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Celluloid Vampires
by Stacey AbbottIn 1896, French magician and filmmaker George Méliès brought forth the first celluloid vampire in his film Le manoir du diable. The vampire continues to be one of film's most popular gothic monsters and in fact, today more people become acquainted with the vampire through film than through literature, such as Bram Stoker's classic Dracula. How has this long legacy of celluloid vampires affected our understanding of vampire mythology? And how has the vampire morphed from its folkloric and literary origins? In this entertaining and absorbing work, Stacey Abbott challenges the conventional interpretation of vampire mythology and argues that the medium of film has completely reinvented the vampire archetype. Rather than representing the primitive and folkloric, the vampire has come to embody the very experience of modernity. No longer in a cape and coffin, today's vampire resides in major cities, listens to punk music, embraces technology, and adapts to any situation. Sometimes she's even female. With case studies of vampire classics such as Nosferatu, Martin, Blade, and Habit, the author traces the evolution of the American vampire film, arguing that vampires are more than just blood-drinking monsters; they reflect the cultural and social climate of the societies that produce them, especially during times of intense change and modernization. Abbott also explores how independent filmmaking techniques, special effects makeup, and the stunning and ultramodern computer-generated effects of recent films have affected the representation of the vampire in film.
Censoring Racial Ridicule
by M. Alison KiblerA drunken Irish maid slips and falls. A greedy Jewish pawnbroker lures his female employee into prostitution. An African American man leers at a white woman. These and other, similar images appeared widely on stages and screens across America during the early twentieth century. In this provocative study, M. Alison Kibler uncovers, for the first time, powerful and concurrent campaigns by Irish, Jewish and African Americans against racial ridicule in popular culture at the turn of the twentieth century. Censoring Racial Ridicule explores how Irish, Jewish, and African American groups of the era resisted harmful representations in popular culture by lobbying behind the scenes, boycotting particular acts, and staging theater riots. Kibler demonstrates that these groups' tactics evolved and diverged over time, with some continuing to pursue street protest while others sought redress through new censorship laws. Exploring the relationship between free expression, democracy, and equality in America, Kibler shows that the Irish, Jewish, and African American campaigns against racial ridicule are at the roots of contemporary debates over hate speech.
Censorium: Cinema and the Open Edge of Mass Publicity
by William MazzarellaIn the world of globalized media, provocative images trigger culture wars between traditionalists and cosmopolitans, between censors and defenders of free expression. But are images censored because of what they mean, what they do, or what they might become? And must audiences be protected because of what they understand, what they feel, or what they might imagine? At the intersection of anthropology, media studies, and critical theory, Censorium is a pathbreaking analysis of Indian film censorship. The book encompasses two moments of moral panic: the consolidation of the cinema in the 1910s and 1920s, and the global avalanche of images unleashed by liberalization since the early 1990s. Exploring breaks and continuities in film censorship across colonial and postcolonial moments, William Mazzarella argues that the censors' obsessive focus on the unacceptable content of certain images and the unruly behavior of particular audiences displaces a problem that they constantly confront yet cannot directly acknowledge: the volatile relation between mass affect and collective meaning. Grounded in a close analysis of cinema regulation in the world's largest democracy, Censorium ultimately brings light to the elusive foundations of political and cultural sovereignty in mass-mediated societies.
Censorship
by Sean Hannity Brian JenningsFreedom of speech. It is our most cherished privilege as Americans, guaranteed by the First Amendment to the U.S. Constitution since 1791. But our current presidential administration threatens to sharply curtail or silence altogether the freedom of expression that distinguishes America from the average dictatorship. What is under direct attack? Conservative talk radio. During the Reagan administration, conservative talk radio burgeoned when the FCC voted to stop enforcing the Fairness Doctrine, which required all licensed broadcasters to present "balanced" viewpoints on controversial issues. The format was a smash hit, attracting an estimated 50 million listeners weekly. Popular, profitable, outspoken, powerful, influential--it's what the American people wanted, and its success was the Democrats' worst nightmare. Now, the principles underlying the Fairness Doctrine threaten to be reinstated. Under cover of being "fair," they will be used as a means of censorship, allowing government to influence who owns our airwaves and thus controls the content, a mandate with far-reaching implications for all media--indeed, for freedom of speech for all Americans.
Censorship and Sexuality in Bombay Cinema
by Monika MehtaIndia produces an impressive number of films each year in a variety of languages. Here, Monika Mehta breaks new ground by analyzing Hindi films and exploring the censorship of gender and heterosexuality in Bombay cinema. She studies how film censorship on various levels makes the female body and female sexuality pivotal in constructing national identity, not just through the films themselves but also through the heated debates that occur in newspapers and other periodicals. The standard claim is that the state dictates censorship and various prohibitions, but Mehta explores how relationships among the state, the film industry, and the public illuminate censorship's role in identity formation, while also examining how desire, profits, and corruption are generated through the act of censoring. Committed to extending a feminist critique of mass culture in the global south, Mehta situates the story of censorship in a broad social context and traces the intriguing ways in which the heated debates on sexuality in Bombay cinema actually produce the very forms of sexuality they claim to regulate. She imagines afresh the theoretical field of censorship by combining textual analysis, archival research, and qualitative fieldwork. Her analysis reveals how central concepts of film studies, such as stardom, spectacle, genre, and sound, are employed and (re)configured within the ambit of state censorship, thereby expanding the scope of their application and impact.
Censorship: The Threat to Silence Talk Radio
by Sean Hannity Brian Jennings"Talk radio is the American voter." -- Rush Limbaugh Freedom of speech. It is our most cherished privilege as Americans, guaranteed by the First Amendment to the U. S. Constitution since 1791. But at the dawn of a new presidential administration, an epic battle is looming -- a battle for our airwaves that could sharply curtail or silence altogether the freedom of expression that distinguishes America from the average dictatorship. The target of this battle is conservative talk radio. If key Democrats have their way, the principles of the Federal Communications Commission's Fairness Doctrine will once again be enforced and allow government to control the content heard on free radio, a mandate that will have far-reaching implications for all media. During the Reagan administration the FCC voted to stop enforcing the Fairness Doctrine, which required all licensed broadcasters to present "balanced" viewpoints on controversial issues. Conservative talk radio burgeoned, giving rise to the father of conservative talk, Rush Limbaugh, and such hosts as Sean Hannity, Mark Levin, Michael Medved, Neal Boortz, Laura Ingraham, and others. The format was a smash hit -- resonating with listeners from coast to coast and giving a powerful voice to the conservative movement. Soon such programming, attracting an estimated 50 million listeners weekly, dominated the airwaves where liberal talk radio failed. Popular, profitable, outspoken, powerful, influential -- it's what the American people wanted, and its success was the Democrats' worst nightmare. Now, the principles of the Fairness Doctrine threaten to be reinstated -- if not directly, then through back-door tactics involving ownership of stations. Under cover of being "fair," they will prove to be anything but: They will be used as a means of censorship by those with contempt for conservative talk radio. With our current Congress firmly under Democratic control, the future of talk radio -- indeed, freedom of speech for all Americans -- is under direct attack.
Center Center: A Funny, Sexy, Sad Almost-Memoir of a Boy in Ballet
by James Whiteside&“James Whiteside is an electrifying performer, an incredible athlete, and an artist, through and through. To know James is to love him; with Center Center, you are about to fall in love.&” —Jennifer Garner &“A frank examination and celebration of queerness.&”—Good Morning America A daring, joyous, and inspiring memoir-in-essays from the American Ballet Theatre principal dancer-slash-drag queen-slash-pop star who's redefining what it means to be a man in balletThere's a mark on every stage around the world that signifies the center of its depth and width, called "center center." James Whiteside has dreamed of standing on that very mark as a principal dancer with the prestigious American Ballet Theatre ever since he was a twelve-year-old blown away by watching the company's spring gala. The GLAMOUR. The VIRTUOSITY. The RIPPED MEN IN TIGHTS! In this absurd and absurdist collection of essays, Whiteside tells us the story of how he got to be a primo ballerino—stopping along the way to muse about the tragically fated childhood pets who taught him how to feel, reminisce on ill-advised partying at summer dance camps, and imagine fantastical run-ins with Jesus on Grindr. Also in these pages are tales of the two alter egos he created to subvert the strict classical rigor of ballet: JbDubs, an out-and-proud pop musician, and Ühu Betch, an over-the-top drag queen named after Yoohoo chocolate milk. Center Center is an exuberant behind-the-scenes tour of Whiteside&’s triple life, both on- and offstage—a raunchy, curious, and unapologetic celebration of queerness, self-expression, friendship, sex, creativity, and pushing boundaries that will entertain you, shock you*, inspire you, embolden you . . . and maybe even make you cry.*THIS IS NOT A BOOK FOR CHILDREN.
CenterStage: My Most Fascinating Interviews—from A-Rod to Jay-Z
by Michael KayFrom the longtime host of the New York Yankees&’ television broadcasts, ESPN Radio&’s The Michael Kay Show, and YES Network&’s Emmy Award–winning CenterStage comes a selection of his most memorable interviews with the most intriguing personalities in sports and entertainment—ranging from Jay-Z to Mike Tyson to Serena Williams to Adam Sandler to Bon Jovi to Larry David. Emmy Award–winning television announcer and interviewer Michael Kay&’s eighteen years as host of CenterStage have given him access to many remarkable figures in sports and entertainment. Now, this absorbing selection of the best, most revealing—and often surprising—interviews are available in one amazing collection, including some of the behind-the-scenes stories that didn&’t appear on camera. From Kay&’s very first CenterStage interview in 2001 with quarterback Steve Young, the show&’s creators knew they had something special. Kay&’s ability to get celebrities and otherwise private personalities to open up and share candid insights has become his trademark. Among the interviews featured in the book are those with Red Auerbach, Charles Barkley, Mike Tyson, Bobby Orr, Sly Stallone, Jay-Z, Lorne Michaels, Paul Simon, John McEnroe, Rob Reiner, Seth Meyers, Serena Williams, Alan Alda, David Halberstam, Larry David, Bob Costas, Billy Crystal, Lindsey Vonn, Chris Evert, and Quentin Tarantino. For any pop culture fan or sports enthusiast, this prized collection is one to cherish for generations.
Centre Stage: Lessons from Actors on the Art of Charisma
by Jeannette NelsonHow the world’s best actors communicate with gravitas – and how you can, too.‘The theatre stars’ voice guru’ Daily MailActing is all about charisma. Whether you’re an A-list star or an extra, when you’re on stage you need to perform in a way that makes your audience listen.That stage presence is something we can all learn from. Every time you speak up in a meeting, recount an anecdote, or tell a joke, it’s essential to communicate with gravitas.Jeannette Nelson knows a thing or two about gravitas. As Head of Voice at the National Theatre, she has spent three decades working with the world’s leading actors – from Al Pacino to Benedict Cumberbatch to Juliette Binoche – teaching them to speak clearly and move confidently.Now, Nelson pulls back the curtain on the tricks that professional performers use to own the room. Starting with clear speech and good posture, before moving on to the art of rhetoric and overcoming stage fright, she outlines a holistic three-stage method to communicating with authority, authenticity and eloquence. Throughout, she peppers the book with stories of how world-renowned actors learnt to make themselves heard – and how you can, too.The result is a fascinating and eminently practical guide to the art of performance. If all the world’s a stage, then this book will turn you into its lead actor.
Centring Women in Bollywood Biopics: Empowerment and Agency in Contemporary Indian Cinema (Routledge Advances in Film Studies)
by Chandrava Chakravarty Sneha Kar ChaudhuriThis book explores the dramatic rise in popularity of the women’s biopic in contemporary Bollywood, within the context of wider cultural shifts over the past decade.Delving into the societal shifts reflected in the genre, both on and off screen, the book explores the contours of individual agency and the centring of women in Indian cinema. The book offers new insight into women-centric Hindi biopics, a fast-rising genre carving out a tradition of its own, with female directors and actors contributing to this rising postfeminist celebration of women’s agency and individuality. The authors posit that the alternative narratives, created by Bollywood and accepted by mainstream audiences, have become a catalyst to elevate women or female actors to protagonists, without the need to conform to the sexist mores of mainstream Bollywood.This book will be of interest to scholars, researchers and upper-level students in the areas of film studies, media industries, gender and feminism, and South Asian studies.
Certain Fragments: Texts and Writings on Performance
by Tim EtchellsWhat is the relationship between performance and play? Between performance and technology? Between performance and death? Certain Fragments is an extraordinary exploration of what lies at the heart of contemporary theatre. Written by the artistic director of Forced Entertainment, acknowledged to be Britains most brilliant experimental theatre company (Guardian), Certain Fragments investigates the processes of devising performance, the role of writing in an interdisciplinary theatre, and the influence of the city on contemporary art practice. Tim Etchells unique and provocative voice shifts from intimate anecdote to critical analysis and back again. And as in his theatre-making so in his book: with Certain Fragments Etchells disrupts traditional notions of creative, academic, and intellectual work. The book is an exciting and radical fusion of story-telling and criticism. It also makes available, for the first time, four seminal Forced Entertainment texts by Etchells.
Certain Rock Bands You Probably Like
by Chuck KlostermanOriginally collected in Chuck Klosterman IV and now available both as a stand-alone essay and in the collection Chuck Klosterman on Pop, this essay is about underrated and overrated artists.
Cesaria Feels the Beat
by Denise Rosario AduseiIn this powerful and inspiring picture book, a deaf girl stands up for herself and takes off her shoes while dancing at her Carnival performance so she can feel the music through her bare feet.Cesaria is going to perform for the seaside Carnival. She skips past the beach barefoot, dressed in her favorite peacock leotard.But when her dance director tells her she must put on her shoes to go on stage, Cesaria signs, “Peacocks don’t wear shoes!”You see, Cesaria hears the music through the soles of her feet, but no one seems to understand……That is, until all the dancers take off their shoes, and learn to feel the music, just like Cesaria.Cesaria Feels the Beat is a lyrical and heartfelt story about deafness, community, and Carnival.
Chain Saw Confidential
by Gunnar HansenWhen The Texas Chain Saw Massacre first hit movie screens in 1974 it was both reviled and championed. To critics, it was either "a degrading, senseless misuse of film and time" or "an intelligent, absorbing and deeply disturbing horror film." However it was an immediate hit with audiences. Banned and celebrated, showcased at the Cannes film festival and included in the New York MoMA's collection, it has now come to be recognized widely as one of the greatest horror movies of all time.A six-foot-four poet fresh out of grad school with limited acting experience, Gunnar Hansen played the masked, chain-saw-wielding Leatherface. His terrifying portrayal and the inventive work of the cast and crew would give the film the authentic power of nightmare, even while the gritty, grueling, and often dangerous independent production would test everyone involved, and lay the foundations for myths surrounding the film that endure even today.Critically-acclaimed author Hansen here tells the real story of the making of the film, its release, and reception, offering unknown behind-the-scenes details, a harrowingly entertaining account of the adventures of low-budget filmmaking, illuminating insights on the film's enduring and influential place in the horror genre and our culture, and a thoughtful meditation on why we love to be scared in the first place.
Chainsaws, Slackers, and Spy Kids: 30 Years of Filmmaking in Austin, Texas
by Alison MacorDuring the 1990s, Austin achieved "overnight" success and celebrity as a vital place for independent filmmaking. Directors Richard Linklater and Robert Rodriguez proved that locally made films with regional themes such as Slacker and El Mariachi could capture a national audience. Their success helped transform Austin's homegrown film community into a professional film industry staffed with talented, experienced filmmakers and equipped with state-of-the art-production facilities. Today, Austin struggles to balance the growth and expansion of its film community with an ongoing commitment to nurture the next generation of independent filmmakers. Chainsaws, Slackers, and Spy Kids chronicles the evolution of this struggle by re-creating Austin's colorful movie history. Based on revealing interviews with Richard Linklater, Robert Rodriguez, Mike Judge, Quentin Tarantino, Matthew McConaughey, George Lucas, and more than one hundred other players in the local and national film industries, Alison Macor explores how Austin has become a proving ground for contemporary independent cinema. She begins in the early 1970s with Tobe Hooper's horror classic, The Texas Chainsaw Massacre, and follows the development of the Austin film scene through 2001 with the production and release of Rodriguez's $100-million blockbuster, Spy Kids. Each chapter explores the behind-the-scenes story of a specific movie, such as Linklater's Dazed and Confused and Judge's Office Space, against the backdrop of Austin's ever-expanding film community.
Challenge for Change
by Michael Brendan Baker Ezra Winton Thomas WaughPioneering participatory, social change-oriented media, the program had a national and international impact on documentary film-making, yet this is the first comprehensive history and analysis of its work. The volume's contributors study dozens of films produced by the program, their themes, aesthetics, and politics, and evaluate their legacy and the program's place in Canadian, Québécois, and world cinema. An informative and nuanced look at a cinematic movement, Challenge for Change reemphasizes not just the importance of the NFB and its programs but also the role documentaries can play in improving the world.
Challenge for Change: Activist Documentary at the National Film Board of Canada
by Michael Brendan Baker Ezra Winton Thomas WaughPioneering participatory, social change-oriented media, the program had a national and international impact on documentary film-making, yet this is the first comprehensive history and analysis of its work. The volume's contributors study dozens of films produced by the program, their themes, aesthetics, and politics, and evaluate their legacy and the program's place in Canadian, Québécois, and world cinema. An informative and nuanced look at a cinematic movement, Challenge for Change reemphasizes not just the importance of the NFB and its programs but also the role documentaries can play in improving the world.
Chamber Music: An Essential History
by Mark A. RadiceIntended for the music student, the professional musician, and the music lover,Chamber Music: An Essential Historycovers repertoire from the Renaissance to the present, crossing genres to include string quartets, piano trios, clarinet quintets, and other groupings. Mark A. Radice gives a thorough overview and history of this long-established and beloved genre, typically performed by groups of a size to fit into spaces such as homes or churches and tending originally toward the string and wind instruments rather than percussion. Radice begins with chamber music's earliest expressions in the seventeenth century, discusses its most common elements in terms of instruments and compositional style, and then investigates how those elements play out across several centuries of composers- among them Mozart, Bach, Haydn, and Brahms- and national interpretations of chamber music. WhileChamber Music: An Essential Historyis intended largely as a textbook, it will also find an audience as a companion volume for musicologists and fans of classical music, who may be interested in the background to a familiar and important genre.
Champagne Charlie and Pretty Jemima: Variety Theater in the Nineteenth Century (Music in American Life #441)
by Gillian M RodgerIn this rich, imaginative survey of variety musical theater, Gillian M. Rodger masterfully chronicles the social history and class dynamics of the robust, nineteenth-century American theatrical phenomenon that gave way to twentieth-century entertainment forms such as vaudeville and comedy on radio and television. Fresh, bawdy, and unabashedly aimed at the working class, variety honed in on its audience's fascinations, emerging in the 1840s as a vehicle to accentuate class divisions and stoke curiosity about gender and sexuality. Cross-dressing acts were a regular feature of these entertainments, and Rodger profiles key male impersonators Annie Hindle and Ella Wesner while examining how both gender and sexuality gave shape to variety. By the last two decades of the nineteenth century, variety theater developed into a platform for ideas about race and whiteness. As some in the working class moved up into the middling classes, they took their affinity for variety with them, transforming and broadening middle-class values. Champagne Charlie and Pretty Jemima places the saloon keepers, managers, male impersonators, minstrels, acrobats, singers, and dancers of the variety era within economic and social contexts by examining the business models of variety shows and their primarily white, working-class urban audiences. Rodger traces the transformation of variety from sexualized entertainment to more family-friendly fare, a domestication that mirrored efforts to regulate the industry, as well as the adoption of aspects of middle-class culture and values by the shows' performers, managers, and consumers.
Champagne Supernovas: Kate Moss, Marc Jacobs, Alexander McQueen, and the 90s Renegades Who Remade Fashion
by Maureen CallahanThe 1950s had rock 'n' roll and the 60s had the Beats. In the 70s and 80s, it was punk rock and modern art. But for the 1990s, it was all about the fashion-and Kate Moss, Marc Jacobs, and Alexander McQueen were the trio of rebel geniuses who made it great. Each had an amazing talent, and had demons that would jeopardize that same talent. Collectively, they represented a "moment" in fashion and pop culture that upended everything that had come before it. In the tradition of pop-cultural histories like Girls Like Us and Easy Riders, Raging Bulls, Maureen Callahan explores a particular, pivotal time -- the moment when the 1980s gave way to the 1990s, the alternative became the mainstream, and Gen X took over the reins of power in the fashion industry -- through the lives of three people who would become both fashion icons and cautionary tales of the era. Callahan interviews insiders and reveals exclusive insights into the biggest dramas surrounding the most celebrated personalities of the decade: why Kate Moss and Johnny Depp broke up, how Marc Jacobs came through the crucible of the AIDS crisis, and what really drove Alexander McQueen to suicide. Champagne Supernovas is the story of that singular time, as exemplified the lives of the three luminaries who forever changed the way we think about fashion and cult
Champagne Supernovas: Kate Moss, Marc Jacobs, Alexander McQueen, and the 90s Renegades Who Remade Fashion
by Maureen CallahanThe 1950s had rock 'n' roll and the 60s had the Beats. In the 70s and 80s, it was punk rock and modern art. But for the 1990s, it was all about fashion and Kate Moss, Marc Jacobs, and Alexander McQueen were the trio of rebel geniuses who made it great. Each had an amazing talent and each had demons that would jeopardize that same talent. Collectively, they represented a "moment" in fashion and pop culture that upended everything that had come before it. In the tradition of pop-cultural histories like Girls Like Us and Easy Riders, Raging Bulls, Maureen Callahan explores a particular, pivotal time - the moment when the 1980s gave way to the 1990s, the alternative became the mainstream, and Gen X took over the reins of power in the fashion industry - through the lives of three people who would become both fashion icons and cautionary tales of the era. Callahan interviews insiders and reveals exclusive insights into the biggest dramas surrounding the most celebrated personalities of the decade: why Kate Moss and Johnny Depp broke up, how Marc Jacobs came through the crucible of the AIDS crisis, and what really drove Alexander McQueen to suicide. Champagne Supernovas is the story of that singular time, as exemplified the lives of the three luminaries who forever changed the way we think about fashion and culture.
Chance and Circumstance: Twenty Years with Cage and Cunningham
by Carolyn BrownThe long-awaited memoir from one of the most celebrated modern dancers of the past fifty years: the story of her own remarkable career, of the formative years of the Merce Cunningham Dance Company, and of the two brilliant, iconoclastic, and forward-thinking artists at its center--Merce Cunningham and John Cage. From its inception in the l950s until her departure in the l970s, Carolyn Brown was a major dancer in the Cunningham company and part of the vibrant artistic community of downtown New York City out of which it grew. She writes about embarking on her career with Cunningham at a time when he was a celebrated performer but a virtually unknown choreographer. She describes the heady exhilaration--and dire financial straits--of the company's early days, when composer Cage was musical director and Robert Rauschenberg designed lighting, sets and costumes; and of the struggle for acceptance of their controversial, avant-garde dance. With unique insight, she explores Cunningham's technique, choreography, and experimentation with compositional procedures influenced by Cage. And she probes the personalities of these two men: the reticent, moody, often secretive Cunningham, and the effusive, fun-loving, enthusiastic Cage. Chance and Circumstance is an intimate chronicle of a crucial era in modern dance, and a revelation of the intersection of the worlds of art, music, dance, and theater that is Merce Cunningham's extraordinary hallmark.
Chancho el campeón (Chancho el pug)
by Aaron BlabeyThe world's greediest pug won't play fair, and he'll do just about anything to win!The Spanish edition of Pig the Winner!Will Pig ever learn? He's an absolute cheat and quite the sore loser as well. But when Pig challenges his foot-long playmate, Trevor, to a kibble eating contest, he accidentally stuffs more than just food in his mouth. Lucky for Pig, Trevor knows what to do and saves the day!Young readers will love Blabey's irresistibly quirky illustrations that are paired with a relatable lesson about learning to play nice. For dog and pet lovers everywhere.¿Aprendera Chancho alguna vez? Es un tramposo y un mal perdedor. Pero, cuando Chancho reta a Tomas a ver quien come mas, accidentalmente termina metiendose algo mas que comida en la boca. Por suerte para Chancho, ¡Tomas sabe que hacer!A los jovenes lectores les encantaran las extravagantes e irresistibles ilustraciones de Blabey que acompanan esta leccion sobre ser amables a la hora de jugar. Para los amantes de los animales en todos los lugares.
Changed Men: Veterans in American Popular Culture after World War II (Cultural Frames, Framing Culture)
by Erin Lee MockPostwar culture and anxiety over the reintegration of veterans into American society Millions of GIs returned from overseas in 1945. A generation of men who had left their families and had learned to kill and to quickly dispatch sexual urges were rapidly reintegrated into civilian life, told to put the war behind them with cheer and confidence. Many veterans struggled, openly or privately, with this transition. Others in society wondered what the war had wrought in them. As Erin Lee Mock shows in this insightful book, the &“explosive&” potential of men became a central concern of postwar American culture. This wariness of veterans settled into a generalized anxiety over men&’s &“inherent&” violence and hypersexuality, which increasingly came to define masculinity. Changed Men engages with studies of film, media, literature, and gender and sexuality to advance a new perspective on the artistic and cultural output of and about the &“Greatest Generation,&” arguing that depictions of men&’s violent and erotic potential emerged differently in different forms and genres but nonetheless permeated American culture in these years. Viewing this homecoming through the lenses of war and trauma, classical Hollywood, pulp fiction, periodical culture, and early television, Mock shows this history in a provocative new light.
Changeling: The Autobiography of Mike Oldfield
by Mike OldfieldBorn without social instincts many people take for granted, brought up in a troubled environment and possessed with an extraordinary musical talent, Mike Oldfield was thrust into the spotlight at the tender age of nineteen. His first album Tubular Bells went on to sell fifteen million copies worldwide and catapulted him into a stardom he was ill-equipped to cope with.From growing up with an alcoholic mother, to his feelings of alienation and struggles with depression, this book takes Mike from his early years, through his staggering fame, his broken marriages, years as a recluse, his rebirth experience at a controversial Exegesis seminar and beyond. Mike Oldfield has been on a journey few of us could ever imagine, and offers a message of hope to anybody who feels they live on the edge of society.