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A no-holds-barred memoir from the primary architect of hip hop and one of the culture's most revered music icons--both the tale of his life and legacy and a testament to dogged determination. Grandmaster Flash and the Furious Five fomented the musical revolution known as hip hop. Theirs was a groundbreaking union between one DJ and five rapping MCs. One of the first hip hop posses, they were responsible for such masterpieces as "The Message" and "Adventures of Grandmaster Flash on the Wheels of Steel. " In the 1970s Grandmaster Flash pioneered the art of break-beat DJing--the process of remixing and thereby creating a new piece of music by playing vinyl records and turntables as musical instruments. Disco-era DJs spun records so that people could dance. The original turntablist, Flash took it a step further by cutting, rubbing, backspinning, and mixing records, focusing on "breaks"--what Flash described as "the short, climactic parts of the records that really grabbed me"--as a way of heightening musical excitement and creating something new. Now the man who paved the way for such artists as Jay-Z, Sean "P. Diddy" Combs, and 50 Cent tells all--from his early days on the mean streets of the South Bronx, to the heights of hip hop stardom, losing millions at the hands of his record label, his downward spiral into cocaine addiction, and his ultimate redemption with the help and love of his family and friends. In this powerful memoir, Flash recounts how music from the streets, much like rock 'n' roll a generation before, became the sound of an era and swept a nation with its funk, flavor, and beat.
In this collection of thematically related personal essays and conversations with filmmakers, the author takes us on a fascinating journey into many under-explored territories of cinema.
An easy-to-read adaptation of the film for younger readers, featuring gorgeous full-color movie stills throughout! When Tintin buys a model ship called the Unicorn, he doesn't realize he's about to become the center of a centuries-old family feud involving nefarious pirates and treasure! Following clues from the high seas to the blazing-hot desert, Tintin makes new friends and outwits new enemies as he uncovers the secret of the Unicorn.
African American Music: An Introduction is a collection of thirty essays by leading scholars which survey major African American musical genres, both sacred and secular, from slavery to the present. It is the most comprehensive study of African American music currently available, with sixteen essays on major genres of African American music, as well as lengthy sections on the music industry, gender, and music as resistance. The work brings together, in a single volume, treatments of African American music that have existed largely independent of each other. The research is based in large part on ethnographic fieldwork, which privileges the voices of the music-makers themselves, while interpreting their narratives through a richly textured mosaic of history and culture. The book is replete with references to seminal recordings and recording artists, musical transcriptions, photographs, and illustrations that bring the music to life as expressions of human beings.
Analyzing a range of South African and West African films inspired by African and non-African literature, Lindiwe Dovey identifies a specific trend in contemporary African filmmaking-one in which filmmakers are using the embodied audiovisual medium of film to offer a critique of physical and psychological violence. Against a detailed history of the medium's savage introduction and exploitation by colonial powers in two very different African contexts, Dovey examines the complex ways in which African filmmakers are preserving, mediating, and critiquing their own cultures while seeking a united vision of the future. More than merely representing socio-cultural realities in Africa, these films engage with issues of colonialism and postcolonialism, "updating" both the history and the literature they adapt to address contemporary audiences in Africa and elsewhere. Through this deliberate and radical re-historicization of texts and realities, Dovey argues that African filmmakers have developed a method of filmmaking that is altogether distinct from European and American forms of adaptation.
"We have in this book a Rosetta stone for mediating, or translating, African musical behavior and aesthetics." --Andrew Tracey, African Music. "John Miller Chernoff, who spent 10 years studying African drumming, has a flair for descriptive writing, and his first-person narratives should be easily understood by any reader, while ringing unmistakably true for the reader who has also been to West Africa." --Roderick Knight, Washington Post Book World. "Ethnomusicologists must be proud that their discipline has produced a book that will, beyond doubt, rank as a classic of African studies." --Peter Fryer,Research in Literatures. "A marvelous book. ... Not many scholars will ever be able to achieve the kind of synthesis of 'doing' and 'writing about' their subject matter that Chernoff has achieved, but he has given us an excellent illustration of what is possible." --Chet Creider, Culture. "Chernoff develops a brilliant and penetrating musicological essay that is, at the same time, an intensely personal and even touching account of musical and cultural discovery that anyone with an interest in Africa can and should read. ... No other writing comes close to approaching Chernoff's ability to convey a feeling of how African music 'works'." --James Koetting, Africana Journal. "Four stars. One of the few books I know of that talks of the political, social, and spiritual meanings of music. I was moved. It was so nice I read it twice." --David Byrne of "Talking Heads". The companion cassette tape has 44 examples of the music discussed in the book. It consists of field recordings illustrating cross-rhythms, multiple meters, call and response forms, etc.
Experience the vast tapestry of After Earth in a novelization unlike any other: a thousand-year saga featuring original content from the mind of Peter David, the veteran sci-fi author who helped develop the richly imagined universe. This is the complete, never-before-seen chronicle of the extraordinary family that's been across the universe and back--from humanity's last days on Earth through the events of the epic film! RAIGE RUNS IN THE FAMILY General Cypher Raige of the United Ranger Corps is only the latest in a long line of heroes. For a thousand years, ever since the globe was engulfed by environmental apocalypse, the Raiges have been instrumental in humanity's survival. They led the way as the survivors abandoned Earth, settled an uninhabitable planet called Nova Prime, withstood an onslaught from a mysterious alien force, and carved out a new home in the farthest reaches of the galaxy. Now Cypher has returned to his family after an extended tour of duty. For his thirteen-year-old son, Kitai, tagging along with his famous father is the adventure of a lifetime--and a chance to salvage their relationship. But when an asteroid collides with their craft, they make a crash landing that leaves Cypher seriously--perhaps fatally--wounded. Kitai Raige has always wanted to prove that he has what it takes to live up to his illustrious name. Now, all too soon, he gets his chance. With his father's life on the line, Kitai must venture out into the strange, hostile terrain of a new world that seems eerily familiar: Earth.
Dancing leaves nothing else behind--no record, no text--and so the afterimage becomes the subject of dance criticism. A dance critic tries to train the memory as well as the organs of sense; he tries to make the afterimage that appears in his writing match the performance. 10 years of reviews of dancing, from ballet to Balanchine to Twyla Tharp.
Norris describes himself as a shy youth who finally blossomed while studying martial arts as a soldier in South Korea. His self-deprecating humor shows through anecdotes about karate defeats, white-knuckled speaking engagements, and his failure to become a Los Angeles policeman, which led to his fame as a karate champion.
Surveys the history and components of music, concentrating on Western musical traditions. [This text is listed as an example that meets Common Core Standards in English language arts in grades 2-3 at http://www.corestandards.org.]
An introductory text for broadcast newswriting, with numerous exercises and examples illustrating broadcast news style. Defines and explains standard industry formats, rules, and procedures, and covers fact checking, ethics, script formats, shifting from print to broadcast, writing leads, interviews, aspects of TV writing, and copyediting and producing. Includes chapter glossaries. This second edition discusses technology advances such as wire capture and producing from CRTs. Lacks a bibliography. Annotation c. by Book News, Inc., Portland, Or.
This book is a great adaptions from Disney's Aladdin. Princess Jasmine tells the story of Disney's Aladdin in her own way.
Fun food and vegetable jokes for kids of all ages, and older readers. This involves many different kinds of entertainment for family and friends. Enjoy! "Why aren't bananas ever lonely? Because they come in bunches. What is the best way to keep dried prunes? Don't return them."
In a career that spanned six decades and more than sixty films, Alfred Hitchcock became the most widely recognized director who ever lived. His films -- including The 39 Steps, Notorious, Rear Window, Vertigo, Psycho, and The Birds -- set new standards for cinematic invention and storytelling Élan. Since his death, Hitchcock has become crystallized in the public imagination as the macabre Englishman, the sexual obsessive, the Master of Suspense. But this remarkable biography draws on prodigious new research to restore Hitchcock the man -- the ingenious craftsman, the avid collaborator, the constant trickster, provocateur, and romantic. Like Hitchcock's best films, Patrick McGilligan's life of Hitchcock is a drama full of revelation, graced by a central love story, dark humor, and cliff-hanging suspense: a definitive portrait of the most creative, and least understood, figure in film history.
Miranda's three children thoroughly enjoy their huge, overdressed baby sitter/cleaning woman who is actually their father in disguise, and they dread the day when their mother discovers Madame Doubtfire is really her ex-husband.
Alice Cooper is hotter than ever, still playing up to 100 gigs a year with his his audiences growing younger. But 300 days a year, he is out on the golf course. That's because Alice credits golf as helping him overcome a self-destructive spiral into alcoholism. It's also because Alice turned out to be almost as good a golfer as he is a rocker. This book blends a rocker's uproarious tales of excess with a no holds-barred account of how Cooper substituted alcohol addiction with the lesser evil of hitting a little white ball. Alice Coopers rock 'n' roll's original misanthrope, the ultimate shock-rock, heavy-metal bad boy. With golf, as in music, he was way ahead of the cultural curve, his passion for the game predating golf's popularity surge among younger folks, hip professional athletes, and indeed Alice's music contemporaries, including Bob Dylan, Neil Young, Iggy Pop and Roger Waters. The nearest Alice Cooper has come to writing his autobiography. He is still a major rock touring artist. This title includes the story of his musical career and of his rehabilitation. It is a fascinating self-help programme by an unlikely role model.
This book is about musical instruments, the orchestra, and the nature of music through an Alice-like nonsense narrative.
"The Sopranos is the one [show] that made the world realize something special was happening on television. It rewrote the rules and made TV a better, happier place for thinking viewers, even as it was telling the story of a bunch of stubborn, ignorant, miserable excuses for human beings" (From All Due Respect...The Sopranos Changes Everything). In this chapter from the critically acclaimed book The Revolution Was Televised, Alan Sepinwall explores why The Sopranos was critical to ushering in a new golden age in television. Drawing on a new interview with creator David Chase, Sepinwall weaves fascinating behind-the-scenes details about the show with his trademark incisive criticism--including his theory on the controversial series finale.
From the book: His father's ancestors invented the Gatling gun. There were poets on his mother's side. Out of this marriage of machine guns and poetry came Larry Gatlin, a hard-driving, risk taking perfectionist with an appetite for destruction and a gift for writing songs that touched the heart of America. As lead singer for The Gatlin Brothers, he rode on a wave of success that included chart, Ding singles, sold out concerts, and music awards. "I was a hero," he says, "because hardworking, God-fearing, honest-to-goodness, dyed-in-the-wool country music fans said I was, and I loved it. My problem was, I loved it too much." With his phenomenal success came controversy. He was brash and outspoken, dogged by the press and continually at odds with the music industry. He would disappear for days, bingeing on cocaine and alcohol. In the mid-1980's, the reckless lifestyle finally caught up with him. "I went from hero to zero in a matter of minutes, it seems," he recalls.
The world according to David Ives is a very add place, and his plays constitute a virtual stress test of the English language -- and of the audience's capacity for disorientation and delight. Ives's characters plunge into black holes called "Philadelphias," where the simplest desires are hilariously thwarted. Chimps named Milton, Swift, and Kafka are locked in a room and made to re-create Hamlet. And a con man peddles courses in a dubious language in which "hello" translates as "velcro" and "fraud" comes out as "freud."At once enchanting and perplexing, incisively intelligent and side-splittingly funny, this original paperback edition of Ives's plays includes "Sure Thing," "Words, Words, Words," "The Universal Language," "Variations on the Death of Trotsky," "The Philadelphia," "Long Ago and Far Away," "Foreplay, or The Art of the Fugue," "Seven Menus," "Mere Mortals," "English Made Simple," "A Singular Kinda Guy," "Speed-the-Play," "Ancient History," and "Philip Glass Buys a Loaf of Bread."
The author recalls how he and his young friends broke into vaudeville and made it to stardom on radio, in films and on TV. He laces his story with anecdotes about his fellow performers.
Forty years ago, when Susan Lucci first joined the cast of one of America's best loved soaps, All My Children, she had only expected to appear on the show every other Tuesday. But she quickly endeared herself to America playing the beautiful, mercurial, and often controversial character of Erica Kane. All this time, Lucci has held viewers' rapt attention as Erica underwent the first daytime television abortion, married and divorced more times than Elizabeth Taylor, became one of daytime's first working mothers, dealt with her AMC daughter's coming out and survived many of life's greatest tragedies as well as conducted many of TV's most fun-to-watch escapades. The secret to Erica's appeal is undoubtedly her ability to live life and reinvent herself in ways that the audience wishes they could too. Now in her long-awaited autobiography, Susan Lucci not only shares some of her favorite behind-the scenes moments on the show, she shares stories about her own personal metamorphosis off-camera, from an aspiring actress to a superstar. For the first time ever, she candidly opens up about the devastating car accident that could have cost her career And The heartache she endured after her miscarriage. She reveals the life lessons longtime friends taught her on her rise to fame, The secret to remaining youthful and what she has learned about love, romance, and partnership through a marriage that has spanned four decades. She also recalls the great joy that came with finally winning an Emmy in 1999 after eighteen previous nominations as well as the pressure and angst she felt before her epic win, The pleasure of taking Broadway by storm in Annie Get Your Gun And The test of her stamina and endurance that came with cha-cha-ing on prime time in Dancing with the Stars. Susan will also share how she has successfully balanced the needs of her family with the grueling demands of her career. Nicknamed "LaLucci" by her nightclub co-star Regis Philbin and named one of Barbara Walters's "Ten Most Fascinating People," Susan Lucci gives readers a rare and intimate look into life as a wife, mother, daughter, grandmother, singer, entrepreneur, seductive sensation, and iconic actress in what is destined to be the most uplifting memoir of year!
In this revealing autobiography, Canada's first lady of song, for the first time, tells the whole story of her astonishing 40-year career in show biz. It is a candid retrospective of the extraordinary success achieved, and the prices that had to be paid."After 'Snowbird' hit, I was swept up like Dorothy in The Wizard of Oz, and catapulted into a strange new universe ... If I thought for a moment that I was really in control of events, I was deluded." Anne Murray. An unflinching self-portrait of Canada's first great female recording artist, All of Me documents the life of Anne Murray, from her humble origins in the tragedy-plagued coal-mining town of Springhill, Nova Scotia, to her arrival on the world stage. Anne recounts her story: the battles with her record companies over singles and albums; the struggle with drug- and alcohol-ridden band members; the terrible guilt and loneliness of being away from her two young children; her divorce from the man who helped launch her career, Bill Langstroth; and the deaths of two of her closest confidantes. The result is a must-read autobiography by Canada's beloved songbird.
Born on January 8, 1935, in Tupelo, Mississippi, Elvis Aaron Presley was destined to rewrite the history of music almost from the moment he picked up a guitar.
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