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Dekalog 4: On East Asian Filmmakers
by Kate E. TaylorEast Asian cinema has become a worldwide phenonemon, and directors such as Park Chan-wook, Wong Kar Wai, and Takashi Miike have become household names. Dekalog 4: On East Asian Filmmakers solicits scholars from Japan, Hong Kong, Switzerland, North America, and the U.K. to offer unique readings of selected East Asian directors and their works. Directors examined include Zhang Yimou, Apichatpong Weerasethakul, Rithy Panh, Kinji Fukasaku, and Jia Zhangke, and the volume includes one of the first surveys of Japanese and Chinese female filmmakers, providing singular insight into East Asian film and the filmmakers that have brought it global recognition.
Dekalog 4: On East Asian Filmmakers (Dekalog)
by Ed. Taylor Kate E.East Asian cinema has become a worldwide phenonemon, and directors such as Park Chan-wook, Wong Kar Wai, and Takashi Miike have become household names. Dekalog 4: On East Asian Filmmakers solicits scholars from Japan, Hong Kong, Switzerland, North America, and the U.K. to offer unique readings of selected East Asian directors and their works. Directors examined include Zhang Yimou, Apichatpong Weerasethakul, Rithy Panh, Kinji Fukasaku, and Jia Zhangke, and the volume includes one of the first surveys of Japanese and Chinese female filmmakers, providing singular insight into East Asian film and the filmmakers that have brought it global recognition.
Delete That: (and Other Failed Attempts to Look Good Online)
by John CristA candid and irreverent look at the ridiculous ways we all try to make ourselves look better online—from a popular standup and internet comedian whose videos have been viewed over one billion times.&“John is one of my top-three all-time favorite comedians, next to me and Foxworthy. Buy this book—you&’ll be glad you did.&”—Larry the Cable Guy John Crist wasn&’t always recognizable as &“the guy from that hilarious video in the grocery store.&” Growing up part of a homeschool family of ten in rural Georgia with Mennonite grandparents and a high-school job at Chick-fil-A, he was an unlikely candidate for internet fame. Despite all that, or perhaps because of it, Crist passionately pursued his dream of stand-up comedy. In his first book, Crist offers heartfelt, laugh-out-loud observations on the absurd ways we all try to make ourselves look better online: like how we all post filtered pictures of our super healthy kale salads but somehow neglect to post about our 1 A.M. Uber Eats Big Mac. Or how quick we all are to post our &“I Voted&” sticker pictures but fail to post about the ways we vote with our dollars every day in ways that don&’t align with our loudly and publicly espoused values. With self-deprecating wit, Crist chronicles his meteoric rise as an online and stand-up comedian, but he doesn&’t gloss over the ways his own life choices did not align with his online image—a gap between perception and reality that eventually led to a stint in rehab. In Delete That, Crist takes responsibility for his actions, offers some reflections on how to do better, and encourages us all to stop capitulating to the fear of &“But what will they think?!&” Instead, this book offers a bold invitation to stop curating life and start living it . . . one Nickelback concert at a time.
Deliberative Offenheit durch Empathie: Eine experimentelle Untersuchung von Unterhaltung im politischen Kontext
by Andrea KloßAndrea Kloß geht vor dem Hintergrund der zunehmenden gesellschaftlichen Polarisierung der Frage nach, welchen Beitrag fiktionale Unterhaltungsmedien leisten können, um bei ihrem Publikum Empathie und deliberative Offenheit im Diskurs mit Andersdenkenden zu fördern.In zwei experimentellen Studien mit Teilnehmern unterschiedlicher Bildungsniveaus kann die Autorin zeigen, dass Transformationsgeschichten, die eine versöhnliche Annäherung zwischen zwei Filmcharakteren mit gegensätzlichen Überzeugungen darstellen, bei den Rezipienten das gleichzeitige Erleben von Empathie für beide Charaktere begünstigen und dadurch ihre Offenheit für andere Ansichten stärken.
Delicious Disney: Disneyland (Delicious Disney)
by Pam BrandonA holistic look at the California resort's culinary past, present, and future—all organically woven around diverse recipes from the Disney Chefs and fit for home chefs of varying skill levels.Some of the best vacation moments happen during a great meal, and this collection of official Disneyland recipes and stories from across the decades presents a holistic look at the culinary past, present, and future of Walt Disney&’s first theme park!Bite-sized, behind-the-scenes anecdotes from Marcy Carriker Smothers and the Staff of the Walt Disney Archives weave around sixty diverse recipes from the Disney Chefs, making it fit for both Disney park fans and home chefs of varying skill levels.For more than twenty-five years, Pam Brandon has worked closely with the Disney Chefs to thoughtfully take the best dishes from Disney theme parks and resorts and serve up official recipes that are just right for prepping on a smaller scale in home kitchens. This cookbook-meets-culinary-history coffee table book enchants with mouth-watering food photos, gorgeous Walt Disney Imagineering concept artwork, nostalgic restaurant menus, and a little Disney magic The book includes an assortment of appetizers, main courses, sides, desserts, and joyful libations, coming from fine-dining and quick-service establishments across the resort. Each has been tested by home chefs to help you bring your cherished vacation memories to life . . . and inspire new ones for years to come.Here&’s a sampling of what awaits inside:Big Thunder Ranch RibsGingerbread MickeyMint JulepCorn Chowder SoupMonte Cristo SandwichMickey Mouse BeignetsBatuuan Ronto-less Garden WrapChurro Toffee Squares
Delicious Disney: Walt Disney World (Delicious Disney)
by Pam BrandonThis collection of 60 official recipes from the Walt Disney World Resort features some of the most delicious and adored foods, so you can create Disney magic at home!Organized by 9 themed chapters―such as Gone but Not Forgotten, Never Left the Menu, Eating and Imagination, and Be Our Guests: Accommodations and Sustainability!Also includes 9 unique, multipage sidebars all about Disney food history.Delicious Disney: Walt Disney World is a holistic look at the Florida resort's culinary past, present, and future―all organically woven around diverse recipes from the Disney Chefs and fit for home chefs of varying skill levels.Filled with a heartfelt narrative and behind-the-scenes anecdotes, mouth-watering food photos, gorgeous Walt Disney Imagineering concept artwork, nostalgic restaurant menus and ephemera, and a little Disney magic, this cookbook-meets-culinary-history coffee table book enchants with more than 60 recipes.Including an assortment of appetizers, main courses, sides, desserts, and even joyful libations, these dishes come from fine-dining and quick-service establishments across the resort. Each has been tested by home chefs to help you bring your cherished vacation memories to life . . . and inspire new ones for years to come.Here&’s a sampling of what awaits inside:BREAKFAST LASAGNAFROZEN PINEAPPLE TREAT INSPIRED BY DOLE WHIP®HANDWICH 3.0IMPOSSIBLE™ MEATLOAFTONGA TOASTCANADIAN CHEDDAR CHEESE SOUPGOBI MANCHURIANBATUUAN RONTO WRAPORANGE BIRD FLIPSearching for ways to celebrate the Walt Disney World Resort? Explore more books from Disney Editions: A Portrait of Walt Disney World: 50 Years of The Most Magical Place on EarthArt of Coloring: Walt Disney WorldPeople Behind the Disney Parks: Stories of Those Honored with a Window on Main Street, U.S.A.Poster Art of the Disney Parks, Second EditionMaps of the Disney Parks: Charting 60 Years from California to ShanghaiOr check out the rest of the Official Disney Parks Cookbooks: Delicious Disney: Disneyland: Recipes & Stories from The Happiest Place on EarthThe Official Disney Parks Cookbook: 101 Magical Recipes from the Delicious Disney VaultThe Official Disney Parks Celebration Cookbook: 101 Festival Recipes from the Delicious Disney Vault
Della
by Chuck BarrisThis surprisingly candid, often funny, and entirely moving memoir is Chuck Barris's story about life with his only child, Della. Born on Christmas Eve in 1962, Della was a lovable charmer like her father, an adventurous and quick-witted kid. She had a carefree suburban childhood, even while her father was fast becoming an entertainment superstar, inventing, hosting, and producing his legendary game shows. When Barris and his wife eventually divorced, Della was shuttled between parents in New York and California, then moved from boarding school in Switzerland to Beverly Hills High, among other places. Bored, lonely, and often depressed, she discovered drugs and petty crime early in adolescence, and her escapades soon took on a far more alarming and dangerous aspect. She was lost, yearning for attention and guidance, and growing up in Los Angeles amid temptation everywhere. Her father felt helpless: caring for a daughter was more than Barris had bargained for. Ranging from late-night phone calls from the neighbors to emergency room visits, Della's behavior was out of control. When Della decided at age sixteen to move out on her own, Barris didn't object. He gave her a trust fund and let her go out into the world alone, a regret that he shares with readers here in heartbreaking and clear-eyed detail as he chronicles Della's descent into addiction and her eventual death from an overdose at age thirty-six. But Della is not just a grief-stricken story. Filled with loving memories and spontaneous humor, it is a brave and hard-earned reflection on fatherhood and a tribute to innocence lost.
Dementia, Narrative and Performance: Staging Reality, Reimagining Identities
by Janet GibsonFocusing mainly on case studies from Australia and the United States of America, this book considers how people with dementia represent themselves and are represented in ‘theatre of the real’ productions and care home interventions, assessing the extent to which the ‘right kind’ of dementia story is being affirmed or challenged. It argues that this type of story — one of tragedy, loss of personhood, biomedical deficit, and socio-economic ‘crisis — produces dementia and the people living with it, as much as biology does. It proposes two novel ideas. One is that the ‘gaze’ of theatre and performance offers a reframing of some of the behaviours and actions of people with dementia, through which deficit views can be changed to ones of possibility. The other is that, conversely, dementia offers productive perspectives on ’theatre of the real’. Scanning contemporary critical studies about and practices of ‘theatre of the real’ performances and applied theatre interventions, the book probes what it means when certain ‘theatre of the real’ practices (specifically verbatim and autobiographical) interact with storytellers considered, culturally, to be ‘unreliable narrators’. It also explores whether autobiographical theatre is useful in reinforcing a sense of ‘self’ for those deemed no longer to have one. With a focus on the relationship between stories and selves, the book investigates how selves might be rethought so that they are not contingent on the production of lucid self-narratives, consistent language, and truthful memories.
Democracy Hacked: How Technology is Destabilising Global Politics
by Martin MooreTechnology has fractured democracy, and now there&’s no going back. All around the world, the fringes have stormed the palace of the elites and unleashed data miners, dark ads and bots on an unwitting public. After years of soundbites about connecting people, the social media giants are only just beginning to admit to the scale of the problem. We stand on the precipice of an era where switching your mobile platform will have more impact on your life than switching your government. Where freedom and privacy are seen as incompatible with social well-being and transparency. Where your attention is sold to the highest bidder. Our laws don&’t cover what is happening and our politicians don&’t understand it. But if we don&’t fight to change the system now, we may not get another chance.
Democracy Moving: Bill T. Jones, Contemporary American Performance, and the Racial Past (Theater: Theory/Text/Performance)
by Ariel NeresonOn the 200th anniversary of Abraham Lincoln’s birth, renowned choreographer and director Bill T. Jones developed three tributes: Serenade/The Proposition, 100 Migrations, and Fondly Do We Hope . . . Fervently Do We Pray. These widely acclaimed dance works incorporated video and audio text from Lincoln’s writings as they examined key moments in his life and his enduring legacy. Democracy Moving explores how these works provided both an occasion and a method by which democracy and history might be reconceived through movement, positioning dance as a form of both history and historiography. The project addresses how different communities choose to commemorate historical figures, events, and places through art—whether performance, oratory, song, statuary, or portraiture—and in particular, Black US American counter-memorial practices that address histories of slavery. Advancing the theory of oscillation as Black aesthetic praxis, author Ariel Nereson celebrates Bill T. Jones as a public intellectual whose practice has contributed to the project of understanding America’s relationship to its troubled past. The book features materials from Bill T. Jones/Arnie Zane Company’s largely unexplored archive, interviews with artists, and photos that document this critical stage of Jones’s career as it explores how aesthetics, as ideas in action, can imagine more just and equitable social formations.
Democracy Moving: Bill T. Jones, Contemporary American Performance, and the Racial Past (Theater: Theory/Text/Performance)
by Ariel NeresonOn the 200th anniversary of Abraham Lincoln’s birth, renowned choreographer and director Bill T. Jones developed three tributes: Serenade/The Proposition, 100 Migrations, and Fondly Do We Hope . . . Fervently Do We Pray. These widely acclaimed dance works incorporated video and audio text from Lincoln’s writings as they examined key moments in his life and his enduring legacy. Democracy Moving explores how these works provided both an occasion and a method by which democracy and history might be reconceived through movement, positioning dance as a form of both history and historiography. The project addresses how different communities choose to commemorate historical figures, events, and places through art—whether performance, oratory, song, statuary, or portraiture—and in particular, Black US American counter-memorial practices that address histories of slavery. Advancing the theory of oscillation as Black aesthetic praxis, author Ariel Nereson celebrates Bill T. Jones as a public intellectual whose practice has contributed to the project of understanding America’s relationship to its troubled past. The book features materials from Bill T. Jones/Arnie Zane Company’s largely unexplored archive, interviews with artists, and photos that document this critical stage of Jones’s career as it explores how aesthetics, as ideas in action, can imagine more just and equitable social formations.
Democracy's Body: Judson Dance Theatre, 1962–1964
by Sally BanesDemocracy's Body offers a lively, detailed account of the beginnings of the Judson Dance Theater--a popular center of dance experimentation in New York's Greenwich Village--and its place in the larger history of the avant-garde art scene of the 1960s. JDT started when Robert Dunn, a student of John Cage, offered a dance composition class in Merce Cunningham's studio. The performers--many of whom included some of the most prominent figures in the arts in the early sisties--found a welcome performance home in the Judson Memorial Church in the Village. Sally Banes's account draws on interviews, letters, diaries, films, and reconstructions of dances to paint a portrait of the rich culture of Judson, which was the seedbed for postmodern dance and the first avant-garde movement in dance theater since the modern dance of the 1930s and 1940s. Originally published in 1983, this edition brings back into print a highly regarded work of dance history.
Demographic Angst: Cultural Narratives and American Films of the 1950s
by Alan NadelProlific literature, both popular and scholarly, depicts America in the period of the High Cold War as being obsessed with normality, implicitly figuring the postwar period as a return to the way of life that had been put on hold, first by the Great Depression and then by Pearl Harbor. Demographic Angst argues that mandated normativity—as a political agenda and a social ethic—precluded explicit expression of the anxiety produced by America’s radically reconfigured postwar population. Alan Nadel explores influential non-fiction books, magazine articles, and public documents in conjunction with films such as Singin’ in the Rain, On the Waterfront, Sunset Boulevard, and Sayonara, to examine how these films worked through fresh anxieties that emerged during the 1950s.
Demokratie und Soziale Arbeit: Sensibilisierung für die Wahrnehmung und Veränderung von Ungleichheiten in unserer Gesellschaft
by Monika Alamdar-Niemann Bärbel Schomers Marion TackeDer Tagungsband „Demokratie und Soziale Arbeit“ befasst sich aus unterschiedlichen Perspektiven mit zentralen aktuellen Fragen der Sozialen Arbeit. Wie kann Teilhabe und Partizipation in der Gesellschaft ungeachtet der sozialen Lage der Adressat*innen, ihres Geschlechts, ihrer sexuellen Orientierung, ihrer ethnischen Herkunft und Hautfarbe, ihrer Religion und Sprache, ihres Alters und rechtlichen Status ermöglicht werden? Soziale Arbeit mit Blick auf die zugrundeliegenden strukturellen Mechanismen von Ausgrenzung und Abwertung zielt auf eine Humanisierung der deutschen Gesellschaft. Es geht um nicht weniger als die Professionalisierung einer Arbeit gegen Diskriminierung zur Wahrung demokratischer Prinzipien, denen sich die hier versammelten Autor*innen widmen.
Demonizing the Other: Antisemitism, Racism and Xenophobia
by Robert S. WistrichAt the close of the twentieth century the stereotyping and demonization of 'others', whether on religious, nationalist, racist, or political grounds, has become a burning issue. Yet comparatively little attention has been paid to how and why we fabricate images of the 'other' as an enemy or 'demon' to be destroyed. This innovative book fills that gap through an interdisciplinary, cross-cultural approach that brings together a distinguished array of historians, anthropologists, psychologists, literary critics, and feminists.The historical sweep covers Greco-Roman Antiquity, the MIddle Ages, and the MOdern Era. Antisemitism receives special attention because of its longevity and centrality to the Holocaust, but it is analyzed here within the much broader framework of racism and xenophobia. The plurality of viewpoints expressed in this volume provide fascinating insights into what is common and what is unique to the many varieties of prejudice, stereotyping, demonization, and hatred.
Den of Thieves (Cat Royal #3)
by Julia GoldingDisguised as a ballerina, Cat joins the French Revolution, only to find that it is up to her to save her friends after they are captured as traitors. The action-packed series continues with disguises, danger, drama, and the irrepressible Cat Royal.
Dennis Hopper: Interviews (Conversations with Filmmakers Series)
by Nick DawsonThe legendary Dennis Hopper (1936-2010) had many identities. He first broke into Hollywood as a fresh-faced young actor in the 1950s, redefined himself as a rebel director with Easy Rider in the late 1960s, and became a bad boy outcast for much of the 1970s. He returned in the 1980s with standout performances in films like Blue Velvet and Hoosiers, was one of the great blockbuster baddies of the 1990s, and ended his career as a ubiquitous actor in genre movies. Hopper, however, was much more than just an actor and director: he was also a photographer, a painter, and an art collector not to mention a longtime hedonist who kicked his addiction to drugs and alcohol and became a poster boy for sobriety. Dennis Hopper: Interviews covers every decade of his career, featuring conversations from 1957 through to 2009, and not only captures him at the significant points of his tumultuous time in Hollywood but also focuses on the lesser-known aspects of the man. In this fascinating and highly entertaining volume—the first ever collection of Hopper's interviews—he talks in depth about film, photography, art, and his battles with substance abuse and, in one instance, even takes the role of interviewer as he talks with Quentin Tarantino.
Dennis Kelly (Routledge Modern and Contemporary Dramatists)
by Aloysia RousseauDennis Kelly explores Kelly’s unusual career path and sheds light on his eclectic approach to the arts, characterised by a refusal to write texts that people can fit within neat categories. This is the first monograph on Kelly’s work for stage and screen and brings to light his essential contribution to contemporary British drama and his huge range of work including his rise to international fame with Matilda the Musical.Drawing on Kelly’s published and unpublished texts, his work in production, reviews, original interviews with directors, actors and with Kelly himself as well as critical theory, Dennis Kelly examines and reappraises key motifs in his work such as his preoccupation with violence, the complex relationship between the individual and the community or his emphasis on storytelling. It also offers new insights into overlooked aspects of Kelly’s work by setting out to explore his traumatic narratives and his post-romanticism. In keeping with Kelly’s wish never to repeat himself, this study offers multiple critical entries into his plays, television series and films, drawing on moral and political philosophy, trauma studies, studies in humour, feminist theory and film studies.Part of the Routledge Modern and Contemporary Dramatist series, Dennis Kelly is addressed to students and scholars in Drama, Theatre and Performance as well as theatre practitioners and offers in-depth analysis of one of the most unique and challenging voices in contemporary British playwriting and screenwriting.
Denys Arcand's Le Declin de l'empire americain and Les Invasions barbares
by Andrê LoiselleThe release of Denys Arcand's Le Déclin de l'empire américain (The Decline of the American Empire) in 1986 marked a major turning point in Quebec cinema. It was the first Québécois film that enjoyed huge critical and commercial success at home and abroad. Arcand's tragicomedy about eight intellectuals gathered around a dinner table relating sexy anecdotes became the top-grossing film of all time in Quebec and was the first Canadian feature to be nominated for an Oscar in the foreign-language category. Seventeen years later, Arcand won an Academy Award for the sequel, Les Invasions barbares (The Barbarian Invasions), where the amusing insouciance of the thirty-somethings talking dirty in Le Déclin is replaced by a sense of moral responsibility and serene resignation. In this engrossing study, André Loiselle presents the first in-depth analysis of both films within the context of Quebec culture. Through close readings and concise cultural analysis of two of the most important films in the history of Quebec cinema, Loiselle demonstrates the ways in which Arcand's work represents a snapshot of the evolution of the French Canadian film industry since 1980. The companion films trace the decline of Quebec's national dream and the Québécois' attempts to cling to their identity against the forces of barbaric globalization. The second title in the new Canadian Cinema series, Denys Arcand's "Le Déclin de l'empire américain" and "Les Invasions barbares" is essential reading for cinephiles, film critics, and anyone with an interest in cultural studies and Canadian and Quebec history.
Depeche Mode: El origen de la banda que conquisto el mundo con la musica electronica (Band Records)
by Soledad Romero Mariño Fernando López del HierroLos inicios de Depeche Mode, la banda de rock electrónico por excelencia, explicada a los más pequeños. <p><p>Synth pop, dance rock, new wave... Con su estilo único, el grupo británico Depeche Mode revolucionó la escena musical electrónica en los ochenta. Precursores del uso del sintetizador como instrumento, Vince Clarke, Dave Gahan, Martin Gore y Andy Fletcher se convirtieron a golpe de sampler en un auténtico fenómeno de masas. <p>Responsables de hits como «Enjoy the silence» o «Precious», sus influencias resuenan en grupos como los Pet Shop Boys o Coldplay.
Der Roman als Netzwerk: Formen, Ideen, Waren
by Corinna Norrick-Rühl Tim LanzendörferDer Roman als Netzwerk: Formen, Ideen, Waren beschäftigt sich mit dem zeitgenössischen englischsprachigen Roman und seinen Derivaten und Nebenprodukten wie Graphic Novels, Comics, Podcasts und Quality TV. Dieser Sammelband untersucht die Bedeutung des Romans im größeren System der zeitgenössischen Medienproduktion und (Post-)Printkultur und betrachtet den Roman durch die Linse der Akteur-Netzwerk-Theorie als einen Knotenpunkt im Roman-Netzwerk. Die Kapitel unterstreichen die enge Verbindung zwischen allen Aspekten des Romans, zwischen dem Roman als (literarischer) Form, als Idee und als Ware. Der Sammelband bringt Expert*innen aus amerikanischer und anglistisches Literaturwissenschaft und Postcolonial Studies sowie den Buch- und Medienwissenschaften zusammen und bietet einen neuen Blickwinkel auf den Roman in seinen vielfältigen Erscheinungsformen.
Der verborgene Sinn: Verhüllung und Enthüllung in der Musik
by Laurenz LüttekenEin Sinn, der verborgen oder enthüllt werden kann, ist eine der zentralen Denkfiguren der Neuzeit. Das betrifft auch die Frage, was Musik eigentlich sei. Je stärker man darüber nachgedacht hat, desto brüchiger, changierender ist die Annahme von einem substantiellen Wesenskern der Musik geworden. In diesem Buch geht es nicht um ästhetische oder theoretische Überlegungen dazu, sondern um die Frage, ob und auf welche Weise komponierte Musik sich selbst zum Gegenstand macht und so möglicherweise etwas von ihrem Kern preisgibt. Die optischen Metaphern von Verhüllung und Enthüllung erweisen sich dabei als ebenso hilfreich wie anschaulich. In einer Reihe von Beispielen, die vom 17. bis in die Gegenwart reichen, wird das Phänomen in seiner ganzen Vielfalt beschrieben. Dabei geht es nicht nur um Opern von Mozart bis Strauss, sondern auch um Monteverdis Vokalmusik, Haydns „Schöpfung“, die Sinfonien Bruckners oder Ligetis Etüden.
Der ästhetische Vektor: Eine Studie über filmische Postperformativität
by Jonathan ParteckeMethode der Filmrezeption. Im Zentrum dieser Methode steht der eigens definierte Begriff des ästhetischen Vektors: eine Wahrnehmungsinstanz, die als Abkürzung die Beschreibung komplizierter, semiotischer Zusammenhänge ermöglichen soll. Um den Vektorbegriff, seine Einzelteile und besondere Eigenheiten von Abänderungen und Nuancen in der Anwendung werden eine Vielzahl von neuen Begriffen eingeführt (und einige bestehende Begriffe bzw. in Verwendung befindliche Begriffe redefiniert), um eine neuartige Form der Filmwahrnehmung zu beschreiben: Das Rauschhafte Erleben des cinematographischen Modus – die Postperformativität. Film ist primär Ästhetik und Bild. Wie diese konstruiert werden und wirken, wird entschlüsselt.Der AutorJonathan Partecke studierte am Institut der Theaterwissenschaft München twm der Ludwig-Maximilians- Universität München. Seine Schwerpunkte sind: Filmwissenschaft, Ästhetiktheorie, Filmphilosophie, Deleuze.
Derrida | Benjamin: Two Plays for the Stage
by John Schad Fred DalmassoWithin the work of both Jacques Derrida and Walter Benjamin there is a buried theatricality, a theatre to-come. And in the last fifteen years there has been a growing awareness of this theatricality. To date, though, there has not been a published stage play about either Derrida or BenjaminCue Derrida| Benjamin, a volume that brings together two tragi-comic plays which mirror each other in a host of ways – above all, in the way that the central philosophical figure is displaced, or not quite where or when we would expect to find them. In Derrida’s case, it is Oxford in 1968; in Benjamin’s case, it is somewhere (or nowhere) near London in 1948. These, then, are plays in which the philosopher is exiled, or elsewhere – not quite himself. This a volume for anyone with an eye or ear for where theatre or performance meets philosophy – students, scholars, readers, actors.
Dervish Dust: The Life and Words of James Coburn
by Robyn L. CoburnDervish Dust is the authorized biography of &“cool cat&” actor James Coburn, covering his career, romances, friendships, and spirituality. Thoroughly researched with unparalleled access to Coburn&’s friends and family, the book&’s foundation is his own words in the form of letters, poetry, journals, interviews, and his previously unpublished memoirs, recorded in the months before his passing.Dervish Dust details the life of a Hollywood legend that spanned huge changes in the entertainment and filmmaking industry. Coburn grew up in Compton after his family moved from Nebraska to California during the Great Depression. His acting career began with guest character roles in popular TV series such as The Twilight Zone, Bonanza, and Rawhide. In the 1960s Coburn was cast in supporting roles in such great pictures as The Magnificent Seven, Charade, and The Great Escape, and he became a leading man with the hit Our Man Flint. In 1999 Coburn won an Academy Award for his performance in Affliction. Younger viewers will recognize him as the voice of Henry Waternoose, the cranky boss in Monsters, Inc., and as Thunder Jack in Snow Dogs. An individualist and deeply thoughtful actor, Coburn speaks candidly about acting, show business, people he liked, and people he didn&’t, with many behind-the-scenes stories from his work, including beloved classics, intellectually challenging pieces, and less well-known projects. His films helped dismantle the notorious Production Code and usher in today&’s ratings system. Known for drum circles, playing the gong, and participating in LSD research, Coburn was New Age before it had a name. He brought his motto, Go Bravely On, with him each time he arrived on the set in the final years of his life, when he did some of his best work, garnering the admiration of a whole new generation of fans.