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Circus Mania!
by Douglas McphersonA history of the circus from its origins in the Roman times, through its establishment in Western Europe, and to the modern day circus--absolutely diverse and captivating Circuses have existed since Roman times, but centuries later, the circus world has never been more diverse and captivating, the global success of Cirque du Soleil testament to its enduring and universal appeal. Traditional family circuses for kids, arty cirque-style shows for adults, circuses in tents or in theaters, circuses with animals or without, cabaret-style hybrids on the burlesque circuit--this is an expert guide to their extraordinary history and culture. The circus requires a unique type of performer, people who blend the discipline of sports stars with the razzmatazz of showbiz; itinerant but clannish entertainers who have often had circus blood in their families for generations; world class gymnasts who risk death twice daily and help take down the big top afterwards. This history offers a journey into this unique world, each chapter an access-all-areas pass to a different circus, talking to the trapeze flyers, clowns, animal trainers, and showmen about their lives, work, families, customs, and traditions.
Circus Mania: The Ultimate Book for Anyone Who Ever Dreamed of Running Away with the Circus
by Douglas McPhersonRoll up! Roll up! See the wondrous new face of Circus Mania, 250 years in the making! Full of the remarkable tales of circus life that made it a classic on its first outing. Learn about the origins of the circus from Roman times, to the colourful characters that make the circus the international phenomenon it is today. Circus Mania 2.0 is bigger, better and couldn't be timelier. Two hundred and fifty years after Philip Astley invented the circus it has never been more diverse and captivating, the global success of the spectacular Cirque du Soleil just one testament to its enduring and universal appeal. In Britain alone there are traditional family circuses for kids and arty shows for adults, circuses in tents and circuses in theatres, circuses with animals and circuses without, the Circus of Horrors for clubbers, the comedy-based Circus Hilarious and cabaret-style hybrids on the burlesque circuit and this form of entertainment is popular around the world. What all circuses have in common are the extraordinary skills, dedication and lifestyle of those involved a unique strain of performers who blend the discipline of sports stars with the razzmatazz of showbiz; itinerant entertainers who have often had circus blood in their families for generations; world-class gymnasts who risk death twice daily, serve on the tea stand in between shows and help take down the big top afterwards. Circus Mania is a journey into this unique world, each chapter an access-all-areas pass to a different circus, talking to the trapeze flyers, clowns, animal trainers and showmen about their lives, work and customs and offering insight into the development of this traditional entertainment from the earliest times.
Circus Mirandus (Fountas & Pinnell LLI Blue)
by Cassie Beasley<P>Do you believe in magic? Micah Tuttle does. Even though his awful Great-Aunt Gertrudis doesn't approve, Micah believes in the stories his dying Grandpa Ephraim tells him of the magical Circus Mirandus: the invisible tiger guarding the gates, the beautiful flying birdwoman, and the magician more powerful than any other--the Man Who Bends Light. <P>Finally, Grandpa Ephraim offers proof. The Circus is real. And the Lightbender owes Ephraim a miracle. With his friend Jenny Mendoza in tow, Micah sets out to find the Circus and the man he believes will save his grandfather. The only problem is, the Lightbender doesn't want to keep his promise. And now it's up to Micah to get the miracle he came for. <P><b> Nominee for the 2018 Young Reader's Choice Award </b> <i>(Pacific Northwest Library Association)</i>
The Circus of Stolen Dreams
by Lorelei SavarynA dream world turns haunting nightmare in this spellbinding debut novel, perfect for fans of Circus Mirandus and The Night Gardener. <p><p> After Andrea's brother, Francis, disappeared, everything changed. Her world turned upside down, and there was nothing she could do to right it. So when she discovers a magical dream world called Reverie in the woods near her home, Andrea jumps at the chance to escape her pain and go inside. But the cost of admission is high: Andrea must give up a memory in order to enter. And she knows exactly which memory she'd like to give up. <p> Once inside, Andrea discovers tent after tent of dreams come alive; she can fly on a gust of wind, brave swashbuckling pirates and search for buried treasure, reach for--and wish on--a tangible star, and much, much more. But Andrea soon realizes that not all of Reverie's dreams are meant to delight, and the Sandman behind the circus tents seems to have plans of his own. When Andrea finds a tent in which her brother's darkest nightmare has been brought to life, she realizes the dark truth: Reverie is not an escape; it's a trap. Will Andrea and her new friend Penny have what it takes to find Francis, figure out what's really going on in Reverie, and break free from this nightmarish dream world? <p> A wonderfully inventive, deliciously creepy debut novel that is sure to linger in readers' minds long after the last thrilling page has been turned.
Circus Psychology: An Applied Guide to Thriving Under the Big Top
by Fleur van RensThe lives of circus artists can be mentally and physically demanding. Circus Psychology: An Applied Guide to Thriving Under the Big Top is an evidence-based guide to nurturing the mental health of circus artists while enabling them to perform at the peak of their capacities. The book is organised into three accessible sections: mental health in circus, optimising the circus environment to facilitate thriving, and mental skills for thriving in circus. The first section introduces general mental health concepts, provides insight into the mental health of circus artists, the stress process, and the role of psychological resilience and perfectionism in mental health. The second section offers insight into motivation and engagement in circus, the features of a psychologically safe circus environment, and advice on psychologically supportive talent development environment. The final section explains, applies, and provides practice material for mental skills, including goal setting, self-talk, mental imagery, arousal regulation, and visual anticipation. Written by Dr Fleur van Rens, a circus artist and lecturer in sport psychology, this book is an essential resource for those passionate about the mental health of amateurs and professionals in the circus industry.
Circus, Science and Technology: Dramatising Innovation (Palgrave Studies in Performance and Technology)
by Anna-Sophie JürgensThis book explores the circus as a site in and through which science and technology are represented in popular culture. Across eight chapters written by leading scholars – from fields as varied as performance and circus studies, art, media and cultural history, and engineering – the book discusses to what extent the engineering of circus and performing bodies can be understood as a strategy to promote awe, how technological inventions have shaped circus and the cultures it helps constitute, and how much of a mutual shaping this is. What kind of cultural and aesthetic effects does engineering in circus contexts achieve? How do technological inventions and innovations impact on the circus? How does the link between circus and technology manifest in representations and interpretations – imaginaries – of the circus in other media and popular culture? Circus, Science and Technology examines the ways circus can provide a versatile frame for interpreting our relationship with technology.
The Circus Ship
by Chris Van DusenWhen a circus ship runs aground off the coast of Maine, the poor animals are left on their own to swim the chilly waters. Staggering onto a nearby island, they soon win over the wary townspeople with their kind, courageous ways. So well do the critters blend in that when the greedy circus owner returns to claim them, villagers of all species conspire to outsmart the bloated blowhard. With buoyant rhymes and brilliantly caricatured illustrations evoking the early nineteenth century, Chris Van Dusen presents a hugely entertaining tale about the bonds of community — and a rare hidden-pictures spread for eagle-eyed readers of all ages.
Circus Shoes (Shoes #2)
by Noel StreatfeildWinner of the Carnegie Medal: Threatened with being sent to separate orphanages, a brother and sister run away and join the circus When the aunt who raised them dies, 12-year-old Peter and his 11-year-old sister, Santa, face their greatest fear: being sent to separate orphanages. Vowing to stay together, they track down their only remaining relative. Uncle Gus, the black sheep of the family, has been with Cob's Circus since the war. Peter and Santa arrive just in time to see the caravans pull up. Almost before their eyes, the tents appear and an extraordinary world comes to life. They meet Alexsis Petoff and his family of acrobats; the Schmidt twins and their amazing sea lions; Lorenzo, the ornery waltzing-horse; and a trick poodle named Mis. Soon, Santa is practicing tumbling and Peter is learning to ride. They feel like they are part of the circus community. But life under the big top is hard work, and Santa and Peter will have to rise to the challenge or leave the one place they can finally call home.
Circus Shoes (The Shoe Books #2)
by Noel StreatfeildFor the first time ever in the United States, the "Shoes" books are available as ebooks! Travel with the circus in Noel Streatfeild's beloved classic.Peter and Santa are orphans. They know they have an uncle, Gus, who travels with the circus, so they decide to run away to find him. And soon the traveling circus becomes their home! See the circus--the liberty horses, sea lions, dogs, and elephants--through the eyes of this young brother and sister in this classic story!Noel Streatfeild's "Shoes" books are some of the most popular of the thirty-eight books she wrote for children.
Circus Shoes (Shoes #2)
by Noel StreatfeildWinner of the Carnegie Medal: Threatened with being sent to separate orphanages, a brother and sister run away and join the circus When the aunt who raised them dies, 12-year-old Peter and his 11-year-old sister, Santa, face their greatest fear: being sent to separate orphanages. Vowing to stay together, they track down their only remaining relative. Uncle Gus, the black sheep of the family, has been with Cob&’s Circus since the war. Peter and Santa arrive just in time to see the caravans pull up. Almost before their eyes, the tents appear and an extraordinary world comes to life. They meet Alexsis Petoff and his family of acrobats; the Schmidt twins and their amazing sea lions; Lorenzo, the ornery waltzing-horse; and a trick poodle named Mis. Soon, Santa is practicing tumbling and Peter is learning to ride. They feel like they are part of the circus community. But life under the big top is hard work, and Santa and Peter will have to rise to the challenge or leave the one place they can finally call home.
A Circus Wish (Magic Kitten)
by Sue BentleyAfter she discovers she's good at acrobatics, Sadie can't wait to get involved with the local circus youth group. However, Sadie's best friend Jenny suddenly starts acting jealous toward her. Luckily, Sadie finds a lonely kitten that can make everything better.
Ciro's: Nightclub of the Stars (Images of America)
by Regina Denton-Drew Andra D. ClarkeMany entertainers launched their careers at Ciro's Nightclub, often referred as "The Nightclub of the Stars." Ciro's was patronized by both famous and non-famous guests who enjoyed dancing, dining, and comedy routines featuring top-name entertainers such as Jerry Lewis, Dean Martin, Sophie Tucker, Judy Garland, Peggy Lee, Liberace, Nat King Cole, Joe E. Lewis, and Sammy Davis Jr.--just to name a few. The nightclub's house band was led by Dick Stabile, although bandleader Xavier Cugat, best known for popularizing the rumba in the United States, was a regular headliner at the club. The elite Hollywood regulars at Ciro's included some of the most popular names in entertainment at the time, such as Marilyn Monroe, Frank Sinatra, Cary Grant, Humphrey Bogart, and many more.
Citizen Artists: A Guide to Helping Young People Make Plays That Change the World
by James WallertCitizen Artists takes the reader on a journey through the process of producing, funding, researching, creating, rehearsing, directing, performing, and touring student-driven plays about social justice. The process at the heart of this book was developed from 2015–2021 at New York City’s award-winning Epic Theatre Ensemble with and for their youth ensemble: Epic NEXT. Author and Epic Co-Founder James Wallert shares his company’s unique, internationally recognized methodology for training young arts leaders in playwriting, inquiry-based research, verbatim theatre, devising, applied theatre, and performance. Readers will find four original plays, seven complete timed-to-the-minute lesson plans, 36 theatre arts exercises, and pages of practical advice from more than two dozen professional teaching artists to use for their own theatre making, arts instruction, or youth organizing. Citizen Artists is a one-of-a-kind resource for students interested in learning about theatre and social justice; educators interested in fostering learning environments that are more rigorous, democratic, and culturally-responsive; and artists interested in creating work for new audiences that is more inclusive, courageous, and anti-racist.
The Citizen Audience: Crowds, Publics, and Individuals
by Richard ButschIn The Citizen Audience, Richard Butsch explores the cultural and political history of audiences in the United States from the nineteenth century to the present. He demonstrates that, while attitudes toward audiences have shifted over time, Americans have always judged audiences against standards of good citizenship. From descriptions of tightly packed crowds in early American theaters to the contemporary reports of distant, anonymous Internet audiences, Butsch examines how audiences were represented in contemporary discourse. He explores a broad range of sources on theater, movies, propaganda, advertising, broadcast journalism, and much more. Butsch discovers that audiences were characterized according to three recurrent motifs: as crowds and as isolated individuals in a mass, both of which were considered bad, and as publics which were considered ideal audiences. These images were based on and reinforced class and other social hierarchies. At times though, subordinate groups challenged their negative characterization in these images, and countered with their own interpretations. A remarkable work of cultural criticism and media history, this book is essential reading for anyone seeking an historical understanding of how audiences, media and entertainment function in the American cultural and political imagination.
Citizen Cash: The Political Life and Times of Johnny Cash
by Michael Stewart FoleyA leading historian argues that Johnny Cash was the most important political artist of his timeJohnny Cash was an American icon, known for his level, bass-baritone voice and somber demeanor, and for huge hits like &“Ring of Fire&” and &“I Walk the Line.&” But he was also the most prominent political artist in the United States, even if he wasn&’t recognized for it in his own lifetime, or since his death in 2003.Then and now, people have misread Cash&’s politics, usually accepting the idea of him as a &“walking contradiction.&” Cash didn&’t fit into easy political categories—liberal or conservative, Republican or Democrat, hawk or dove. Like most people, Cash&’s politics were remarkably consistent in that they were based not on ideology or scripts but on empathy—emotion, instinct, and identification.Drawing on untapped archives and new research on social movements and grassroots activism, Citizen Cash offers a major reassessment of a legendary figure.
CITIZEN SPIELBERG
by Lester D. FriedmanSteven Spielberg is the director or producer of over one third of the thirty highest grossing films of all time, yet most film scholars dismiss him as little more than a modern P. T. Barnum--a technically gifted and intellectually shallow showman who substitutes spectacle for substance. To date, no book has attempted to analyze the components of his worldview, the issues which animate his most significant works, the roots of his immense acceptance, and the influence his vast spectrum of imaginative products exerts on the public consciousness. In Citizen Spielberg, Lester D. Friedman fills that void with a systematic analysis of the various genres in which the director has worked, including science fiction (E.T.), adventure (Raiders trilogy), race films (The Color Purple, Amistad), and war films (Saving Private Ryan, Schindler's List). Friedman concludes that Spielberg's films present a sustained artistic vision combined with a technical flair matched by few other filmmakers, and makes a compelling case for Spielberg to be considered as a major film artist.
Citizen Spielberg
by Lester D. FriedmanSteven Spielberg's extraordinary career redefined Hollywood, but his achievement goes far beyond shattered box office records. Rejecting the view of Spielberg as a Barnumesque purveyor of spectacle, Lester D. Friedman presents the filmmaker as a major artist who pairs an ongoing willingness to challenge himself with a widely recognized technical mastery. This new edition of Citizen Spielberg expands Friedman’s original analysis to include films of the 2010s like Lincoln and Ready Player One. Breaking down the works by genre, Friedman looks at essential aspects of Spielberg’s art, from his storytelling concerns and worldview to the uncanny connection with audiences that has powered his longtime influence as a cultural force. Friedman's examination reveals a sustained artistic vision--a vision that shows no sign of exhausting itself or audiences after Spielberg's nearly fifty years as a high-profile filmmaker. Incisive and discerning, Citizen Spielberg offers a career-spanning appraisal of a moviemaking icon.
Citizens of Hope and Glory: The Story of Progressive Rock
by Stephen LambeCreated in the late 1960s, fashionable in the early 1970s and hated in the 1980s, Progressive Rock has a colourful and eventful story. Many of the genre's main protagonists, including Genesis, Yes, King Crimson and Emerson, Lake & Palmer, remain as popular as ever, while lesser-known names like Camel, Caravan, Renaissance, Van der Graaf Generator and Gentle Giant retain cult status. Prog expert Stephen Lambe guides the reader through the early years as the music developed out of the British Progressive Music boom of the late 1960s into its own genre, and reached full maturity in the early 1970s. He also discusses how the music was received and developed outside the UK, particularly in the USA, Italy and the Scandinavian countries. Received wisdom has it that punk swept Progressive Rock away in the late 1970s, yet the genre never died. An early 1980s revival, spearheaded by major label signings Marillion, IQ and Pallas, burned brightly but fell away sharply later in the decade. However, in the early 1990s, the movement began to re-establish itself, largely below the radar, led by Swedish band The Flower Kings and American group Spock's Beard. The rise of the internet and the decline of the worldwide pop industry allowed niche music - as Progressive Rock had now become - to flourish once again in the new millennium.
City of Baraboo (Circus World #2)
by Barry B. LongyearCARGO: ONE CIRCUS DESTINATION: THE STARS... Through shakedowns, breakdowns, catastrophes and cataclysms, the circus had never failed to coax a chuckle out of a world badly in need of a laugh. But it was getting hard to turn a buck with O'Hara's Greater Shows, and in 2142 it was the last stop for the bigtop. Or so said the corporate consensus. But in John J. O'Hara's opinion, even if a flea-bitten excuse for an Earth had run out of room for the circus, there were plenty of other planets where an appreciative audience would be willing to pay for a top-rate, razzle-dazzle show! Be swept away in book 2, Circus World from Bookshare. It continues the tales about the astonishing interstellar circus by Barry B. Longyear, a Science Fiction author who was a shooting star himself, capturing the imaginations of SF readers in his too brief career with his highly original and heartfelt writing.
City of Screens: Imagining Audiences in Manila's Alternative Film Culture
by Jasmine Nadua TriceIn City of Screens Jasmine Nadua Trice examines the politics of cinema circulation in early-2000s Manila. She traces Manila's cinema landscape by focusing on the primary locations of film exhibition and distribution: the pirated DVD district, mall multiplexes, art-house cinemas, the university film institute, and state-sponsored cinematheques. In the wake of digital media piracy and the decline of the local commercial film industry, the rising independent cinema movement has been a site of contestation between filmmakers and the state, each constructing different notions of a prospective, national public film audience. Discourses around audiences become more salient given that films by independent Philippine filmmakers are seldom screened to domestic audiences, despite their international success. City of Screens provides a deeper understanding of the debates about the competing roles of the film industry, the public, and the state in national culture in the Philippines and beyond.
The City on the Edge of Forever: The Original Teleplay
by Harlan EllisonThe original teleplay that became the classic Star Trek episode, with an expanded introductory essay by Harlan Ellison, The City on the Edge of Forever has been surrounded by controversy since the airing of an "eviscerated" version--which subsequently has been voted the most beloved episode in the series' history. In its original form, The City on the Edge of Forever won the 1966-67 Writers Guild of America Award for best teleplay. As aired, it won the 1967 Hugo Award. The City on the Edge of Forever is, at its most basic, a poignant love story. Ellison takes the reader on a breathtaking trip through space and time, from the future, all the way back to 1930s America. In this harrowing journey, Kirk and Spock race to apprehend a renegade criminal and restore the order of the universe. It is here that Kirk faces his ultimate dilemma: a choice between the universe--or his one true love. This edition makes available the astonishing teleplay as Ellison intended it to be aired. The author's introductory essay reveals all of the details of what Ellison describes as a "fatally inept treatment" of his creative work. Was he unjustly edited, unjustly accused, and unjustly treated?
City Symphonies: Sound and the Composition of Urban Modernity, 1913–1931
by Daniel P. SchwartzCinema scholars categorize city symphony films of the 1920s and early 1930s as a subgenre of the silent film. Defined in visual terms, the city symphony organizes the visible elements of urban experience according to musical principles such as rhythm and counterpoint.In City Symphonies Daniel Schwartz explores the unheard sonic dimensions of these ostensibly silent films. The book turns its ear to the city symphony as an audible phenomenon, one that encompasses a multitude of works beyond the cinema, such as musical compositions, mass spectacles, radio experiments, and even paintings. What these works have in common is their treatment of the city as a medium for sound. The city is neither background nor content; rather, it is the material through which avant-garde works express themselves. In resonating through the city, these multimedia pieces perform experiments that undermine the borders between sight and sound.Applying an interdisciplinary approach, City Symphonies expands our understanding of the genre, breaking out of the confines of the cinema and onto the street.
The City Symphony Phenomenon: Cinema, Art, and Urban Modernity Between the Wars (AFI Film Readers)
by Steven Jacobs Eva Hielscher Anthony KinikThe 1920s and 1930s saw the rise of the city symphony, an experimental film form that presented the city as protagonist instead of mere decor. Combining experimental, documentary, and narrative practices, these films were marked by a high level of abstraction reminiscent of high-modernist experiments in painting and photography. Moreover, interwar city symphonies presented a highly fragmented, oftentimes kaleidoscopic sense of modern life, and they organized their urban-industrial images through rhythmic and associative montage that evoke musical structures. In this comprehensive volume, contributors consider the full 80 film corpus, from Manhatta and Berlin: Die Sinfonie der Grosstadt to lesser-known cinematic explorations.
The Civil Code of the Russian Federation: Parts 1 and 2 (Routledge Revivals)
by Peter B MaggsThis title was first published in 1997: This is the definitive English translation of the new Russian Civil Code (Parts 1 and 2), often referred to as "the second Russian Constitution". The Civil Code of the Russian Federation is the result of a collaborative effort of a leading United States expert on Russian law and of the staff of the Private Law Research Center attached to the Office of the President of the Russian Federation -- the Center that had primary responsibility for drafting the new Civil Code. The authoritative introduction, complete table of contents. and comprehensive index combine to set this work far beyond the utility of any existing translations of the Civil Code. It will be a must-have resource for government, law and international business collections.
The Civil Rights Theatre Movement in New York, 1939–1966: Staging Freedom (Palgrave Studies in Theatre and Performance History)
by Julie BurrellThis book argues that African American theatre in the twentieth century represented a cultural front of the civil rights movement. Highlighting the frequently ignored decades of the 1940s and 1950s, Burrell documents a radical cohort of theatre artists who became critical players in the fight for civil rights both onstage and offstage, between the Popular Front and the Black Arts Movement periods. The Civil Rights Theatre Movement recovers knowledge of little-known groups like the Negro Playwrights Company and reconsiders Broadway hits including Lorraine Hansberry’s A Raisin in the Sun, showing how theatre artists staged radically innovative performances that protested Jim Crow and U.S. imperialism amidst a repressive Cold War atmosphere. By conceiving of class and gender as intertwining aspects of racism, this book reveals how civil rights theatre artists challenged audiences to reimagine the fundamental character of American democracy.