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Como Escrever de Forma Engraçada: Seu Projeto Passo A Passo De Como Criar Uma Escrita Incrivelmente Hiláriante (Como Escrever de Forma Engraçada #1)
by Scott DikkersO Manual Definitivo de Redação de Piadas Aprenda a escrever comédias e piadas com uma fórmula simples que você pode usar agora para criar suas próprias piadas. Veja por que os revisores da Amazon chamam o livro Como Escrever de Forma Engraçada de: "Um dos melhores livros sobre escrita humorística". O autor Scott Dikkers mostrará como escrever piadas. Ele é um escritor, fundador do site de humor The Onion, autor de humor nº 1 do New York Times e de best-sellers nº 1 da Amazon e cartunista de sucesso. Scott criou e lidera o centro de treinamento "Writing with The Onion" na famosa Second City, em Chicago. Seus alunos foram contratados para trabalhos de comédia na TV e ganharam dezenas de prêmios Emmy. Scott Dikkers é consultado por grandes empresas de entretenimento como NBC, Comedy Central e Pixar. Este guia fácil de seguir apresenta um sistema claro e uma fórmula simples de como escrever uma piada que trará grandes risadas de tirar leite do nariz. De forma confiável, você vai aprender... • As três maneiras seguras de gerar textos engraçados • Os 11 "Filtros Engraçados" e como usá-los para escrever piadas • O segredo para se livrar do bloqueio de escritor - permanentemente • E muitas outras dicas, truques e técnicas de escrita humorística Se você já se perguntou como pode começar a escrever e contar piadas para seus amigos e familiares, ou talvez, como adicionar humor à sua escrita, piadas em um discurso ou como adicionar humor à sua apresentação, este livro explica de forma simples a fórmula utilizada pelos profissionais na sua escrita. Como Escrever de Forma Engraçada é para você, se você deseja encontrar um emprego de escritor de comédia ou apenas quer aprender a contar uma piada.
Como en los viejos tiempos (Pac-Man. Primeras lecturas #4)
by Varios AutoresPac tiene un nuevo reto: ¡dejar de comer a todas horas! Pero le va costar mucho esfuerzo y más de una sorpresa. Además, deberá cumplir una nueva misión: las cámaras espía del Infierno han localizado el almacén de cuerpos de fantasmas, y Betrayus pretende recuperarlos para invadir el Pac Mundo. Con la ayuda de Espiral, Cilindra y Sir Cunferencia no hay fantasma que se escape del apetito de Pac.
Como ganhar dinheiro aparecendo em anúncios e telenovelas
by Bernard Levine Adelaide Franco NikolicJá alguma vez desejou conseguir arranjar um trabalho aparecendo em anúncios da TV? Por exemplo, como os anúncios dos telemóveis da Samsung ou da Nokia ou os anúncios da McDonalds ou da Coca-Cola. Gostaria de aparecer numa telenovela ou numa série da TV? Não precisa de experiência. Agora tem a oportunidade de fazer com que os seus sonhos se tornem realidade. É muito divertido e o dinheiro que vai ganhar vai valer a pena!
Comp City, A guide to Free Las Vegas Vacations
by Max RubinWin every time you gamble? Is that possible? It is if you play for comps. Every year, U.S. casinos give away more than a billion dollars worth of amenities to customers in return for their gambling action. These giveaways, known as "comps" (short for complimentaries), range from parking and drinks to gourmet meals and airfare. Are you getting your share? From nickel slot players to $500 a hand blackjack high rollers, Comp City has shown tens of thousands of gamblers how to get free casino vacations.
Companion Encyclopedia of Middle Eastern and North African Film
by Oliver LeamanThe Companion Encyclopedia of Middle Eastern and North African Film is a unique, one volume work which illuminates a fascinating variety of cinema which is little known outside its own area. The Encyclopedia is divided into nine chapters, each written by a leading scholar in the field. Each chapter covers the history and major issues of film within that area, as well as providing bibliographies of the leading films, directors and actors. The areas covered are: Central Asia, Egypt, Iran, Lebanon, Syria, Iraq, Kuwait, Libya, The Magreb, Palestine, Turkey. This Encyclopedia will be an invaluable reference tool for students and scholars of Film and Media Studies. It contains more than 60 black and white photographs of featured films, includes references and suggestions for further reading at the end of each chapter, and the volume concludes with comprehensive name, film and general indexes.
Comparative Cinema: Late and Last Things in Literature and Film
by Paul CoatesThis book comprises what may be called exercises in ‘comparative cinema’. Its focus on endings, near-endings and ‘late style’ is connected with the author’s argument that comparative criticism itself may constitute an endgame of criticism, arising at the moment at which societies or individuals relinquish primary adherence to one tradition or medium. The comparisons embrace different works and artistic media and primarily concern works of literature and film, though they also consider issues raised by the interrelationship of language and moving and still images, as well as inter- and intra-textuality. The works probed most fully are ones by Theo Angelopoulos, Ingmar Bergman, Harun Farocki, Theodor Fontane, Henry James, Krzysztof Kieślowski, Chang-dong Lee, Roman Polański, Thomas Pynchon, and Paul Schrader, while the key recurrent motifs are those of dusk, the horizon, the labyrinth, and the ruin.
Comparing Mass Media in Established Democracies: Patterns of Media Performance (Challenges to Democracy in the 21st Century)
by Lisa MüllerThis book examines the contribution of mass media to modern democracies, in comparative perspective. Part I deals with the conceptualization and implementation of a systematic framework to assess democratic media performance, both in terms of media systems and content. Part II studies media effects on the quality of democracy.
Compassion in the Court: Life-Changing Stories from America's Nicest Judge
by Judge Frank CaprioIn his four-time Emmy-nominated show Caught in Providence, Judge Frank Caprio&’s courtroom became a worldwide beacon of compassionate justice—and an unforgettable watch for millions of fans.Now, Judge Caprio, known as &“the Nicest Judge in the World,&” brings to the page the same wisdom and spirit of decency that viewers around the world have come to treasure. From 1985, when he first took the bench, to when he stepped down in 2023, Judge Caprio dispensed true compassion to a continuous flow of regular people in his municipal traffic court in Providence, Rhode Island. His courtroom was a place where defendants were treated with dignity, and where the deserving were given a break—not a pass or get-out-of-jail-free card, but the chance to right their lives and care for their families. In Compassion in the Court, Judge Caprio shares transformative stories and lessons from his life and courtroom, including: Wisdom he gained from his immigrant parents Stories shared by individuals of all ages who appeared in court How he developed the ability to tell when someone is not telling the truth The power of growing up with someone who believed in him—and how he&’s tried to provide the same for everyone who appeared before him How a person&’s worth isn&’t measured by the mistakes they make, but by their ability to learn from those mistakes Judge Caprio&’s memories will challenge readers to become somebody—to value their past and their family, to confront their realities, and to believe that, through respect, compassion, and understanding, they can succeed. This book will touch your heart, uplift your spirit, and renew your faith in others and in yourself.
Competing with Idiots: Herman and Joe Mankiewicz, a Dual Portrait
by Nick DavisA fascinating, complex dual biography of Hollywood's most dazzling—and famous—brothers, and a dark, riveting portrait of competition, love, and enmity that ultimately undid them both.One most famous for having written Citizen Kane (with Orson Welles, as most recently portrayed in David Fincher's acclaimed Netflix film, Mank); the other, All About Eve; one, who only wrote screenplays but believed himself to be a serious playwright, slowly dying of alcoholism and disappointment; the other, a four-time Academy Award-winning director, auteur, sorcerer, and seducer of leading ladies, one of Hollywood's most literate and intelligent filmmakers. Herman Mankiewicz brought us the Marx Brothers' Monkey Business, Horse Feathers, Duck Soup, W. C. Fields's Million Dollar Legs, wrote screenplays for Dinner at Eight, Pride of the Yankees, cowrote Citizen Kane (Pauline Kael proclaimed that the script was mostly Herman's), and eighty-nine others . . . Talented, witty (Alexander Woollcott thought him "the funniest man who ever lived,"), huge-hearted, wildly immature, a figure of renown and success.Herman went to Hollywood in 1926, was almost immediately successful (his telegram to Hecht back east: "MILLIONS ARE TO BE GRABBED OUT HERE AND YOUR ONLY COMPETITION IS IDIOTS. DON'T LET THIS GET AROUND."), becoming one of the highest-paid screenwriters in Hollywood . . . Joe, eleven years younger, focused, organized, a disciplined writer, with a far more distinguished career, surpassing his worshipped older brother . . . producing The Philadelphia Story, writing and directing A Letter to Three Wives and All About Eve, both of which won him Oscars for writing and directing (All About Eve received a record fourteen Oscar nominations), before seeing his career upended by the spectacular fiasco of Cleopatra . . . In this large, moving portrait, meticulously woven together by the grandson of Herman, great-nephew of Joe, we see the lives of these two men--their dreams and desires, their fears and feuds, struggling to free themselves from their dark past; and the driving forces that kept them bound to a system they loved and hated.
Complete Guide to Film and Digital Production: The People and The Process, CourseSmart eTextbook
by Lorene WalesNow available in an updated, 2nd edition, The Complete Guide to Film and Digital Production: The People and The Process, 2/e,discusses the entire production process for film and digital media, and provides you with a comprehensive view of production in the field, at live events, for mobile content and for animation. This book covers all aspects of the production process and readers learn the nuts and bolts of film and digital production from pre-production through delivery. This edition will make your production experience more marketable to an ever-expanding and converging industry.
Complete Screenwriting Course: A complete guide to writing, developing and marketing a script for TV or film
by Charles HarrisDesigned to take you from the moment you first put your pen to paper to pitching and selling your completed screenplay, this is one of the most inspiring books on screenwriting you'll ever read.Practical exercises will teach you the craft of writing for film and television, both mainstream and independent, the art of building your own plots, characters, dialogue and scenes. It gives you the skills you need to succeed and helps you critique your own work, meaning that at every step of the writing process you'll be producing the best scripts you can.This book is filled with essential writing tools, including techniques for overcoming writer's block and how to find your unique voice. You will learn how to pitch and get your work optioned, how to work as part of a team and how to make the best use of social media - in all a comprehensive companion that you will keep coming back to as your career develops.ABOUT THE SERIESThe Teach Yourself Creative Writing series helps aspiring authors tell their stories. Covering a range of genres from science fiction and romantic novels to illustrated children's books and comedy, this series is packed with advice, exercises, and tips for unlocking creativity and improving your writing. And because we know how daunting the blank page can be, we set up the Just Write online community, at tyjustwrite.com, for budding authors and successful writers to connect and share.
Complicated Women: Sex and Power in Pre-Code Hollywood
by Mick LaSalleBetween 1929 and 1934, women in American cinema were modern! For five short years women in American cinema were modern! They took lovers, had babies out of wedlock, got rid of cheating husbands, enjoyed their sexuality, led unapologetic careers and, in general, acted the way many think women only acted after 1968. Before then, women on screen had come in two varieties - good or bad - sweet ingenue or vamp. Then two stars came along to blast away these common stereotypes. Garbo turned the femme fatale into a woman whose capacity for love and sacrifice made all other human emotions seem pale. Meanwhile, Norma Shearer succeeded in taking the ingenue to a place she'd never been: the bedroom. Garbo and Shearer took the stereotypes and made them complicated.In the wake of these complicated women came others, a deluge of indelible stars - Constance Bennett, Ruth Chatterton, Mae Clarke, Claudette Colbert, Marlene Dietrich, Kay Francis, Ann Harding, Jean Harlow, Miriam Hopkins, Dorothy Mackaill, Barbara Stanywyck, Mae West and Loretta Young all came into their own during the pre-Code era. These women pushed the limits and shaped their images along modern lines.Then, in July 1934, the draconian Production Code became the law in Hollywood and these modern women of the screen were banished, not to be seen again until the code was repealed three decades later. Mick LaSalle, film critic for the San Francisco Chronicle, takes readers on a tour of pre-Code films and reveals how this was the true golden age of women's films and how the movies of the pre-Code are still worth watching. The bold, pioneering and complicated women of the pre-Code era are about to take their place in the pantheon of film history, and America is about to reclaim a rich legacy.
Composers in the Movies: Studies in Musical Biography
by John C. TibbettsAmadeus. . . Yankee Doodle Dandy. . . Swanee River. . . Rhapsody in Blue. Even before movies had sound, filmmakers dramatized the lives of composers. Movie biographies--or biopics--have depicted composers as diverse as Wolfgang Amadeus Mozart, George M. Cohan, Stephen Foster, and George Gershwin. In this enticing book, the first devoted entirely to such films, John C. Tibbetts surveys different styles and periods from the Hollywood of the 1920s and 1930s to the international cinema of today, exploring the role that film biographies play in our understanding of history and culture. Tibbetts delves into such questions as: How historically accurate are composer biopics? How and why have inaccuracies and distortions been perpetrated? What strategies have been used to represent visually the creative process? The book examines the films in several contexts and considers their role in commodifying and popularizing music. Extensive archival research, dozens of illustrations, and numerous interviews make this an appealing book for film and music enthusiasts at all levels.
Composers on Music: An Anthology of Composers' Writings from Palestrina to Copland
by Sam Morgenstern88 composers talk about music, ranging from the 1500s to the 1900s.
Composing Audiovisually: Perspectives on audiovisual practices and relationships (Sound Design)
by Louise HarrisWhat does the Coen Brothers’ Barton Fink have in common with Norman McLaren’s Synchromy? Or with audiovisual sculpture? Or contemporary music video? Composing Audiovisually interrogates how the relationship between the audiovisual media in these works, and our interaction with them, might allow us to develop mechanisms for talking about and understanding our experience of audiovisual media across a broad range of modes. Presenting close readings of audiovisual artefacts, conversations with artists, consideration of contemporary pedagogy and a detailed conceptual and theoretical framework that considers the nature of contemporary audiovisual experience, this book attempts to address gaps in our discourse on audiovisual modes, and offer possible starting points for future, genuinely transdisciplinary thinking in the field.
Composing for Silent Film
by Jack Curtis DubowskyComposing for Silent Film offers insight, information, and techniques for contemporary composition, arrangement, and live score performance for period silent film. A specialized music composition guide, this book complements existing film scoring and contemporary music composition texts. This book helps today’s composers better understand and correctly interpret period silent film, and to create and perform live scores that align with films’ original intentions, so that audiences notice and grasp fine points of the original film. Composing for Silent Film analyzes period silent film and its conventions – from Delsarte acting gestures to period fascinations and subtexts. As a practical composition text, it weighs varying approaches, including improvisation, through-scoring, "mickey-mousing," handling dialogue, and dividing roles amongst players. It steers composers towards informed understanding of silent film, and encourages them to deploy contemporary styles and techniques in exciting ways.For clarity and concision, examples are limited to nine canonical silents: Metropolis, Dr. Jekyll and Mr. Hyde, The Mark of Zorro, Sunrise: A Song of Two Humans, The Black Pirate, Nosferatu, The Phantom Carriage, Daisy Doodad’s Dial, and The Golem.
Composing for the Screen (PERFORM)
by Scott W. HallgrenThis book is a collection of essays written by and interviews with working composers for film and television, and video games, exploring the business side of composing, addressing the lack of understanding about career development and business responsibilities as they relate to composers. Over 30 industry professionals, composers, directors, educators and business agents at all levels dispel myths about the industry and provide practical advice on topics such as how to break into the field; how to develop, nurture, and navigate business relationships; and how to do creative work under pressure. Readers will also learn about the entrepreneurial expectations in relation to marketing, strategies for contending with the emotional highs and lows of composing, and money management whilst pursuing a career in composing. Written for undergraduates and graduates studying composing, sound production, and filmmaking, as well as aspiring composers for film, TV, and games, this book provides readers with a wealth of first-hand information that will help them create their own opportunities and pursue a career in film and television.
Composing for the Screen in Germany and the USSR: Cultural Politics and Propaganda
by Phil Powrie Robynn J. StilwellDespite the long history of music in film, its serious academic study is still a relatively recent development and therefore comprises a limited body of work. The contributors to this book, drawn from both film studies and musicology, attempt to rectify this oversight by investigating film music from the vibrant, productive, politically charged period before World War II. They apply a variety of methodologies--including archival work, close readings, political histories, and style comparison--to this under explored field.
Composing the Citizen: Music as Public Utility in Third Republic France
by Jann PaslerComposing the Citizen demonstrates how music can help forge a nation. Deftly exploring the history of Third Republic France, Jann shows how French people from all classes and political persuasions looked to music to revitalize the country after the turbulent crises of 1871.
Compositing Visual Effects in After Effects: Essential Techniques
by Lee LanierCreate vibrant visual effects with Adobe After Effects. Gain the tips, tricks, and applied knowledge you need to carry out essential visual effects tasks and bring your digital compositing to the next level. In Compositing Visual Effects in After Effects, industry veteran Lee Lanier covers all the common After Effects techniques any serious visual effects artist needs to know, combining the latest, professionally-vetted studio practices and workflows with multi-chapter projects and hands-on lessons. Engaging, full-color tutorials cover: Altering resolutions and frame rates Channel and color space manipulation Rotoscoping and masking Matchmoving and motion tracking Keying green screen Working in the 3D environment and integrating 3D render passes Particle simulation Color grading and distressing Expressions and project management The companion website (www.focalpress.com/cw/lanier) features video image sequences, 3D renders, matte paintings, and other tutorial materials, allowing you to immediately apply the techniques taught in the book.
Compositing Visual Effects: Essentials for the Aspiring Artist (Focal Visual Effects And Animation Ser.)
by Steve WrightPut the essential concepts and techniques of digital compositing to work for you without the need of a single mathematical equation. Compositing Visual Effects is lavishly illustrated with hundreds of film shots, figures, illustrations, and diagrams to help the visual reader gain a valuable vocabulary and understanding of the full range of visual effects, in which digital compositing plays a key role. Beginning with an inspirational tour of the scope and magnitude of digital compositing, you get a solid overview of the kinds of digital effects routinely executed today. See how CGI is composited with live action, how set extensions are done, and what a match-move shot is. Following that you learn each of the key applications of digital compositing, which include bluescreen compositing, bullet-time shots, motion tracking, and rotoscoping. The subsequent chapters dig down into each of the major digital compositing applications, introducing the fundamental concepts, and processes behind them. Learn what is easy and hard, possible and impossible, and what to expect when working on a job that entails digital compositing. New to this edition are 4 new chapters on:* 3D compositing, with lessons on what camera tracking is, how it is used to put CGI into a live-action plate, as well as live action into a 3D scene. * Stereo compositing, with descriptions of key stereoscopic terms and concepts, lessons on compositing shots that were filmed in stereo (both bluescreen and CGI), as well as the stereo conversion process when a flat 2D movie is converted to a stereo 3D movie* RED and Digital Capture with Log Images, including log image formats. This is a very hot topic these days. Colleges hang around video because it is cheaper. Film is still big in the real world of production.* Tracking an entire project from start to finishThis is in addition to robust updates on topics such as:* planar tracking, Z compositing, working with Anamorphic HD formats, mocap, and more This edition also includes a companion website with images from the book for you to work with in your own compositing exercises. An accessible introduction to a complex subject for novice and aspiring compositors, from experienced author and compositing whose compositing credits include Night at the Museum 2, Shutter Island, Solaris, Traffic, and more Full color presentation illustrating the art and techniques of the practice, provides inspiration along with instruction New to this edition is a companion website, new chapters on 3D compositing, stereo compositing, RED and digital capture with log images, and more will have you understanding the latest in compositing technology in no time
Composition for the 21st ½ century, Vol 1: Image-making for Animation
by Thomas Paul ThesenComposition for the 21st ½ century: Image-Making for Animation focuses on composition and its technical and artistic application in animation, illustration, games, and films. It covers all aspects of design and discusses in detail their artistic applicability and impact on image and narrative. Emphasis is placed on the ability of each aspect to support and affect the narrative. Additional case studies explain the successful use of these concepts in films and animation. This book is geared toward students; however, it is also reader-friendly for professionals. Composition for the 21st ½ century: Image-Making for Animation’s goal is to comprehend composition as an artistic tool and as a significant part of the professional image-making process. Key Features: Teaches the complexity of composition in image-making. Closes the gap between praxis and theory in animation. Explains how to produce images that support the narrative in their visuals. Discusses the need for artistic reasoning in image-making. Presents case studies that assist the reader in understanding the process as they progress through this book. Author Bio: For more than twenty years, Thomas Paul Thesen’s career has been about learning and understanding the complexities of art, animation, and image-making, both in still illustration, drawing, and photography, and in the moving image. He has worked in the industry as a character animator and visual development artist for companies such as Pixar, DreamWorks, and Sprite Animation Studios. He has also taught for many years at universities across Asia, the USA, and the UK.
Composition for the 21st ½ century, Vol 2: Characters in Animation
by Thomas Paul ThesenComposition for the 21st ½ century: Characters in Animation focuses on characters and their application in animation, illustration, games, and films. It covers various technical aspects of character design and their artistic applicability. This book analyzes in detail the purpose of these character design features and provides examples of their impact. Emphasis is placed on each aspect and how it affects and is affected by the narrative. Additionally, complex case studies that assist in explaining the successful use of these concepts in films and animation are included. This book is geared toward students; however, it is also reader-friendly for professionals. Composition for the 21st ½ century: Characters in Animation’s goal is to comprehend composition as an artistic tool and as a significant part of the professional character design process. Key Features: Teaches the complexity of composition in the professional character design process. Closes the gap between praxis and theory in character design. Explains how to produce believable characters that express their narrative in the visuals. Discusses the need for artistic reasoning in character design. Presents case studies to assist readers in understanding the process as they progress through this book. Author Bio: For more than twenty years, Thomas Paul Thesen’s career has been about learning and understanding the complexities of art, animation, and image-making, both in still illustration, drawing, and photography and in the moving image. He has worked in the industry as a character animator and visual development artist for companies such as Pixar, DreamWorks, and Sprite Animation Studios. He has also taught for many years at universities across Asia, the USA, and the UK.
Compound Cinematics
by Shinobu HashimotoAny list of Japan's greatest screenplay writers would feature Shinobu Hashimoto at or near the top. This memoir, focusing on his collaborations with Akira Kurosawa, a gifted scenarist in his own right, offers indispenable insider account for fans and students of the director's oeuvre and invaluable insights into the unique process that is writing for the screen. The vast majority of Kurosawa works were filmed from screenplays that the director co-wrote with a stable of steller writers, many of whom he discovered himself with his sharp eye for all things cinematic. Among these was Hashimoto, who caught the filmmaker's attention with a script that eventually turned into Roshamon. Thus joining Team Kurosawa the debutant immediately went on to paly an integral part in developing and writing two of the grandmaster's most impressive achievements, Ikiru and Seven Samurai.
Compression for Great Video and Audio: Master Tips and Common Sense
by Ben WaggonerLearn how to compress video and audio with optimal quality and minimal hassles. Renowned expert Ben Waggoner teaches you to improve the quality of your final content and develop effective workflows. Understand the basic concepts of vision and hearing, apply that knowledge in the context of compression, then move onto practical, applicable information for creating, editing, and compressing the best video and audio, whether you're delivering for the web, DVD, Blu-ray, phones, or beyond. Clear examples of how to make the best choices in real-world projects Covers Mac and Windows products for a complete look at today's compression technologies: all the different tools, codecs, and formats for different kinds of deliverables are described, focusing on how to pick the right options for particular projects, players, and sources Formats Windows Media QuickTime Flash FLV and F4V MPEG-4 and H.264 MPEG-2 Ogg Vorbis and Theora Silverlight and Smooth Streaming Devices iPod and iPhone Zune HD Playstation Portable Playstation 3 Xbox 360 DVD and Blu-ray