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Bumpy Road: The Making, Flop, and Revival of Two-Lane Blacktop
by Sylvia TownsendBumpy Road: The Making, Flop, and Revival of “Two-Lane Blacktop” chronicles the genesis, production, box-office debacle, resurrection, near-canonization, and lasting influence of director Monte Hellman’s 1971 existentialist car-racing movie. Hellman’s unconventional choices for the film included casting three nonactors—musicians James Taylor and Dennis Wilson, as well as his girlfriend, Laurie Bird—in lead roles; shooting the movie in sequence from west to east on Route 66; and refusing to show the actors the full script, instead giving each his or her lines for the day.Before its release, Esquire put the film on its cover as the magazine’s choice for movie of the year and printed the entire screenplay, leading moviegoers to expect a crowd-pleaser. Audiences anticipated that Two-Lane Blacktop would be an action-packed car-racing movie and were disappointed when nobody won or even finished the race, no one got the girl, the two leading men barely spoke, and the leading lady was foul-mouthed and promiscuous. Universal Studios Chairman Lew Wasserman found the film subversive and refused to release it on video.Years after it flopped, however, the movie soared in stature, and it is now revered by such contemporary directors as Quentin Tarantino and Richard Linklater. It was included in the National Film Registry and was released on DVD and Blu-ray by the prestigious Criterion Collection and the highly regarded Masters of Cinema series.Author Sylvia Townsend conducts a comprehensive examination of the film, its reception, and the resurgence of interest it has more recently generated. Interviewing individuals involved in and influenced by the film, including James Taylor, Richard Linklater, Gary Kurtz, and scriptwriter Rudy Wurlitzer, Townsend provides an inside look at the cult classic.
Bunheads
by Misty CopelandInstant New York Times bestselling series opener inspired by prima ballerina and author Misty Copeland's own early experiences in ballet.From prima ballerina and New York Times bestselling author Misty Copeland comes the story of a young Misty, who discovers her love of dance through the ballet Coppélia--a story about a toymaker who devises a villainous plan to bring a doll to life. Misty is so captivated by the tale and its heroine, Swanilda, she decides to audition for the role. But she's never danced ballet before; in fact, this is the very first day of her very first dance class!Though Misty is excited, she's also nervous. But as she learns from her fellow bunheads, she makes wonderful friends who encourage her to do her very best. Misty's nerves quickly fall away, and with a little teamwork, the bunheads put on a show to remember. Featuring the stunning artwork of newcomer Setor Fiadzigbey, Bunheads is an inspiring tale for anyone looking for the courage to try something new.
Bunheads
by Sophie FlackOn-stage beauty. Backstage drama. As a dancer with the ultra-prestigious Manhattan Ballet Company, nineteen-year-old Hannah Ward juggles intense rehearsals, dazzling performances and complicated backstage relationships. Up until now, Hannah has happily devoted her entire life to ballet. But when she meets a handsome musician named Jacob, Hannah's universe begins to change, and she must decide if she wants to compete against the other "bunheads" in the company for a star soloist spot or strike out on her own in the real world. Does she dare give up the gilded confines of the ballet for the freedoms of everyday life?
Bunnyman: A Memoir: The Sunday Times bestseller
by Will SergeantThe Sunday Times bestsellerGrowing up in Liverpool in the 1960s and '70s, when skinheads, football violence and fear of just about everything was the natural order of things, a young Will Sergeant found the emerging punk scene provided a shimmer of hope amongst a crumbling city still reeling from the destruction of the Second World War. From school-day horrors and mud flinging fun to nights at Liverpool's punk club, Eric's, Sergeant was fuelled by and thrived on music. It was this devotion that led to the birth of the Bunnymen, to the days when he and Ian McCulloch would muck around with reel-to-reel recordings of song ideas in the back parlour of his parents' council estate house, and to finding a community - friends, enemies and many in between - with those who would become post-punk royalty from the likes of Dead or Alive, Frankie Goes to Hollywood and the Teardrop Explodes to name a few.It was an uphill struggle to carve their name in the history of Liverpool music, but Echo and the Bunnymen became iconic, with songs like 'Lips Like Sugar,' 'The Cutter' and 'The Killing Moon'. By turns wry, explicit and profound, Bunnyman reveals what it was really like to be part of one of the most important British bands of the 1980s.
Bunnyman: A Memoir: The Sunday Times bestseller
by Will SergeantGrowing up in Liverpool in the 1960s and '70s, when skinheads, football violence and fear of just about everything was the natural order of things, a young Will Sergeant found the emerging punk scene provided a shimmer of hope amongst a crumbling city still reeling from the destruction of the Second World War. From school-day horrors and mud flinging fun to nights at Liverpool's punk club, Eric's, Sergeant was fuelled by and thrived on music. It was this devotion that led to the birth of the Bunnymen, to the days when he and Ian McCulloch would muck around with reel-to-reel recordings of song ideas in the back parlour of his parents' council estate house, and to finding a community - friends, enemies and many in between - with those who would become post-punk royalty from the likes of Dead or Alive, Frankie Goes to Hollywood and the Teardrop Explodes to name a few.It was an uphill struggle to carve their name in the history of Liverpool music, but Echo and the Bunnymen became iconic, with songs like 'Lips Like Sugar,' 'The Cutter' and 'The Killing Moon'. By turns wry, explicit and profound, Bunnyman reveals what it was really like to be part of one of the most important British bands of the 1980s.The music at the beginning and end of this audiobook is taken from an original piece written and performed by Will Sergeant
Bunuel and Mexico: The Crisis of National Cinema
by Ernesto R. Acevedo-MuñozThough Luis Buñuel, one of the most important filmmakers of the twentieth century, spent his most productive years as a director in Mexico, film histories and criticism invariably pay little attention to his work during this period. The first book-length English-language study of Buñuel’s Mexican films, this book explores a significant but neglected area of this filmmaker's distinguished career and thus fills a gap in our appreciation and understanding of both Buñuel's achievement and the history of Mexican film. Ernesto Acevedo-Muñoz considers Buñuel's Mexican films—made between 1947 and 1965—within the context of a national and nationalist film industry, comparing the filmmaker's employment of styles, genres, character types, themes, and techniques to those most characteristic of Mexican cinema. In this study Buñuel's films emerge as a link between the classical Mexican cinema of the 1930s through the 1950s and the "new" cinema of the 1960s, flourishing in a time of crisis for the national film industry and introducing some of the stylistic and conceptual changes that would revitalize Mexican cinema.
Buried Alive: The Biography of Janis Joplin
by Myra FriedmanElectrifying, highly acclaimed, and intensely personal, this new and updated version of Myra Friedman's classic biography of Janis Joplin teems with dramatic insights into Joplin's genius and into the chaotic times that catapulted her to fame as the legendary queen of rock. It is a stunning panorama of the turbulent decade when Joplin's was the rallying voice of a generation that lost itself in her music and found itself in her words.From her small hometown of Port Arthur, Texas, to San Francisco's Haight-Ashbury, from the intimate coffeehouses to the supercharged concert halls, from the glitter of worldwide fame to her tragic end in a Hollywood hotel, here is all the fire and anguish of an immortal, immensely talented, and troubled performer who devoured everything the rock scene had to offer in a fatal attempt to make peace with herself and her era. Yet, in an eloquent introduction recently written by the author, Joplin emerges from her "ugly duckling" childhood as a woman truly ahead of her time, an outrageous rebel, a defiant outcast and artist of incomparable authenticity who, almost in spite of herself, became to so many a symbol of triumph over adversity.This edition also contains an afterword detailing the whereabouts of a large and colorful cast of characters who were part of Joplin's life, as well as "We Remember Janis," a new chapter of poignant and affectionate anecdotes told by friends.From the Trade Paperback edition.
Burn It Down: Power, Complicity, and a Call for Change in Hollywood
by Maureen RyanNEW YORK TIMES BESTSELLER • LOS ANGELES TIMES BESTSELLERAn NPR Best Book of the YearIn this spectacular, newsmaking exposé that has the entertainment industry abuzz and on its heels, Vanity Fair's Maureen Ryan blows the lid off patterns of harassment and bias in Hollywood, the grassroots reforms under way, and the labor and activist revolutions that recent scandals have ignited.It is never just One Bad Man.Abuse and exploitation of workers is baked into the very foundations of the entertainment industry. To break the cycle and make change that sticks, it’s important to stop looking at headline-making stories as individual events. Instead, one must look closely at the bigger picture, to see how abusers are created, fed, rewarded, allowed to persist, and, with the right tools, how they can be excised.In Burn It Down, veteran reporter Maureen Ryan does just that. She draws on decades of experience to connect the dots and illuminate the deeper forces sustaining Hollywood’s corrosive culture. Fresh reporting sheds light on problematic situations at companies like Lucasfilm and shows like Lost, Saturday Night Live, The Goldbergs, Sleepy Hollow, Curb Your Enthusiasm and more.Interviews with actors and famous creatives like Evan Rachel Wood, Harold Perrineau, Damon Lindelof, and Orlando Jones abound. Ryan dismantles, one by one, the myths that the entertainment industry promotes about itself, which have allowed abusers to thrive and the industry to avoid accountability—myths about Hollywood as a meritocracy, what it takes to be creative, the value of human dignity, and more.Weaving together insights from industry insiders, historical context, and pop-culture analysis, Burn It Down paints a groundbreaking and urgently necessary portrait of what’s gone wrong in the entertainment world—and how we can fix it.
Burning Down the House: Talking Heads and the New York Scene That Transformed Rock
by Jonathan Gould"Definitive...Not just for Talking Heads fans—it’s a masterful dive into downtown New York in the 70s, and the changing face of rock music.”—Town & Country"Riveting"—New York Post"A masterful achievement." —Booklist (starred review)On the 50th anniversary of Talking Heads, acclaimed music biographer Jonathan Gould presents the long-overdue, definitive story of this singular band, capturing the gritty energy of 1970s New York City and showing how a group of art students brought fringe culture to rock’s mainstream, forever changing the look and sound of popular music. “Psycho Killer.” “Take Me to the River.” “Road to Nowhere.” Few musical artists have had the lasting impact and relevance of Talking Heads. One of the foundational bands of New York’s downtown 1970s music scene, Talking Heads have endured as a musical and cultural force for decades. Their unique brand of transcendent, experimental rock remains a lingering influence on popular music—despite their having disbanded over thirty years ago.Now New Yorker contributor Jonathan Gould offers an authoritative, deeply researched account of a band whose sound, fame, and legacy forever connected rock music to the cultural avant-garde. From their art school origins to the enigmatic charisma of David Byrne and the internal tensions that ultimately broke them apart, Gould tells the story of a group that emerged when rock music was still young and went on to redefine the prevailing expectations of how a band could sound, look, and act. At a time when guitar solos, lead-singer swagger, and sweaty stadium tours reigned supreme, Talking Heads were precocious, awkward, quirky, and utterly distinctive when they first appeared on the ragged stages of the East Village. Yet they would soon mature into one of the most accomplished and uncompromising recording and performing acts of their era.More than just a biography of a band, Gould masterfully captures the singular time and place that incubated and nurtured this original music: downtown New York in the 1970s, that much romanticized, little understood milieu where art, music, and commerce collided in the urban dystopia of Lower Manhattan. What emerges is an expansive portrait of a unique cultural moment and an iconoclastic band that shifted the paradigm of popular music by burning down the house of mainstream rock.
Burning Man: Learning from Heterotopia (Routledge Advances in Theatre & Performance Studies)
by Linda Noveroske-TrittenThis book centres on a philosophical analysis of creative acts in the Burning Man Festival and their roles in wider social change. With particular focus on the Ten Principles of Burning Man, Linda Noveroske posits a re-interpretation of common notions of “self” and “other” as they apply to identity, difference, and the ways that these personal impulses ripple outward from changing individuals into changing societies. Such radical re-imagination of ideology can be most powerful when it occurs in spaces of otherness, of heterotopia. This study casts Burning Man as a heterotopia to not only destabilizes what we think we know about visual art, performance, and creative encounters, but also bring these acts into an attitude of immediacy that facilitates previously unimagined behaviour and opens out artistic drive into the unknown. This book would be of value for scholars and practitioners in Performance Studies, Theatre and Dance, Art History, Psychology, Phenomenology, Architecture and Urban Studies.
Burnt Toast and Other Philosophies of Life
by Teri HatcherA funny, intimate, uplifting portrait of one woman's daily struggles and successes on the road to living an inspired life.
Burt Lancaster
by Kate BufordStartlingly handsome, witty, fanatically loyal, charming, scary, and intensely sexual, Burt Lancaster was the quintessential bête du cinéma, one of Hollywood's great stars. He was, as well, an intensely private man, and he authorized no biographies in his lifetime. Kate Buford is the first writer to win the cooperation of Lancaster's widow, close friends, and colleagues, and her book is a revelation. Here is Lancaster the man, from his teenage years, bolting the Depression-era immigrant neighborhood of East Harlem where he grew up for the life of a circus acrobat -- then the electric New York theater of the 1930s, then the dying days of vaudeville. We see his production company -- Hecht-Hill-Lancaster -- become the biggest independent of the 1950s, a bridge between the studio era and modern filmmaking. With the power he derived from it we see him gain a remarkable degree of control, which he used to become the auteur of his own career. His navigation through the anti-Communist witch-hunts made him an example of a star who tweaked the noses of HUAC and survived. His greatest roles -- in Sweet Smell of Success, Elmer Gantry, Birdman of Alcatraz, The Swimmer, Atlantic City -- kept to the progressive edge that had originated in the tolerant, diverse, reforming principles of his childhood. And in the extraordinary complete roster of his films -- From Here to Eternity, Gunfight at the O.K. Corral, Judgment at Nuremberg, The Leopard, 1900, and Field of Dreams, among many others -- he proved to be both a master of commercial movies that pleased a worldwide audience and an actor who pushed himself beyond stardom into cinematic art. Kate Buford has written a dynamic biography of a passionate and committed star, the first full-scale study of one of the last great unexamined Hollywood lives.
Busch Gardens Tampa Bay (Images of Modern America)
by Joshua Mcmorrow-Hernandez Foreword By DeanWhen Busch Gardens Tampa Bay opened in 1959, the Tampa, Florida, park became an immediate hit with locals and tourists alike. Over the decades, Busch Gardens has grown to become an internationally acclaimed and accredited zoological facility and world-renowned theme park. Serving as a sanctuary for thousands of exotic and endangered animals from around the globe and offering up unique thrilling rides and world-class entertainment, Busch Gardens Tampa Bay proudly welcomes millions of guests each year.
Buseyisms: Gary Busey's Basic Instructions Before Leaving Earth
by Gary Busey Steffanie SampsonWords of wisdom and incredible life stories, told through Gary Busey's unique Buseyisms.Take a wild ride through the life and mind of Gary Busey in his new hilarious, uplifting, tell-all memoir, Buseyisms. Gary transports you on a laugh-out–loud journey through the crazy twists and turns of his rise to fame, his descent into drug addiction, and his trip to the ‘other side’ after a near-fatal motorcycle accident. Gary also shares untold stories of his militant upbringing, surviving cancer in the middle of his face, and fun behind the scenes stories of his most popular movies and television roles including: A Star Is Born, The Buddy Holly Story, Lethal Weapon, Point Break, Under Siege, The Firm, Entourage, Celebrity Apprentice, and more. Included in this book are dozens of personal photographs from Gary’s early years up until now. Gary is a living testimony to the resilience of the human body and spirit. In his simply written but profound memoir, he shares his Basic Instructions Before Leaving Earth to help others, who may be going through similar things, to realize that it is possible to survive challenging life events and come out a happy champion.
Business Model Innovation in Creative and Cultural Industries (Routledge Research in the Creative and Cultural Industries)
by Pierre Roy Estelle Pellegrin-BoucherBusiness model innovation occurs when an organization discovers a new way of creating revenues or profits via its products or services. This book examines the concept as it applies across the creative and cultural industries in practice.This book examines market, social and political environments which impact creative and cultural organizations' business models, such as sustainability, new forms of competition, digitalization and data management, emerging technologies like AI, and shifting social trends and lifestyles. This book not only analyses these influences but also presents best practices, key success factors, and compelling case studies. Employing a case study format, a range of creative or cultural sectors are analysed, including fashion, architecture and gaming.The result is a book which delivers value for researchers, advanced students, and reflective practitioners involved in the creative economy around the world.
Business and Entrepreneurship for Filmmakers: Making a Living as a Creative Artist in the Film Industry
by Charles HaineThis practical guide teaches readers the skills and business acumen required to build a career in the film industry from the ground up. While countless books and classes teach newcomers the creative aspects of the film industry, many fail to properly prepare readers for the reality of how to navigate a freelance film career today. From creating a business model, dealing with taxes and funding, finding and managing clients, networking, investing, cashflow, and planning for the long-term, Business and Entrepreneurship for Filmmakers provides real-world, pragmatic advice on navigating a freelance film career, whether you’re a recent film school graduate looking to take the next step or a seasoned professional hoping to start a production company. Moreover, the skills taught here apply across the industry, from corporate media and commercials to music videos and feature films. Interviews with filmmakers, innovators, and business experts are included throughout the book to offer further expertise and examples.
Buster Keaton: A Biography
by Marion MeadeAn American icon, Joseph Frank &“Buster&” Keaton is easily acknowledged as one of the greatest filmmakers in early cinema and beyond. His elaborate slapstick made audiences scream with laughter. But, his stone face hid an internal turmoil. In BUSTER KEATON: CUT TO THE CHASE, biographer Marion Meade seamlessly lays out the life and works of this comedy genius who lacked any formal education.&“Buster&” made his name as a child of vaudeville, thrown around the stage by his father in a cartoon pantomime of very real abuse. The lessons he carried forward from that experience translated into some of the greatest silent films of all time. Keaton wrote, directed, performed, and edited dozens of features and shorts, including his masterpiece, The General. However, those early scars also led to decades of drinking and mistreatment of women. Keaton saw huge successes, Hollywood sex scandals, years of neglect from studios and audiences, and finally a shaky resurrection that assured his place in Hollywood&’s film canon.Meticulously researched, this book brings together four years of research and hundreds of interviews to paint a nuanced portrait of a compelling artist. No comedy fan or film buff should miss this insider story of the man behind the stone face.
Buster Keaton: A Filmmaker's Life
by James CurtisFrom acclaimed cultural and film historian James Curtis—a major biography, the first in more than two decades, of the legendary comedian and filmmaker who elevated physical comedy to the highest of arts and whose ingenious films remain as startling, innovative, modern—and irresistible—today as they were when they beguiled audiences almost a century ago."It is brilliant—I was totally absorbed, couldn't stop reading it and was very sorry when it ended."—Kevin Brownlow It was James Agee who christened Buster Keaton &“The Great Stone Face.&” Keaton&’s face, Agee wrote, "ranked almost with Lincoln&’s as an early American archetype; it was haunting, handsome, almost beautiful, yet it was also irreducibly funny. Keaton was the only major comedian who kept sentiment almost entirely out of his work and . . . he brought pure physical comedy to its greatest heights.&” Mel Brooks: &“A lot of my daring came from Keaton.&” Martin Scorsese, influenced by Keaton&’s pictures in the making of Raging Bull: &“The only person who had the right attitude about boxing in the movies for me,&” Scorsese said, &“was Buster Keaton.&” Keaton&’s deadpan stare in a porkpie hat was as recognizable as Charlie Chaplin&’s tramp and Harold Lloyd&’s straw boater and spectacles, and, with W. C. Fields, the four were each considered a comedy king--but Keaton was, and still is, considered to be the greatest of them all. His iconic look and acrobatic brilliance obscured the fact that behind the camera Keaton was one of our most gifted filmmakers. Through nineteen short comedies and twelve magnificent features, he distinguished himself with such seminal works as Sherlock Jr., The Navigator, Steamboat Bill, Jr., The Cameraman, and his masterpiece, The General. Now James Curtis, admired biographer of Preston Sturges (&“definitive&”—Variety), W. C. Fields (&“by far the fullest, fairest and most touching account we have yet had. Or are likely to have&”—Richard Schickel, front page of The New York Times Book Review), and Spencer Tracy (&“monumental; definitive&”—Kirkus Reviews), gives us the richest, most comprehensive life to date of the legendary actor, stunt artist, screenwriter, director—master.
Busy Monsters
by William GiraldiEchoing a narrative line that includes Kurt Vonnegut and Joseph Heller, William Giraldi's Busy Monsters has been hailed as one of the most exciting fiction debuts in years. Penned with a linguistic bravado that explores the diaphanous line between fiction and fact, this "very funny, very inventive début novel" (The New Yorker) has at last revived the great American picaresque tradition.
But Enough About Me
by Jon Winokur Burt ReynoldsScandalous, sentimental, frank, and sincere--the ultimate inside account of a television and film icon.Burt Reynolds has been a Hollywood leading man for six decades, known for his legendary performances, sex-symbol status, and storied Hollywood romances. In his long career of stardom, during which he was number one at the box office for five years in a row, Reynolds has seen it all. But Enough About Me will tell his story through the people he's encountered on his amazing journey. In his words, he plans to "call out the assholes," try to make amends for "being the asshole myself on too many occasions," and pay homage to the many heroes he has come to love and respect.Beginning with Reynolds's adolescence as a notable football player and the devastating car accident that ended his sports career, But Enough About Me takes readers from the Broadway stages where Reynolds got his start to his subsequent rise to fame. From Oscar nominations, to the spread in Cosmopolitan magazine that remains a notorious pop-cultural touchstone to this day, to the financial decisions that took him from rich to poor and back again, Reynolds shares the wisdom that has come from his many highs and lows. He is also ready, now more than ever, to dish. Reynolds famously romanced Dinah Shore, Sally Field, and Loni Anderson, to name only the top few; batted eyes at Bette Davis, Greta Garbo, Goldie Hawn, Farrah Fawcett, Marilyn Monroe, Candice Bergen, and so many more; went a few rounds (or more) with the likes of Donald Trump and Helen Gurley Brown; and rubbed elbows with Jon Voight, Clark Gable, Clint Eastwood, Frank Sinatra, Orson Welles, Mel Brooks, Woody Allen, and Johnny Carson, among many others. Through it all, Reynolds reflects on his personal pitfalls and recoveries and refocuses his attention on his legacy as a father and an acting teacher, leaving readers with a classic from one of Hollywood's most enduring and treasured stars.
But Enough About Me
by Jon Winokur Burt ReynoldsScandalous, sentimental, frank, and sincere--the ultimate inside account of a television and film icon.Burt Reynolds has been a Hollywood leading man for six decades, known for his legendary performances, sex-symbol status, and storied Hollywood romances. In his long career of stardom, during which he was number one at the box office for five years in a row, Reynolds has seen it all. But Enough About Me will tell his story through the people he's encountered on his amazing journey. In his words, he plans to "call out the assholes," try to make amends for "being the asshole myself on too many occasions," and pay homage to the many heroes he has come to love and respect.Beginning with Reynolds's adolescence as a notable football player and the devastating car accident that ended his sports career, But Enough About Me takes readers from the Broadway stages where Reynolds got his start to his subsequent rise to fame. From Oscar nominations, to the spread inCosmopolitan magazine that remains a notorious pop-cultural touchstone to this day, to the financial decisions that took him from rich to poor and back again, Reynolds shares the wisdom that has come from his many highs and lows. He is also ready, now more than ever, to dish. Reynolds famously romanced Dinah Shore, Sally Field, and Loni Anderson, to name only the top few; batted eyes at Bette Davis, Greta Garbo, Goldie Hawn, Farrah Fawcett, Marilyn Monroe, Candice Bergen, and so many more; went a few rounds (or more) with the likes of Donald Trump and Helen Gurley Brown; and rubbed elbows with Jon Voight, Clark Gable, Clint Eastwood, Frank Sinatra, Orson Welles, Mel Brooks, Woody Allen, and Johnny Carson, among many others. Through it all, Reynolds reflects on his personal pitfalls and recoveries and refocuses his attention on his legacy as a father and an acting teacher, leaving readers with a classic from one of Hollywood's most enduring and treasured stars.From the Hardcover edition.
But Have You Read the Book?: 52 Literary Gems That Inspired Our Favorite Films (Turner Classic Movies)
by Kristen LopezFor film buffs and literature lovers alike, Turner Classic Movies presents an essential guide to 52 cinema classics and the literary works that served as their inspiration. &“I love that movie!&” &“But have you read the book?&” Within these pages, Turner Classic Movies offers an endlessly fascinating look at 52 beloved screen adaptations and the great reads that inspired them. Some films, like Clueless—Amy Heckerling&’s interpretation of Jane Austen&’s Emma—diverge wildly from the original source material, while others, like One Flew Over the Cuckoo's Nest, shift the point of view to craft a different experience within the same story. Author Kristen Lopez explores just what makes these works classics of both the page and screen, and why each made for an exceptional adaptation—whether faithful to the book or exemplifying cinematic creative license. Other featured works include:Children of Men · The Color Purple · Crazy Rich Asians · Dr. No · Dune · Gentlemen Prefer Blondes · Kiss Me Deadly · The Last Picture Show · Little Women · Passing · The Princess Bride · The Shining · The Thin Man · True Grit · Valley of the Dolls · The Virgin Suicides · Wuthering Heights
But I Wanted a Pony!: An Anne Taintor Motherhood Collection
by Anne TaintorThis collection of vintage-with-a-twist artwork offers a fresh serving of hilarious commentary on the joys, challenges, and cocktail hours of motherhood. From the fundamentals (WOW! I get to give birth AND change diapers!) to putting food on the table (you see them as pies . . . I see them as cries for help) to dealing with childhood questions (because I&’m the mother . . . that&’s why) and strategies for taking the edge off (now be a dear and fetch mommy her flask), Taintor expertly captures the funny, frantic, and honest thoughts that most moms have experienced, with an attitude mothers everywhere will welcome.
But What I Really Want to Do Is Direct: Lessons from a Life Behind the Camera
by Ken KwapisFor over three decades, director Ken Kwapis has charted a career full of exceptional movies and television, from seminal shows like The Office to beloved films like He’s Just Not That Into You.He is among the most respected directors in show business, but getting there wasn’t easy. He struggled just like everyone else. With each triumph came the occasional faceplant. Using his background and inside knowledge, But What I Really Want To Do is Direct tackles Hollywood myths through Ken’s highly entertaining experiences. It’s a rollercoaster ride fueled by brawls with the top brass, clashes over budgets, and the passion that makes it all worthwhile.This humorous and refreshingly personal memoir is filled with inspiring instruction, behind-the-scenes hilarity, and unabashed joy. It’s a celebration of the director’s craft, and what it takes to succeed in show business on your own terms. "Ken Kwapis always brought out the best in the actors on The Office. Whenever Ken was directing, I always felt safe to go out on a limb and take chances, knowing he had my back. Every aspiring director should read this book. (I can think of several 'professional' directors that should read it too!)" -Jenna Fischer"A vital, magnificent manifesto on the art and craft of directing, written with emotional, instinctual and intellectual depth by one of America's most beloved film and television directors" -Amber Tamblyn"In the years that I was fortunate to work with Ken on Malcolm in the Middle, he had an uncanny ability to guide actors right to the heart of a scene and reveal its truths. He admits that he doesn’t have all the answers, he’ll make mistakes, and at times he’ll struggle, but as he says in the book, 'It’s the struggle to get it right that makes us human.'" -Bryan Cranston"Good luck finding a more kind, passionate, and talented director alive than Ken. Seriously, good luck." -Tig Notaro“'Action!' is what most directors bark out to begin a scene. But Ken Kwapis starts by gently intoning the words 'Go ahead…' That simple suggestion assures everyone they’re in smart, capable, humble hands. That’s how you’ll feel reading this book. And so, if you’re anxious to discover how a top director always brings humor, honesty, and humanity to his work, all I can tell you is…Go ahead." -Larry Wilmore
But Will You Love Me Tomorrow?: An Oral History of the '60s Girl Groups
by Laura Flam Emily Sieu LiebowitzFeaturing over 300 hours of new interviews with 100+ subjects, an oral history of the girl groups (such as The Ronettes, The Shirelles, The Supremes, and The Vandellas) that redefined the early 1960s The girl group sound, made famous and unforgettable by acts like The Ronettes, The Shirelles, The Supremes, and The Vandellas, took over the airwaves by capturing the mixture of innocence and rebellion emblematic of America in the 1960s. As songs like "Will You Love Me Tomorrow," "Then He Kissed Me," and "Be My Baby" rose to the top of the charts, girl groups cornered the burgeoning post-war market of teenage rock and roll fans, indelibly shaping the trajectory of pop music in the process. While the songs are essential to the American canon, many of the artists remain all but anonymous to most listeners. With more than 100 subjects that made the music, from the singers to the songwriters, to their agents, managers, and sound engineers—and even to the present-day celebrities inspired by their lasting influence–But Will You Love Me Tomorrow: An Oral History of 60s Girl Groups tells a national coming-of-age story that gives particular insight into the experiences of the female singers and songwriters who created the movement.