- Table View
- List View
A hilarious collection of malicious, crude and catty quotes taken straight from the mouths of well-known entertainers, authors, politicians and other public figures. Ross and Kathryn Petras are writers and media junkies. When not collecting other people's stupidities and nasty comments, they collect their own.
A connoisseur's compendium of Freudian slips, spoonerisms, double-talk, and utter bosh from famous and infamous figures past and present -- a complete course in anti-eloquence by the foot-in-mouth champions of all time.
9-1/2 Years Behind the Green Door, a Memoir: A Mitchell Brothers Stripper Remembers Her Lover Artie Mitchell, Hunter S. Thompson, and the Killing that Rocked San Franciscoby Simone Corday
Before the advent of AIDS, the theater and its steamy live shows are a countercultural venue for celebrities in entertainment and sports, and for San Francisco politicians and journalists. Simone Corday, who danced at the O'Farrell and was a girlfriend of the late Artie Mitchell, shares her unique story and her insights. As the only woman insider, she writes about this insular when she was close to the impulsive Mitchells, and a friend of the O'Farrell's honorary Night Manager, Hunter Thompson.
The original taught you what it means to be an asshole--a cocky bastard who everyone wants to be, or at least wants to be around. The Cheat Sheet teaches you how to take that a-hole knowledge and apply it whenever you want to get whatever you want. Need to kick her out but keep her on the hook? Go from the nosebleeds to the floor without greasing palms? Score the interview (and the job) with zero experience? You're all set. Difficult's made simple as your day-to-day problems are tackled one by one. And you learn how to use your a**hole skills to get what you want without getting called out. Don't spend life being picked on like a pansy, or hated on like a douche bag. Stand up. Take control. Be an a**hole.
People love movies. People love lists. So The A-List is a natural. While there are plenty of encyclopedic lists of films, this compulsively readable book of 100 essays-most written expressly for this volume-flags the best of the best as chosen by a consensus of the National Society of Film Critics. The Society is a world-renowned, marquee-name organization embracing some of America's most distinguished critics: more than forty writers who have national followings as well as devoted local constituencies in such major cities as New York, Chicago, Los Angeles, Boston, Philadelphia, Atlanta, and Minneapolis. But make no mistake about it: This isn't a collection of esoteric "critic's choice" movies. The Society has made its selections based on a film's intrinsic merits, its role in the development of the motion-picture art, and its impact on culture and society. Some of the choices are controversial. So are some of the omissions. It will be a jumping-off point for discussions for years to come. And since the volume spans all international films from the very beginning, it will act as a balance to recent guides dominated by films of the last two decades (hardly film's golden age). Here is a book that is definitely ready for its close-up.
In this book, the author sees recordings as socially progressive and instruments of a musical vernacular, and argues that, just as photography redefined visual art, recording technology has transformed our understanding of art music.
Benoist moved from France to the US and became the accompanist of musicians such as Jascha Heifetz and Albert Spalding, with many tours, recordings, concerts and broadcasts over decades.
OFFICIAL RULES OF MORE THAN 200 POPULAR GAMES OF SKILL AND CHANCE WITH EXPERT ADVICE ON WINNING PLAY
The original purpose of Professor Backus's book was to collect and organize the scattered results of research, past and present, in the areas of scientific knowledge that are relevant to music: the physiological properties of sounds; the effect of acoustical environment; the acoustical behavior of musical instruments; and the various applications of electronics and computers to the production, reproduction, and composition of music. The aims and organization of the second edition remain the same; the results are more complete and up-to-date.
"The actor will do, in public, what is considered impossible. " When the renowned Polish director Jerzy Grotowski began his 1967 American workshop with these words, his students were stunned. But within four weeks they themselves had experienced the "impossible. " In An Acrobat of the Heart, teacher-director-playwright Stephen Wangh reveals how Jerzy Grotowski's physical exercises can open a pathway to the actor's inner creativity. Drawing on Grotowski's insights and on the work of Stanislavski, Uta Hagen, and others, Wangh bridges the gap between rigorous physical training and practical scene and character technique. Wangh's students give candid descriptions of their struggles and breakthroughs, demonstrating how to transform these remarkable lessons into a personal journey of artistic growth. Courageous and compelling, An Acrobat of the Heartis an invaluable resource for actors, directors, and teachers alike.
So, you want to be an actor . . . but you have no idea how to get started. In the pages of Act Now!, you'll find a step-by-step process to show you not only how to get started, but also how to become a working actor. It will take time and commitment, but if you follow these steps you will find success. Author and acting teacher Peter Jazwinski explains every aspect of becoming an actor from start to finish. You'll learn about: * Improving Your Acting Skills * How Actors Get Cast * Finding Auditions on Your Own * Working with an Agent or Manager--and What the Difference Is * The Importance of Networking * And More! A frank and encouraging game plan for success,Act Now!will empower those who have the drive to stop dreaming and start making a living--as an actor.
Acting in Real Time by renowned Dutch director and acting teacher Paul Binnerts describes his method for Real-Time Theater, which authorizes actors to actively determine how a story is told---they are no longer mere vehicles for delivering the playwright's message or the director's interpretations of the text. This level of involvement allows actors to deepen their grasp of the material and amplify their stage presence, resulting in more engaged and nuanced performances. The method offers a postmodern challenge to Stanislavski and Brecht, whose theories of stage realism dominated the twentieth century. In providing a new way to consider the actor's presence on stage, Binnerts advocates breaking down the "fourth wall" that separates audiences and actors and has been a central tenet of acting theories associated with realism. In real-time theater, actors forgo attempts to become characters and instead understand their function to be storytellers who are fully present on stage and may engage the audience and their fellow actors directly. Paul Binnerts analyzes the ascendance of realism as the dominant theater and acting convention and how its methods can hinder the creation of a more original, imaginative theater. His description of the techniques of real-time theater is illuminated by practical examples from his long experience in the stage. The book then offers innovative exercises that provide training in the real-time technique, including physical exercises that help the actor become truly present in performance. Acting in Real Time also includes a broad overview of the history of acting and realism's relationship to the history of theater architecture, offering real-time theater as an alternative. The book will appeal to actors and acting students, directors, stage designers, costume designers, lighting designers, theater historians, and dramaturgs.
James Naremore focuses on the work of film acting, showing what players contribute to movies. Ranging from the earliest short subjects of Charles Chaplin to the contemporary features of Robert DeNiro, he develops a useful means of analyzing performance in the age of mechanical reproduction.
Expanding beyond the conventional western concept of theater, the reference explores current and historical rituals, festivals, and performances from countries and cultures around the world; contributions of women to acting and the performing arts; and cinema and the film industry. The cross-referencing is extensive, and entry-specific references augment the general bibliography.
Used to teach beginning acting on more campuses than any other text, Acting One contains twenty-eight lessons based on experiential exercises. The text covers basic skills such as talking, listening, tactical interplay, physicalizing, building scenes, and making good choices.
Demonstrating how offstage performance can be effectively adapted for the theatre, as well as how onstage training can be applied toward leading a full life outside the theatre. ACTING: ONSTAGE AND OFF is a humorous yet informative book that discusses the interplay between life on and off the stage.
Fifty of America's most influential acting teachers (including directors and actors who also teach) explain their philosophy and techniques. Each teacher interview is immediately followed by another with a former or current student describing his or her impact.
Acting the Song offers a contemporary, integrated approach to singing in musicals that results in better-trained, smarter performers who can use song to add drama and dimension to their roles. Directors, teachers of musical theater, and students--including actors, singers, or dancers--will find time-tested advice, exercises and worksheets for all skill levels. This book guides readers through musical theater elements, classroom workshops, and the world of professional auditions and performances. Chapters cover vocal and physical warm-ups, body movement, finding subtext, creating a character, song structure, interpreting text of music and lyrics, risks and spontaneity, memorization, collaboration, keeping a performance fresh, and much more. Both teachers and students will appreciate the sections for beginning, intermediate, and advanced performers. Everyone involved in musical theater, from new students to working professionals, will benefit from this rich resource.
Action! is a family saga in which five decades of Hollywood history are embodied in the lives of three generations of a movie dynasty, with each generation reflecting the changing values of the motion-picture industry. AJ Jastrow, the producer at the center of this story, seeks to build a movie empire and thus fulfill his father's legacy. Along the way he battles manipulative executives, power-crazed directors, drug-addicted actors, duplicitous agents, the FBI, and his own mother, Hollywood's wealthiest woman. Interwoven into the fiction are some of Hollywood's most colorful historical characters: Bing Crosby, Adolph Zukor, Steve McQueen, Romy Schneider, Ray Stark, Mike Todd, Julia Phillips, and a who's who of today's players. This book entertains on a number of levels, as a page-turning family drama, as an inside account of Hollywood's progress "or drift" from the end of World War II to the present, and as an intimate chronicle of how movies are really made. Author Robert Cort is the man to know what really goes on with movie producers in the ardently crazy business of movie making. In the world of Hollywood, Robert Cort is a "made man," the producer of fifty-two films, which have grossed more than $2 billion at the box office. His working knowledge of the studio system and his personal experience with the men and women who run it have enabled him to break the mold of the Hollywood novel by writing an inside story that is critical, compassionate, and real.
The Action Heroine's Handbook: How to Win a Catfight, Drink Someone Under the Table, Choke a Man with Your Bare Thighs, and Dozens of Other TV and Movie Skillsby Joe Borgenicht Jennifer Worick
Get Some Action! For every woman who wants to be as tough as Lara Croft, as nimble as the Bionic Woman, and as babe-a-licious as Charlie's Angels, The Action Heroine's Handbook shows you the essential skills you'll need to conquer the bad guys and save the day without breaking a sweat. Find out how the real action heroines do it, directly from a host of experts, including stuntwomen, jujitsu instructors, helicopter pilots, detectives, forensic psychologists, survivalists, primatologists, and many others. Learn to: * Profile a serial killer * Outwit a band of home intruders * Navigate white water rapids * Go undercover as a beauty queen * Outrun a fireball, and dozens of other Tough Chick Skills, Beauty Skills, Brain Skills, Brawn Skills, and Escape Skills. Special sections and appendices feature the top action heroine hairdos, handbag essentials, and the best footwear for every action situation. With step-by-step instructions and easy-to-follow illustrations, The Action Heroine's Handbook will prepare you to save the world, one baddie at a time.
This book is an essential companion for actors in rehearsal - a thesaurus of action words to revitalize performance.
The first volume of Stanislavski's enduring trilogy on the art of acting defines the "System", a means of mastering the craft of acting and of stimulating the actor's individual creativeness and imagination.
Individual, partner, and group exercises to make any actor more expressive * Crucial acting tips based on the work of distinguished theorist Rudolf Laban * 65 original illustrations of anatomy and warm-up exercises Actors, improve your skills and become more expressive in body and voice by following the teachings of Rudolf Laban, one of the most important movement theorists of the twentieth century. This in-depth, fully illustrated guide offers a groundbreaking approach to understanding physical and vocal movement that will enable readers to discover how to maximize their potential. Packed with practical exercises for individuals, partners, and group work, this book integrates voice, speech, and movement. Exercises for breath support, tone, range, articulation, dynamic alignment, balance, flexibility, strength, and stamina, as well as building relationships, Actor Training the Laban Way is essential reading for all serious actors, acting teachers, and students.
An Actor's Guide-Your First Year in Hollywood should be required reading for any young actor headed to La-La Land with a dream in his heart and a shine on his shoes. Sure, it's a great guide to auditioning, getting a SAG card, finding an agent, landing parts, gaining exposure, and creating publicity-but it's also packed with real-world advice from a fellow actor. Getting to know Los Angeles, finding a place to live and a job to pay the bills. An Actor's Guide presents the whole picture, for career and for daily life. Remember to thank us when you're a big star!
Each volume in the Theatre and Performance Theory series introduces a key issue about theatre's role in culture. Specially written for student and a wide readership, each book uses case studies to guide readers into today's pressing debates in theatre and performance studies. Topics include contemporary theatrical practices; historiography; interdisciplinary approaches to making theatre; and the choices and consequences of how theatre is studied, among other areas of investigation. Book jacket.