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Cinepoetry: Imaginary Cinemas in French Poetry (Verbal Arts: Studies in Poetics)
by Christophe Wall-RomanaCinepoetry analyzes how French poets have remapped poetry through the lens of cinema for more than a century. In showing how poets have drawn on mass culture, technology, and material images to incorporate the idea, technique, and experience of cinema into writing, Wall-Romana documents the long history of cross-media concepts and practices often thought to emerge with the digital.In showing the cinematic consciousness of Mallarmé and Breton and calling for a reappraisal of the influential poetry theory of the early filmmaker Jean Epstein, Cinepoetry reevaluates the bases of literary modernism. The book also explores the crucial link between trauma and trans-medium experiments in the wake of two world wars and highlights the marginal identity of cinepoets who were often Jewish, gay, foreign-born, or on the margins.What results is a broad rethinking of the relationship between film and literature. The episteme of cinema, the book demonstates, reached the very core of its supposedly highbrow rival, while at the same time modern poetry cultivated the technocultural savvy that is found today in slams, e-poetry, and poetic-digital hybrids.
Cinesthesia: Museum Cinema and the Curated Screen (Kino-agora Ser.)
by Garrett StewartIn this profusely illustrated meditation on the phenomenon of "museum cinema," the screening of films in art museums, Garrett Stewart explores the aesthetic and formal issues raised by the proliferation of screens and films in museums in the digital era. Taking up dozens of screen artifacts over the last six decades, from 16mm loops to CCTV montage, Cinesthesia investigates in exemplary depth an array of landmark innovations from the 1960s down through the latest conceptualist exhibitions. Probing and comparative at once, it is the first study to place individual works under close formal and cultural analysis, and in steady dialogue with each other, not just as intrinsic experimental ventures but as medial challenges: challenges both to their parent forms and genres (theatrical film, broadcast TV) and to the contemplative aesthetic of museum looking. The kinetics of watching are found in this way, repeatedly and often ironically, to reroute or even derange – and ultimately to reform – the apprehending gaze. Cinesthesia includes 44 full-page colour illustrations by nearly 30 artists, including Christian Marclay, Tacita Dean, John Akomfrah, Rodney Graham, Eve Sussman and Matej Kren. "How is it – by what aesthetic criteria – that we, in ticketed public space, go to see film without going to the movies? What happens, that is, when screening times are replaced by the intermittent and elective time of transient viewing in sectored zones of a gallery layout? What new (audio-) visual parameters, in other words, are set in place when moving-image work finds itself welcomed into the environs of the proverbial 'fine' (or plastic) arts?" — Garrett Stewart
Cinesthesia: Museum Cinema and the Curated Screen (Kino-agora Ser.)
by Garrett StewartIn this profusely illustrated meditation on the phenomenon of "museum cinema," the screening of films in art museums, Garrett Stewart explores the aesthetic and formal issues raised by the proliferation of screens and films in museums in the digital era. Taking up dozens of screen artifacts over the last six decades, from 16mm loops to CCTV montage, Cinesthesia investigates in exemplary depth an array of landmark innovations from the 1960s down through the latest conceptualist exhibitions. Probing and comparative at once, it is the first study to place individual works under close formal and cultural analysis, and in steady dialogue with each other, not just as intrinsic experimental ventures but as medial challenges: challenges both to their parent forms and genres (theatrical film, broadcast TV) and to the contemplative aesthetic of museum looking. The kinetics of watching are found in this way, repeatedly and often ironically, to reroute or even derange – and ultimately to reform – the apprehending gaze. Cinesthesia includes 44 full-page colour illustrations by nearly 30 artists, including Christian Marclay, Tacita Dean, John Akomfrah, Rodney Graham, Eve Sussman and Matej Kren. "How is it – by what aesthetic criteria – that we, in ticketed public space, go to see film without going to the movies? What happens, that is, when screening times are replaced by the intermittent and elective time of transient viewing in sectored zones of a gallery layout? What new (audio-) visual parameters, in other words, are set in place when moving-image work finds itself welcomed into the environs of the proverbial 'fine' (or plastic) arts?" — Garrett Stewart
Cinécdoque
by Luis ReséndizCinécdoque es el libro que los cinéfilos necesitaban para repensar el cine comercial, reflexionar sobre sus cambios y llevar más allá de la pantalla las conquistas del séptimo arte. Con prólogo de Fernanda Solórzano. «Los textos de Cinécdoque aportan una mirada profunda a películas y fenómenos que otros, desde la pereza, consideran ligeros. Más importante, su autor es un defensor acérrimo del ensayo bien meditado. Este libro da prueba de ello y, al hacerlo, también declara: la mejor crítica cinematográfica -la única que permanece- es la que se disfruta leer.» Fernanda Solórzano, en el prólogo «Un análisis detallado sobre el blockbuster, así como una amplia disección de los elementos frecuentemente desapercibidos en su contexto [...] Si la cultura pop nutre a sociedades enteras, ¿por qué negar que también forma parte de la experiencia del ser humano?» Joyce Kauffman, Ambulante «El libro que los cinéfilos necesitaban para repensar el cine comercial, reflexionar sobre sus cambios y llevar más allá de la pantalla algunas conquistas del séptimo arte.» Lothar Torres, Ibero 90.9
Cinéma Militant: Political Filmmaking and May 1968
by Paul Douglas GrantThis history covers the filmmaking tradition often referred to as cinéma militant, which emerged in France during the events of May 1968 and flourished for a decade. While some films produced were created by established filmmakers, including Chris Marker, Jean-Luc Godard, and William Klein, others were helmed by left-wing filmmakers working in the extreme margins of French cinema. This latter group gave voice to underrepresented populations, such as undocumented immigrants (sans papiers), entry-level factory workers (ouvriers spécialisés), highly intellectual Marxist-Leninist collectives, and militant special interest groups. While this book spans the broad history of this uncharted tradition, it particularly focuses on these lesser-known figures and works and the films of Cinélutte, Les groupes medvedkine, Atelier de recherche cinématographique, Cinéthique, and the influential Marxist filmmaker Jean-Pierre Thorn. Each represent a certain tendency of this movement in French film history, offering an invaluable account of a tradition that also sought to share untold histories.
Cinéma Militant: Political Filmmaking and May 1968
by Paul Douglas GrantThis history covers the filmmaking tradition often referred to as cinéma militant, which emerged in France during the events of May 1968 and flourished for a decade. While some films produced were created by established filmmakers, including Chris Marker, Jean-Luc Godard, and William Klein, others were helmed by left-wing filmmakers working in the extreme margins of French cinema. This latter group gave voice to underrepresented populations, such as undocumented immigrants (sans papiers), entry-level factory workers (ouvriers spécialisés), highly intellectual Marxist-Leninist collectives, and militant special interest groups. While this book spans the broad history of this uncharted tradition, it particularly focuses on these lesser-known figures and works and the films of Cinélutte, Les groupes medvedkine, Atelier de recherche cinématographique, Cinéthique, and the influential Marxist filmmaker Jean-Pierre Thorn. Each represent a certain tendency of this movement in French film history, offering an invaluable account of a tradition that also sought to share untold histories.
Circle of Life (Little Golden Book)
by Courtney LovettSing along to the iconic song &“Circle of Life&” from Disney The Lion King with this beautifully illustrated Little Golden Book!Follow Simba&’s journey from confident cub, to lost runaway, to the rightful king of Pride Rock. Featuring the lyrics from the song &“Circle of Life&” written by Tim Rice and Elton John as well as beautiful illustrations of iconic movie moments, this book is perfect for fans of Disney The Lion King ages 2 to 5 and Little Golden Book collectors of all ages!Little Golden Books enjoy nearly 100% consumer recognition. They feature hot licenses, beloved classics, and new original stories . . . the classics of tomorrow.
Circus Bodies: Cultural Identity in Aerial Performance
by Peta TaitThis pioneering study is one of the major publications in the increasingly popular and largely undocumented area of circus studies. Through photographs and illustrations, Peta Tait presents an extraordinary survey of 140 years of trapeze acts and the socially changing ideas of muscular action in relation to our understanding of gender and sexuality. She questions how spectators see and enjoy aerial actions, and what cultural identities are presented by bodies in fast, physical aerial movement. Adeptly locating aerial performance within the wider cultural history of bodies and their identities, Circus Bodies explores this subject through a range of films such as Trapeze (1956) and Wings of Desire (1987) and Tait also examines live performances including: * the first trapeze performers: Léotard and the Hanlon Brothers* female celebrities; Azella, Sanyeah, black French aerialist LaLa, the infamous Leona Dare, and the female human cannonballs* twentieth-century gender benders; Barbette and Luisita Leers* the Codonas, Concellos, Gaonas, Vazquez and Pages troupes* imaginative aerial acts in Cirque de Soleil and Circus Oz productions. This book will prove an invaluable resource for all students and scholars interested in this fascinating field.
Circus Day in Japan
by Eleanor Coerr Yumi MatsunariCircus Day in Japan is the warmly-illustrated story of an exciting day spent by two Japanese children, Joji-chan and Koko-chan, at a circus. Joji-chan and Koko-chan delight at the new sights of their first circus, and young readers are gently introduced to Japanese sites and customs. The simple text and artwork provide a nostalgic window into Japanese family life in the early 1950s. The new Japanese translation makes this classic book accessible to a new generation of both English- and Japanese-speaking readers.
Circus Mania!
by Douglas McphersonA history of the circus from its origins in the Roman times, through its establishment in Western Europe, and to the modern day circus--absolutely diverse and captivating Circuses have existed since Roman times, but centuries later, the circus world has never been more diverse and captivating, the global success of Cirque du Soleil testament to its enduring and universal appeal. Traditional family circuses for kids, arty cirque-style shows for adults, circuses in tents or in theaters, circuses with animals or without, cabaret-style hybrids on the burlesque circuit--this is an expert guide to their extraordinary history and culture. The circus requires a unique type of performer, people who blend the discipline of sports stars with the razzmatazz of showbiz; itinerant but clannish entertainers who have often had circus blood in their families for generations; world class gymnasts who risk death twice daily and help take down the big top afterwards. This history offers a journey into this unique world, each chapter an access-all-areas pass to a different circus, talking to the trapeze flyers, clowns, animal trainers, and showmen about their lives, work, families, customs, and traditions.
Circus Mania: The Ultimate Book for Anyone Who Ever Dreamed of Running Away with the Circus
by Douglas McPhersonRoll up! Roll up! See the wondrous new face of Circus Mania, 250 years in the making! Full of the remarkable tales of circus life that made it a classic on its first outing. Learn about the origins of the circus from Roman times, to the colourful characters that make the circus the international phenomenon it is today. Circus Mania 2.0 is bigger, better and couldn't be timelier. Two hundred and fifty years after Philip Astley invented the circus it has never been more diverse and captivating, the global success of the spectacular Cirque du Soleil just one testament to its enduring and universal appeal. In Britain alone there are traditional family circuses for kids and arty shows for adults, circuses in tents and circuses in theatres, circuses with animals and circuses without, the Circus of Horrors for clubbers, the comedy-based Circus Hilarious and cabaret-style hybrids on the burlesque circuit and this form of entertainment is popular around the world. What all circuses have in common are the extraordinary skills, dedication and lifestyle of those involved a unique strain of performers who blend the discipline of sports stars with the razzmatazz of showbiz; itinerant entertainers who have often had circus blood in their families for generations; world-class gymnasts who risk death twice daily, serve on the tea stand in between shows and help take down the big top afterwards. Circus Mania is a journey into this unique world, each chapter an access-all-areas pass to a different circus, talking to the trapeze flyers, clowns, animal trainers and showmen about their lives, work and customs and offering insight into the development of this traditional entertainment from the earliest times.
Circus Mirandus (Fountas & Pinnell LLI Blue)
by Cassie Beasley<P>Do you believe in magic? Micah Tuttle does. Even though his awful Great-Aunt Gertrudis doesn't approve, Micah believes in the stories his dying Grandpa Ephraim tells him of the magical Circus Mirandus: the invisible tiger guarding the gates, the beautiful flying birdwoman, and the magician more powerful than any other--the Man Who Bends Light. <P>Finally, Grandpa Ephraim offers proof. The Circus is real. And the Lightbender owes Ephraim a miracle. With his friend Jenny Mendoza in tow, Micah sets out to find the Circus and the man he believes will save his grandfather. The only problem is, the Lightbender doesn't want to keep his promise. And now it's up to Micah to get the miracle he came for. <P><b> Nominee for the 2018 Young Reader's Choice Award </b> <i>(Pacific Northwest Library Association)</i>
Circus Psychology: An Applied Guide to Thriving Under the Big Top
by Fleur van RensThe lives of circus artists can be mentally and physically demanding. Circus Psychology: An Applied Guide to Thriving Under the Big Top is an evidence-based guide to nurturing the mental health of circus artists while enabling them to perform at the peak of their capacities. The book is organised into three accessible sections: mental health in circus, optimising the circus environment to facilitate thriving, and mental skills for thriving in circus. The first section introduces general mental health concepts, provides insight into the mental health of circus artists, the stress process, and the role of psychological resilience and perfectionism in mental health. The second section offers insight into motivation and engagement in circus, the features of a psychologically safe circus environment, and advice on psychologically supportive talent development environment. The final section explains, applies, and provides practice material for mental skills, including goal setting, self-talk, mental imagery, arousal regulation, and visual anticipation. Written by Dr Fleur van Rens, a circus artist and lecturer in sport psychology, this book is an essential resource for those passionate about the mental health of amateurs and professionals in the circus industry.
Circus Shoes (Shoes #2)
by Noel StreatfeildWinner of the Carnegie Medal: Threatened with being sent to separate orphanages, a brother and sister run away and join the circus When the aunt who raised them dies, 12-year-old Peter and his 11-year-old sister, Santa, face their greatest fear: being sent to separate orphanages. Vowing to stay together, they track down their only remaining relative. Uncle Gus, the black sheep of the family, has been with Cob's Circus since the war. Peter and Santa arrive just in time to see the caravans pull up. Almost before their eyes, the tents appear and an extraordinary world comes to life. They meet Alexsis Petoff and his family of acrobats; the Schmidt twins and their amazing sea lions; Lorenzo, the ornery waltzing-horse; and a trick poodle named Mis. Soon, Santa is practicing tumbling and Peter is learning to ride. They feel like they are part of the circus community. But life under the big top is hard work, and Santa and Peter will have to rise to the challenge or leave the one place they can finally call home.
Circus Shoes (Shoes #2)
by Noel StreatfeildWinner of the Carnegie Medal: Threatened with being sent to separate orphanages, a brother and sister run away and join the circus When the aunt who raised them dies, 12-year-old Peter and his 11-year-old sister, Santa, face their greatest fear: being sent to separate orphanages. Vowing to stay together, they track down their only remaining relative. Uncle Gus, the black sheep of the family, has been with Cob&’s Circus since the war. Peter and Santa arrive just in time to see the caravans pull up. Almost before their eyes, the tents appear and an extraordinary world comes to life. They meet Alexsis Petoff and his family of acrobats; the Schmidt twins and their amazing sea lions; Lorenzo, the ornery waltzing-horse; and a trick poodle named Mis. Soon, Santa is practicing tumbling and Peter is learning to ride. They feel like they are part of the circus community. But life under the big top is hard work, and Santa and Peter will have to rise to the challenge or leave the one place they can finally call home.
Circus Shoes (The Shoe Books #2)
by Noel StreatfeildFor the first time ever in the United States, the "Shoes" books are available as ebooks! Travel with the circus in Noel Streatfeild's beloved classic.Peter and Santa are orphans. They know they have an uncle, Gus, who travels with the circus, so they decide to run away to find him. And soon the traveling circus becomes their home! See the circus--the liberty horses, sea lions, dogs, and elephants--through the eyes of this young brother and sister in this classic story!Noel Streatfeild's "Shoes" books are some of the most popular of the thirty-eight books she wrote for children.
Circus World: Roustabouts, Animals, and the Work of Putting on the Big Show (Working Class in American History)
by Andrea RingerFrom the 1870s to the 1960s, circuses crisscrossed the nation providing entertainment. A unique workforce of human and animal laborers from around the world put on the show. They also formed the backbone of a tented entertainment industry that raised new questions about what constituted work and who counted as a worker. Andrea Ringer examines the industry-wide circus world--the collection of shows that traveled by rail, wagon, steamboat, and car--and the traditional and nontraditional laborers who created it. Performers and their onstage labor played an integral part in the popularity of the circus. But behind the scenes, other laborers performed the endless menial tasks that kept the show on the road. Circus operators regulated employee behavior both inside and outside the tent even as the employees themselves blurred the line between leisure and labor until, in all parts of the show, the workers could not escape their work. Illuminating and vivid, Circus World delves into the gender, class, and even species concerns within an extinct way of life.
Circus and the Avant-Gardes: History, Imaginary, Innovation (Routledge Advances in Theatre & Performance Studies)
by Anna-Sophie Jürgens and Mirjam HildbrandThis book examines how circus and circus imaginary have shaped the historical avant-gardes at the beginning of the 20th century and the cultures they help constitute, to what extent this is a mutual shaping, and why this is still relevant today. This book aims to produce a better sense of the artistic work and cultural achievements that have emerged from the interplay of circus and avant-garde artists and projects, and to clarify both their transhistorical and trans-medial presence, and their scope for interdisciplinary expansion. Across 14 chapters written by leading scholars – from fields as varied as circus, theatre and performance studies, art, media studies, film and cultural history – some of which are written together with performers and circus practitioners, the book examines to what extent circus and avant-garde connections contribute to a better understanding of early 20th century artistic movements and their enduring legacy, of the history of popular entertainment, and the cultural relevance of circus arts. Circus and the Avant-Gardes elucidates how the realm of the circus as a model, or rather a blueprint for modernist experiment, innovation and (re)negotiation of bodies, has become fully integrated in our ways of perceiving avant-gardes today. The book does not only map the significance of circus/avant-garde phenomena for the past, but, through an exploration of their contemporary actualisations (in different media), also carves out their achievements, relevance, and impact, both cultural and aesthetic, on the present time.
Circus for Social Change: Social Circus in Context (Routledge Advances in Theatre & Performance Studies)
by Katie Lavers Jon Burtt Emmanuel BochudIn this volume Social Circus is explored in depth by three Circus Studies scholars working with the aim of creating new ways of engaging with the field.Lavers, Burtt, and Bochud investigate the way that Social Circus transforms in response to its immediate environment, and particularly its social, political, and cultural context. Extensively illustrated, with photos of different Social Circuses around the world, and extensively annotated, Circus for Social Change: Social Circus in Context provides a portal into ways of seeing today’s Social Circus and is of interest to practitioners and scholars. Social Circuses explored in this volume include Cirqiniq in far North Canada; Galway Community Circus in the Republic of Ireland; Zip Zap Circus in Cape Town, South Africa; Circus Harmony in St. Louis, Missouri; Circus Laheto in Central Brazil; Women’s Circus in Melbourne, Australia; the Mobile Mini Children’s Circus (the MMCC) in various locations across Afghanistan; Cirque Hors Piste in Montreal, Canada; Sencirk in Dakar, Senegal; the Slow Circus Academy in Yokohama, JDS/Juggling de Shinshu, and the Moon Night Project in Nagano, Japan; Ponleu Selpak’s Performing Arts School and Phare Circus in Cambodia; Sirkus Magenta in Helsinki, Finland; and Le Plus Petit Cirque du Monde in Bagneux in the outskirts of Paris, France.This book will be of great interest to the general reader, to practitioners working within Social Circus or arts for social change, and to scholars, teachers, and students in schools, colleges, and universities.
Circus, Science and Technology: Dramatising Innovation (Palgrave Studies in Performance and Technology)
by Anna-Sophie JürgensThis book explores the circus as a site in and through which science and technology are represented in popular culture. Across eight chapters written by leading scholars – from fields as varied as performance and circus studies, art, media and cultural history, and engineering – the book discusses to what extent the engineering of circus and performing bodies can be understood as a strategy to promote awe, how technological inventions have shaped circus and the cultures it helps constitute, and how much of a mutual shaping this is. What kind of cultural and aesthetic effects does engineering in circus contexts achieve? How do technological inventions and innovations impact on the circus? How does the link between circus and technology manifest in representations and interpretations – imaginaries – of the circus in other media and popular culture? Circus, Science and Technology examines the ways circus can provide a versatile frame for interpreting our relationship with technology.
Ciro's: Nightclub of the Stars (Images of America)
by Andra D. Clarke Regina Denton-DrewMany entertainers launched their careers at Ciro's Nightclub, often referred as "The Nightclub of the Stars." Ciro's was patronized by both famous and non-famous guests who enjoyed dancing, dining, and comedy routines featuring top-name entertainers such as Jerry Lewis, Dean Martin, Sophie Tucker, Judy Garland, Peggy Lee, Liberace, Nat King Cole, Joe E. Lewis, and Sammy Davis Jr.--just to name a few. The nightclub's house band was led by Dick Stabile, although bandleader Xavier Cugat, best known for popularizing the rumba in the United States, was a regular headliner at the club. The elite Hollywood regulars at Ciro's included some of the most popular names in entertainment at the time, such as Marilyn Monroe, Frank Sinatra, Cary Grant, Humphrey Bogart, and many more.
Citizen Artists: A Guide to Helping Young People Make Plays That Change the World
by James WallertCitizen Artists takes the reader on a journey through the process of producing, funding, researching, creating, rehearsing, directing, performing, and touring student-driven plays about social justice. The process at the heart of this book was developed from 2015–2021 at New York City’s award-winning Epic Theatre Ensemble with and for their youth ensemble: Epic NEXT. Author and Epic Co-Founder James Wallert shares his company’s unique, internationally recognized methodology for training young arts leaders in playwriting, inquiry-based research, verbatim theatre, devising, applied theatre, and performance. Readers will find four original plays, seven complete timed-to-the-minute lesson plans, 36 theatre arts exercises, and pages of practical advice from more than two dozen professional teaching artists to use for their own theatre making, arts instruction, or youth organizing. Citizen Artists is a one-of-a-kind resource for students interested in learning about theatre and social justice; educators interested in fostering learning environments that are more rigorous, democratic, and culturally-responsive; and artists interested in creating work for new audiences that is more inclusive, courageous, and anti-racist.
Citizen Cash: The Political Life and Times of Johnny Cash
by Michael Stewart FoleyA leading historian argues that Johnny Cash was the most important political artist of his timeJohnny Cash was an American icon, known for his level, bass-baritone voice and somber demeanor, and for huge hits like &“Ring of Fire&” and &“I Walk the Line.&” But he was also the most prominent political artist in the United States, even if he wasn&’t recognized for it in his own lifetime, or since his death in 2003.Then and now, people have misread Cash&’s politics, usually accepting the idea of him as a &“walking contradiction.&” Cash didn&’t fit into easy political categories—liberal or conservative, Republican or Democrat, hawk or dove. Like most people, Cash&’s politics were remarkably consistent in that they were based not on ideology or scripts but on empathy—emotion, instinct, and identification.Drawing on untapped archives and new research on social movements and grassroots activism, Citizen Cash offers a major reassessment of a legendary figure.
Citizen Hollywood: How the Collaboration between LA and DC Revolutionized American Politics
by Timothy StanleyTo most Americans, Hollywood activism consists of self-obsessed movie stars promoting their pet causes, whether defending marijuana legalization or Second Amendment rights. There's some truth in that stereotype, and in this book you'll find the close personal friends of Fidel Castro, the wannabe cowboys, and the ever-ubiquitous Barbra Streisand. But Citizen Hollywood makes a far more serious case--that Hollywood's influence in Washington runs deeper and affects the country's government more than most of us imagine.Celebrity activism exerts a subtle power over the American political process, and that pressure is nothing new. Through money, networking, and image making, the movie industry has shaped the way that politics works for nearly a century. It has helped to forge a culture that is obsessed with celebrity and spectacle.In return, politicians have become part of the fabric of Hollywood society and cater to the wishes of their new-found friends and fund-raisers.Using original archival research and exclusive interviews with stars, directors, producers, and politicians from both parties, Timothy Stanley's Citizen Hollywood shows that the only way to understand the image-obsessed, volatile politics of modern America is to understand the hidden history of Hollywood's influence on Washington.
Citizen Kane (SparkNotes Film Guide)
by SparkNotesCitizen Kane (SparkNotes Film Guide) Making the reading experience fun! SparkNotes Film Guides are one-stop guides to great works of film–masterpieces that are the foundations of filmmaking and film studies. Inside each guide you&’ll find thorough, insightful overviews of films from a variety of genres, styles, and time periods. Each film guide contains:Information about the director and the context in which the film was made Thoughtful analysis of major characters Details about themes, motifs, and symbols Explanations of the most important lines of dialogue In-depth discussions about what makes a film so remarkable SparkNotes Film Guides are an invaluable resource for students or anyone who wants to gain a deeper understanding of the great films they know and love.