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Citizen Spielberg
by Lester D. FriedmanSteven Spielberg's extraordinary career redefined Hollywood, but his achievement goes far beyond shattered box office records. Rejecting the view of Spielberg as a Barnumesque purveyor of spectacle, Lester D. Friedman presents the filmmaker as a major artist who pairs an ongoing willingness to challenge himself with a widely recognized technical mastery. This new edition of Citizen Spielberg expands Friedman’s original analysis to include films of the 2010s like Lincoln and Ready Player One. Breaking down the works by genre, Friedman looks at essential aspects of Spielberg’s art, from his storytelling concerns and worldview to the uncanny connection with audiences that has powered his longtime influence as a cultural force. Friedman's examination reveals a sustained artistic vision--a vision that shows no sign of exhausting itself or audiences after Spielberg's nearly fifty years as a high-profile filmmaker. Incisive and discerning, Citizen Spielberg offers a career-spanning appraisal of a moviemaking icon.
Citizens of Hope and Glory: The Story of Progressive Rock
by Stephen LambeCreated in the late 1960s, fashionable in the early 1970s and hated in the 1980s, Progressive Rock has a colourful and eventful story. Many of the genre's main protagonists, including Genesis, Yes, King Crimson and Emerson, Lake & Palmer, remain as popular as ever, while lesser-known names like Camel, Caravan, Renaissance, Van der Graaf Generator and Gentle Giant retain cult status. Prog expert Stephen Lambe guides the reader through the early years as the music developed out of the British Progressive Music boom of the late 1960s into its own genre, and reached full maturity in the early 1970s. He also discusses how the music was received and developed outside the UK, particularly in the USA, Italy and the Scandinavian countries. Received wisdom has it that punk swept Progressive Rock away in the late 1970s, yet the genre never died. An early 1980s revival, spearheaded by major label signings Marillion, IQ and Pallas, burned brightly but fell away sharply later in the decade. However, in the early 1990s, the movement began to re-establish itself, largely below the radar, led by Swedish band The Flower Kings and American group Spock's Beard. The rise of the internet and the decline of the worldwide pop industry allowed niche music - as Progressive Rock had now become - to flourish once again in the new millennium.
City Symphonies: Sound and the Composition of Urban Modernity, 1913–1931
by Daniel P. SchwartzCinema scholars categorize city symphony films of the 1920s and early 1930s as a subgenre of the silent film. Defined in visual terms, the city symphony organizes the visible elements of urban experience according to musical principles such as rhythm and counterpoint.In City Symphonies Daniel Schwartz explores the unheard sonic dimensions of these ostensibly silent films. The book turns its ear to the city symphony as an audible phenomenon, one that encompasses a multitude of works beyond the cinema, such as musical compositions, mass spectacles, radio experiments, and even paintings. What these works have in common is their treatment of the city as a medium for sound. The city is neither background nor content; rather, it is the material through which avant-garde works express themselves. In resonating through the city, these multimedia pieces perform experiments that undermine the borders between sight and sound.Applying an interdisciplinary approach, City Symphonies expands our understanding of the genre, breaking out of the confines of the cinema and onto the street.
City of Baraboo (Circus World #2)
by Barry B. LongyearCARGO: ONE CIRCUS DESTINATION: THE STARS... Through shakedowns, breakdowns, catastrophes and cataclysms, the circus had never failed to coax a chuckle out of a world badly in need of a laugh. But it was getting hard to turn a buck with O'Hara's Greater Shows, and in 2142 it was the last stop for the bigtop. Or so said the corporate consensus. But in John J. O'Hara's opinion, even if a flea-bitten excuse for an Earth had run out of room for the circus, there were plenty of other planets where an appreciative audience would be willing to pay for a top-rate, razzle-dazzle show! Be swept away in book 2, Circus World from Bookshare. It continues the tales about the astonishing interstellar circus by Barry B. Longyear, a Science Fiction author who was a shooting star himself, capturing the imaginations of SF readers in his too brief career with his highly original and heartfelt writing.
City of Nets: A Portrait of Hollywood in the 1940's
by Otto Friedrich“With its tough humor, profound cynicism, and unerring nose for corruption and hypocrisy, City of Nets offers a distinctly Brechtian vision of Hollywood.” —The Village VoiceIn 1939, fifty million Americans went to the movies every week, Louis B. Mayer was the highest-paid man in the country, and Hollywood produced 530 feature films a year. One decade and five thousand movies later, the studios were faltering. The 1940s became the decade of Hollywood’s decline: anticommunist hysteria excommunicated some of its best talent, while a 1948 antitrust consent decree ended many of the business practices that had made the studio system so profitable.In this masterful work of cultural history, the legendary Otto Friedrich tells the story of Hollywood’s heyday and decline in a vivid narrative featuring an all-star cast of the actors, writers, musicians, composers, producers, directors, racketeers, labor leaders, journalists, and politicians who played major parts in the movie capital during the turbulent decade from World War II to the Korean War.Friedrich draws on sources from celebrity biographies to trade-union history, mingling lively gossip with analysis of Hollywood’s seedier business dealings and telling the stories of legendary movies such as Citizen Kane, The Maltese Falcon, Double Indemnity, and All About Eve.A classic portrait of a special place in a special time, City of Nets gives us a singular behind-the-scenes glimpse into a bygone era that still captivates our imaginations.“Friedrich’s intelligent prose makes for fascinating reading.” —The New York Times Book Review“As rich and colorful a story as can be imagined . . . a must for movie buffs and a rewarding read for everyone else.” —Publishers Weekly
City of Night Birds: A Reese's Book Club Pick
by Juhea Kim'A novel that will be read and loved for the next one hundred years, and essential reading for right now. I could not have loved it more.' Coco Mellors, author of Blue Sisters 'This story left me thinking about the ways we overcome setbacks and redefine what truly matters.' Reese Witherspoon A REESE'S BOOK CLUB PICK FOR DECEMBER 2024 * A HARPER'S BAZAAR BEST BOOK OF 2024 Slowly recovering from a terrible accident, Natalia is faced with a devastating choice – to return to the cutthroat world of Russian ballet that nearly broke her, or to walk away forever – in this sweeping novel of love and redemption Prima ballerina Natalia Leonova was once celebrated across the world, her signature bravura in demand on stages from St. Petersburg to Paris to New York. But at the top of her career, an accident forces her into sudden retirement. Injured and alone, she turns to pills and alcohol to numb the pain of her past, still haunted by her relationships with two gifted dancers, Dmitri and Alexander. These men were responsible for her soaring highs, her darkest hours and, ultimately, both played their part in her downfall. So when Dmitri resurfaces with a tantalising offer for Natalia, she must decide what she is willing to sacrifice in order to dance again – and for the chance to return to the great love of her life. Painting a vivid portrait of a world in which ruthless ambition, desire and sublime artistry collide, City of Night Birds unveils the making of a dancer with profound intimacy and breathtaking scope. From the author of Beasts of a Little Land, winner of the Yasnaya Polyana Award 'A beautifully crafted must read' Jason Mott, author of Hell of a Book
City of Screens: Imagining Audiences in Manila's Alternative Film Culture
by Jasmine Nadua TriceIn City of Screens Jasmine Nadua Trice examines the politics of cinema circulation in early-2000s Manila. She traces Manila's cinema landscape by focusing on the primary locations of film exhibition and distribution: the pirated DVD district, mall multiplexes, art-house cinemas, the university film institute, and state-sponsored cinematheques. In the wake of digital media piracy and the decline of the local commercial film industry, the rising independent cinema movement has been a site of contestation between filmmakers and the state, each constructing different notions of a prospective, national public film audience. Discourses around audiences become more salient given that films by independent Philippine filmmakers are seldom screened to domestic audiences, despite their international success. City of Screens provides a deeper understanding of the debates about the competing roles of the film industry, the public, and the state in national culture in the Philippines and beyond.
Claim to Fame
by Margaret Peterson HaddixI have to tell you my secret. I can't go on...without revealing it. I had a pretty good run, hiding from everyone for five years. For five years I was safe. But now... It was a talent that came out of nowhere. One day Lindsay Scott was on the top of the world, the star of a hit TV show. The next day her fame had turned into torture. Every time anyone said anything about her, she heard it. And everyone was talking about Lindsay: fans, friends, enemies, enemies who pretended to be friends.... Lindsay had what looked like a nervous breakdown and vanished from the public eye. But now she's sixteen and back in the news: A tabloid newspaper claims that Lindsay is being held hostage by her father. The truth? Lindsay has been hiding out in a small Illinois town, living in a house that somehow provides relief from the stream of voices in her head. But when two local teenagers try to "rescue" Lindsay by kidnapping her, Lindsay is forced to confront everything she's hiding from. And that's when she discovers there may be others who share her strange power. Lindsay is desperate to learn more, but what is she willing to risk to find the truth? Acclaimed author Margaret Peterson Haddix crafts a remarkable novel that will give readers a lot to talk about.
Claire Denis (Contemporary Film Directors)
by Judith MayneWidely regarded as one of the most innovative and passionate filmmakers working in France today, Claire Denis has continued to make beautiful and challenging films since the 1988 release of her first feature, Chocolat. Judith Mayne's comprehensive study of these films traces Denis's career and discusses her major feature films in rich detail. Born in Paris but having grown up in Africa, Denis explores in her films the legacies of French colonialism and the complex relationships between sexuality, gender, and race. From the adult woman who observes her past as a child in Cameroon to the Lithuanian immigrant who arrives in Paris and watches a serial killer to the disgraced French Foreign Legionnaire attempting to make sense of his past, the subjects of Denis's films continually revisit themes of watching, bearing witness, and making contact, as well as displacement, masculinity, and the migratory subject.
Clar i català: Els barbarismes (i barbaritats) més freqüents i com pots evitar-los
by Jo Aprenc Català @joaprenccatalaAra és l’hora de parlar clar i català! Descobreix els barbarismes més comuns i com evitar-los en un llibre imprescindible. 100 BARBARISMES PER APRENDRE A PARLAR MILLOR LA LLENGUA (CATALANA) Parles sovint en català, però de tant en (quant) tant deixes anar un barbarisme? Et (dona apuro) fa vergonya cometre errors però no saps com evitar-los? (Menos mal) Encara sort que tens aquest llibre!Deixa't de (tonteries) ximpleries i comença a (exprimir) esprémer la llengua com mai. Descobreix 100 barbarismes de la llengua catalana, aprèn les seves formes en català i enriqueix el teu vocabulari amb les expressions més genuïnes i divertides de la nostra llengua. HA ARRIBAT L'HORA DE DONAR UNA (PATADA) PUNTADA DE PEU ALS BARBARISMES I PARLAR LA LLENGUA COM CAL!
Clarinet and Trumpet
by Melanie EllsworthA charming and funny picture book featuring the harmonious friendship between Clarinet and Trumpet. But what happens when their friendship falls flat? Perfect for fans of Stick & Stone and Spoon.
Clark Gable: A Biography
by Warren G. HarrisClark Gable arrived in Hollywood after a rough-and-tumble youth, and his breezy, big-boned, everyman persona quickly made him the town's king. He was a gambler among gamblers, a heavy drinker in the days when everyone drank seemingly all the time, and a lover to legions of the most attractive women in the most glamorous business in the world, including the great love of his life, Carole Lombard.In this well-researched and revealing biography, Warren G. Harris gives an exceptionally acute portrait of one of the most memorable actors in the history of motion pictures--whose intimates included such legends as Marilyn Monroe, Joan Crawford, Loretta Young, David O. Selznick, Jean Harlow, Judy Garland, Lana Turner, Spencer Tracy, and Grace Kelly--as well as a vivid sense of the glamour and excess of mid-century Hollywood.From the Trade Paperback edition.
Clark Gable: Tormented Star
by David BretFrom the acclaimed author of Joan Crawford comes a riveting and uncensored biography of Clark Gable. The archetypal male of his era, Gable was named "King of Hollywood" in 1938. But as David Bret reveals, the star was not quite who he seemed.<P><P> One of Gable's best-kept secrets was his bisexuality. Bret recounts Gable's failed marriages to women who turned a blind eye toward his affairs with actors Earl Larimore and Rod La Rocque, among other men. Bret also reveals how a pseudo-scandalous paternity suit and the actor's wartime accomplishments were no more than elaborate publicity stunts created by studio chief Louis B. Mayer in order to exaggerate Gable's masculinity and heroism in the public eye. With passion and accuracy, Bret uncovers the truth behind one of Hollywood's biggest stars.
Clark Gable: Tormented Star
by David BretClark Gable was perceived as the archetypal Hollywood superman, the kind of man that women lusted after and their husbands envied. However, as David Bret reveals in this powerful biography, in the early days of his career, with his squinty teeth and fondness for men as well as woman, he was anything but the wholesome figure he appeared. Gable was adopted by the &‘Sewing Circle&’ – the group that included Jean Harlow and, ironically, Carole Lombard, the great love of his life. Bret also reveals how Gable&’s wartime &‘heroics&’, which saw him promoted through the ranks from Private to Major in less than a year, were no more than an elaborate publicity stunt. Like an earlier paternity suit, it was an exercise dreamed up by studio chief, Louis B. Mayer to promote and protect Gable&’s image. After ending an affair with Ben Maddox in 1942, Gable seems to have &‘gone straight&’, from which point Bret moves into more familiar territory, focusing on Gable&’s great movies including Gone With the Wind and on his affairs with Joan Crawford, Ava Gardner and other famous stars. Drawing on a wealth of unpublished material, Bret pulls no punches in this star-studded story of Gable&’s life, told with candour and panache. David Bret is one of Britain&’s leading showbusiness biographers, and an authority on the chanson. His many highly successful books incllde: Edth Piaf, Joan Crawford, Jean Harlow, Errol Flynn and the soon to be published Mario Lanza (all from JR Books)
Clark: The Autobiography of Clark Terry
by Bill Cosby Quincy Jones Clark Terry Gwen TerryCompelling from cover to cover, this is the story of one of the most recorded and beloved jazz trumpeters of all time. With unsparing honesty and a superb eye for detail, Clark Terry, born in 1920, takes us from his impoverished childhood in St. Louis, Missouri, where jazz could be heard everywhere, to the smoke-filled small clubs and carnivals across the Jim Crow South where he got his start, and on to worldwide acclaim. Terry takes us behind the scenes of jazz history as he introduces scores of legendary greats--Ella Fitzgerald, Oscar Peterson, Dizzy Gillespie, Dinah Washington, Doc Severinsen, Ray Charles, Thelonious Monk, Billie Holiday, Sarah Vaughan, Coleman Hawkins, Zoot Sims, and Dianne Reeves, among many others. Terry also reveals much about his own personal life, his experiences with racism, how he helped break the color barrier in 1960 when he joined the Tonight Show band on NBC, and why--at ninety years old--his students from around the world still call and visit him for lessons.
Clash: Includes Crash, Clash And Crush (Crash #2)
by Nicole WilliamsThe second book in the New York Times bestselling Crash trilogy!Their Romeo-and-Juliet-level passion is the only thing Jude and Lucy agree on. That, and fighting all the time . . .Also not helping? Lucy's raging jealousy of the cheerleader who's wormed her way into Jude's life.While trying to hang on to her quintessential bad boy and also training to be the top ballet dancer in her class, Lucy knows something's going to give . . . soon.How can she live without the boy she loves? How can she live with herself if she gives up on her dreams? If Lucy doesn't make the right choice, she could lose everything.
Class Act: The Jazz Life of Choreographer Cholly Atkins
by Jacqui Malone Cholly AtkinsCholly Atkins's career has spanned an extraordinary era of American dance. He began performing during Prohibition and continued his apprenticeship in vaudeville, in nightclubs, and in the army during World War II. With his partner, Honi Coles, Cholly toured the country, performing with such jazz masters as Louis Armstrong, Cab Calloway, and Count Basie. As tap reached a nadir in the fifties, Cholly created the new specialization of "vocal choreography," teaching rhythm-and-blues singers how to perform their music by adding rhythmical dance steps drawn from twentieth-century American dance, from the Charleston to rhythm tap. For the burgeoning Motown record label, Cholly taught such artists as the Supremes, Smokey Robinson and the Miracles, the Temptations, Gladys Knight and the Pips, and Marvin Gaye to command the stage in ways that would enhance their performances and "sell" their songs.Class Act tells of Cholly's boyhood and coming of age, his entry into the dance world of New York City, his performing triumphs and personal tragedies, and the career transformations that won him gold records and a Tony for choreographing Black and Blue on Broadway. Chronicling the rise, near demise, and rediscovery of tap dancing, the book is both an engaging biography and a rich cultural history.
Class Divisions in Serial Television
by Sieglinde Lemke Wibke SchniedermannThis book brings the emergent interest in social class and inequality to the field of television studies. It reveals how the new visibility of class matters in serial television functions aesthetically and examines the cultural class politics articulated in these programmes. This ground-breaking volume argues that reality and quality TV's intricate politics of class entices viewers not only to grapple with previously invisible socio-economic realities but also to reconsider their class alignment. The stereotypical ways of framing class are now supplemented by those dedicated to exposing the economic and socio-psychological burdens of the (lower) middle class. The case studies in this book demonstrate how sophisticated narrative techniques coincide with equally complex ways of exposing class divisions in contemporary American life and how the examined shows disrupt the hegemonic order of class. The volume therefore also invites a rethinking of conventional models of social stratification.
Class Struggle in Hollywood, 1930-1950: Moguls, Mobsters, Stars, Reds, & Trade Unionists
by Gerald HorneAs World War II wound down in 1945 and the cold war heated up, the skilled trades that made up the Conference of Studio Unions (CSU) began a tumultuous strike at the major Hollywood studios. This turmoil escalated further when the studios retaliated by locking out CSU in 1946. This labor unrest unleashed a fury of Red-baiting that allowed studio moguls to crush the union and seize control of the production process, with far-reaching consequences. This engrossing book probes the motives and actions of all the players to reveal the full story of the CSU strike and the resulting lockout of 1946. Gerald Horne draws extensively on primary materials and oral histories to document how limited a "threat" the Communist party actually posed in Hollywood, even as studio moguls successfully used the Red scare to undermine union clout, prevent film stars from supporting labor, and prove the moguls' own patriotism.
Class Struggle in Hollywood, 1930–1950: Moguls, Mobsters, Stars, Reds, & Trade Unionists
by Gerald Horne&“A taut narrative in elegant prose . . . Horne has unearthed a vitally important and mostly forgotten aspect of Hollywood and labor history.&” —Publishers Weekly As World War II wound down in 1945 and the cold war heated up, the skilled trades that made up the Conference of Studio Unions (CSU) began a tumultuous strike at the major Hollywood studios. This turmoil escalated further when the studios retaliated by locking out CSU in 1946. This labor unrest unleashed a fury of Red-baiting that allowed studio moguls to crush the union and seize control of the production process, with far-reaching consequences. This engrossing book probes the motives and actions of all the players to reveal the full story of the CSU strike and the resulting lockout of 1946. Gerald Horne draws extensively on primary materials and oral histories to document how limited a &“threat&” the Communist party actually posed in Hollywood, even as studio moguls successfully used the Red scare to undermine union clout, prevent film stars from supporting labor, and prove the moguls&’ own patriotism. Horne also discloses that, unnoticed amid the turmoil, organized crime entrenched itself in management and labor, gaining considerable control over both the &“product&” and the profits of Hollywood. This research demonstrates that the CSU strike and lockout were a pivotal moment in Hollywood history, with consequences for everything from production values, to the kinds of stories told in films, to permanent shifts in the centers of power.
Class on Screen: The Global Working Class in Contemporary Cinema
by Sarah AttfieldThis book provides an analysis of the global working class on film and considers the ways in which working-class experience is represented in film around the world. The book argues that representation is important because it shapes the way people understand working-class experience and can either reinforce or challenge stereotypical depictions. Film can shape and shift discussions of class, and this book provides an interdisciplinary study of the ways in which working-class experience is portrayed through this medium. It analyses the impact of contemporary films such as Sorry To Bother You, This is England and Le Harve that focus on working class life. Attfield demonstrates that the global working class are characterised by diversity of race, ethnicity, gender, religion and sexuality but that there are commonalities of experience despite geographical distance and cultural difference. The book is structured around themes such as work, culture, diasporas, gender and sexuality, and race.
Class, Crime and International Film Noir
by Dennis BroeClass, Crime and International Film Noir argues that, in its postwar, classical phase, this dark variant of the crime film was not just an American phenomenon. Rather, these seedy tales with their doomed heroes and heroines were popular all over the world including France, Britain, Italy and Japan.
Classic Hollywood: Lifestyles and Film Styles of American Cinema, 1930-1960
by Michael Meadows Veronica PravadelliStudies of "Classic Hollywood" typically treat Hollywood films released from 1930 to 1960 as a single interpretive mass. Veronica Pravadelli complicates this idea. Focusing on dominant tendencies in box office hits and Oscar-recognized classics, she breaks down the so-called classic period into six distinct phases that follow Hollywood's amazingly diverse offerings from the emancipated females of the "Transition Era" and the traditional men and women of the conservative 1930s that replaced it to the fantastical Fifties movie musicals that arose after anti-classic genres like film noir and women's films. Pravadelli sets her analysis apart by paying particular attention to the gendered desires and identities exemplified in the films. Availing herself of the significant advances in film theory and modernity studies that have taken place since similar surveys first saw publication, she views Hollywood through strategies as varied as close textural analysis, feminism, psychoanalysis, film style and study of cinematic imagery, revealing the inconsistencies and antithetical traits lurking beneath Classic Hollywood's supposed transparency.
Classic Jazz: A Personal View of the Music and the Musicians
by Floyd LevinAn award-winning jazz writer has pulled together 50 years' worth of his articles, which appeared mostly in jazz magazines, to take readers into the world of jazz and its musicians. This personal view of a rich American music weaves in anecdotal material, primary research, and music analysis into every chapter. 51 photos. 10 line illustrations.
Classical Hollywood Narrative: The Paradigm Wars
by Jane M. GainesSince the 1970s film studies has been dominated by a basic paradigm--the concept of classical Hollywood cinema--that is, the protagonist-driven narrative, valued for the way it achieves closure by neatly answering all of the enigmas it raises. It has been held to be a form so powerful that its aesthetic devices reinforce gender positions in society. In a variety of ways, the essays collected here--representing the work of some of the most innovative theorists writing today--challenge this paradigm.Significantly expanded from a special issue of South Atlantic Quarterly (Spring 1989), these essays confront the extent to which formalism has continued to dominate film theory, reexamine the role of melodrama in cinematic development, revise notions of "patriarchal cinema," and assert the importance of television and video to cinema studies. A range of topics are discussed, from the films of D. W. Griffith to sexuality in avant-garde film to television's Dynasty.Contributors. Rick Altman, Richard Dienst, Jane Feuer, Jane Gaines, Christine Gledhill, Miriam Hansen, Norman N. Holland, Fredric Jameson, Bill Nichols, Janey Staiger, Chris Straayer, John O. Thompson