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Claim to Fame

by Margaret Peterson Haddix

I have to tell you my secret. I can't go on...without revealing it. I had a pretty good run, hiding from everyone for five years. For five years I was safe. But now... It was a talent that came out of nowhere. One day Lindsay Scott was on the top of the world, the star of a hit TV show. The next day her fame had turned into torture. Every time anyone said anything about her, she heard it. And everyone was talking about Lindsay: fans, friends, enemies, enemies who pretended to be friends.... Lindsay had what looked like a nervous breakdown and vanished from the public eye. But now she's sixteen and back in the news: A tabloid newspaper claims that Lindsay is being held hostage by her father. The truth? Lindsay has been hiding out in a small Illinois town, living in a house that somehow provides relief from the stream of voices in her head. But when two local teenagers try to "rescue" Lindsay by kidnapping her, Lindsay is forced to confront everything she's hiding from. And that's when she discovers there may be others who share her strange power. Lindsay is desperate to learn more, but what is she willing to risk to find the truth? Acclaimed author Margaret Peterson Haddix crafts a remarkable novel that will give readers a lot to talk about.

Claire Denis (Contemporary Film Directors)

by Judith Mayne

Widely regarded as one of the most innovative and passionate filmmakers working in France today, Claire Denis has continued to make beautiful and challenging films since the 1988 release of her first feature, Chocolat. Judith Mayne's comprehensive study of these films traces Denis's career and discusses her major feature films in rich detail. Born in Paris but having grown up in Africa, Denis explores in her films the legacies of French colonialism and the complex relationships between sexuality, gender, and race. From the adult woman who observes her past as a child in Cameroon to the Lithuanian immigrant who arrives in Paris and watches a serial killer to the disgraced French Foreign Legionnaire attempting to make sense of his past, the subjects of Denis's films continually revisit themes of watching, bearing witness, and making contact, as well as displacement, masculinity, and the migratory subject.

Clar i català: Els barbarismes (i barbaritats) més freqüents i com pots evitar-los

by Jo Aprenc Català @joaprenccatala

Ara és l’hora de parlar clar i català! Descobreix els barbarismes més comuns i com evitar-los en un llibre imprescindible. 100 BARBARISMES PER APRENDRE A PARLAR MILLOR LA LLENGUA (CATALANA) Parles sovint en català, però de tant en (quant) tant deixes anar un barbarisme? Et (dona apuro) fa vergonya cometre errors però no saps com evitar-los? (Menos mal) Encara sort que tens aquest llibre!Deixa't de (tonteries) ximpleries i comença a (exprimir) esprémer la llengua com mai. Descobreix 100 barbarismes de la llengua catalana, aprèn les seves formes en català i enriqueix el teu vocabulari amb les expressions més genuïnes i divertides de la nostra llengua. HA ARRIBAT L'HORA DE DONAR UNA (PATADA) PUNTADA DE PEU ALS BARBARISMES I PARLAR LA LLENGUA COM CAL!

Clarinet and Trumpet

by Melanie Ellsworth

A charming and funny picture book featuring the harmonious friendship between Clarinet and Trumpet. But what happens when their friendship falls flat? Perfect for fans of Stick & Stone and Spoon.

Clark Gable: A Biography

by Warren G. Harris

Clark Gable arrived in Hollywood after a rough-and-tumble youth, and his breezy, big-boned, everyman persona quickly made him the town's king. He was a gambler among gamblers, a heavy drinker in the days when everyone drank seemingly all the time, and a lover to legions of the most attractive women in the most glamorous business in the world, including the great love of his life, Carole Lombard.In this well-researched and revealing biography, Warren G. Harris gives an exceptionally acute portrait of one of the most memorable actors in the history of motion pictures--whose intimates included such legends as Marilyn Monroe, Joan Crawford, Loretta Young, David O. Selznick, Jean Harlow, Judy Garland, Lana Turner, Spencer Tracy, and Grace Kelly--as well as a vivid sense of the glamour and excess of mid-century Hollywood.From the Trade Paperback edition.

Clark Gable: Tormented Star

by David Bret

From the acclaimed author of Joan Crawford comes a riveting and uncensored biography of Clark Gable. The archetypal male of his era, Gable was named "King of Hollywood" in 1938. But as David Bret reveals, the star was not quite who he seemed.<P><P> One of Gable's best-kept secrets was his bisexuality. Bret recounts Gable's failed marriages to women who turned a blind eye toward his affairs with actors Earl Larimore and Rod La Rocque, among other men. Bret also reveals how a pseudo-scandalous paternity suit and the actor's wartime accomplishments were no more than elaborate publicity stunts created by studio chief Louis B. Mayer in order to exaggerate Gable's masculinity and heroism in the public eye. With passion and accuracy, Bret uncovers the truth behind one of Hollywood's biggest stars.

Clark Gable: Tormented Star

by David Bret

Clark Gable was perceived as the archetypal Hollywood superman, the kind of man that women lusted after and their husbands envied. However, as David Bret reveals in this powerful biography, in the early days of his career, with his squinty teeth and fondness for men as well as woman, he was anything but the wholesome figure he appeared. Gable was adopted by the &‘Sewing Circle&’ – the group that included Jean Harlow and, ironically, Carole Lombard, the great love of his life. Bret also reveals how Gable&’s wartime &‘heroics&’, which saw him promoted through the ranks from Private to Major in less than a year, were no more than an elaborate publicity stunt. Like an earlier paternity suit, it was an exercise dreamed up by studio chief, Louis B. Mayer to promote and protect Gable&’s image. After ending an affair with Ben Maddox in 1942, Gable seems to have &‘gone straight&’, from which point Bret moves into more familiar territory, focusing on Gable&’s great movies including Gone With the Wind and on his affairs with Joan Crawford, Ava Gardner and other famous stars. Drawing on a wealth of unpublished material, Bret pulls no punches in this star-studded story of Gable&’s life, told with candour and panache. David Bret is one of Britain&’s leading showbusiness biographers, and an authority on the chanson. His many highly successful books incllde: Edth Piaf, Joan Crawford, Jean Harlow, Errol Flynn and the soon to be published Mario Lanza (all from JR Books)

Clark: The Autobiography of Clark Terry

by Bill Cosby Quincy Jones Clark Terry Gwen Terry

Compelling from cover to cover, this is the story of one of the most recorded and beloved jazz trumpeters of all time. With unsparing honesty and a superb eye for detail, Clark Terry, born in 1920, takes us from his impoverished childhood in St. Louis, Missouri, where jazz could be heard everywhere, to the smoke-filled small clubs and carnivals across the Jim Crow South where he got his start, and on to worldwide acclaim. Terry takes us behind the scenes of jazz history as he introduces scores of legendary greats--Ella Fitzgerald, Oscar Peterson, Dizzy Gillespie, Dinah Washington, Doc Severinsen, Ray Charles, Thelonious Monk, Billie Holiday, Sarah Vaughan, Coleman Hawkins, Zoot Sims, and Dianne Reeves, among many others. Terry also reveals much about his own personal life, his experiences with racism, how he helped break the color barrier in 1960 when he joined the Tonight Show band on NBC, and why--at ninety years old--his students from around the world still call and visit him for lessons.

Clash: Includes Crash, Clash And Crush (Crash #2)

by Nicole Williams

The second book in the New York Times bestselling Crash trilogy!Their Romeo-and-Juliet-level passion is the only thing Jude and Lucy agree on. That, and fighting all the time . . .Also not helping? Lucy's raging jealousy of the cheerleader who's wormed her way into Jude's life.While trying to hang on to her quintessential bad boy and also training to be the top ballet dancer in her class, Lucy knows something's going to give . . . soon.How can she live without the boy she loves? How can she live with herself if she gives up on her dreams? If Lucy doesn't make the right choice, she could lose everything.

Class Act: The Jazz Life of Choreographer Cholly Atkins

by Jacqui Malone Cholly Atkins

Cholly Atkins's career has spanned an extraordinary era of American dance. He began performing during Prohibition and continued his apprenticeship in vaudeville, in nightclubs, and in the army during World War II. With his partner, Honi Coles, Cholly toured the country, performing with such jazz masters as Louis Armstrong, Cab Calloway, and Count Basie. As tap reached a nadir in the fifties, Cholly created the new specialization of "vocal choreography," teaching rhythm-and-blues singers how to perform their music by adding rhythmical dance steps drawn from twentieth-century American dance, from the Charleston to rhythm tap. For the burgeoning Motown record label, Cholly taught such artists as the Supremes, Smokey Robinson and the Miracles, the Temptations, Gladys Knight and the Pips, and Marvin Gaye to command the stage in ways that would enhance their performances and "sell" their songs.Class Act tells of Cholly's boyhood and coming of age, his entry into the dance world of New York City, his performing triumphs and personal tragedies, and the career transformations that won him gold records and a Tony for choreographing Black and Blue on Broadway. Chronicling the rise, near demise, and rediscovery of tap dancing, the book is both an engaging biography and a rich cultural history.

Class Divisions in Serial Television

by Sieglinde Lemke Wibke Schniedermann

This book brings the emergent interest in social class and inequality to the field of television studies. It reveals how the new visibility of class matters in serial television functions aesthetically and examines the cultural class politics articulated in these programmes. This ground-breaking volume argues that reality and quality TV's intricate politics of class entices viewers not only to grapple with previously invisible socio-economic realities but also to reconsider their class alignment. The stereotypical ways of framing class are now supplemented by those dedicated to exposing the economic and socio-psychological burdens of the (lower) middle class. The case studies in this book demonstrate how sophisticated narrative techniques coincide with equally complex ways of exposing class divisions in contemporary American life and how the examined shows disrupt the hegemonic order of class. The volume therefore also invites a rethinking of conventional models of social stratification.

Class Struggle in Hollywood, 1930-1950: Moguls, Mobsters, Stars, Reds, & Trade Unionists

by Gerald Horne

As World War II wound down in 1945 and the cold war heated up, the skilled trades that made up the Conference of Studio Unions (CSU) began a tumultuous strike at the major Hollywood studios. This turmoil escalated further when the studios retaliated by locking out CSU in 1946. This labor unrest unleashed a fury of Red-baiting that allowed studio moguls to crush the union and seize control of the production process, with far-reaching consequences. This engrossing book probes the motives and actions of all the players to reveal the full story of the CSU strike and the resulting lockout of 1946. Gerald Horne draws extensively on primary materials and oral histories to document how limited a "threat" the Communist party actually posed in Hollywood, even as studio moguls successfully used the Red scare to undermine union clout, prevent film stars from supporting labor, and prove the moguls' own patriotism.

Class Struggle in Hollywood, 1930–1950: Moguls, Mobsters, Stars, Reds, & Trade Unionists

by Gerald Horne

&“A taut narrative in elegant prose . . . Horne has unearthed a vitally important and mostly forgotten aspect of Hollywood and labor history.&” —Publishers Weekly As World War II wound down in 1945 and the cold war heated up, the skilled trades that made up the Conference of Studio Unions (CSU) began a tumultuous strike at the major Hollywood studios. This turmoil escalated further when the studios retaliated by locking out CSU in 1946. This labor unrest unleashed a fury of Red-baiting that allowed studio moguls to crush the union and seize control of the production process, with far-reaching consequences. This engrossing book probes the motives and actions of all the players to reveal the full story of the CSU strike and the resulting lockout of 1946. Gerald Horne draws extensively on primary materials and oral histories to document how limited a &“threat&” the Communist party actually posed in Hollywood, even as studio moguls successfully used the Red scare to undermine union clout, prevent film stars from supporting labor, and prove the moguls&’ own patriotism. Horne also discloses that, unnoticed amid the turmoil, organized crime entrenched itself in management and labor, gaining considerable control over both the &“product&” and the profits of Hollywood. This research demonstrates that the CSU strike and lockout were a pivotal moment in Hollywood history, with consequences for everything from production values, to the kinds of stories told in films, to permanent shifts in the centers of power.

Class on Screen: The Global Working Class in Contemporary Cinema

by Sarah Attfield

This book provides an analysis of the global working class on film and considers the ways in which working-class experience is represented in film around the world. The book argues that representation is important because it shapes the way people understand working-class experience and can either reinforce or challenge stereotypical depictions. Film can shape and shift discussions of class, and this book provides an interdisciplinary study of the ways in which working-class experience is portrayed through this medium. It analyses the impact of contemporary films such as Sorry To Bother You, This is England and Le Harve that focus on working class life. Attfield demonstrates that the global working class are characterised by diversity of race, ethnicity, gender, religion and sexuality but that there are commonalities of experience despite geographical distance and cultural difference. The book is structured around themes such as work, culture, diasporas, gender and sexuality, and race.

Class, Crime and International Film Noir

by Dennis Broe

Class, Crime and International Film Noir argues that, in its postwar, classical phase, this dark variant of the crime film was not just an American phenomenon. Rather, these seedy tales with their doomed heroes and heroines were popular all over the world including France, Britain, Italy and Japan.

Classic Hollywood: Lifestyles and Film Styles of American Cinema, 1930-1960

by Michael Meadows Veronica Pravadelli

Studies of "Classic Hollywood" typically treat Hollywood films released from 1930 to 1960 as a single interpretive mass. Veronica Pravadelli complicates this idea. Focusing on dominant tendencies in box office hits and Oscar-recognized classics, she breaks down the so-called classic period into six distinct phases that follow Hollywood's amazingly diverse offerings from the emancipated females of the "Transition Era" and the traditional men and women of the conservative 1930s that replaced it to the fantastical Fifties movie musicals that arose after anti-classic genres like film noir and women's films. Pravadelli sets her analysis apart by paying particular attention to the gendered desires and identities exemplified in the films. Availing herself of the significant advances in film theory and modernity studies that have taken place since similar surveys first saw publication, she views Hollywood through strategies as varied as close textural analysis, feminism, psychoanalysis, film style and study of cinematic imagery, revealing the inconsistencies and antithetical traits lurking beneath Classic Hollywood's supposed transparency.

Classic Jazz: A Personal View of the Music and the Musicians

by Floyd Levin

An award-winning jazz writer has pulled together 50 years' worth of his articles, which appeared mostly in jazz magazines, to take readers into the world of jazz and its musicians. This personal view of a rich American music weaves in anecdotal material, primary research, and music analysis into every chapter. 51 photos. 10 line illustrations.

Classical Hollywood Narrative: The Paradigm Wars

by Jane M. Gaines

Since the 1970s film studies has been dominated by a basic paradigm--the concept of classical Hollywood cinema--that is, the protagonist-driven narrative, valued for the way it achieves closure by neatly answering all of the enigmas it raises. It has been held to be a form so powerful that its aesthetic devices reinforce gender positions in society. In a variety of ways, the essays collected here--representing the work of some of the most innovative theorists writing today--challenge this paradigm.Significantly expanded from a special issue of South Atlantic Quarterly (Spring 1989), these essays confront the extent to which formalism has continued to dominate film theory, reexamine the role of melodrama in cinematic development, revise notions of "patriarchal cinema," and assert the importance of television and video to cinema studies. A range of topics are discussed, from the films of D. W. Griffith to sexuality in avant-garde film to television's Dynasty.Contributors. Rick Altman, Richard Dienst, Jane Feuer, Jane Gaines, Christine Gledhill, Miriam Hansen, Norman N. Holland, Fredric Jameson, Bill Nichols, Janey Staiger, Chris Straayer, John O. Thompson

Classical Music Top 40

by Anthony Rudel

In this informal and informative guide, Rudel leads listeners through the 40 most essential and popular compositions from the Four Seasons to Rhapsody in Blue, explaining the musical structure of each passage and highlighting special themes or elements to listen for as the music continues.

Classical Storytelling and Contemporary Screenwriting: Aristotle and the Modern Scriptwriter

by Brian Price

Since we first arrived on the planet, we’ve been telling each other stories, whether of that morning’s great saber-tooth tiger hunt or the latest installment of the Star Wars saga. And throughout our history, despite differences of geography or culture, we’ve been telling those stories in essentially the same way. Why? Because there is a RIGHT way to tell a story, one built into our very DNA. In his seminal work Poetics, Aristotle identified the patterns and recurring elements that existed in the successful dramas of his time as he explored precisely why we tell stories, what makes a good one, and how to best tell them. In Classical Storytelling and Contemporary Screenwriting, Brian Price examines Aristotle’s conclusions in an entertaining and accessible way and then applies those guiding principles to the most modern of storytelling mediums, going from idea to story to structure to outline to final pages and beyond, covering every relevant screenwriting topic along the way. The result is a fresh new approach to the craft of screenwriting—one that’s only been around a scant 2,500 years or so—ideal for students and aspiring screenwriters who want a comprehensive step-by-step guide to writing a successful screenplay the way the pros do it.

Classical Traditions In Science Fiction

by Benjamin Eldon Stevens Brett M. Rogers

or all its concern with change in the present and future, science fiction is deeply rooted in the past and, surprisingly, engages especially deeply with the ancient world. Indeed, both as an area in which the meaning of "classics" is actively transformed and as an open-ended set of texts whose own 'classic' status is a matter of ongoing debate, science fiction reveals much about the roles played by ancient classics in modern times. Classical Traditions in Science Fiction is the first collection in English dedicated to the study of science fiction as a site of classical receptions, offering a much-needed mapping of that important cultural and intellectual terrain.

Claude Chabrol: Interviews (Conversations with Filmmakers Series)

by Christopher Beach

Claude Chabrol (1930–2010) was a founding member of the French New Wave, the group of filmmakers that revolutionized French filmmaking in the late 1950s and early 1960s. One of the most prolific directors of his generation, Chabrol averaged more than one film per year from 1958 until his death in 2010. Among his most influential films, Le Beau Serge, Les Cousins, and Les Bonnes Femmes established his central place within the New Wave canon. In contrast to other filmmakers of the New Wave such as Jean-Luc Godard and Eric Rohmer, Chabrol exhibited simultaneously a desire to create films as works of art and an impulse to produce work that would be commercially successful and accessible to a popular audience. The seventeen interviews in this volume, most of which have been translated into English for the first time, offer new insights into Chabrol’s remarkably wide-ranging filmography, providing a sense of his attitudes and ideas about a number of subjects. Chabrol shares anecdotes about his work with such actors as Isabelle Huppert, Gérard Depardieu, and Jean Yanne, and offers fresh perspectives on other directors including Jean-Luc Godard, Fritz Lang, and Alfred Hitchcock. His mistrust of conventional wisdom often leads him to make pronouncements intended as much to shock as to elucidate, and he frequently questions established ideas and normative attitudes toward moral, ethical, and social behaviors. Chabrol’s intelligence is far-reaching, moving freely between philosophy, politics, psychology, literature, and history, and his iconoclastic spirit, combined with his blend of sarcasm and self-deprecating humor, gives his interviews a tone that hovers between a high moral seriousness and a cynical sense of hilarity in the face of the world’s complexities.

Claude Rains: An Actor's Voice (Screen Classics)

by David J. Skal Jessica Rains

Late in Claude Rains's distinguished career, a reverent film journalist wrote that Rains "was as much a cinematic institution as the medium itself." In Claude Rains: An Actor's Voice, noted Hollywood historian David J. Skal draws on more than thirty hours of newly-released Rains interviews to create the first full-length biography of the actor nominated multiple times for an Academy Award for Best Supporting Actor. This portrait of a universally respected Hollywood legend also benefits from the insights of his daughter, Jessica Rains, who provides firsthand accounts of the enigmatic man behind her father's refined screen presence and genteel public persona. With unprecedented access to episodes from Rains's private life, Skal tells the full story of the consummate character actor of his generation.

Claudette Colbert: She Walked in Beauty (Hollywood Legends Series)

by Bernard F. Dick

Claudette Colbert's mixture of beauty, sophistication, wit, and vivacity quickly made her one of the film industry's most famous and highest-paid stars of the 1930s and 1940s. Though she began her career on the New York stage, she was beloved for her roles in such films as Preston Sturges's The Palm Beach Story, Cecil B. DeMille's Cleopatra, and Frank Capra's It Happened One Night, for which she won an Academy Award. She showed remarkable prescience by becoming one of the first Hollywood stars to embrace television, and she also returned to Broadway in her later career. This is the first major biography of Colbert (1903–1996) published in over twenty years. Bernard F. Dick chronicles Colbert's long career, but also explores her early life in Paris and New York. Along with discussing how she left her mark on Broadway, Hollywood, radio, and television, the book explores Colbert's lifelong interests in painting, fashion design, and commercial art. Using correspondence, interviews, periodicals, film archives, and other research materials, the biography reveals a smart, talented actress who conquered Hollywood and remains one of America's most captivating screen icons.

Clayton Byrd Goes Underground

by Rita Williams-Garcia

<P>Clayton feels most alive when he’s with his grandfather, Cool Papa Byrd, and the band of Bluesmen—he can’t wait to join them, just as soon as he has a blues song of his own. But then the unthinkable happens. Cool Papa Byrd dies, and Clayton’s mother forbids Clayton from playing the blues. And Clayton knows that’s no way to live. <P>Armed with his grandfather’s brown porkpie hat and his harmonica, he runs away from home in search of the Bluesmen, hoping he can join them on the road. But on the journey that takes him through the New York City subways and to Washington Square Park, Clayton learns some things that surprise him. <P>From beloved Newbery Honor winner and three-time Coretta Scott King Award winner Rita Williams-Garcia comes a powerful and heartfelt novel about loss, family, and love that will appeal to fans of Jason Reynolds and Kwame Alexander.

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