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'The streets are full of admirable craftsmen, but so few practical dreamers.' Man Ray What if there were movies made th same way as suits, custom fitted, each one tailored for one person? Not broadcast, but narrowcast? Not theatres around the world showing the same globalized pictures, but instead a local circumstance, a movie so particular, so peculiar, it could cure night blindness or vertigo? Welcome to the world of fringe movies, where artists have been busy putting queer shoulders to the wheels, or bending light to talk about First Nations rights (and making it funny at the same time), or demonstrating how a personality can be taken apart and put together again, all in the course of a ten-minute movie which might take years to make. Practical Dreamers takes us to this other side of the media plantation. In it, twenty-seven Canadian artists dish about how they get it done and why it matters. The conversations are personal, up close and jargon free, smart without smarting. The stellar cast includes smartbomb Steve Reinke; visionary Peter Mettler; Middle East specialist Jayce Salloum; queer Asian avatars Richard Fung, Midi Onodera, Ho Tam, and Wayne Yung; footage recyclers Aleesa Cohene and Jubal Brown; overhead projector king Daniel Barrow; First Nations vets Kent Monkman and Shelley Niro; international art presence Paulette Phillips; and documentarian Donigan Cumming. These in-depth talks come lavishly illustrated in an oversized volume.
Written for the beginner, Practical DV Filmmaking guides you thorough the process of making a film with low-cost digital equipment: from development through to production, post-production and distribution. While the technical tools you need are fully explained, the book concentrates on filmmaking principles throughout, illustrating how these tools can be used to achieve stylistic approaches for innovative filmmaking.The book assumes no background knowledge in either technology or filmmaking and is divided into four key areas:*DEVELOPMENT: turn your idea into a workable script, storyboard and schedule.*PRODUCTION: develop skills to shoot original short films and turn a zero-to-low budget to your advantage.*POST-PRODUCTION: learn basic editing techniques to enhance your original idea using iMovie, Premiere and other popular tools.*DISTRIBUTION: set up a website and use the internet to promote your film. Includes numerous links to useful websites. Plus, top tips for how to enter a film festival and a new chapter on developing a career.Projects enable you to master each step of the process taking you through different aspects of filmmaking today. Gradually you will find out where your strengths lie and how to make the most of them. The book also encourages stylistic development by intruding theoretical approaches to filmmaking. A glossary of terms plus an appendix of resources make this guide a one-stop essential handbook to DV filmmaking practice for beginners and student filmmakers.
The ultimate gift book for the epicure who has everything. It features such facts as the names and sizes of champagne bottles, step-by-step instructions on how to slice a banana without peeling it (or even cutting the peel), the menu served the night the Titanic sank, ten edible figures of speech, intriguing quotes on eating and drinking from Kenneth Grahame, William Shakespeare, and Charles Dickens.Clever, engaging, and easy to browse for fun. For people seeking a resource on esoteric information, it is indexed for easy access to specific topics.
The ultimate gift book for the bride, her mother, bridesmaids, friends, and the occasional groom. Fascinating facts include the world's longest wedding ceremony, shortest ceremony, and most-watched ceremony (on television). Also included is vital information on diamond engagement rings, gift guidelines for each anniversary, the significance of rice, the meaning of flowers used in bouquets, and the story behind traditions and sayings like "something old, something new." The book will be equally popular as a gift and curiosity for the nearly wed or as a resource for those hard-to-find facts that provide the background on much of the traditional wedding lore. A complete index provides access by topic.
The remarkable odyssey of a classical guitar prodigy who abandons his beloved instrument in defeat at the age of twenty-five, but comes back to it years later with a new kind of passion. With insight and humor, Glenn Kurtz takes us from his first lessons at a small Long Island guitar school at the age of eight, to a national television appearance backing jazz legend Dizzy Gillespie, to his acceptance at the elite New England Conservatory of Music. He makes bittersweet and vivid a young man's struggle to forge an artist's life--and to become the next Segovia. And we see him after graduation, pursuing a solo career in Vienna but realizing that he has neither the ego nor the talent required to succeed at the upper reaches of the world of classical guitar--and giving up the instrument, and his dream, entirely. Or so he thought. For, returning to the guitar, Kurtz weaves into the larger narrative the rich experience of a single practice session, demonstrating how practicing--the rigor, attention, and commitment it requires--becomes its own reward, an almost spiritual experience that redefines the meaning of "success. " Along the way, he traces the evolution of the guitar and reminds us why it has retained its singular popularity through the ages. Complete with a guide to selected musical recordings and methods,Practicingtakes us on a revelatory, inspiring journey: a love affair with music.
A fascinating, heartbreaking, and ultimately uplifting tale of self-discovery from the beloved actress who earned a permanent place in the hearts of millions when she was just a child. To fans of the hugely successful television series Little House on the Prairie, Melissa Gilbert grew up in a fantasy world with a larger-than-life father, friends and family she could count on, and plenty of animals to play with. Children across the country dreamed of the Ingalls' idyllic life--and so did Melissa. She was a natural on camera, but behind the scenes, life was more complicated. Adopted as a baby into a legendary show business family, Melissa wrestled with questions about her identity and struggled to maintain an image of perfection her mother created and enforced. Only after years of substance abuse, dysfunctional relationships, and made-for-television movies did she begin to figure out who she really was. With candor and humor, the cherished actress traces her complicated journey from buck-toothed Laura "Half-pint" Ingalls to Hollywood starlet, wife, and mother. She partied with the Brat Pack, dated heartthrobs like Rob Lowe and bad boys like Billy Idol, and began a self-destructive pattern of addiction and co-dependence. Left in debt after her first marriage, and struggling to create some sense of stability, she eventually realized that her career on television had earned her popularity, admiration, and love from everyone but herself. Through hard work, tenacity, sobriety, and the blessings of a solid marriage, Melissa has accepted her many different identities and learned to laugh, cry, and forgive in new ways. Women everywhere may have idolized her charming life on Little House on the Prairie, but Melissa's own unexpectedly honest, imperfect, and down-to-earth story is an inspiration.
The making of the 25 greatest extreme metal albums of all time, as told via exclusive band-member interviews, drawn and expanded from "Decibel"'s OC Hall of FameOCO"
Perhaps the oddest and most influential collaboration in the history of American modernism was hatched in 1926, when a young Virgil Thomson knocked on Gertrude Stein's door in Paris. Eight years later, their opera Four Saints in Three Acts became a sensation--the longest-running opera in Broadway history to date and the most widely reported cultural event of its time. Four Saints was proclaimed the birth of a new art form, a cellophane fantasy, "cubism on stage." It swept the public imagination, inspiring new art and new language, and defied every convention of what an opera should be. Everything about it was revolution-ary: Stein's abstract text and Thomson's homespun music, the all-black cast, the costumes, and the com-bustible sets. Moving from the Wadsworth Atheneum to Broadway, Four Saints was the first popular modernist production. It brought modernism, with all its flamboyant outrage against convention, into the mainstream. This is the story of how that opera came to be. It involves artists, writers, musicians, salon hostesses, and an underwear manufacturer with an appetite for publicity. The opera's success depended on a handful of Harvard-trained men who shaped America's first museums of modern art. The elaborately intertwined lives of the collaborators provide a window onto the pioneering generation that defined modern taste in America in the 1920s and 1930s. A brilliant cultural historian with a talent for bringing the past to life, Steven Watson spent ten years researching and writing this book, interviewing many of the collaborators and performers. Prepare for Saints is the first book to describe this pivotal moment in American cultural history. It does so with a spirit and irreverence worthy of its subject.NOTE: This edition does not include photographs.
Film culture often rejects visually rich images, valuing simplicity, austerity, or even ugliness as more provocative, political, and truly cinematic. Although cinema challenges traditional ideas of art, this opposition to the decorative continues a long-standing aesthetic antipathy to feminine cosmetics, Oriental effeminacy, and primitive ornament. Inheriting this patriarchal and colonial perspective along with the preference for fine over decorative art, filmmakers, critics, and theorists tend to denigrate cinema's colorful, picturesque, and richly patterned visions. Condemning this exclusion of the "pretty" from masculine film culture, Rosalind Galt reevaluates received ideas about the decorative impulse from early film criticism to classical and postclassical film theory. The pretty embodies lush visuality, dense mise-en-scène, painterly framing, and arabesque camera movements--styles increasingly central to world cinema. From European art house cinema to the films of Wong Kar-wai and Santosh Sivan, from handmade experimental films to the popular pleasures of Moulin Rouge! and Amelie, pretty is a vital element of contemporary cinema, using visual exuberance to communicate distinct sexual and political identities. Inverting the logic of anti-pretty thought, Galt firmly establishes the decorative image as a queer aesthetic, a singular representation of cinema's perverse pleasures and cross-cultural encounters. Creating her own critical tapestry from perspectives in art and film theory and philosophy, Galt reclaims prettiness as a radically transgressive style, woven with the threads of political agency.
The New York Times Best Seller now with 30% more zombies! "It is a truth universally acknowledged that a zombie in possession of brains must be in want of more brains." So begins Pride and Prejudice and Zombies, an expanded version of the beloved Jane Austen novel featuring all-new scenes of bone-crunching zombie mayhem. This deluxe heirloom edition includes a new preface by coauthor Seth Grahame-Smith, thirteen oil painting illustrations by Roberto Parada, and a fascinating afterword by Dr. Allen Grove of Alfred University. Best of all, this limited special edition features an incredible 30 percent more zombies--via even more all-new scenes of carnage, corpse slaying, and cannibalism. Complete with a satin ribbon marker and a leatherette binding designed to endure for generations, this hardcover volume honors a masterpiece of classic zombie literature.
Charley Pride made history when he became the first widely accepted black country music singer. Born the son of a poor farmer, Charley planned to become a Major League baseball player. In fact, he spent several years playing baseball before an injury caused him to rethink his plans. In the early 1960s, country music stars were white, and so were the producers. Few people gave Charley the time of day. With the help of Red Sovine and a producer in Nashville, Charley's first records were released. The catch was that no one knew he was black. His album cover showed a blurry photo. This is the story of how a shy man from Mississippi changed the face of country music forever while battling depression and his own fears.
Three great love stories that started it all...Jane Eyre, Pride and Prejudice and Wuthering Heights are three of the greatest novels in English literature. Now joining them is Pride, Prejudice and Popcorn, a decidedly different take on these classics. You will laugh with delight as you learn:- The importance of thoroughly investigating your employers before accepting a job at their isolated, creepy house (Jane Eyre)- The sad fact that not every bad boy has a heart of gold (Wuthering Heights)- How to make a proper proposal-and how not to. Hint: don't insult your beloved while attempting to talk her into marriage! (Pride and Prejudice)Join blogger and romance aficionado Carrie Sessarego (smartbitchestrashybooks.com) as she takes us to the movies with Jane and Liz and Cathy. In her own unique, hilarious style she discusses the books and the various movie and TV adaptations. Your living room will be graced by heartthrobs like Timothy Dalton (twice!), Colin Firth (he shows up twice, too!), Michael Fassbender and Tom Hardy.Whether you are in the mood for serious academic discussion or lighthearted snark, whether you prefer Regency romance or Gothic passion, and whether you prefer your love stories on the screen or on the page, this book has something for you.
This book provides a wide-ranging new look at television entertainment in the past four decades. It is a rich and insightful work that sheds light on the way television shapes our lives.
Tapping into newly unearthed material--including family and musical stories never before told--Cohodas presents a luminous portrait of Nina Simone.
"When the legend becomes fact, print the legend." This line comes from director John Ford's film, The Man Who Shot Liberty Valance, but it also serves as an epigram for the life of the legendary filmmaker. Through a career that spanned decades and included work on dozens of films -- among them such American masterpieces as The Searchers, The Grapes of Wrath, The Quiet Man, Stagecoach, and How Green Was My Valley -- John Ford managed to leave as his legacy a body of work that few filmmakers will ever equal. Yet as bold as the stamp of his personality was on each film, there was at the same time a marked reticence when it came to revealing anything personal. Basically shy, and intensely private, he was known to enjoy making up stories about himself, some of them based loosely on fact but many of them pure fabrications. Ford preferred instead to let his films speak for him, and the message was always masculine, determined, romantic, yes, but never soft -- and always, always totally "American." If there were other aspects to his personality, moods and subtleties that weren't reflected on the screen, then no one really needed to know. Indeed, what mattered to Ford was always what was up there on the screen. And if it varied from reality, what did it matter? When you are creating legend, fact becomes a secondary matter. Now, in this definitive look at the life and career of one of America's true cinematic giants, noted biographer and critic Scott Eyman, working with the full participation of the Ford estate, has managed to document and delineate both aspects of John Ford's life -- the human being and the legend. Going well beyond the legend, Eyman has explored the many influences that were brought to play on this remarkable and complex man, and the result is a rich and involving story of a great film director and of the world in which he lived, as well as the world of Hollywood legend that he helped to shape. Drawing on more than a hundred interviews and research on three continents, Scott Eyman explains how a saloon-keeper's son from Maine helped to shape America's vision of itself, and how a man with only a high school education came to create a monumental body of work, including films that earned him six Academy Awards -- more than any filmmaker before or since. He also reveals the truth of Ford's turbulent relationship with actress Katharine Hepburn, recounts his stand for freedom of speech during the McCarthy witch-hunt -- including a confrontation with archconservative Cecil B. DeMille -- and discusses his disfiguring alcoholism as well as the heroism he displayed during World War II. Brilliant, stubborn, witty, rebellious, irascible, and contradictory, John Ford remains one of the enduring giants in what is arguably America's greatest contribution to art -- the Hollywood movie. In Print the Legend, Scott Eyman has managed at last to separate fact from legend in writing about this remarkable man, producing what will remain the definitive biography of this film giant.
A.: This is the story of a working-class guy from Ohio with little real knowledge of Ambidextrous Presidents, Things Made from Rubber, and hundreds of other categories, but who nonetheless plunges so far into cramming for Jeopardy! that it changes his relationships, bends his worldview, and literally leads him to the ends of the earth, trying to understand it all. Q.: What is Prisoner of Trebekistan? Welcome to a world where obscure information is crucial to survival, vast sums of cash are at stake, and milliseconds can change not just a game but the course of your entire life. (Plus, you could win two Camaros and enough Bon Ami cleanser to scrub a small nation. ) Prisoner of Trebekistan is Bob Harris's hilarious, insightful account of one man's unlikely epic journey through Jeopardy!, gleefully exploring triumph and failure, the nature of memory, and how knowledge itself can transform you in unpredictable ways--all against the backdrop of the most popular quiz show in history. In Prisoner of Trebekistan, Bob chronicles his transformation from a struggling stand-up comic who repeatedly fails the Jeopardy! audition test into an elite player competing against the show's most powerful brains. To get there, he embarks on a series of intense study sessions, using his sense of humor to transform conventional memory skills into a refreshingly playful approach to learning that's as amusing as it is powerful. What follows is not only a captivating series of high-stakes wins and losses on Jeopardy!, but also a growing appreciation of a borderless world that Bob calls Trebekistan, where a love of learning reigns and the smarter you get the more you realize how much you don't yet know. Filled with secrets that only a veteran contestant could share--from counter-intuitive game strategies to Jedi-like tactics with the Jeopardy!signaling device--Prisoner of Trebekistan also gives you the chance to play along with the actual clues that led to victory or defeat in high-level tournaments, plus candid, moving reflections on how the games affected Bob's offstage life--and vice versa. Not only an irresistible treat for Jeopardy! fans, Prisoner of Trebekistan is a delight for anyone who loves a rollicking tale that celebrates the unpredictability of life and the sneaky way it has of teaching us the things that really matter.
Private Screenings brings together essays that focus on the relationship among women, television, and consumer culture.
Recent Yale graduate Megan Smith comes to Manhattan with big plans for a career in journalism and even bigger student loan debt: $75,000. When she flails at her trashy tabloid job, she's given an escape hatch: tutor seventeen-year-old identical twins Rose and Sage Baker-- yes, the infamous Baker heiresses of Palm Beach, Florida, best known for their massive fortunes and their penchant for drunkenly flashing the paparazzi-- and get their SAT scores up enough to get into Duke. Impossible job-- yes. But if she succeeds, her student debts are history. Unfortunately for Megan, the Baker twins aren't about to curtail their busy social schedules for basic algebra. And they certainly aren't thrilled to have to sit down for a study session with dowdy Megan. Megan quickly discovers that if she's going to get her money, she'll have to learn her Pucci from her Prada. And if she can look the part, maybe, just maybe, she can teach the girls something along the way.
Humorous answers drawn from class rooms and examination papers.
Editors Sally Chivers and Nicole Markotic bring together the work of eleven of the best disability scholars from the U.S., the U.K., Canada, and South Korea to explore a new approach to the study of film by concentrating on cinematic representations of what they term "the problem body." The book is a much-needed exploration of the projection of disability on film combined with a much-needed rethinking of hierarchies of difference. The editors turned to the existing corpus of disability theory with its impressive insights about the social and cultural mediation of disabled bodies. They then sought, from scholars at every stage of their careers, new ideas about how disabled bodies coexist with a range of other bodies (gendered, queered, racialized, classed, etc.). To call into question why certain bodies invite the label "problem" more frequently than other bodies, the contributors draw on scholarship from feminist, race, queer, cultural studies, disability, and film studies arenas. In Chivers and Markotic's introduction, they draw on disability theory and a range of cinematic examples to explain the term "problem body" in relation to its projection. In explorations of film noir, illness narratives, classical Hollywood film, and French film, the essays reveal the "problem body" as a multiplication of lived circumstances constructed both physically and socially.
"Frederik L. Schodt has at long last unveiled the fascinating story of 'Professor Risley.' Circus scholars, history buffs, and anyone with an ounce of curiosity should be grateful to him."--Dominique Jando, Circopedia.org "Professor" Risley (Richard Risley Carlisle) introduced the Western circus to Japan in 1864. Three years later, this former acrobat gave many in the West their first glimpse of Japan when he took his "Imperial Japanese Troupe" of acrobats and jugglers on a triumphant tour of North America and Europe. Over the next few years, the Troupe performed before presidents, monarchs, and ordinary citizens. Frederik L. Schodt argues compellingly that such early popular entertainments helped stir a curiosity about all things Japanese that eventually led to japonisme, The Mikado, and, in our time, the boom in manga and anime. Schodt's depiction of Risley and his troupe is enlivened by portraits of the circus demimonde and supported by nineteenth-century photographs, posters, and drawings, many in color. His accounts of these first meetings between Westerners and Japanese shed new light on how different cultures meet, mingle, and influence each other. Descriptions of crowds, dazzling routines, and superstar troupe performers like the famous Little All Right are a delightful revelation to anyone interested in Asia, the circus, and popular entertainment. Frederik L. Schodt has authored numerous books about Japan, including Manga! Manga! and Native American in the Land of the Shogun. In 2009 for his work he was awarded the Order of the Rising Sun, Gold Rays with Rosette.
Alec Baldwin, one of the best-known actors and Kim Basinger, the Academy Award-winning actress, have a daughter named Ireland. Theirs seemed to be the model of a successful Hollywood marriage until their divorce in 2002. Their split---specifically the custody battle surrounding Ireland---would be the subject of media attention for years to come. This is an important, informative, and deeply felt book on a contentious subject that offers hope of finding a better way.
In an unusual blend of autobiography, narrative, and academic content, reflecting the unique nature of the experience, David Crystal recounts the first attempt in over 50 years to mount a full-length Shakespeare play in original pronunciation.
Watkins investigates the variable roles of music primarily from the angle of the Entente nations' perceived threat of German hegemony in matters of intellectual and artistic accomplishment--a principal concern not only for Europe but also for the United States, whose late entrance into the fray prompted a renewed interest in defining America as an emergent world power as well as a fledgling musical culture.
Trained to be a detective by his father, blessed with astounding powers of observation and deduction, and cursed with a refusal to take anything seriously, Shaw Spencer has convinced everyone he's psychic. Now, with his best friend, Gus, he's either going to clean up . . . or be found out. With eighty-seven parking tickets to their credit, it doesn't take a psychic to predict what happens when Shawn and Gus go to pick up Gus's impounded car: They get busted. Shawn is convinced they've stumbled across a criminal conspiracy, but Gus just wants to get away intact. Unfortunately, the fleeing Gus is run over by a speeding Mercedes. When he wakes up in the hospital, things have gotten even worse. Because while Gus was unconscious, Shawn picked up a new sidekick: Tara Larison, a beautiful woman who insists she's Shawn's psychic slave . . . and who won't leave them alone until she's fulfilled every one of Shawn's desires. But when Shawn's enemies start turning up dead, the pair must figure out if it's the work of the criminal conspiracy they've discovered--or Shawn's subconscious, sending his new minion out to do his dirty work.
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