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Candida Royalle and the Sexual Revolution: A History from Below

by Jane Kamensky

Finalist for the 2024 National Book Critics Circle Award for Biography “Assiduously researched, elegantly written.” —Margaret Talbot, The New Yorker Acclaimed historian Jane Kamensky chronicles an indelible twentieth-century American life—and offers an entirely new understanding of the so-called sexual revolution. Whether in front of the camera or behind it, Candice Vadala understood herself as both an artist and an entrepreneur. As Candida Royalle (1950–2015)—underground actress, porn star, producer of adult movies, and staunch feminist—she made a business of pleasure. She helped crystalize the broader hedonistic turn in American life in the second half of the twentieth century: a period when the rules of sex were rewritten; when the white-hot “sex wars” cleaved feminism and realigned American politics; when Big Freud, Big Drugs, and Big Porn all came into looming focus; when the sex industry of the 1970s and ’80s radically upended conventional understandings of law, technology, culture, love, and human desire. The sexual revolution was Royalle’s war—even when other avowed feminists exited the field or became her opponents—and pornography emerged as the arena in which she would wage it. With the founding of her adult film company, Femme Productions, in 1984, Royalle became an owner of the means of pornographic production, infusing her sets with the ideals of labor feminism. On-screen and off-, she was, by turns, exuberant and thoughtful, self-possessed and gleefully shameless. A trailblazer who lived along the cultural fault lines of her generation, she danced at Woodstock, marched for women’s liberation, survived the AIDS crisis, and became a talk show regular, interviewed by Phil Donahue, Dr. Ruth Westheimer, Morton Downey Jr., Jane Pauley, and many others. As a performer, director, producer, and writer, she moved the needle of her industry. But she never transcended the politics of pleasure. With full access to Royalle’s remarkable archive, historian Jane Kamensky has spent years examining the intersection of Royalle’s life with the clashes that have defined her era—and ours. Deeply informed by these never-before-studied materials, Kamensky explodes the conventions of biography, with its assumptions about who makes history and how. Written with cinematic verve, Candida Royalle and the Sexual Revolution evokes Royalle’s times in their broadest contours as Kamensky traces the rise of an improbable heroine who broke the mold and was herself broken in turn.

Candidly Cline

by Kathryn Ormsbee

A must-read for fans of Julie Murphy and Ashley Herring Blake, this queer coming-of-age story from critically acclaimed author Kathryn Ormsbee sings with heart, warmth, and hope. Born in Paris, Kentucky, and raised on her gram’s favorite country music, Cline Alden is a girl with big dreams and a heart full of song. When she finds out about a young musicians’ workshop a few towns over, Cline sweet-talks, saves, and maybe fibs her way into her first step toward musical stardom.But her big dreams never prepared her for the butterflies she feels surrounded by so many other talented kids—especially Sylvie, who gives Cline the type of butterflies she’s only ever heard about in love songs.As she learns to make music of her own, Cline begins to realize how much of herself she’s been holding back. But now, there’s a new song taking shape in her heart—if only she can find her voice and sing it.“Empowering, affirming, and sweet as all get-out.” —Lisa Jenn Bigelow, author of Drum Roll, Please

Candy (A\través Del Espejo Ser.)

by Kevin Brooks

“[A] provocative, suspenseful work . . . the story plays skillfully to teens’ curiosity about the mechanics of addiction and its manic, lurid subculture.” —BooklistWhen Joe meets Candy, it seems like a regular boy-meets-girl scenario. They chat over coffee, she gives him her number, and he writes her a song. But then Joe is drawn into Candy’s world—a world of drugs, violence, and desperation. As the dark truth about Candy’s life emerges, Joe finds himself facing real danger at every twist and turn. Soon Joe’s conflicting emotions begin to mirror Candy’s, and he understands that falling in love just might be worth the struggle. This intoxicating tale of heartache, danger, and hope will enthrall teen readers.“A story as sharp as the title is sweet, with something dark lurking inside and no cozy answers . . . Some words of warning: Candy may hook you too.” —The Guardian“Versatile English author Brooks infuses his latest tale with a romantic—even mythic—grandeur sure to enthrall his fans . . . This story’s gritty street smarts will keep thrill-seekers more than entertained, while Joe’s orphic rescue mission into the netherworld of addiction gives more thoughtful readers plenty to ponder.” —Publishers Weekly (starred review)“Brooks’s plotting is masterful, and the action twists and builds to a frenzied and violent climax.” —School Library Journal“Brooks is one of the best young adult writers around. Get this book. Word-of-mouth will do the rest” —The Irish Times

Candy Darling: Memoirs of an Andy Warhol Superstar

by Candy Darling

A look into what moved Andy Warhol&’s greatest muse Located at 33 Union Square West in the heart of New York City&’s pulsing downtown scene, Andy Warhol&’s Factory was an artistic anomaly. Not simply a painter&’s studio, it was the center of Warhol&’s assembly-line production of films, books, art, and the groundbreaking Interview magazine. Although Warhol&’s first Factory on East 47th Street was known for its space-age silver interior, the Union Square Factory became the heart, brain, eyes, and soul of all things Warhol—and was, famously, the site of the assassination attempt that nearly took his life. It also produced a subculture of Factory denizens known as superstars, a collection of talented and ambitious misfits, the most glamorous and provocative of whom was the transgender pioneer Candy Darling. Born James Slattery in Queens in 1944 and raised on Long Island, the author began developing a female identity as a young child. Carefully imitating the sirens of Hollywood&’s golden age, young Jimmy had, by his early twenties, transformed into Candy, embodying the essence of silver-screen femininity, and in the process became her true self. Warhol, who found the whole dizzying package irresistible, cast Candy in his films Flesh and Women in Revolt and turned her into the superstar she was born to be. In her writing, Darling provides an illuminating look at what it was like to be transgender at a time when the gay rights movement was coming into its own. Blessed with a candor, wit, and style that inspired not only Warhol, but Tennessee Williams, Lou Reed, and Robert Mapplethorpe, Darling made an indelible mark on American culture during one of its most revolutionary eras. These memoirs depict a talented and tragic heroine who was taken away from us far too soon.

Candyman (Devil's Advocates)

by Jon Towlson

When Candyman was released in 1992, Roger Ebert gave it his thumbs up, remarking that the film was “scaring him with ideas and gore, rather than just gore.” Indeed, Candyman is almost unique in 1990s horror cinema in that it tackles its sociopolitical themes head on. As critic Kirsten Moana Thompson has remarked, Candyman is "the return of the repressed as national allegory": the film’s hook-handed killer of urban legend embodies a history of racism, miscegenation, lynching, and slavery, "the taboo secrets of America’s past and present."In this book, Jon Towlson considers how Candyman might be read both as a "return of the repressed" during the George H. W. Bush era, and as an example of nineties neoconservative horror. He traces the project’s development from its origins as a Clive Barker short story ("The Forbidden"); discusses the importance of its gritty real-life Cabrini-Green setting; and analyzes the film’s appropriation (and interrogation) of urban myth. The two official sequels (Candyman: Farewell to the Flesh [1995] and Candyman: Day of the Dead [1999]) are also considered, plus a number of other urban myth-inspired horror movies such as Bloody Mary (2006) and films in the Urban Legend franchise. The book features an in-depth interview with Candyman’s writer-director Bernard Rose.

Cannibal Culture: Art, Appropriation, and the Commodification of Difference (Icon Editions)

by Deborah Root

In Arizona, a white family buys a Navajo-style blanket to be used on the guest-room bed. Across the country in New York, opera patrons weep to the death scene of Madam Butterfly. These seemingly unrelated events intertwine in Cannibal Culture as Deborah Root examines the ways Western art and Western commerce co-opt, pigeonhole, and commodify so-called “native experiences.” From nineteenth-century paintings of Arab marauders to our current fascination with New Age shamanism, Root explores and explodes the consumption of the Other as a source of violence, passion, and spirituality. Through advertising images and books and films like The Sheltering Sky, Cannibal Culture deconstructs our passion for tourism and the concept of “going native,” while providing a withering indictment of a culture in which every cultural artifact and ideology is up for grabs—a cannibal culture. This fascinating book raises important and uncomfortable questions about how we travel, what we buy, and how we determine cultural merit. Travel—be it to another country, to a museum, or to a supermarket—will never be the same again.

Cannibalizing Queer: Brazilian Cinema from 1970 to 2015 (Queer Screens)

by João Nemi Neto

Through an analysis of contemporary Brazilian cinematic production, Cannibalizing Queer: Brazilian Cinema from 1970 to 2015 discusses which queer representations are erased and which are acknowledged in the complex processes of cultural translation, adaptation, and "devouring" that defines the Brazilian understanding of sexual dissidents and minorities. João Nemi Neto argues for Brazilian cinema studies to acknowledge the importance of 1920s modernism and of antropografia, a conceptual mode of cannibalism, to adopt and extrapolate a perverse form of absorption and raise the stakes on queer theory and postcolonialism, and to demonstrate how they are crucial to the development of a queer tradition in Brazilian cinema. In five chapters and two "trailers," Nemi Neto understands the term "queer" through its political dimensions because the films he analyzes represent characters that conform neither to American coming-out politics nor to Brazilian identity politics. Nonetheless, the films are queer precisely because the queer experiences and affection explored in these films do not necessarily insist on identifying characters as a particular sexuality or gender identity. Therefore, attention to characters within a unique cinematic world raises the stakes on several issues that hinge on cinematic form, narrative, and representation. Nemi Neto interviews and examines the work of João Silvério Trevisan and provides readings of films such as AIDS o furor do sexo explícito (AIDS the Furor of Explicit Sex, 1986), and Dzi Croquetes (Dzi Croquetes, 2009) to theorize a productive overlap between queer and antropofagia. Moreover, the films analyzed here depict queer alternative representations to both homonormativity and heteronormativity as forms of resistance, at the same time as prejudice and heteronormativity remain present in contemporary Brazilian social practices. Graduate students and scholars of cinema and media studies, queer studies, Brazilian modernism, and Latin American studies will value what one early reader called "a point of departure for all future research on Brazilian queer cinema."

Canton Entertainment

by Kimberly A. Kenney

Everyone loves to have fun! Over the years, Cantonians have enjoyed a wide variety of amusements, from traveling theatrical shows to community-wide celebrations. Louis Schaefer opened the town's first opera house in 1868, attracting some of the 19th century's biggest stars to Canton. The tradition of first-rate entertainment continued in the 20th century, with stars like Benny Goodman, Tommy Dorsey, and Guy Lombardo gracing the stage of the Moonlight Ballroom. During the Great Depression in the 1930s, Canton enjoyed a cultural renaissance with the development of many arts organizations still cherished today, including the Players' Guild, Canton Symphony Orchestra, and Canton Museum of Art. In 1955, the city celebrated its sesquicentennial with the biggest parade in Canton's history.

Can’t Stand Still: Taylor Gordon and the Harlem Renaissance (Margaret Walker Alexander Series in African American Studies)

by Michael K. Johnson

Born in 1893 into the only African American family in White Sulphur Springs, Montana, Emmanuel Taylor Gordon (1893–1971) became an internationally famous singer in the 1920s at the height of the Harlem Renaissance. With his musical partner, J. Rosamond Johnson, Gordon was a crucially important figure in popularizing African American spirituals as an art form, giving many listeners their first experience of black spirituals.Despite his fame, Taylor Gordon has been all but forgotten, until now. Michael K. Johnson illuminates Gordon’s personal history and his cultural importance to the legacy of the Harlem Renaissance, arguing that during the height of his celebrity, Gordon was one of the most significant African American male vocalists of his era. Gordon’s story—working in the White Sulphur Springs brothels as an errand boy, traveling the country in John Ringling’s private railway car, performing on vaudeville stages from New York to Vancouver to Los Angeles, performing for royalty in England, becoming a celebrated author with a best-selling 1929 autobiography, and his long bout of mental illness—adds depth to the history of the Harlem Renaissance and makes him one of the most fascinating figures of the twentieth century. Through detailed documentation of Gordon’s career—newspaper articles, reviews, letters, and other archival material—the author demonstrates the scope of Gordon’s cultural impact. The result is a detailed account of Taylor’s musical education, his career as a vaudeville performer, the remarkable performance history of Johnson and Gordon, his status as an in-demand celebrity singer and author, his time as a radio star, and, finally, his descent into madness. Can’t Stand Still brings Taylor Gordon back to the center of the stage.

Cape Cod Jazz: From Colombo to The Columns

by John A. Basile

The first notes of jazz hit Cape Cod in the very early days of the genre. Bournehurst-on-the-Canal hosted top bands, and emerging swing era dancers packed the hall. Cape Cod's "First Lady of Jazz," Marie Marcus, was a child prodigy in Boston and found some of her most important instruction in the art of stride piano during lessons with great pianist Fats Waller in New York. At the very tip of the Cape, the Atlantic House in Provincetown showcased performances from some of the biggest names like Gerry Mulligan, Billie Holiday and Stan Getz. Author John Basile details the fascinating history and amazing musicians that made Cape Cod a music destination.

Capital Region Radio: 1920-2011

by John Gabriel Rick Kelly

The General Electric Company, with one of its main plants in Schenectady, began experimental broadcasts in conjunction with Union College in the early 1900s. When WGY officially began broadcasting in February 1922, General Electric started a long and storied history of pioneering radio technology and programming that set the pace for worldwide broadcast development. Capital Region Radio pioneer WGY provided entertainment and news nationally during World War II, WTRY kept listeners updated during the blackout of 1965, and WOKO introduced rock and roll to the area. Thousands of schoolchildren from Utica and Pittsfield woke on snowy winter mornings to hear WGY's Bill Edwardsen read the school closing announcements, and listeners enjoyed entertainment from Boom Boom Brannigan and Don Weeks. Capital Region Radio: 1920-2011 offers a glimpse into the programs and personalities of local radio from its early days to recent years.

Capitalism Hates You: Marxism and the New Horror Film

by Joshua Gooch

What contemporary horror films teach us about the cruelties of capitalist societyCapitalism Hates You uses the horror film genre as a tool to diagnose and expose the hostile conditions of life under capitalism. Through incisive critical analyses of popular films such as Get Out, Drag Me to Hell, Hereditary, The Babadook, and many others, Joshua Gooch draws connections between Marxist theory and contemporary narratives of psychological unease. Gooch highlights the work of women, trans, and nonwhite filmmakers to show how the remarkable diversity of twenty-first-century horror cinema can provide an expansive catalog of capitalism&’s varying forms of oppression. Studying films that interrogate such urgent topics as gentrification, climate change, and reproductive labor, he demonstrates how contemporary horror films give affective shape to the negative undercurrents of our present socioeconomic system. Capitalism Hates You argues that these films and their material conditions can deepen our understanding of essential concepts in contemporary Marxism, from the theory of value and changing forms of commodification to the labor of social reproduction, the abolition of the family, and the necessity of ecosocialism. Synthesizing various strands of Marxist thought, Gooch sheds light on the growing field of socially conscious horror films, examining how they pinpoint and exaggerate latent feelings of dread and discomfort to reflect the ills of society. Retail e-book files for this title are screen-reader friendly with images accompanied by short alt text and/or extended descriptions.

Capitalism and Desire: The Psychic Cost of Free Markets

by Todd McGowan

Despite creating vast inequalities and propping up reactionary world regimes, capitalism has many passionate defenders—but not because of what it withholds from some and gives to others. Capitalism dominates, Todd McGowan argues, because it mimics the structure of our desire while hiding the trauma that the system inflicts upon it. People from all backgrounds enjoy what capitalism provides, but at the same time are told more and better is yet to come. Capitalism traps us through an incomplete satisfaction that compels us after the new, the better, and the more.Capitalism's parasitic relationship to our desires gives it the illusion of corresponding to our natural impulses, which is how capitalism's defenders characterize it. By understanding this psychic strategy, McGowan hopes to divest us of our addiction to capitalist enrichment and help us rediscover enjoyment as we actually experienced it. By locating it in the present, McGowan frees us from our attachment to a better future and the belief that capitalism is an essential outgrowth of human nature. From this perspective, our economic, social, and political worlds open up to real political change. Eloquent and enlivened by examples from film, television, consumer culture, and everyday life, Capitalism and Desire brings a new, psychoanalytically grounded approach to political and social theory.

Capitán Latinoamérica: Superheroes in Cinema, Television, and Web Series (SUNY series in Latin American Cinema)

by Vinodh Venkatesh

Capitán Latinoamérica is the first study to examine the unique contribution of Latin American cinema, television, and web series to the global superhero boom. Through an analysis of superhero-themed media from Mexico to Argentina, Vinodh Venkatesh argues that contemporary Latin American superheroes are a hybrid of regional tropes and figures such as the famed luchador, El Chapulín Colorado, and North American blockbuster characters from the DC and Marvel universes. These superheroes channel anxieties specific to their respective national contexts. In Chile, for example, Mirageman rehashes and works through the Pinochet dictatorship and its traumatic aftermath; in Honduras, Chinche Man confronts neoliberalism and gang violence. In Colombia's El Man, in turn, rapid urbanization and drug cartels are the central concerns, whereas corruption and the political machinations of the state feature most prominently in the television and web series Capitán Centroamérica. While the Latin American superhero genre may be superficially characterized by low budgets and kitsch aesthetics, it also poses profound challenges to the social, political, and economic status quo. Covering a wide variety of media bookended by wrestling films from the early 1960s and multimedia productions from the 2010s, Capitán Latinoamérica offers a comprehensive introduction to, and assessment of, the state of the superhero in Latin America.

Capoeira Connections: A Memoir in Motion

by Katya Wesolowski

This book is freely available in an open access edition thanks to TOME (Toward an Open Monograph Ecosystem)—a collaboration of the Association of American Universities, the Association of University Presses, and the Association of Research Libraries—and the generous support of Duke University. A portrait of the game of capoeira and its practice across borders Originating in the Black Atlantic world as a fusion of dance and martial art, capoeira was a marginalized practice for much of its history. Today it is globally popular. This ethnographic memoir weaves together the history of capoeira, recent transformations in the practice, and personal insights from author Katya Wesolowski’s thirty years of experience as a capoeirista.Capoeira Connections follows Wesolowski’s journey from novice to instructor while drawing on her decades of research as an anthropologist in Brazil, Angola, Europe, and the United States. In a story of local practice and global flow, Wesolowski offers an intimate portrait of the game and what it means in people’s lives. She reveals camaraderie and conviviality in the capoeira ring as well as tensions and ruptures involving race, gender, and competing claims over how this artful play should be practiced. Capoeira brings people together and yet is never free of histories of struggle, and these too play out in the game’s encounters.In her at once clear-sighted and hopeful analysis, Wesolowski ultimately argues that capoeira offers opportunities for connection, dialogue, and collaboration in a world that is increasingly fractured. In doing so, capoeira can transform lives, create social spheres, and shape mobile futures. Publication of this work made possible by a Sustaining the Humanities through the American Rescue Plan grant from the National Endowment for the Humanities.

Capote: A Biography (Books Into Film Ser.)

by Gerald Clarke

The national bestselling biography and the basis for the film Capote starring Philip Seymour Hoffman in an Academy Award–winning turn. One of the strongest fiction writers of his generation, Truman Capote became a literary star while still in his teens. His most phenomenal successes include Breakfast at Tiffany&’s, In Cold Blood, and Other Voices, Other Rooms. Even while his literary achievements were setting the standards that other fiction and nonfiction writers would follow for generations, Capote descended into a spiral of self-destruction and despair. This biography by Gerald Clarke was first published in 1988—just four years after Capote&’s death. In it, Clarke paints a vivid behind-the-scenes picture of the author&’s life—based on hundreds of hours of in-depth interviews with the man himself and the people close to him. From the glittering heights of notoriety and parties with the rich and famous to his later struggles with addiction, Capote emerges as a richly multidimensional person—both brilliant and flawed. &“A book of extraordinary substance, a study rich in intelligence and compassion . . . To read Capote is to have the sense that someone has put together all the important pieces of this consummate artist&’s life, has given everything its due emphasis, and comprehended its ultimate meaning.&” —Bruce Bawer, The Wall Street Journal &“Mesmerising . . . [Capote] reads as if it had been written alongside his life, rather than after it.&” —Molly Haskell, The New York Times Book Review

Capricorn: The Art of Living Well and Finding Happiness According to Your Star Sign

by Sally Kirkman

You are a Capricorn. You are the achiever and status seeker of the zodiac.The signs of the zodiac can give us great insight into our day-to-day living as well as the many talents and qualities we possess. But in an increasingly unpredictable world, how can we make sense of them? And what do they mean? This insightful and introductory guide delves deep into your star sign, revealing unique traits and meanings which you didn't know. Along the way, you will discover how your sign defies your compatibility, how to improve your health and what your gifts are. ***The Pocket Astrology series will teach you how to live well and enhance every aspect of your life. From friendship to compatibility, careers to finance, you will discover new elements to your sign and learn about the ancient art of astrology. Other audiobooks in the series include: Aries, Taurus, Gemini, Cancer, Leo, Virgo, Libra, Scorpio, Sagittarius,Capricorn, Aquarius, Pisces(P)2018 Hodder & Stoughton Limited

Captain Fantastic: Elton John's Stellar Trip Through the '70s

by Tom Doyle

Based on rare one-on-one interviews with the flamboyant rock ’n’ roll icon, this is the first book to trace Elton John’s meteoric rise from obscurity to worldwide celebrity in the wildest, weirdest decade of the twentieth century. In August 1970, Elton John achieved overnight fame with a rousing performance at the Troubadour in Los Angeles. Over the next five years, the artist formerly known as Reginald Dwight went from unheard of to unstoppable, scoring seven consecutive #1 albums and sixteen Top Ten singles in America. By the middle of the decade, he was solely responsible for 2 percent of global record sales. One in fifty albums sold in the world bore his name. Elton John’s live shows became raucous theatrical extravaganzas, attended by all the glitterati of the era. But beneath the spangled bodysuits and oversized eyeglasses, Elton was a desperately shy man, conflicted about his success, his sexuality, and his narcotic indulgences. In 1975, at the height of his fame, he attempted suicide. After coming out as bisexual in a controversial Rolling Stone interview that nearly wrecked his career, and announcing his retirement from live performance in 1977 at the age of thirty, he gradually found his way back to the thing he cared about most: the music. Captain Fantastic gives readers a behind-the-scenes look at the rise, fall, and return to glory of one of the world’s most mercurial performers. Rock journalist Tom Doyle’s insider account of the Rocket Man’s turbulent ascent is based on a series of one-pn-one interviews in which Elton laid bare many previously unrevealed details of his early career. Here is an intimate exploration of Elton’s working relationship with songwriting partner Bernie Taupin, whose lyrics often chronicled the ups and downs of their life together in the spotlight. Through these pages pass a parade of legends whose paths crossed with Elton’s during the decade—including John Lennon, Bob Dylan, Groucho Marx, Katharine Hepburn, Princess Margaret, Elvis Presley, and an acid-damaged Brian Wilson. A fascinating portrait of the artist at the apex of his celebrity, Captain Fantastic takes us on a rollicking fame-and-drug-fueled ride aboard Elton John’s rocket ship to superstardom.

Captain Phil Harris

by Steve Springer Josh Harris Jake Harris Blake Chavez

The electrifying behind-the-scenes story of the late Deadliest Catch star, from his own two sons. Prior to his untimely death in 2010, Captain Phil Harris was a star of Discovery Channel's Deadliest Catch, the hit show that follows the exhilarating lives of Alaskan crab fishermen as they brave the vicious Bering Sea. He led his crew through hurricane-force winds and fourstory- high waves, hauling in millions of pounds of crab and raking in millions of dollars. Phil worked hard, but he played even harder. His life on shore--from his rebellious days to his tempestuous marriages, from his addictive habits to his fundamental American success story--could serve as a reality show in itself. He lived his life at Mach speed: the blitz of crab season, the six-figure paydays, the thunderous motorcycles, and the drug-fueled parties. High-speed chases and all-night blackjack binges were par for the course. But as wild as Phil could be, he was always openhearted and infectiously friendly. He was a devoted friend, a loving father, a steadfast captain, and a hero to audiences across America and around the world. His death in 2010, the result of stroke and heart failure at the age of fifty-three, left a hole in the hearts of millions. In this exclusive authorized biography, Phil's two surviving sons, Josh and Jake Harris, team up with bestselling author Steve Springer and coauthor Blake Chavez to share the thrilling story of Phil's remarkable life.

Captain Phil Harris: The Legendary Crab Fisherman, Our Hero, Our Dad

by Steve Springer Josh Harris Jake Harris Blake Chavez

The electrifying behind-the-scenes story of the late Deadliest Catch star, from his own two sons.Prior to his untimely death in 2010, Captain Phil Harris was a star of Discovery Channel's Deadliest Catch, the hit show that follows the exhilarating lives of Alaskan crab fishermen as they brave the vicious Bering Sea. He led his crew through hurricane-force winds and fourstory- high waves, hauling in millions of pounds of crab and raking in millions of dollars. Phil worked hard, but he played even harder. His life on shore--from his rebellious days to his tempestuous marriages, from his addictive habits to his fundamental American success story--could serve as a reality show in itself. He lived his life at Mach speed: the blitz of crab season, the six-figure paydays, the thunderous motorcycles, and the drug-fueled parties. High-speed chases and all-night blackjack binges were par for the course. But as wild as Phil could be, he was always openhearted and infectiously friendly. He was a devoted friend, a loving father, a steadfast captain, and a hero to audiences across America and around the world. His death in 2010, the result of stroke and heart failure at the age of fifty-three, left a hole in the hearts of millions. In this exclusive authorized biography, Phil's two surviving sons, Josh and Jake Harris, team up with bestselling author Steve Springer and coauthor Blake Chavez to share the thrilling story of Phil's remarkable life.

Captain Quirk: The Unauthorized Biography of William Shatner

by Dennis William Hauck

HE'S BEEN CALLED A VISIONARY AND AN EGOMANIAC, A GREAT LOVER AND A BULLY. NOW, FIND OUT THE REAL STORY OF THE ACTOR WHOSE NAME IS SYNONYMOUS WITH ONE OF THE MOST BELOVED TV SHOWS EVER! CAPTAIN QUIRK takes you on a journey beyond anything you have ever known about William Shatner. Read about: * His shocking encounter with extraterrestrial beings while on a motorcycle trip through the Mojave Desert. * Why the STAR TREK movies almost didn't get made. * His sizzling off-screen romances. * His stormy relationship with Leonard Nimoy and other cast members--and why he became the most disliked actor on the set. * The lost years after the award-winning series was canceled--including the Grade B movies he would rather forget. * Post STAR TREK: Shatner's disastrous career as a rock 'n' roll star in the 1970s. From fist fights to palimony suits, from his three marriages to his most secret hopes and fears, here is the explosive behind-the-scenes story of the man they call ... CAPTAIN QUIRK

Captain of Her Soul: The Life of Marion Davies

by Lara Gabrielle

The comprehensive critical biography of silent-screen star Marion Davies, who fittingly referred to herself as "the captain of my soul." From Marion Davies's humble days in Brooklyn to her rise to fame alongside press baron William Randolph Hearst, the public life story of the film star plays like a modern fairy tale shaped by gossip columnists, fan magazines, biopics, and documentaries. Yet the real Marion Davies remained largely hidden from view, as she was wary of interviews and trusted few with her true life story. In Captain of Her Soul, Lara Gabrielle pulls back layers of myth to show a complex and fiercely independent woman, ahead of her time, who carved her own path. Through meticulous research, unprecedented access to archives around the world, and interviews with those who knew Davies, Captain of Her Soul counters the public story. This book reveals a woman who navigated disability and social stigma to rise to the top of a young Hollywood dominated by powerful men. Davies took charge of her own career, negotiating with studio heads and establishing herself as a top-tier comedienne, but her proudest achievement was her philanthropy and advocacy for children. This biography brings Davies out of the shadows cast by the Hearst legacy, shedding light on a dynamic woman who lived life on her own terms and declared that she was "the captain of her soul."

Captioned Media in Foreign Language Learning and Teaching: Subtitles for the Deaf and Hard-of-Hearing as Tools for Language Learning (New Language Learning and Teaching Environments)

by Robert Vanderplank

This book brings together current thinking on informal language learning and the findings of over 30 years of research on captions (same language subtitles for the deaf and hard-of-hearing) to present a new model of language learning from captioned viewing and a future roadmap for research and practice in this field. Language learners may have normal hearing but they are 'hard-of-listening' and find it difficult to follow the rapid or unclear speech in many films and TV programmes. Vanderplank considers whether watching with captions not only enables learners to understand and enjoy foreign language television and films but also helps them to improve their foreign language skills. Captioned Media in Foreign Language Learning and Teaching will be of interest to students and researchers involved in second language acquisition teaching and research, as well as practising language teachers and teacher trainers.

Captivating Westerns: The Middle East in the American West (Postwestern Horizons)

by Susan Kollin

Tracing the transnational influences of what has been known as a uniquely American genre, “the Western,” Susan Kollin’s Captivating Westerns analyzes key moments in the history of multicultural encounters between the Middle East and the American West. In particular, the book examines how experiences of contact and conflict have played a role in defining the western United States as a crucial American landscape. Kollin interprets the popular Western as a powerful national narrative and presents the cowboy hero as a captivating figure who upholds traditional American notions of freedom and promise, not just in the region but across the globe. Captivating Westerns revisits popular uses of the Western plot and cowboy hero in understanding American global power in the post-9/11 period.Although various attempts to build a case for the war on terror have referenced this quintessential American region, genre, and hero, they have largely overlooked the ways in which these celebrated spaces, icons, and forms, rather than being uniquely American, are instead the result of numerous encounters with and influences from the Middle East. By tracing this history of contact, encounter, and borrowing, this study expands the scope of transnational studies of the cowboy and the Western and in so doing discloses the powerful and productive influence of the Middle East on the American West.

Captive Audience: Prison and Captivity in Contemporary Theatre (Studies in Modern Drama #19)

by Thomas Fahy Kimball King

The first collection on this important topic, Captive Audience examines the social, gendered, ethnic, and cultural problems of incarceration as explored in contemporary theatre. Beginning with an essay by Harold Pinter, the original contributions discuss work including Harold Pinter's screenplays for The Handmaid's Tale and The Trial, Theatrical Prison Projects and Marat/Sade. Kimball King, Thomas Fahy, Rena Fraden, Tiffany Ana Lopez, Fiona Mills, Harold Pinter, Ann C. Hall, Christopher C. Hudgins, Pamela Cooper, Robert F. Gross, Claudia Barnett, Lois Gordon

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