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Directing: Film Techniques and Aesthetics
by Michael Rabiger Mick Hurbis-CherrierDirecting: Film Techniques and Aesthetics is a comprehensive exploration into the art and craft of directing for film and television. It’s filled with practical advice, essential technical information, and inspiring case studies for every stage of production. This book covers the methods, technologies, thought processes, and judgments that a director must use throughout the fascinating process of making a film, and concentrates on developing the human aspects of cinema to connect with audiences.The fully revised and updated 6th edition features new sections on using improvisation, the development of characters for long form television series, visual design, the role of the digital imaging technician, film promotion and distribution, alongside expanded information on contemporary color grading tools, stylistic approaches and genre, workflows, blocking scenes for the camera and more. The book emphasizes independent and short form cinema which allows cutting-edge creativity and professionalism on shoestring budgets. Recognizing that you learn best by doing, it includes dozens of practical hands-on projects and activities to help you master technical and conceptual skills. Just as important as surmounting technological hurdles is the conceptual and authorial side of filmmaking. This book provides an unusually clear view of the artistic process, particularly in working with actors and principle crew members. It offers eminently practical tools and exercises to help you develop your artistic identity, find credible and compelling stories, choose and work with your cast and hone your narrative skills. Directing shows you how to surpass mere technical proficiency and become a storyteller with a distinctive voice and style. The accompanying companion website includes film analysis exercises, shooting projects, checklists and assignment forms, analytical questionnaires, updated production forms and logs for all phases of a project with links to additional resources and set safety advice.
Directing: Film Techniques and Aesthetics (Fifth Edition)
by Michael Rabiger Mick Hurbis-CherrierThe book is full of practical advice on every stage of production, that covers human, psychological, and technical knowledge that every director needs in the fascinating process of film-making.
Director's Cut
by Margaret MincksThe director of the Cosgrove Elementary school play learned that directing a play is a great way to make enemies. Casting is not that easy, especially when there are Talented Terrors involved.
Director's Cut: My Life in Film
by Josh Young Ted KotcheffFrom Weekend at Bernie’s to First Blood andLaw & Order: SVU, the legendary director recounts his journey and wide-ranging career in this intimate memoir. Born to immigrant parents and raised in the slums of Toronto during the Depression, Ted Kotcheff learned storytelling on the streets before taking a stagehand job at CBC Television. Kotcheff went on to direct some of the greatest films of the freewheeling 1970s, including The Apprenticeship of Duddy Kravitz, Wake in Fright, and North Dallas Forty. After directing the 1980s blockbusters First Blood and Weekend at Bernie’s, Kotcheff helped produce the groundbreaking TV show Law & Order: Special Victims Unit. During his career, he was declared a communist by the US government, banned from the Royal Albert Hall in London, and coped with assassination threats on one of his lead actors. With his seminal films enjoying a critical renaissance, including praise from Martin Scorsese and Nick Cave, Kotcheff now turns the lens on himself. Director’s Cut is not just a memoir, but a close-up on life and craft, with stories of his long friendship with Mordecai Richler and working with stars like Sylvester Stallone, James Mason, Gregory Peck, Ingrid Bergman, Gene Hackman, Jane Fonda, and Richard Dreyfuss, as well as advice on how to survive the slings and arrows of Hollywood. “As he explains why music matters, how Gene Hackman gets into character, and how shooting a nighttime kangaroo slaughter resulted in a change in Australian hunting policy, Kotcheff’s love of the whole process of filmmaking shines through.” —Publishers Weekly (starred review)
Directors Tell the Story
by Bethany Rooney Mary Lou BelliMove over, movies: the freshest storytelling today is on television, where the multi-episodic format is used for rich character development and innovative story arcs. Directors Tell the Story offers rare insight and advice straight from two A-list television directors whose credits include Monk, Grey's Anatomy, Desperate Housewives, Weeds, and more. They direct dramas and comedies using the same process that Steven Spielberg (or any other movie director uses)-just with less money and time. Learn what it takes to become a director: master the technical aspects, appreciate aesthetic qualities, and practice leadership, all while exuding that "X" factor that distinguishes the excellent director from the merely good one. Covering everything from prep, the shoot, and post, the authors emphasize how aspiring directors can develop a creative vision-because without it, they are just technicians. Hands-on and practical, this book lets you not only read about the secrets of directors, it also includes exercises using original scripted material. The companion web site includes scenes from the authors' own TV shows, along with the scripts, shot lists, and other materials that made the scenes possible. Key Features* Highly experienced Hollywood directors share inside information about what it really takes to be a director, giving the advice that readers covet.* Covers everything a director needs to know: the creative vision, how to translate script into a visual story, establishing the look and feel, selecting and leading a crew, coaching actors, keeping a complex operation on time and on budget, overseeing the edit, and troubleshooting through the whole shoot. * "Insider Info" sections feature interviews, advice, and tips from film and TV luminaries whose productions include Private Practice, Monk, Brothers & Sisters, Desperate Housewives, The Informant, American Beauty, and more!* Hands-on exercises help you understand and master the craft of directing.
Directors Tell the Story: Master the Craft of Television and Film Directing
by Bethany Rooney Mary Lou BelliMove over, movies: the freshest storytelling today is on television, where the multi-episodic format is used for rich character development and innovative story arcs. Directors Tell the Story, Second Edition?offers rare insight and advice straight from two A-list television directors whose credits include?NCIS,?NCIS New Orleans, Nashville, Criminal Minds and many more. Here, in one volume, learn everything you need to know to become an excellent director, not merely a good one. Covering everything through prep, shoot, and post, the authors offer practical instruction on how to craft a creative vision, translate a script into a visual story, establish and maintain the look and feel of a television show or film, lead the cast and crew, keep a complex operation running on time and on budget, and effectively oversee editing and post-production. Directors Tell the Story provides behind-the-scenes access to the secrets of successful directors, as well as exercises that use original scripted material. This newly updated edition features: All-new "From the Experts" sections with insider info known only to working professionals Profiles of top film and TV luminaries with advice and tips Additional „How I Got My First Job" stories from directors currently in the trenches Useful instruction to help you put directing techniques into practice A companion website featuring directing tutorials and video interviews with the authors Bethany Rooney has directed over two hundred episodes of prime-time network shows, including NCIS, The Originals, Nashville, NCIS New Orleans, and Criminal Minds. She teaches the Warner Brothers Directing Workshop and serves on numerous committees at the Directors Guild of America. Mary Lou Belli is a two-time Emmy Award winning producer, writer, and director as well as the author of two books. She directed NCIS New Orleans, Monk, Hart of Dixie, The Game, Girlfriends, and The Wizards of Waverly Place. She teaches directing at USC’s School of Cinematic Arts.
Directors Tell the Story: Master the Craft of Television and Film Directing
by Bethany Rooney Mary Lou BelliThe freshest storytelling today is on television, where the multi-episodic format is used for rich character development and innovative story arcs. This exciting new edition of Directors Tell the Story continues to offer rare insight and advice straight from two A-list television directors whose credits include Elsbeth, Tracker, Criminal Minds: Evolution, The Ms. Pat Show, Chicago Med, and many more.Here, in one volume, learn everything you need to know to become an excellent director. Covering everything through prep, shoot, and post, the authors offer practical instruction on how to craft a creative vision, translate a script into a visual story, establish and maintain the look and feel of a television show or film, lead the cast and crew, keep a complex operation running on time and on budget, and effectively oversee editing and postproduction. Directors Tell the Story provides behind-the-scenes access to the secrets of successful directors, as well as exercises that use original scripted material.This newly updated edition features: More roles on set, including on-set writers, producing directors, intimacy coordinators, virtual production supervisors, and virtual production designers New material covering updates to cameras, lighting, and new innovations in sound Updated “Insider Info” sections with advice and tips known only to working professionals Profiles of top film and TV luminaries Additional “How I Got My First Directing Job” stories from a diverse range of directors currently in the trenches Suited to students in both beginning and intermediate level directing and production courses, as well as aspiring professionals, this book provides valuable insight. The work is supported by a fresh instructor and student online resource featuring directing tutorials and video interviews with the authors.
Directors in Rehearsal: A Hidden World
by Susan ColeFirst Published in 1992. Routledge is an imprint of Taylor & Francis, an informa company.
Dirk Bogarde: The Authorised Biography
by John Coldstream'Biographies only tend to be definitive until the next one comes along, but there's no danger of Coldstream's erudite, moving analysis ever being superseded' INDEPENDENT ON SUNDAY. As an actor Dirk Bogarde was a Rank contract artist and matinee idol who became a giant of the intellectual cinema, working on films such as Death in Venice, The Servant and Providence. Fiercely protective of his privacy, and that of his partner of 40 years, he left England in the 1960s to live abroad, where he carved a second career for himself as a bestselling author. Although Bogarde destroyed many of his papers, John Coldstream has had unique access to his personal archives and to friends and family who knew him well. The result is a fascinating biography of a complex and intriguing personality.
Dirk Bogarde: The authorised biography
by John Coldstream'Biographies only tend to be definitive until the next one comes along, but there's no danger of Coldstream's erudite, moving analysis ever being superseded' INDEPENDENT ON SUNDAY.As an actor Dirk Bogarde was a Rank contract artist and matinee idol who became a giant of the intellectual cinema, working on films such as Death in Venice, The Servant and Providence. Fiercely protective of his privacy, and that of his partner of 40 years, he left England in the 1960s to live abroad, where he carved a second career for himself as a bestselling author. Although Bogarde destroyed many of his papers, John Coldstream has had unique access to his personal archives and to friends and family who knew him well. The result is a fascinating biography of a complex and intriguing personality.
Dirt: Adventures in Lyon as a Chef in Training, Father, and Sleuth Looking for the Secret of French Cooking
by Bill BufordThe hugely anticipated follow up to Heat--Bill Buford's hilariously self-deprecating, highly obsessive adventures in the world of French haute cuisine. <P><P>In Dirt, Bill Buford--author of the best-selling, now-classic, Heat--moves his attention from Italian cuisine to the food of France. Baffled by the language, determined that he can master the art of French cooking--or at least get to the bottom of why it is so revered--Buford begins what will become a five-year odyssey by shadowing the revered French chef Michel Richard in Washington, D.C. <P><P>He soon realizes, however, that a stage in France is necessary, and so he goes--this time with his wife and three-year-old twin sons in tow--to Lyon, the gastronomic capital of France. Studying at l'Institut Bocuse, cooking at the storied, Michelin-starred Mère Brazier, Buford becomes a man obsessed--to prove that French cooking actually derives from the Italian, to prove himself on the line, to prove that he is worthy of these gastronomic secrets. <P><P>With his signature humor, sense of adventure, and masterful ability to immerse himself in his surroundings, Bill Buford has written what is sure to be the food-lover's book of the year.
Dirt: Adventures in Lyon as a Chef in Training, Father, and Sleuth Looking for the Secret of French Cooking (Granta Ser.)
by Bill Buford&“You can almost taste the food in Bill Buford&’s Dirt, an engrossing, beautifully written memoir about his life as a cook in France.&” —The Wall Street JournalWhat does it take to master French cooking? This is the question that drives Bill Buford to abandon his perfectly happy life in New York City and pack up and (with a wife and three-year-old twin sons in tow) move to Lyon, the so-called gastronomic capital of France. But what was meant to be six months in a new and very foreign city turns into a wild five-year digression from normal life, as Buford apprentices at Lyon&’s best boulangerie, studies at a legendary culinary school, and cooks at a storied Michelin-starred restaurant, where he discovers the exacting (and incomprehensibly punishing) rigueur of the professional kitchen. With his signature humor, sense of adventure, and masterful ability to bring an exotic and unknown world to life, Buford has written the definitive insider story of a city and its great culinary culture.
Dirty Blvd.: The Life and Music of Lou Reed
by Aidan LevyA tremendously insightful biography of the man who helmed the Velvet Underground and single-handedly created alternative rock This book covers not only the highlights of Reed's career, but explores lesser-known facets of his work, such as his first recordings with doo-wop group the Jades, his key literary influences, the impact of Judaism upon his work, and his engagement with the LGBT movement. Drawing from original interviews with many of his artistic collaborators, friends, and romantic partners, as well as from archival material, concert footage, and unreleased bootlegs of live performances, Dirty Blvd. exposes the man behind the myth, the notoriously uncompromising rock poet who wrote songs that transcended their genre and established himself as one of the most influential and enigmatic American artists of the past half century.
Dirty Daddy
by Bob SagetBob Saget, the decidedly irreverent stand-up comedian and beloved TV star, delivers uproarious, uncensored, and heartfelt stories from a life in entertainment and beyondMillions of viewers know and love Bob Saget from his role as the sweetly neurotic father on the smash hit Full House, and as the charming wisecracking host of America's Funniest Home Videos. And then there are the legions of fans who can't get enough of his scatological, out-of-his-mind stand-up routines, comedy specials, and outrageously profane performances in such shows as HBO's Entourage and the hit documentary The Aristocrats. In his bold and wildly entertaining publishing debut, Bob continues to embrace his dark side and gives readers the book they have long been waiting for--hilarious and often dirty yet warm and disarmingly sincere. Bob talks about the connection between humor and pain, offering insights into his own life, including the deaths of his beloved sisters. He pays homage to the people who shaped and inspired him: his mom, Dolly; his father, Ben (the comedy influence who instilled his love of "sick silliness"); and the teacher who told him, "You need to make people laugh," as well as legendary comedians such as Richard Pryor, David Letterman, Billy Crystal, and Robin Williams.Bob believes there's a time and a place for filth and immature humor--and for gentle family comedy. Dirty Daddy is packed with both, from his never-before-heard stories of what really went on behind the scenes of two of the most successful family shows of all times, with costars like John Stamos, Mary-Kate Olsen, and Ashley Olsen, to his liberating experience in The Aristocrats, his Comedy Central roast, and his role of playing an extreme version of himself on Entourage. Bob opens up about his career, his reputation for sick humor, his pride and love for Full House, and how he's come to terms with the fame of being DT--"Danny Tanner." Throughout, he shares tales of close friends and colleagues like Rodney Dangerfield and Don Rickles, and recalls his experiences with show business legends, including Johnny Carson and George Carlin. Told with his highly original blend of silliness, vulgarity, wit, and heart, Dirty Daddy reveals Bob Saget as never before--a man who loves being funny and making people laugh above all else.
Dirty Girls
by Gillian TellingThe Naked Truth Isn't Always Pretty. A no-holds-barred look at the hilarious underbelly of what it means to be female, Dirty Girls lays bare the secrets of the fairer sex. Women don't come from a different planet than men. In fact, both sexes want the exact same things: success, friendships, semifunctional families, semifunctioning relationships, good bodies, and lots and lots of great sex. But there's more. * Even though we pluck, we wax, and we put on war paint to mask our blemishes, we also regularly watch porn. * We wear our bikini bottoms when we run out of clean underwear. * When we're alone, we eat Cheetos and peanut butter on a spoon for dinner. Women are fascinating, beautiful, and, yes, disgusting creatures, and we shouldn't be ashamed of it. Dirty Girls exposes the filthy, lazy, fabulous truth that everything boys can do, girls can do better.
Dirty Harry's America: Clint Eastwood, Harry Callahan, and the Conservative Backlash
by Joe Street“Street provides a crucial critical and cultural service by not only studying Eastwood’s individual films in sharp detail but also by providing a close and serious analysis of the cultural and historic times of the films.”—Sam B. Girgus, author of Clint Eastwood’s America “By far the most comprehensive, sustained, and detailed discussion of the Dirty Harry phenomenon. A thorough and engaging account of how a fictitious renegade cop became an enduring icon of the angry conservative backlash that sought to halt 1960s liberalism in its tracks.”—Nick Heffernan, author of Culture, Environment and Ecopolitics Clint Eastwood’s Dirty Harry became the prototype for a new kind of movie cop—an antihero in pursuit of his own vision of justice. The Dirty Harry series helped cement Eastwood and his character, Harry Callahan, as central figures in 1970s and 1980s Hollywood cinema. In Dirty Harry’s America, Joe Street argues that the movies shed critical light on the culture and politics of the post-1960s era and locates San Francisco as the symbolic cultural battleground of the time. Across the entire series, conservative anger and moral outrage confront elitist liberalism and moral relativism. Paying particular attention the films' representation of crime, family and community, sexuality, and race, Street maintains that through referencing real events and political struggles, the films themselves became active participants in the culture wars. Unapologetic carrier of right and might, Harry Callahan becomes America’s Ur-conservative: “unbending, moral, incorruptible, and most important, always right.” Long after the series, Callahan’s legacy remains strong in American political discourse, cinema, and pop culture, and he continues to shape Eastwood’s later political and cinematic career.
Dirty Laundry: Real Life. Real Stories. Real Funny.
by Maggie Rowe Andersen GabrychEvery other Thursday on Santa Monica Boulevard' s Comedy Central Stage, a motley assortment of Hollywood writers, actors, and comics convened to reveal the most personal— and colorful— parts of their lives. Their soul-baring monologues revealed the sources of their creative genius, from wacky families and psycho exes to random ramblings and unbelievable Hollywood insights. This hilarious collection features confessions from such performers as Richard Belzer (Law & Order: Special Victims Unit), Jennifer Elise Cox (The Brady Bunch Movie), Marc Evan Jackson (The Good Place), and Kevin Nealon (Saturday Night Live), among others. In more than three dozen anecdotes, they provide the inside scoop on Hollywood, including stories about mishaps at the Emmys, writing for popular shows, being put in a sleeper hold by Hulk Hogan, growing up in famous families, and what it' s like to play Jan Brady. Funny, embarrassing, or sordid— or a combination thereof— but always brutally honest, Dirty Laundry shines a voyeuristic light on the underbellies of the people who have sold their souls to the entertainment biz.
Dirty Rocker Boys
by Caroline Ryder Bobbie BrownAn uncensored Hollywood tell-all filled with explicit tales of love, sex, and revenge from the video vixen made famous by Warrant’s rock anthem “Cherry Pie.”Who could forget the sexy “Cherry Pie” girl from hair metal band Warrant’s infamous music video? Bobbie Brown became a bona fide vixen for her playful role as the object of lead singer Jani Lane’s desires. But the wide-eyed Louisiana beauty queen’s own dreams of making it big in Los Angeles were about to be derailed by her rock-and-roll lifestyle. After her tumultuous marriage to Jani imploded, and her engagement to fast-living Mötley Crüe drummer Tommy Lee ended in a drug haze—followed by his marriage later to Pamela Anderson—Bobbie decided it was time Hollywood’s hottest bachelors got a taste of their own medicine. Step one: get high. Step two: get even. In a captivating, completely uncensored confessional, Bobbie explicitly recounts a life among some of the most famous men in Hollywood: Leonardo DiCaprio, Kevin Costner, Mark McGrath, Dave Navarro, Sebastian Bach, Ashley Hamilton, Rob Pilatus of Milli Vanilli, Matthew and Gunnar Nelson, Orgy’s Jay Gordon, and many more. No man was off limits as the fun-loving bombshell spiraled into excess, anger, and addiction. Bobbie survived the party—barely—and her riveting, cautionary comeback tale is filled with the wildest stories of sex, drugs, and rock and roll ever told.
Dirty Side of Glamour
by Tyler ShieldsWith more than 130 raw and revolutionary photographs, The Dirty Side of Glamour showcases Tyler Shields’s unrestrained creative spirit and offers a visual commentary on fame, excess, youth, the trappings of celebrity, and the power of letting go.
Dis-Orienting Planets: Racial Representations of Asia in Science Fiction
by Isiah Lavender IIIContributions by Suparno Banerjee, Cait Coker, Jeshua Enriquez, Joan Gordon, Veronica Hollinger, Malisa Kurtz, Stephanie Li, Bradford Lyau, Uppinder Mehan, Graham J. Murphy, Baryon Tensor Posadas, Amy J. Ransom, Robin Anne Reid, Haerin Shin, Stephen Hong Sohn, Takayuki Tatsumi, and Timothy J. Yamamura Isiah Lavender III's Dis-Orienting Planets amplifies critical issues surrounding the racial and ethnic dimensions of science fiction. This edited volume explores depictions of Asia and Asians in science fiction literature, film, and fandom with particular regard to China, Japan, India, and Korea. Dis-Orienting Planets highlights so-called yellow and brown peoples from the constellation of a historically white genre. The collection launches into political representations of Asian identity in science fiction's imagination, from fear of the Yellow Peril and its racist stereotypes to techno-Orientalism and the remains of a postcolonial heritage. Thus the essays, by contributors such as Takayuki Tatsumi, Veronica Hollinger, Uppinder Mehan, and Stephen Hong Sohn, reconfigure the very study of race in science fiction. A follow-up to Lavender's Black and Brown Planets, this collection expands the racial politics governing the renewed visibility of Asia in science fiction. One of the few on this subject, the volume probes Gary Shteyngart's novel Super Sad True Love Story, the acclaimed film Cloud Atlas, and Guillermo del Toro's monster film Pacific Rim, among others. Dis-Orienting Planets embarks on a wide-ranging assessment of Asian representations in science fiction, upon the determination that our visions of the future must include all people of color.
Disability Culture and Community Performance
by Petra KuppersPerformances in hospices andon beaches; cross-cultural myth making in Wales, New Zealand and the US; communal poetry among mental health system survivors: this book presents a senior practitioner/critic's exploration of arts-based research processes sustained over more than a decade -a subtle engagement with disability culture. "
Disability Identity in Simulation Narratives (Literary Disability Studies)
by Anelise HaukaasDisability Identity in Simulation Narratives considers the relationship between disability identity and simulation activities (ranging from traditional gameplay to more revolutionary technology) in contemporary science fiction. Anelise Haukaas applies posthumanist theory to an examination of disability identity in a variety of science fiction texts: adult novels, young adult literature and comics, as well as ethnographic research with gamers. Haukaas argues that instead of being a means of escapism, simulated experiences are a valuable tool for cultivating self-acceptance and promoting empathy. Through increasingly accessible technology and innovative gameplay, traditional hierarchies are dismantled, and different ways of being are both explored and validated. Ultimately, the book aims to expand our understandings of disability, performance, and self-creation in significant ways by exploring the boundless selves that the simulated environments in these texts allow.
Disability Representation in Film, TV, and Print Media (Interdisciplinary Disability Studies)
by Michael S. JeffressUsing sources from a wide variety of print and digital media, this book discusses the need for ample and healthy portrayals of disability and neurodiversity in the media, as the primary way that most people learn about conditions. It contains 13 newly written chapters drawing on representations of disability in popular culture from film, television, and print media in both the Global North and the Global South, including the United States, Canada, India, and Kenya. Although disability is often framed using a limited range of stereotypical tropes such as victims, supercrips, or suffering patients, this book shows how disability and neurodiversity are making their way into more mainstream media productions and publications with movies, television shows, and books featuring prominent and even lead characters with disabilities or neurodiversity. Disability Representation in Film, TV, and Print Media will be of interest to all scholars and students of disability studies, cultural studies, film studies, gender studies, and sociology more broadly.
Disability and Contemporary Performance: Bodies on the Edge
by Petra KuppersDisability and Contemporary Performance presents a remarkable challenge to existing assumptions about disability and artistic practice. In particular, it explores where cultural knowledge about disability leaves off, and the lived experience of difference begins. Petra Kuppers, herself an award-winning artist and theorist, investigates the ways in which disabled performers challenge, change and work with current stereotypes through their work. She explores freak show fantasies and 'medical theatre' as well as live art, webwork, theatre, dance, photography and installations, to cast an entirely new light on contemporary identity politics and aesthetics. This is an outstanding exploration of some of the most pressing issues in performance, cultural and disability studies today, written by a leading practitioner and critic.
Disability and Digital Television Cultures: Representation, Access, and Reception (Routledge Research in Disability and Media Studies)
by Katie EllisDisability and Digital Television Cultures offers an important addition to scholarly studies at the intersection of disability and media, examining disability in the context of digital television access, representation and reception. Television, as a central medium of communication, has marginalized people with disability through both representation on screen and the lack of accessibility to this medium. With accessibility options becoming available as television is switched to digital transmissions, audience research into television representations must include a corresponding consideration of access. This book provides a comprehensive and critical study of the way people with disability access and watch digital TV. International case studies and media reports are complimented by findings of a user-focused study into accessibility and representation captured during the Australian digital television switchover in 2013-2014. This book will provide a reliable, independent guide to fundamental shifts in media access while also offering insight from the disability community. It will be essential reading for researchers working on disability and media, as well as television, communications and culture; upper-level undergraduate and postgraduate students in cultural studies; along with general readers with an interest in disability and digital culture.