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Corporate Wrongdoing on Film: The ‘Public Be Damned’ (Routledge Studies in Crime, Culture and Media)

by Kenneth Dowler Daniel Antonowicz

Corporate Wrongdoing on Film: The ‘Public Be Damned’ provides a unique and ground-breaking analysis of corporate wrongdoing depictions, identifying, describing, and categorizing harms perpetrated by corporations. The book provides a history of corporate wrongdoing in film, from the silent film to the present day. Early films are summarized and discussed within the historical, social and political contexts in which they were released. Examining films produced after 1979, the book classifies them by corporate harms to the environment, workers, consumers, and the economy. The book includes a discussion of well over 100 films, from obscure television movies to Hollywood blockbusters. Finally, the book concludes with a narrative analysis exploring the depiction of the protagonists, antagonists, and victims within the corporate wrongdoing film. Detailed and accessible, Corporate Wrongdoing on Film: The ‘Public Be Damned’ will be of great interest to scholars and students of Criminology and Film and Media Studies.

Corporeal Legacies in the US South: Memory And Embodiment In Contemporary Culture

by Christopher Lloyd

This book examines the ways in which the histories of racial violence, from slavery onwards, are manifest in representations of the body in twenty-first-century culture set in the US South. Christopher Lloyd focuses on corporeality in literature and film to detail the workings of cultural memory in the present. Drawing on the fields of Southern Studies, Memory Studies and Black Studies, the book also engages psychoanalysis, Animal Studies and posthumanism to revitalize questions of the racialized body. Lloyd traces corporeal legacies in the US South through novels by Jesmyn Ward, Kathryn Stockett and others, alongside film and television such as Beasts of the Southern Wild and The Walking Dead. In all, the book explores the ways in which bodies in contemporary southern culture bear the traces of racial regulation and injury.

Corporeal Politics: Dancing East Asia (Studies in Dance History Series)

by Emily Wilcox Katherine Mezur

In Corporeal Politics, leading international scholars investigate the development of dance as a deeply meaningful and complex cultural practice across time, placing special focus on the intertwining of East Asia dance and politics and the role of dance as a medium of transcultural interaction and communication across borders. Countering common narratives of dance history that emphasize the US and Europe as centers of origin and innovation, the expansive creativity of dance artists in East Asia asserts its importance as a site of critical theorization and reflection on global artistic developments in the performing arts. Through the lens of "corporeal politics"—the close attention to bodily acts in specific cultural contexts—each study in this book challenges existing dance and theater histories to re-investigate the performer's role in devising the politics and aesthetics of their performance, as well as the multidimensional impact of their lives and artistic works. Corporeal Politics addresses a wide range of performance styles and genres, including dances produced for the concert stage, as well as those presented in popular entertainments, private performance spaces, and street protests.

Corporealities: Dancing Knowledge, Culture and Power

by Susan Leigh Foster

First published in 1995. Routledge is an imprint of Taylor & Francis, an informa company.

Corporeality in Early Cinema: Viscera, Skin, and Physical Form (Early Cinema in Review)

by Edited by Marina Dahlquist, Doron Galili, Jan Olsson and Valentine Robert

Corporeality in Early Cinema inspires a heightened awareness of the ways in which early film culture, and screen praxes overall are inherently embodied. Contributors argue that on- and offscreen (and in affiliated media and technological constellations), the body consists of flesh and nerves and is not just an abstract spectator or statistical audience entity.Audience responses from arousal to disgust, from identification to detachment, offer us a means to understand what spectators have always taken away from their cinematic experience. Through theoretical approaches and case studies, scholars offer a variety of models for stimulating historical research on corporeality and cinema by exploring the matrix of screened bodies, machine-made scaffolding, and their connections to the physical bodies in front of the screen.

Corpses, Fools and Monsters: The History and Future of Transness in Cinema

by Willow Maclay Caden Gardner

A radical history of transness in cinema, and an exploration of the political possibilities of its future.In the history of cinema, trans people are usually murdered, made into a joke, or viewed as threats to the normal order — relegated to a lost highway of corpses, fools, and monsters.In this book, trans film critics Caden Mark Gardner and Willow Catelyn Maclay take the reader on a drive down this lost highway, exploring the way that trans people and transness have evolved on-screen.Starting from the very earliest representations of transness in silent film, through to the multiplex-conquering Matrix franchise and on to the emergence of a true trans-authored cinema, Corpses, Fools and Monsters spans everything from musicals to body horror to avant garde experimental film to tell the story of the trans film image. In doing so, the authors investigate the wider history of trans representation — an exhilarating journey of compromise, recuperation, and potential liberation that they argue is only just the beginning.

Corpus Delecti: Performance Art of the Americas

by Coco Fusco

The most comprehensive volume on performance art from the Americas to have appeared in English, Corpus Delecti is a unique collection of historical and critical studies of contemporary Latin performance. Drawing on live art from the 1960s to the present day, these fascinating essays explore the impact of Latin American politics, popular culture and syncretic religions on Latin performance.Including contributions by artists as well as scholars, Fusco's collection bridges the theory/practice divide and discusses a wide variety of genres. Among them are:* body art* carpa* vaudeville* staged political protest* tropicalist musical comedies* contemporary Venezuelan performance art* the Chicano Art movement* queer Latino performanceThe essays demonstrate how specific social and historical contexts have shaped Latin American performance. They also show how those factors have affected the choices artists make, and how their work draw upon and respond to their environment.

Cosby: His Life and Times

by Mark Whitaker

The first major biography of an American icon, comedian Bill Cosby. Based on extensive research and in-depth interviews with Cosby and more than sixty of his closest friends and associates, it is a frank, fun and fascinating account of his life and historic legacy.Far from the gentle worlds of his routines or TV shows, Cosby grew up in a Philadelphia housing project, the son of an alcoholic, largely absent father and a loving but overworked mother. With novelistic detail, award winning journalist Mark Whitaker tells the story of how, after dropping out of high school, Cosby turned his life around by joining the Navy, talking his way into college, and seizing his first breaks as a stand-up comedian. Published on the 30th anniversary of The Cosby Show, the book reveals the behind-the-scenes story of that groundbreaking sitcom as well as Cosby's bestselling albums, breakout role on I Spy, and pioneering place in children's TV. But it also deals with professional setbacks and personal dramas, from an affair that sparked public scandal to the murder of his only son, and the private influence of his wife of fifty years, Camille Cosby. Whitaker explores the roots of Cosby's controversial stands on race, as well as "the Cosby effect" that helped pave the way for a black president. For any fan of Bill Cosby's work, and any student of American television, comedy, or social history, Cosby: His Life and Times is an essential read.

Cosbyology

by Bill Cosby

Various humorous monologues on lessons of life.

Cosima Wagner: The Lady of Bayreuth

by Oliver Hilmes

In this meticulously researched book, Oliver Hilmes paints a fascinating and revealing picture of the extraordinary Cosima Wagner--illegitimate daughter of Franz Liszt, wife of the conductor Hans von Bülow, then mistress and subsequently wife of Richard Wagner. After Wagner's death in 1883 Cosima played a crucial role in the promulgation and politicization of his works, assuming control of the Bayreuth Festival and transforming it into a shrine to German nationalism. The High Priestess of the Wagnerian cult, Cosima lived on for almost fifty years, crafting the image of Richard Wagner through her organizational ability and ideological tenacity. The first book to make use of the available documentation at Bayreuth, this biography explores the achievements of this remarkable and obsessive woman while illuminating a still-hidden chapter of European cultural history.

Cosmic Scholar: The Life and Times of Harry Smith

by John Szwed

Named one of the Best Books of 2023 by the New Yorker and The New York Times' Dwight Garner“The first comprehensive biography of this hipster magus . . . [John Szwed] allows different sides of Smith’s personality to catch blades of sun. He brings the right mixture of reverence and comic incredulity to his task.” —Dwight Garner, The New York TimesGrammy Award–winning music scholar and celebrated biographer John Szwed presents the first biography of Harry Smith, the brilliant eccentric who transformed twentieth century art and culture.He was an anthropologist, filmmaker, painter, folklorist, mystic, and walking encyclopedia. He taught Patti Smith and Robert Mapplethorpe about the occult, swapped drugs with Timothy Leary, had a front-row seat to a young Thelonious Monk, lived with (and tortured) Allen Ginsberg, was admired by Susan Sontag, and was one of the first artists funded by Guggenheim Foundation. He was always broke, generally intoxicated, compulsively irascible, and unimpeachably authentic. Harry Smith was, in the words of Robert Frank, “the only person I met in my life that transcended everything.”In Cosmic Scholar, the Grammy Award-winning music scholar and celebrated biographer John Szwed patches together, for the first time, the life of one of the twentieth century’s most overlooked cultural figures. From his time recording the customs of Native American tribes in the Pacific Northwest and Florida to his life in Greenwich Village in its heyday, Smith was consumed by an unceasing desire to create a unified theory of culture. He was an insatiable creator and collector, responsible for the influential Anthology of American Folk Music and several pioneering experimental films, but was also an insufferable and destructive eccentric who was unable to survive in regular society, or keep himself healthy or sober.Exhaustively researched, energetically told, and complete with a trove of images, Cosmic Scholar is a feat of biographical restoration and the long overdue canonization of an American icon.Includes black-and-white and color images

Cosmopolitan Aspirations in Contemporary Cinema (Routledge Advances in Film Studies)

by Pablo Gómez-Muñoz Julia Echeverría María del Mar Azcona

This book presents cosmopolitanism as a useful methodological approach to understand the transnational synergies present in contemporary cinema.In line with existing literature from the social sciences, the volume aims to contribute to the ‘cosmopolitan turn’ in cinema studies. It considers cosmopolitanism as, among others, a personal and social aspiration of social justice, world citizenship and celebration of difference; a notion to be criticised as elitist, Western, often imperialist, and homogenising; and an actually existing social practice characterised by contradiction, messiness and conflict. The chapters in this volume offer insights into the variety of sometimes contradictory discourses that arise from a cosmopolitan interpretation of a wide variety of film texts. Key topics explored in this book include borders, (im)mobilities, migration, race, class and film aesthetics.This book will be particularly useful to film studies scholars and students looking at transnational, global, world and decolonial cinemas and focusing on topics like borders, migration and multiculturalism in film. This book will also appeal to academic communities studying media, literature, mobilities, geopolitics, sociology and the social sciences in general.

Cosmopolitan Film Cultures in Latin America, 1896–1960 (New Directions in National Cinemas)

by Rielle Navitski and Nicolas Poppe

Cosmopolitan Film Cultures in Latin America examines how cinema forged cultural connections between Latin American publics and film-exporting nations in the first half of the twentieth century. Predating today's transnational media industries by several decades, these connections were defined by active economic and cultural exchanges, as well as longstanding inequalities in political power and cultural capital. The essays explore the arrival and expansion of cinema throughout the region, from the first screenings of the Lumière Cinématographe in 1896 to the emergence of new forms of cinephilia and cult spectatorship in the 1940s and beyond. Examining these transnational exchanges through the lens of the cosmopolitan, which emphasizes the ethical and political dimensions of cultural consumption, illuminates the role played by moving images in negotiating between the local, national, and global, and between the popular and the elite in twentieth-century Latin America. In addition, primary historical documents provide vivid accounts of Latin American film critics, movie audiences, and film industry workers' experiences with moving images produced elsewhere, encounters that were deeply rooted in the local context, yet also opened out onto global horizons.

Costume Design in the Movies: An Illustrated Guide to the Work of 157 Great Designers

by Elizabeth Leese

Fascinating, comprehensive reference work provides biographical/career data for major American, British, and French designers since 1909: Theoni V. Aldredge (The Great Gatsby), Edith Head, (The Greatest Show on Earth), Orry-Kelly (An American in Paris), Irene Sharaff (Funny Girl) and many others. Updated to 1988. 177 illustrations, invaluable index of 6,000 films.

Costume in Motion: A Guide to Collaboration for Costume Design and Choreography

by Shura Pollatsek

Costume in Motion is a guide to all stages of the collaboration process between costume designers and choreographers, documenting a wide range of approaches to the creation of a dance piece. Featuring interviews with a diverse selection of over 40 choreographers and designers, in-depth case studies of works by leading dance companies, and stunning original photography, the book explores the particular challenges and creative opportunities of designing for the body in motion. Filled with examples of successful collaborations in contemporary and modern dance, as well as a wide range of other styles, Costume in Motion provides costume designers and choreographers with a greater understanding of the field from the other’s perspective. The book is designed to be part of the curriculum for an undergraduate or graduate level course in costume design or choreography, and it can also be an enriching read for artists at any stage of their careers wishing to hone their collaboration skills in dance.

Costume, Makeup, and Hair

by Robin Blaetz Tamar Jeffers Mcdonald Prudence Black Adrienne L. Mclean Drake Stutesman James Castonguay Karen De Perthuis Mary Desjardins

Movie buffs and film scholars alike often overlook the importance of makeup artists, hair stylists, and costumers. With precious few but notable exceptions, creative workers in these fields have received little public recognition, even when their artistry goes on to inspire worldwide fashion trends. From the acclaimed Behind the Silver Screen series, Costume, Makeup, and Hair charts the development of these three crafts in the American film industry from the 1890s to the present. Each chapter examines a different era in film history, revealing how the arts of cinematic costume, makeup, and hair, have continually adapted to new conditions, making the transitions from stage to screen, from monochrome to color, and from analog to digital. Together, the book's contributors give us a remarkable glimpse into how these crafts foster creative collaboration and improvisation, often fashioning striking looks and ingenious effects out of limited materials. Costume, Makeup, and Hair not only considers these crafts in relation to a wide range of film genres, from sci-fi spectacles to period dramas, but also examines the role they have played in the larger marketplace for fashion and beauty products. Drawing on rare archival materials and lavish color illustrations, this volume provides readers with both a groundbreaking history of film industry labor and an appreciation of cinematic costume, makeup, and hairstyling as distinct art forms.

Could It Be Forever? My Story: My Story

by David Cassidy

This ebook edition contains the full text version as per the book. Doesn't include original photographic and illustrated material. In the seventies, when he was just 20 years old, David Cassidy achieved the sort of teen idol fame that is rarely seen. He was mobbed everywhere he went. His clothes were regularly ripped off by adoring fans. He sold records the world over. He was bigger than Elvis. And all thanks to a hit TV show called The Partridge Family. Now, in his own words, this is a brutally frank account of those mindblowing days of stardom in which being David Cassidy played second fiddle to being Keith Partridge. Including stories of sex, drugs and rock'n'roll that explode the myth of Cassidy as squeaky clean, it's also the story of how to keep on living life and loving yourself when the fickle fans fall away.

Could You Survive Midsomer?: Can you avoid a bizarre death in England's most dangerous county?

by Simon Brew

All is not well in the beautiful county of Midsomer. On the eve of its first Villages In Bloom competition, a man lies dead, smelling of damson jam. Who could have done it?Well, that's where you come in. Step into the shoes of Midsomer CID's newest recruit, choose your own path and decide which way the story goes.Will you get to the bottom of the mystery? Will you bring the perpetrator to justice? And perhaps most importantly of all, could you avoid an untimely, and possibly bizarre, death... will YOU survive Midsomer? Your task is to make the right choices, solve the case and - most tricky of all - stay alive!... Good luck.An official Midsomer Murders Interactive novel set in ITV's most celebrated and murderous county.

Could You Survive Midsomer?: Can you avoid a bizarre death in England's most dangerous county?

by Simon Brew

All is not well in the beautiful county of Midsomer. On the eve of its first Villages In Bloom competition, a man lies dead, smelling of damson jam. Who could have done it?Well, that's where you come in. Step into the shoes of Midsomer CID's newest recruit, choose your own path and decide which way the story goes.Will you get to the bottom of the mystery? Will you bring the perpetrator to justice? And perhaps most importantly of all, could you avoid an untimely, and possibly bizarre, death... will YOU survive Midsomer? Your task is to make the right choices, solve the case and - most tricky of all - stay alive!... Good luck.An official Midsomer Murders Interactive novel set in ITV's most celebrated and murderous county.

Counter-Archive: Film, The Everyday, and Albert Kahn's Archives de la PlanÈte

by Paula Amad

From 1908 to 1931, French banker Albert Kahn financed a monumental multimedia archive intended to record the "surface of the globe as inhabited and developed by Man." Stored in a world-themed garden on the outskirts of Paris, the Archives de la Planète contained 4,000 stereoscopic plates, 72,000 autochromes, and 183,000 meters of film, composing one of the twentieth century's most impressive attempts to preserve a memory of the world through media. Moving beyond a traditional focus on fiction films screened for theatrical release, this book introduces new perspectives on motion picture history through an analysis of Kahn's rarely screened, unedited nonfiction films. Kahn's fragmented footage reveals diverse intellectual influences, including the philosophy of Henri Bergson (Kahn's lifelong mentor), the rise of human geography as practiced by Jean Brunhes (the director of the archive), and the scientific experiments of the biologist Jean Comandon (a pioneering microcinematographer who also contributed to Kahn's work). Amad also connects the Archive to an obsession with the everyday in early French film theory, the evolution of international documentary film, the early Annales School of history, and the colonial impulses of visual mapping projects. Transforming our conception of the archive in the age of cinema, Amad advances an innovative theory of film's counter-archival potential based on the challenge it poses to what counts as history.

Counter-Archive: Film, the Everyday, and Albert Kahn's Archives de la Planète (Film and Culture Series)

by Paula Amad

Tucked away in a garden on the edge of Paris is a multimedia archive like no other: Albert Kahn's Archives de la Planète (1908-1931). Kahn's vast photo-cinematographic experiment preserved world memory through the privileged lens of everyday life, and Counter-Archive situates this project in its biographic, intellectual, and cinematic contexts. Tracing the archive's key influences, such as the philosopher Henri Bergson, the geographer Jean Brunhes, and the biologist Jean Comandon, Paula Amad maps an alternative landscape of French cultural modernity in which vitalist philosophy cross-pollinated with early film theory, documentary film with the avant-garde, cinematic models of temporality with the early Annales school of history, and film's appropriation of the planet with human geography and colonial ideology. At the heart of the book is an insightful meditation upon the transformed concept of the archive in the age of cinema and an innovative argument about film's counter-archival challenge to history. The first comprehensive study of Kahn's films, Counter-Archive also offers a vital historical perspective on debates involving archives, media, and memory.

Counterfeit Worlds: The Cinematic Universes of Philip K. Dick

by Brian J. Robb

Dive into the worlds of Philip K. Dick who inspired some of the most famous sci-fi movies of all time! Philip K. Dick struggled to make a living during his lifetime, but his work has since served as a deep seam of ideas to be mined by filmmakers such as Ridley Scott, Paul Verhoeven, Steven Spielberg, John Woo and Richard Linklater, resulting in some of the most successful and influential SF movies of all time. For the still-unequalled future world of Blade Runner to the mind-bending A Scanner Darkly, via the blockbusting action/adventure of Total Recall, Paycheck and Minority Report – not to mention the debt of gratitude films like The Matrix and The Truman Show owe to his work – the legacy of Philip K. Dick has revolutionised Hollywood.

Counterplay: An Anthropologist at the Chessboard

by Robert R. Desjarlais

"Chess gets a hold of some people, like a virus or a drug," writes Robert Desjarlais in this absorbing book. Drawing on his lifelong fascination with the game, Desjarlais guides readers into the world of twenty-first-century chess to help us understand its unique pleasures and challenges, and to advance a new "anthropology of passion." Immersing us directly in chess's intricate culture, he interweaves small dramas, closely observed details, illuminating insights, colorful anecdotes, and unforgettable biographical sketches to elucidate the game and to reveal what goes on in the minds of experienced players when they face off over the board. Counterplay offers a compelling take on the intrigues of chess and shows how themes of play, beauty, competition, addiction, fanciful cognition, and intersubjective engagement shape the lives of those who take up this most captivating of games.

Country House: Polish Theatre Archive

by Stanislav I. Witkiewicz D. Gerould

Country House, a ''comedy with corpses,'' is a wicked subversion of all those realistic psychological dramas of jealousy, adultery, murder and suicide that ask to be taken seriously. Witkacy's send-up assumes the form of a ghost story full of surprises, in the course of which an entire family of four is gleefully dispatched to the other world. When it was first performed in 1923 in Torun, Country House was judged unsuitable for the general public because it derided moral, social and dramatic convention. Three years later, as directed by the playwright himself in Lwów, the drama proved an unexpected success with audiences (although it only ran for four nights) and ever since has been among Witkacy's most frequently performed works. Today we can appreciate Country House not only as a systematic demolition of stage realism, but also as an anxious probing of the elusive boundaries between life and death, exposing the ''dark places'' of the human psyche that make us laugh nervously.

Country Music Broke My Brain: A Behind-the-Microphone Peek at Nashville's Famous and Fabulous Stars

by Gerry House

Nashville is filled with stars and lovers and writers and dreamers. Nashville is also teeming with lunatics and grifters and dip wads and moochers. Gerry House fits easily into at least half of those categories. Someone would probably have to be brain-damaged or really damn talented to try to entertain professional entertainers over a decades-long radio show in Music City, USA. Fortunately, House is little of both. Host of the nationally syndicated, top-rated morning show, &“Gerry House & The Foundation" for more than 25 years, he has won virtually every broadcasting award there is including a place in the National Association of Broadcasters Hall of Fame. Gerry also spent that time deep inside the songwriting and recording world in Nashville. In Country Music Broke My Brain, Gerry tells his stories from the other side of the microphone. He reveals never-aired, never-before published conversations with country music's biggest names—Johnny Cash, Brad Paisley, and Reba McEntire to name a few—and leaves you with his own crazy antics that will either have you laughing or shaking your head in disbelief. With exclusive celebrity stories, humorous trivia and anecdotes, and broadcasting wisdom, this book is a treat for country music fans or for anyone who wants a good laugh.

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