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Dorinda Gets a Groove (Cheetah Girls #11)
by Deborah GregoryDorinda thinks that she and her sister, Tiffany, are totally different, but they actually have something in common - a love for music! Dorinda can dance and sing, and Tiffany can jam on the keyboard.
Dorinda Gets a Groove: Dorinda Gets A Groove (The Cheetah Girls #11)
by Deborah GregoryAfter living most of her life in foster care, Dorinda knows she should be happy when her sister Tiffany is adopted by a rich family. But no matter how hard she tries, she can&’t help but feel jealous of Tiff&’s new clothes, new apartment, and fancy new keyboard. But when they start playing music together, they find they have the kind of musical connection Dorinda never thought possible.Their chemistry is so natural that Tiffany doesn&’t think twice before asking to join up with Dorinda&’s superfabulous girl group, the Cheetah Girls. But will adding a new member upset the balance of the band? Dorinda must choose between her fellow Cheetahs and the sister she thought she had lost forever.
Dorinda's Secret: Dorinda's Secret (The Cheetah Girls #7)
by Deborah GregoryIn this latest book of a contemporary series for black teens, featuring a five-member singing group, Dorinda tries to hide the fact that her sister is white, which presents a problem when her sister decides to show up at the Cheetah Girls&’ concert.
Doris Day
by Eric BraunAn in-depth and fascinating study of one of Hollywood's most popular icons - fully updated and including previously unreleased pictures.Doris Day is almost always portrayed as the sunny, squeaky-clean girl next door. This wholesome image kept her at the top for twenty-four years and thirty-nine films.But behind the effervescent, ever-cheerful image that Doris Day portrayed through dozens of classic Hollywood movies was an extraordinary story of private pain. Her dazzling smile hid a tormented personal life that included four marriages, and a terrifying accident that nearly ended her life. And yet for generations of movie-goers Doris Day remained the embodiment of innocent beauty and apple-pie homeliness, and even today she exerts a powerful fascination for millions of fans around the world.
Doris Day
by Eric BraunAn in-depth and fascinating study of one of Hollywood's most popular icons - fully updated and including previously unreleased pictures.Doris Day is almost always portrayed as the sunny, squeaky-clean girl next door. This wholesome image kept her at the top for twenty-four years and thirty-nine films.But behind the effervescent, ever-cheerful image that Doris Day portrayed through dozens of classic Hollywood movies was an extraordinary story of private pain. Her dazzling smile hid a tormented personal life that included four marriages, and a terrifying accident that nearly ended her life. And yet for generations of movie-goers Doris Day remained the embodiment of innocent beauty and apple-pie homeliness, and even today she exerts a powerful fascination for millions of fans around the world.
Doris Day: Reluctant Star
by David BretWith her bobbed, blonde hair and flashing smile, Doris Day was portrayed as the girl next door – a virginal girl that you could take home to your parents. In real life, she was not quite the happy-go-lucky blonde with the bubbly personality promoted by Warner Brothers who simply wanted to market her as a commodity. Married young, to a violent bully, and with a child, Day had to work hard, touring with bands, to get her start in showbusiness. A reluctant star, all Doris Day wanted to do was settle down to a happy, simple life but somehow managed to always attract the wrong kind of men – thugs and crooks who took their anger out on her. And yet this didn&’t stop her from enjoying sexual exploits with a number of leading men. She worked hard – not to become a success but for a job – and yet her manager managed to defraud her of millions. How could this happen to such a smart lady – perhaps she was too trusting? In this revealing biography, David Bret takes a fascinating look at the trials and tribulations behind what seemed to her adoring fans to be the perfect woman. From her German Jewish parents to her donation to an airlift of cats and dogs in Louisiana, as well as full discography and film lists, this is a captivating look at a resilient American icon.
Doris Humphrey: A Centennial Issue (Choreography and Dance Studies Series)
by Naomi MindlinIn honour of Doris Humphrey's centennial, which was celebrated worldwide in 1995, this issue explores her legacy to the world of dance and her place in history. The varied aspects of her work are covered including choreography, teaching approach, Labanotation scores, reconstruction/recreations, and composition.In order to convey a sense of movement into the next century, the articles are presented in "chronological" order, beginning with that of Ernestine Stodelle, who worked with Humphrey during the 1920's and ending with an examination of Mindlin's 1995 experience learning Humphrey's work from Stodelle.
Dorothy Arzner: Interviews (Conversations with Filmmakers Series)
by Martin F. NordenThrough dozens of interviews, a detailed chronology and filmography, and a selection of Dorothy Arzner’s own writings—including her unfinished autobiography—Dorothy Arzner: Interviews offers major insights into and an in-depth examination of the life and career of one of the few women to direct films during Hollywood’s Golden Age. A key figure in Hollywood for decades, she directed more studio films than any other woman in history. Her movies often focused on courageous women who must make difficult decisions to remain true to themselves—women not unlike Arzner herself, who once said that “all we can ever do in our work is write our own biography.”Dorothy Arzner (1897–1979) began her film career in 1919 as a script typist for the Famous Players-Lasky company, which later became Paramount Pictures. She quickly rose through the ranks to become a script supervisor, screenwriter, and editor before directing her first film, Fashions for Women, in 1927. After the release of her final Hollywood film, First Comes Courage, in 1943, Arzner changed directions in her professional life. She made several training films for the Women’s Army Auxiliary Corps during World War II and directed many television commercials for Pepsi-Cola in the 1950s. She concluded her career by serving as a filmmaking instructor at the Pasadena Playhouse College of Theatre Arts and UCLA, where she helped launch the first wave of college-trained moviemakers.
Dorothy Dandridge: A Biography
by Donald BogleAvailable once again, the definitive biography of the pioneering Black performer—the first nominated for a Best Actress Academy Award—who broke new ground in Hollywood and helped transform American society in the years before Civil Rights movement—a remarkable woman of her time who also transcended it. “An ambitious, rigorously researched account of the long-ignored film star and chanteuse. . . . Bogle has fashioned a resonant history of a bygone era in Hollywood and passionately documented the contribution of one of its most dazzling and complex performers."—New York Times Book ReviewIn the segregated world of 1950s America, few celebrities were as talented, beautiful, glamorous, and ultimately influential as Dorothy Dandridge. Universally admired, she was Hollywood's first full-fledged Black movie star. Film historian Donald Bogle offers a panoramic portrait of Dorothy Dandridge’s extraordinary and ultimately tragic life and career, from her early years as a child performer in Cleveland, to her rise as a nightclub headliner and movie star, to her heartbreaking death at 42. Bogle reveals how this exceptionally talented and intensely ambitious entertainer broke down racial barriers by integrating some of America's hottest nightclubs and broke through Tinseltown’s glass ceiling. Along with her smash appearances at venues such as Harlem’s famed Cotton Club, Dorothy starred in numerous films, making history with her role in Otto Preminger’s Carmen Jones, playing opposite Harry Belafonte. Her performance earned her an Academy Award nomination for Best Actress—the first Oscar nod for a woman of color.But Dorothy’s wealth, fame, and success masked a reality fraught with contradiction and illusion. Struggling to find good roles professionally, uncomfortable with her image as a sex goddess, coping with the aftermath of two unhappy marriages and a string of unfulfilling affairs, and overwhelmed with guilt for her disabled daughter, Dorothy found herself emotionally and financially bankrupt—despair that ended in her untimely death.Woven from extensive research and unique interviews, as magnetic as the woman at its heart, Dorothy Dandridge captures this dazzling entertainer in all her complexity: her strength and vulnerability, her joy and her pain, her trials and her triumphs.
Double Bass Blues
by Andrea J. LoneyA Caldecott Honor Book! A joyous celebration of family, community, and the unifying power of music, perfect for fans of Last Stop on Market Street.Nic is an aspiring musician whose life spans two different worlds--his suburban school where he wows his friends in orchestra, and the busy city streets of his home where he's jostled by the crowd. Nic makes his way home from a busy day at school with a double bass on his back, the symphony of his surroundings in his heart, and a sweet surprise for the reader at the end of his journey. This is a sweet, melodious picture book about how dedication, music, and family can overcome any obstacle.
Double Creature Feature (Desmond Cole Ghost Patrol)
by Andres MiedosoDesmond and Andres are on the edge of their seats in this twenty-fifth installment of Desmond Cole Ghost Patrol series!Grab some popcorn and soda—there&’s a double feature playing at the Kersville movie theater! But when the monster from the movie literally jumps out from the screen, it&’s up to the Ghost Patrol to send it home before the end credits roll. Double the movies, double the scares! With easy-to-read language and illustrations on almost every page, the Desmond Cole Ghost Patrol chapter books are perfect for emerging readers.
Double Crossed: Black Female Intersectionality in Hollywood (Race, Rhetoric, and Media Series)
by Frederick W. Gooding Jr.Despite Hollywood’s recent efforts to appeal to more racially diverse audiences, mainstream movies routinely present a limited view of non-Whites generally, and Black women specifically, in stark contrast to the broadly developed spectrum of White characters. Black women characters are frequently rendered invisible, and even in films featuring their image, Black women characters too often fall prey to historically stereotypical patterns. These consistently marginalized Black female images serve to reflect and reinforce messages of racial imbalance distributed worldwide. In Double Crossed: Black Female Intersectionality in Hollywood, author Frederick W. Gooding Jr. chronicles the Black female experience through the lens of Hollywood. Gooding begins by contextualizing the origins of early Black female imagery on screen, largely restricted to the domestic mammy figure, then traces how these images have shifted over time. Through close readings of such films as Gone with the Wind, Bringing Down the House, The Princess and the Frog, and The Help, as well as case studies looking at Oprah Winfrey and Shonda Rhimes, Gooding considers not only the image the Black woman creates, but also the shadow she casts. This volume demonstrates the historical, economic, and social consequences of Hollywood’s distorted representation of Black women on screen and in real life.
Double Exposure: A Twin Autobiography
by Gloria Morgan Vanderbilt Lady Thelma FurnessIn 1921 there burst upon the New York social scene the famous Morgan twins, Thelma and Gloria, whose names in the decade that followed came to spell glamour and excitement in that magic world of the “international set.” Two continents thrilled to Thelma Furness’s romances with Richard Bennett, Lord Furness, the Prince of Wales, Aly Khan, and Edmund Lowe. The whole world followed with bated breath the searing custody trial over young Gloria that pitted mother against daughter and shook the Vanderbilts and society. While much has been written from the outside about all of this, the two principals have never before disclosed the real truth behind the rumors and the headlines. And exciting as are their personal adventures and escapades, their story is also a portrait of an era.In every age there have been certain women who through a combination of beauty and personality have attracted the love and admiration of rich or famous men, and who seem to be the embodiments of the feminine charm of the period. The Edwardian era had its Lily Langtry, the Napoleonic its Josephine, the eighteenth century its Du Barry and its Lady Hamilton—and so on back to antiquity. In our time, among those women who have come close to fitting this role are Lady Furness and Gloria Vanderbilt.From childhood each had the elusive qualities that characterize the femme fatale. Both knew the love of many men, both suffered deeply, and now both have happily risen above the vicissitudes of their checkered careers and face the future with gallantry, humor, and without rancor or bitterness over the past. In this spirit, and with all sincerity, they have set down the story of their lives.In Double Exposure, we are given a matchless picture of life among the great—and the near-great—in the now-vanished world between the two wars. Above all, we come to know the minds and hearts and philosophy of life and love of two fascinating women, and something of the nature of fascination itself.
Double Exposure: How Social Psychology Fell in Love with the Movies
by Kathryn MillardDouble Exposure examines the role of film in shaping social psychology’s landmark postwar experiments. We are told that most of us will inflict electric shocks on a fellow citizen when ordered to do so. Act as a brutal prison guard when we put on a uniform. Walk on by when we see a stranger in need. But there is more to the story. Documentaries that investigators claimed as evidence were central to capturing the public imagination. Did they provide an alibi for twentieth century humanity? Examining the dramaturgy, staging and filming of these experiments, including Milgram's Obedience Experiments, the Stanford Prison Experiment and many more, Double Exposure recovers a new set of narratives.
Double Feature: Discovering Our Hidden Fantasies in Film
by Herbert H. Steina) What recent smash hit movie secretly depicted fear of the female breast? b) Name some recent films that were preoccupied with castration anxiety? c) Would you be surprised to know that reliving our childhood Oedipal fixations helps us to better understand adult-themed films? You'll find the answers to these and many similarly intriguing questions in DOUBLE FEATURE: DISCOVERING OUR HIDDEN FANTASIES IN FILM by Herbert Stein, M.D. Dr. Stein, a highly-respected Freudian psychiatrist and passionate moviegoer, literally puts our favorite films on the couch and shares his confidential findings with us. In a book that could become a cult classic, he lays bare the truth about unconscious and subconscious themes running through popular culture with fresh, jolting, and often moving insights into some of the most popular films ever made, including JURASSIC PARK, FIELD OF DREAMS, FORRST GUMP, THE SIXTH SENSE, and THE USUAL SUSPECTS. However perceptive we may think ourselves, this book reveals how we unconsciously respond to deeply-embedded archetypal themes in movies and enables us to re-experience films we love in a completely fresh way. Indeed, DOUBLE FEATURE makes our favorite films even more resonant and enables us to articulate even more deeply what it is we love about them.
Double Life: Portrait of a Gay Marriage From Broadway to Hollywood
by Alan Shayne Norman Sunshine&“A fascinating, frank and page-turning memoir about the lifelong love affair of two extraordinary men&” (Candace Bushnell, author of Sex and the City). The human story at the center of this debate is told in Double Life, a dual memoir by a gay male couple in a fifty-plus year relationship. With high profiles in the entertainment, advertising, and art communities, the authors offer a virtual timeline of how gay relationships have gained acceptance in the last half-century. At the same time, they share inside stories from film, television, and media featuring the likes of Marlon Brando, Katharine Hepburn, Rock Hudson, Barbra Streisand, Laurence Olivier, Truman Capote, Bette Davis, Robert Redford, Lee Radziwill, and Frances Lear.Double Life is a trip through the entertainment world and a gay partnership in the latter half of the twentieth century. As more and more same sex couples find it possible to say &“I do,&” the book serves as an important document of how far we&’ve come.
Double Negative: The Black Image and Popular Culture
by Racquel J. GatesFrom the antics of Flavor Flav on Flavor of Love to the brazen behavior of the women on Love & Hip Hop, so-called negative images of African Americans are a recurrent mainstay of contemporary American media representations. <P><P>In Double Negative Racquel J. Gates examines the generative potential of such images, showing how some of the most disreputable representations of black people in popular media can strategically pose questions about blackness, black culture, and American society in ways that more respectable ones cannot. <P><P>Rather than falling back on claims that negative portrayals hinder black progress, Gates demonstrates how reality shows such as Basketball Wives, comedians like Katt Williams, and movies like Coming to America play on "negative" images to take up questions of assimilation and upward mobility, provide a respite from the demands of respectability, and explore subversive ideas. By using negativity as a framework to illustrate these texts' social and political work as they reverberate across black culture, Gates opens up new lines of inquiry for black cultural studies.
Double Visions, Double Fictions: The Doppelgänger in Japanese Film and Literature
by Baryon Tensor PosadasA fresh take on the dopplegänger and its place in Japanese film and literature—past and present Since its earliest known use in German Romanticism in the late 1700s, the word Doppelgänger (double-walker) can be found throughout a vast array of literature, culture, and media. This motif of doubling can also be seen traversing historical and cultural boundaries. Double Visions, Double Fictions analyzes the myriad manifestations of the doppelgänger in Japanese literary and cinematic texts at two historical junctures: the interwar period of the 1920s and 1930s and the present day. According to author Baryon Tensor Posadas, the doppelgänger marks the intersection of the historical impact of psychoanalytic theory, the genre of detective fiction in Japan, early Japanese cinema, and the cultural production of Japanese colonialism. He examines the doppelgänger&’s appearance in the works of Edogawa Rampo, Tanizaki Jun&’ichiro, and Akutagawa Ryunosuke, as well as the films of Tsukamoto Shin&’ya and Kurosawa Kiyoshi, not only as a recurrent motif but also as a critical practice of concepts. Following these explorations, Posadas asks: What were the social, political, and material conditions that mobilized the desire for the doppelgänger? And how does the dopplegänger capture social transformations taking place at these historical moments?Double Visions, Double Fictions ultimately reveals how the doppelgänger motif provides a fascinating new backdrop for understanding the enmeshment of past and present.
Double-Takes: Intersections between Canadian Literature and Film (Reappraisals: Canadian Writers)
by David R. JarrawayOver the past forty years, Canadian literature has found its way to the silver screen with increasing regularity. Beginning with the adaptation of Margaret Laurence’s A Jest of God to the Hollywood film Rachel, Rachel in 1966, Canadian writing would appear to have found a doubly successful life for itself at the movies: from the critically acclaimed Kamouraska and The Apprenticeship of Duddy Kravitz in the 1970s through to the award-winning Love and Human Remains and The English Patient in the 1990s. With the more recent notoriety surrounding the Oscar-nominated Away from Her, and the screen appearances of The Stone Angel and Fugitive Pieces, this seems like an appropriate time for a collection of essays to reflect on the intersection between literary publication in Canada, and its various screen transformations. This volume discusses and debates several double-edged issues: the extent to which the literary artefact extends its artfulness to the film artefact, the degree to which literary communities stand to gain (or lose) in contact with film communities, and perhaps most of all, the measure by which a viable relation between fiction and film can be said to exist in Canada, and where that double-life precisely manifests itself, if at all. - This book is published in English.
Doubles and Hybrids in Latin American Gothic (Routledge Interdisciplinary Perspectives on Literature)
by Antonio Alcalá González Ilse Bussing LópezDoubles and Hybrids in Latin American Gothic focuses on a recurrent motif that is fundamental in the Gothic—the double. This volume explores how this ancient notion acquires tremendous force in a region, Latin America, which is itself defined by duplicity (indigenous/European, autochthonous religions/Catholic). Despite this duplicity and at the same time because of it, this region has also generated "mestizaje," or forms resulting from racial mixing and hybridity. This collection, then, aims to contribute to the current discussion about the Gothic in Latin America by examining the doubles and hybrid forms that result from the violent yet culturally fertile process of colonization that took place in the area.
Doubting the Devout: The Ultra-Orthodox in the Jewish American Imagination (Religion and American Culture)
by Nora L RubelBefore 1985, depictions of ultra-Orthodox Jews in popular American culture were rare, and if they did appear, in films such as Fiddler on the Roof or within the novels of Chaim Potok, they evoked a nostalgic vision of Old World tradition. Yet the ordination of women into positions of religious leadership and other controversial issues have sparked an increasingly visible and voluble culture war between America's ultra-Orthodox and non-Orthodox Jews, one that has found a particularly creative voice in literature, media, and film.Unpacking the work of Allegra Goodman, Tova Mirvis, Pearl Abraham, Erich Segal, Anne Roiphe, and others, as well as television shows and films such as A Price Above Rubies, Nora L. Rubel investigates the choices non-haredi Jews have made as they represent the character and characters of ultra-Orthodox Jews. In these artistic and aesthetic acts, Rubel recasts the war over gender and family and the anxieties over acculturation, Americanization, and continuity. More than just a study of Jewishness and Jewish self-consciousness, Doubting the Devout will speak to any reader who has struggled to balance religion, family, and culture.
Douglas Fairbanks and the American Century
by John C. Tibbetts James M. WelshDouglas Fairbanks and the American Century brings to life the most popular movie star of his day, the personification of the Golden Age of Hollywood. At his peak, in the teens and twenties, the swashbuckling adventurer embodied the new American Century of speed, opportunity, and aggressive optimism. The essays and interviews in this volume bring fresh perspectives to his life and work, including analyses of films never before examined. Also published here for the first time in English is a first-hand production account of the making of Fairbanks's last silent film, The Iron Mask,/i>. Fairbanks (1883-1939) was the most vivid and strenuous exponent of the American Century, whose dominant mode after 1900 was the mass marketing of a burgeoning democratic optimism, at home and abroad. During those first decades of the twentieth century, his satiric comedy adventures shadow-boxed with the illusions of class and custom. His characters managed to combine the American Easterner's experience and pretension and the Westerner's promise and expansion. As the masculine personification of the Old World aristocrat and the New World self-made man--tied to tradition yet emancipated from history--he constructed a uniquely American aristocrat striding into a new age and sensibility. This is the most complete account yet written of the film career of Douglas Fairbanks, one of the first great stars of the silent American cinema and one of the original United Artists (comprising Fairbanks, Mary Pickford, Charles Chaplin, and D. W. Griffith). John C. Tibbetts and James M. Welsh's text is especially rich in its coverage of the early years of the star's career from 1915 to 1920 and covers in detail several films previously considered lost.
Down Came the Rain: My Journey Through Postpartum Depression
by Brooke ShieldsFrom the Publisher In this compelling memoir, Brooke Shields talks candidly about her experience with postpartum depression after the birth of her daughter, and provides millions of women with an inspiring example of recovery. When Brooke Shields welcomed her newborn daughter, Rowan Francis, into the world, something unexpected followed-a crippling depression. Now, for the first time ever, in Down Came the Rain, Brooke talks about the trials, tribulations, and finally the triumphs that occurred before, during, and after the birth of her daughter. In what is sure to strike a chord with the millions of women who suffer from depression after childbirth, America's sweetheart Brooke Shields shares how she, too, battled this debilitating condition that is widely misunderstood, despite the fact that it affects many new mothers. She discusses the illness in the context of her life, including her struggle to get pregnant, the high expectations she had for herself and that others placed on her as a new mom, and the role of her husband, friends, and family as she struggled to attain her maternal footing in the midst of a disabling depression. And, ultimately, Brooke shares how she found a way out through talk therapy, medication, and time. Exhibiting an informed voice and a self-deprecating sense of humor, this first memoir from a woman who has grown up before the eyes of the world is certain to attract the attention and empathy of many new mothers and fans alike. Brooke Shields has starred in many feature films, including Pretty Baby, Blue Lagoon, and Black and White. She earned critical acclaim on Broadway for The Vagina Monologues and Cabaret, among other shows. She earned a People's Choice Award and a Golden Globe nomination for Best Actress in a Comedy Series for her starring role in Suddenly Susan. Brooke continues to lend aid to issues involving children's welfare and education.
Down and Dirty Pictures: Miramax, Sundance, and the Rise of Independent Fil
by Peter BiskindIt wasn't so long ago that the Sundance Film Festival was an inconsequential event somewhere in Utah, and Miramax was a tiny distributor of music documentaries and soft-core trash. Today, of course, Sundance is the most important film festival this side of Cannes, and Miramax has become an industry giant, part of the huge Disney empire. Likewise, the directors who emerged from the independent movement, such as Quentin Tarantino, Steven Soderbergh, and David O. Russell -- who once had to max out their credit cards to realize their visions on the screen -- are now among the best-known directors in Hollywood. Not to mention the actors who emerged with them, like Matt Damon, Ben Affleck, Ethan Hawke, and Uma Thurman. Down and Dirty Pictures chronicles the rise of independent filmmakers and of the twin engines -- Sundance and Miramax -- that have powered them. As he did in his acclaimed Easy Riders, Raging Bulls, Peter Biskind profiles the people who took the independent movement from obscurity to the Oscars, most notably Sundance founder Robert Redford and Harvey Weinstein, who with his brother, Bob, made Miramax an indie powerhouse. Biskind follows Sundance as it grew from a regional film festival to the premier showcase of independent film, succeeding almost despite the mercurial Redford, whose visionary plans were nearly thwarted by his own quixotic personality. He charts in fascinating detail the meteoric rise of the controversial Harvey Weinstein, often described as the last mogul, who created an Oscar factory that became the envy of the studios, while leaving a trail of carnage in his wake. As in Easy Riders, Biskind's incisive account is loaded with vibrant anecdotes and outrageous stories, all of it blended into a fast-moving narrative. Redford, the Weinsteins, and the directors, producers, and actors Biskind profiles are the people who reinvented Hollywood, making independent films mainstream. But success invariably means compromise, and it remains to be seen whether the indie spirit can survive its corporate embrace. Candid, mesmerizing, and penetrating, Down and Dirty Pictures is a must-read for anyone interested in the film world and where it's headed.