducted into the Rock and Roll Hall of Fame, received a Lifetime Achievement Grammy, and hosted the world's highest profile parties. In this fully illustrated, personal account, Davis tells all, from becoming an orphan in high school and getting through college and law school on scholarships, to being falsely accused of embezzlement and starting up his own record company, J Records. His wealth of experience offers valuable insight into the evolution of the music business over the past half-century and into the future. Told with Davis's unmatched wit, frankness, and style, The Soundtrack of My Life exposes a trove of never-before-heard stories--some hilarious, others tragic, all revealing--that will captivate and inspire all music lovers.
The rise of independent cinema in Southeast Asia, and the emergence of a new generation of filmmakers there, is among the most significant recent developments in global cinema. The advent of affordable and easy access to digital technology has empowered new voices from a part of the world rarely heard or seen in international film circles. This book documents these developments as a genuine outcome of the democratization and liberalization of film production of films. Interviewees include Lav Diaz, Amir Muhammad, Apichatpong Weerasethakul, Eric Khoo, Garin Nugroho, Nia Dinata and others.
Always riveting, Space Is the Place is the definitive biography of "one of the great big-band leaders, pianists, and surrealists of jazz" (New York Times)--unparalleled for his purposeful outlandishness, a man who exerted a powerful influence over a vast array of artists.Sun Ra--a/k/a Herman Poole "Sonny Blount--was born in Alabama on May 22, 1914. But like Father Divine and Elijah Muhammad, he made a lifelong effort to obscure many of the facts of his early life. After years as a rehearsal pianist for nightclub revues and in blues and swing bands, including Wynonie Harris's and Fletcher Henderson's, Sun Ra set out in the 1950s to find a way to impart his views about the galaxy, black people, and spiritual matters through the various incarnations of the Intergalactic Arkestra. His repertoire ranging from boogie-woogie, swing, and bebop to free form, fusion, and whatever, Sun Ra was above all a paragon of contradictions: profundity and vaudeville; technical pianistic virtuosity and irony; assiduous attention to arrangements and encouragement of collective improvisation; respect for tradition and celebration of the fresh.Some might have been bemused by his Afro-Platonic neo-hermeticism; others might have laughed at his egregious excesses. But Sun Ra was at once one of the great avant-gardists of the latter half of the twentieth century and a black cultural nationalist who extended Afrocentrism from ancient Egypt to the heavens.
NBC Sports journalist gives his humorous insights on athletes, memorable games, scandals, victories, and more. Encompasses a wide variety of sports.
Carlson (theater and comparative literature, City U. of New York--Graduate Center) suggests how linguistic theory and theater practice at the close of the 20th century challenge conventional thinking about theatrical language and the various ways that language can function in the theater. The macaronic stage, post-colonial heteroglossia, and post-modern language play are among his perspectives. Annotation ©2006 Book News, Inc., Portland, OR (booknews.com)
Biographies of many noted pianists, and essays on interpretation, concert management, recording, and the formidable demands of a career as a concert pianist.
Patsy Rodenburg tackles one of the most difficult acting jobs: speaking Shakespeare's words both as they were meant to be spoken and in an understandable and dramatic way. Rodenburg calls this "a simple manual to start the journey into the heart of Shakespeare," and that is what she gives us. With the same insight she displayed in The Actor Speaks, Rodenburg tackles the playing of all Shakespeare's characters. She uses dramatic resonance, breathing, and placement to show how an actor can bring Hamlet, Rosalind, Puck and other characters to life. This is one book every working actor must have.
The image of the movie-obsessed gay man is a widely circulating and readily recognizable element of the contemporary cultural landscape. Using psychoanalytic theory as his guide while inflecting it with insights from both film theory and queer theory, Brett Farmer moves beyond this clich to develop an innovative exploration of gay spectatorship. The result, Spectacular Passions, reveals how cinema has been engaged by gay men as a vital forum for "fantasmatic performance"--in this case, the production of specifically queer identities, practices, and pleasures. Building on the psychoanalytic concept of the fantasmatic, Farmer works to depathologize gay male subjectivity. While discussing such films as Kiss of the Spider Woman, The Pirate, Suddenly Last Summer, and Sunset Boulevard, and stars ranging from Mae West to Montgomery Clift, Farmer argues that the particularities of gay men's social and psychic positionings motivate unique receptions of and investments in film. The Hollywood musical, gay camp readings of the extravagant female star, and the explicit homoeroticism of the cinematic male body in gay fanzines are further proof, says Farmer, of how the shifting libidinal profiles of homosexual desire interact with the fantasy scenarios of Hollywood film to produce a range of variable queer meanings. This fascinating and provocative study makes a significant new contribution to discussions of cinema, spectatorship, and sexuality. As such, it will be welcomed by those in the fields of film theory, queer theory, and cultural studies.
For the first time ever, here is the epic story of the transition from silent films to talkies - that moment when movies were totally transformed and the American public cemented its love affair with Hollywood. In the Speed of Sound, author Scott Eyman, whose biography of filmmaker Ernst Lubitsch was hailed as "resoundingly wonderful," has created a mixture of cultural and social history that is at once both scholarly and vastly entertaining. Here is the first and last. word on the missing chapter in the history of Hollywood, the ribbon of dreams by which America conquered the world. Myth has it that it happened overnight, that Al Jolson said a few words in The Jazz Singer and the talkies were born, that stars with weak or inappropriate voices either killed themselves or went into seclusion, that the movie industry simply refitted itself and went on with business. The truth, however, is more involved - not to mention sinister, colorful, and entertaining. Sound was something the industry had resisted, and it was accepted only reluctantly and only after the Warner Bros. Studio had forced the issue with its aggressive selling of The Jazz Singer. But that was 1927, and for a long time afterward there were still those filmmakers, film stars, and even some filmgoers who resisted the appealing novelty. Change, however, was inevitable, and when it came it was devastating. As Scott Eyman demonstrates in his fascinating account of this exciting era, it was a time when fortunes, careers, and lives were made and lost, when the American film industry came fully into its own, and when the American film-going public truly succumbed to Hollywood's bewitching spell.
Spellbound by Beauty examines Alfred Hitchcock's well known collaborations with the leading ladies of his day, and, in so doing, delves into his creative life and his uniquely curious professional and personal relationships. The result is a singular kind of life story u a book about film and film stars; business and power; sex and fantasy; romance and derailed psychology. Drawing on explosive, never-before-published material and details gleaned through his friendship with Hitchcock, along with archival material and personal collections only recently made available, Donald Spoto casts a new light on this most famous of directors. He traces Hitchcock's professional and social rise and deals frankly with his strange marriage to Alma Reville, his distance from his daughter, Patricia, and his obsessive relationships with a number of his leading ladies from Grace Kelly and Kim Novak to Tippi Hedren.
THREE EXPLOSIVE ACTION THRILLERS OF FANTASTIC CRIME AND SWIFT RETRIBUTION! SATAN'S MURDER MACHINES DEATH REIGN OF THE VAMPIRE KING The Shadow! Doc Savage! The Avenger! The Phantom Detective! All were spawned from the flame and fury of World War corruption and society's hunger for lightning justice and relentless vindication. Yet one alone towered above the others in bringing blazing retaliation to murderous cults and criminal masterminds. He is pulp fiction's most sensational judge, jury and executioner! He is THE SPIDER-Master of Men!
In his own words, Spike Lee is the man who single-handedly "broke the color barrier" in Hollywood in the mid 1980s. In a film career that spans more than 20 years, Lee has established himself as one of the United States' premier filmmakers, a director whose films explore the many aspects of the African-American experience. Never one to shy away from controversy--he has been accused of racism, anti-Semitism, and sexism--Lee uses film to raise tough questions and to provoke discussion. How was he able to break down the doors of Hollywood for himself and for other African-American directors, actors, and technicians? How has he continued to grow and develop as a filmmaker? Spike Lee presents a nuanced portrait of an artist who has become a symbol of contemporary American culture.
Spike Lee is one of the most popular and innovative filmmakers working today. With films such as She's Gotta Have It, Do the Right Thing, and Malcolm X, Spike Lee has explored complex issues in a style that is both entertaining, challenging, and fun.
From opening day in Anaheim to opening day in Hong Kong, from Donald Duck's fiftieth Birthday bash to secret visits by royalty, from Walt Disney to Michael Eisner, Disney Legend Charlie Ridgway, a Disney press agent for forty years, has the inside scoop. The man who told Walt where to stand for photos, helped usher in the era of electronic news gathering - and befriended generations of movie stars, television hosts, and news reporters - now shares his wry and revealing reminiscences of life in the world's greatest Mickey Mouse outfit.
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