- Table View
- List View
Emotion in Animated Films (Routledge Advances in Film Studies)
by Meike UhrigRanging from blockbuster movies to experimental shorts or documentaries to scientific research, computer animation shapes a great part of media communication processes today. Be it the portrayal of emotional characters in moving films or the creation of controllable emotional stimuli in scientific contexts, computer animation’s characteristic artificiality makes it ideal for various areas connected to the emotional: with the ability to move beyond the constraints of the empirical "real world," animation allows for an immense freedom. This book looks at international film productions using animation techniques to display and/or to elicit emotions, with a special attention to the aesthetics, characters and stories of these films, and to the challenges and benefits of using computer techniques for these purposes.
Emotional Ethics of The Hunger Games (Palgrave Film Studies and Philosophy)
by Tarja LaineEmotional Ethics of The Hunger Games expands the ‘ethical turn’ in Film Studies by analysing emotions as a source of ethical knowledge in The Hunger Games films. It argues that emotions, incorporated in the thematic and aesthetic organization of these films, reflect a crisis in moral standards. As such they cultivate ethical attitudes towards such phenomena as totalitarianism, the culture of reality television, and the society of spectacle. The focus of the argument is on cinematic aesthetics, which expresses emotions in a way that highlights their ethical significance, running the gamut from fear through guilt and shame, to love, anger and contempt. The central claim of the book is that these emotions are symptomatic of some moral conflict, which renders The Hunger Games franchise a meaningful commentary on the affective practice of cinematic ethics. ‘’The Hunger Games movies have become iconic symbols for resistance across the globe. Tarja Laine proposes that this is not caused by their status as exciting cinematic spectacles, but by their engaging our emotions. Laine uses The Hunger Games as key texts for understanding our world, demonstrating that ethics do not originate from rational considerations, far removed from those mucky things called emotions. But rather that emotions are at the core of cinematic ethics.”—William Brown, Author of Supercinema: Film-Philosophy for the Digital Age ‘’In this elegantly written exploration of the relationship between aesthetics and emotion in The Hunger Gamestrilogy, Tarja Laine illuminates the power of film to embody ethical conflict. Deftly interweaving film-philosophy and close analysis, Laine traces how these films mobilise complex emotions, nuancing our thinking about cinema and the spectator. Laine’s book takes The Hunger Games films seriously, demonstrating with verve why they matter.”—Catherine Wheatley, Senior Lecturer in Film Studies, King’s College London, UK ''In this fresh, engaging, and insightful study of The Hunger Games film trilogy, Tarja Laine explores the crucial role that emotions play in appreciation of the ethical qualities of the movies. She forges productive dialogues between a range of film theory, scholarship on moral philosophy, and debates on ethics, as she performs a multi-layered investigation of the aesthetic qualities of the trilogy, the multiple emotions embodied in these qualities, and the philosophical-ethical insights that are in turn embedded in these emotions. The cinematic connection between emotions and ethics that emerges through Laine’s detailed textual analyses confronts us with complex moral dilemmas while enriching our aesthetic experience.'' —Sarah Cooper, Professor, Film Studies Department, King's College London, UK
Emotions in Contemporary TV Series
by Alberto Garc�aThis edited collection offers a wide range of essays showcasing current research on emotions in TV series. The chapters develop from a variety of research traditions in film, television and media studies and explores American, British, Nordic and Spanish TV series.
Emotions, Ethics, and Cinematic Experience: New Phenomenological and Cognitivist Perspectives
by Robert SinnerbrinkSince the early 1990s, phenomenology and cognitivism have become two of the most influential approaches to film theory. Yet far from being at odds with each other, both approaches offer important insights on our subjective experience of cinema. Emotions, Ethics, and Cinematic Experience explores how these two approaches might work together to create a philosophy of film that is both descriptively rich and theoretically productive by addressing the key relationship between cinematic experience, emotions, and ethics.
Empathetic Space on Screen
by Amedeo D'AdamoIn this book we learn that there is a clear but complex relationship between setting and character on screen. Certain settings stand out above others—think of the iconic gooey dripping tunnels that Ripley stumbles through in Aliens, Norman’s bird-decorated parlour in Psycho or the dark Gotham of certain Batman movies. But what makes these particular settings so powerful and iconic? Amedeo D’Adamo explains why we care about and cry for certain characters, and then focuses on how certain places then become windows onto their emotional lives. Using popular case studies such as Apocalypse Now, Amelie, Homeland and The Secret Garden, this original and insightful book is the first to really explain what makes some settings so effective, revealing an important but as yet uncovered machinery of empathy in visual narrative space. An invaluable resource for students, academics and indeed young filmmakers designing their very own narratives for space on screen.
Empathie und Parteilichkeit gegenüber fiktionalen Figuren in Videospielen: Eine Analyse von narrativen Strategien am Beispiel von “The Last of Us Part II” (BestMasters)
by Anja SegschneiderWie entstehen Empathie und Parteilichkeit in interaktiven Medien? Ausgehend von der These, dass interaktive Medien wie Videospiele eher dazu in der Lage sind, Empathie und Parteilichkeit zu erzeugen als lineare Medien, geht die Arbeit dieser Frage nach. Als Beispiel dient das populäre Survival-Horror-Spiel „The Last of Us Part II“ aus dem Jahr 2020. Das theoretische Fundament bilden bestehende Theorien aus Film- und Medienwissenschaft sowie der Psychologie, die auf das interaktive Medium übertragen und angepasst werden. Ein Fokus liegt auf narrativen und ludonarrativen Strategien. Dabei schlägt die Arbeit auch einen Bogen zu gesamtgesellschaftlichen Trends in den Medien und analysiert, inwiefern die Strategien für Parteilichkeit und Empathie in interaktiven Medien einen nachhaltigen Einfluss in der realen Welt entfalten können.
Empire
by Robert HamAn unofficial guide to EMPIRE, the runaway hit of the 2014-15 television season.Empire is the breakout, network television hit of 2015--from its opening night, viewers were riveted by the story of record company magnate Lucious Lyon and his family, and the struggle for control over Empire Entertainment. As the second season approaches this September, Empire: The Unauthorized Untold Story tells you everything you need to know about this powerful drama. You'll get full backgrounds on all the major players, including the real-life entertainment icons on whom their stories are based. You'll learn about the music and fashions that helped drive the show's success. And you'll get a hint of what the second season might hold as show creators Lee Daniels and Danny Strong prepare to build on their phenomenal opening act.
Empire Films and the Crisis of Colonialism, 1946–1959
by Jon CowansThe first transnational history of cinema’s role in decolonization.Using popular cinema from the United States, Britain, and France, Empire Films and the Crisis of Colonialism, 1946–1959, examines postwar Western attitudes toward colonialism and race relations. Historians have written much about the high politics of decolonization but little about what ordinary citizens thought about losing their empires. Popular cinema provided the main source of images of the colonies, and, according to Jon Cowans in this far-reaching book, films depicting the excesses of empire helped Westerners come to terms with decolonization and even promoted the dismantling of colonialism around the globe.Examining more than one hundred British, French, and American films from the post–World War II era, Cowans concentrates on movies that depict interactions between white colonizers and nonwhite colonial subjects, including sexual and romantic relations. Although certain conservative films eagerly supported colonialism, Cowans argues that the more numerous "liberal colonialist" productions undermined support for key aspects of colonial rule, while a few more provocative films openly favored anticolonial movements and urged "internal decolonization" for people of color in Britain, France, and the United States.Combining new archival research on the films’ production with sharp analysis of their imagery and political messages, the book also assesses their reception through box-office figures and newspaper reviews. It examines both high-profile and lesser-known films on overseas colonialism, including The King and I, Bhowani Junction, and Island in the Sun, and tackles treatments of miscegenation and "internal colonialism" that appeared in Westerns and American films like Pinky and Giant. The first truly transnational history of cinema’s role in decolonization, this powerful book weaves a unified historical narrative out of the experiences of three colonial powers in diverse geographic settings.
Empire Movie Miscellany: Instant Film Buff Status Guaranteed
by Empire MagazineFrom the team who brought you The Empire Film Guide, here are all the obscure, indecent and downright bizarre movie facts and figures that were not considered sensible for a practical film guide. Discover which country translated GI Jane as Satan Female Soldier, which Hollywood heartthrob is the lead singer of 30 Odd Foot of Grunts, and which country takes a bag of toasted leaf cutter ants to the cinema instead of popcorn! The Schott's Miscellany of movies, packed full of movie facts, figures and lists, as well as explanations of filmmaking terminology and a "shot miscellany" - a list of all the various camera shots. You will soon know your Oscar Hosts from your Monty Python French insults, and never be short of small talk again!
Empire State of Mind
by Greenburg Zack O'Malley"I'm not a businessman-I'm a business, man. " --Jay-Z Some people think Jay-Z is just another rapper. Others see him as just another celebrity/mega-star. The reality is, no matter what you think Jay-Z is, he first and foremost a business. And as much as Martha Stewart or Oprah, he has turned himself into a lifestyle. You can wake up to the local radio station playing Jay-Z's latest hit, spritz yourself with his 9IX cologne, slip on a pair of his Rocawear jeans, lace up your Reebok S. Carter sneakers, catch a Nets basketball game in the afternoon, and grab dinner at The Spotted Pig before heading to an evening performance of the Jay-Z-backed Broadway musical Fela! and a nightcap at his 40/40 Club. He'll profit at every turn of your day. But despite Jay-Z's success, there are still many Americans whose impressions of him are foggy, outdated, or downright incorrect. Surprisingly to many, he honed his business philosophy not at a fancy B school, but on the streets of Brooklyn, New York and beyond as a drug dealer in the 1980s. Empire State of Mind tells the story behind Jay-Z's rise to the top as told by the people who lived it with him- from classmates at Brooklyn's George Westinghouse High School; to the childhood friend who got him into the drug trade; to the DJ who convinced him to stop dealing and focus on music. This audio book explains just how Jay-Z propelled himself from the bleak streets of Brooklyn to the heights of the business world. Zack O'Malley Greenburg draws on his one-on-one interviews with hip-hop luminaries such as DJ Clark Kent, Questlove of The Roots, Damon Dash, Fred "Fab 5 Freddy" Brathwaite, MC Serch; NBA stars Jamal Crawford and Sebastian Telfair; and recording industry executives including Craig Kallman, CEO of Atlantic Records. He also includes new information on Jay-Z's various business dealings, such as: * The feature movie about Jay-Z and his first basketball team that was filmed by Fab 5 Freddy in 2003 but never released. * The Jay-Z branded Jeep that was scrapped just before going into production. * The real story behind his association with Armand de Brignac champagne. * The financial ramifications of his marriage to Beyonce. Jay-Z's tale is compelling not just because of his celebrity, but because it embodies the rags-to-riches American dream and is a model for any entrepreneur looking to build a commercial empire.
Empire State of Mind: How Jay Z Went from Street Corner to Corner Office, Revised Edition
by Steve Forbes Zack O'Malley Greenburg"I'm not a businessman-I'm a business, man." --Jay-Z Some people think Jay-Z is just another rapper. Others see him as just another celebrity/mega-star. The reality is, no matter what you think Jay-Z is, he first and foremost a business. And as much as Martha Stewart or Oprah, he has turned himself into a lifestyle. You can wake up to the local radio station playing Jay-Z's latest hit, spritz yourself with his 9IX cologne, slip on a pair of his Rocawear jeans, lace up your Reebok S. Carter sneakers, catch a Nets basketball game in the afternoon, and grab dinner at The Spotted Pig before heading to an evening performance of the Jay-Z-backed Broadway musical Fela! and a nightcap at his 40/40 Club. He'll profit at every turn of your day. But despite Jay-Z's success, there are still many Americans whose impressions of him are foggy, outdated, or downright incorrect. Surprisingly to many, he honed his business philosophy not at a fancy B school, but on the streets of Brooklyn, New York and beyond as a drug dealer in the 1980s. Empire State of Mind tells the story behind Jay-Z's rise to the top as told by the people who lived it with him- from classmates at Brooklyn's George Westinghouse High School; to the childhood friend who got him into the drug trade; to the DJ who convinced him to stop dealing and focus on music. This book explains just how Jay-Z propelled himself from the bleak streets of Brooklyn to the heights of the business world. Zack O'Malley Greenburg draws on his one-on-one interviews with hip-hop luminaries such as DJ Clark Kent, Questlove of The Roots, Damon Dash, Fred "Fab 5 Freddy" Brathwaite, MC Serch; NBA stars Jamal Crawford and Sebastian Telfair; and recording industry executives including Craig Kallman, CEO of Atlantic Records. He also includes new information on Jay-Z's various business dealings, such as: *The feature movie about Jay-Z and his first basketball team that was filmed by Fab 5 Freddy in 2003 but never released. *The Jay-Z branded Jeep that was scrapped just before going into production. *The real story behind his association with Armand de Brignac champagne. *The financial ramifications of his marriage to Beyonce. Jay-Z's tale is compelling not just because of his celebrity, but because it embodies the rags-to-riches American dream and is a model for any entrepreneur looking to build a commercial empire.
Empire of Dreams: The Epic Life of Cecil B. DeMille
by Scott EymanBEST KNOWN AS THE DIRECTOR of such spectacular films as The Ten Commandments and King of Kings, Cecil B. DeMille lived a life as epic as any of his cinematic masterpieces. As a child DeMille learned the Bible from his father, a theology student and playwright who introduced Cecil and his older brother, William, to the theater. Tutored by impresario David Belasco, DeMille discovered how audiences responded to showmanship: sets, lights, costumes, etc. He took this knowledge with him to Los Angeles in 1913, where he became one of the movie pioneers, in partnership with Jesse Lasky and Lasky’s brother-in-law Samuel Goldfish (later Goldwyn). Working out of a barn on streets fragrant with orange blossom and pepper trees, the Lasky company turned out a string of successful silents, most of them directed by DeMille, who became one of the biggest names of the silent era. With films such as The Squaw Man, Brewster’s Millions, Joan the Woman, and Don’t Change Your Husband, he was the creative backbone of what would become Paramount Studios. In 1923 he filmed his first version of The Ten Commandments and later a second biblical epic, King of Kings, both enormous box-office successes. Although his reputation rests largely on the biblical epics he made, DeMille’s personal life was no morality tale. He remained married to his wife, Constance, for more than fifty years, but for most of the marriage he had three mistresses simultaneously, all of whom worked for him. He showed great loyalty to a small group of actors who knew his style, but he also discovered some major stars, among them Gloria Swanson, Claudette Colbert, and later, Charlton Heston. DeMille was one of the few silent-era directors who made a completely successful transition to sound. In 1952 he won the Academy Award for Best Picture with The Greatest Show on Earth. When he remade The Ten Commandments in 1956, it was an even bigger hit than the silent version. He could act, too: in Billy Wilder’s classic film Sunset Boulevard, DeMille memorably played himself. In the 1930s and 1940s DeMille became a household name thanks to the Lux Radio Theater, which he hosted. But after falling out with a union, he gave up the program, and his politics shifted to the right as he championed loyalty oaths and Sen. Joseph McCarthy’s anticommunist witch hunts. As Scott Eyman brilliantly demonstrates in this superbly researched biography, which draws on a massive cache of DeMille family papers not available to previous biographers, DeMille was much more than his clichéd image. A gifted director who worked in many genres; a devoted family man and loyal friend with a highly unconventional personal life; a pioneering filmmaker: DeMille comes alive in these pages, a legend whose spectacular career defined an era.
Empire of Ecstasy: Nudity and Movement in German Body Culture, 1910–1935 (Weimar and Now: German Cultural Criticism #13)
by Karl ToepferEmpire of Ecstasy offers a novel interpretation of the explosion of German body culture between the two wars—nudism and nude dancing, gymnastics and dance training, dance photography and criticism, and diverse genres of performance from solo dancing to mass movement choirs. Karl Toepfer presents this dynamic subject as a vital and historically unique construction of "modern identity." The modern body, radiating freedom and power, appeared to Weimar artists and intelligentsia to be the source of a transgressive energy, as well as the sign and manifestation of powerful, mysterious "inner" conditions. Toepfer shows how this view of the modern body sought to extend the aesthetic experience beyond the boundaries imposed by rationalized life and to transcend these limits in search of ecstasy. With the help of much unpublished or long-forgotten archival material (including many little-known photographs), he investigates the process of constructing an "empire" of appropriative impulses toward ecstasy. Toepfer presents the work of such well-known figures as Rudolf Laban, Mary Wigman, and Oskar Schlemmer, along with less-known but equally fascinating body culture practitioners. His book is certain to become required reading for historians of dance, body culture, and modernism.
Empty Moments: Cinema, Modernity, and Drift
by Leo CharneyIn Empty Moments, Leo Charney describes the defining quality of modernity as "drift"--the experience of being unable to locate a stable sense of the present. Through an exploration of artistic, philosophical, and scientific interrogations of the experience of time, Charney presents cinema as the emblem of modern culture's preoccupation with the reproduction of the present. Empty Moments creates a catalytic dialogue among those who, at the time of the invention of film, attempted to define the experience of the fleeting present. Interspersing philosophical discussions with stylistically innovative prose, Charney mingles Proust's conception of time/memory with Cubism's attempt to interpret time through perspective and Surrealism's exploration of subliminal representations of the present. Other topics include Husserl's insistence that the present can only be fantasy or fabrication and the focus on impossibility, imperfection, and loss in Kelvin's laws of thermodynamics. Ultimately, Charney's work hints at parallels among such examples, the advent and popularity of cinema, and early film theory. A book with a structural modernity of its own, Empty Moments will appeal to those interested in cinema and its history, as well as to other historians, philosophers, literary, and cultural scholars of modernity.
En América
by Susan SontagMaryna Zalezowska, la más célebre de las actrices polacas, decide partir hacia América junto con su marido, su hijo, un joven escritor que la idolatra y varios amigos más, impulsados por la idea de construir una comunidad utópica. Pero allí descubrirán que la felicidad americana se construye de un modo distinto al esperado. Susan Sontag ha escrito esta atrevida novela por medio de unos personajes tan singulares -un conde, un escritor enamorado, una actriz famosa- como sus propios destinos. A través de sus ojos y de sus pasiones el lector se embarca en un intenso viaje desde el corazón de Europa hasta la tierra casi virgen de California. «La prosa de Sontag es ágil, lúdica... Como siempre, aparecen ideas estimulantes en cada rincón.» THE NEW YORK TIMES BOOK REVIEW "Una novela valiente y hermosa." THE WASHINGTON POST
En Jordi comença l'escola! (La Porqueta Pepa. Primeres lectures)
by Varios AutoresAprenem a llegir amb les aventures de la Pepa, la porqueta més famosa. Llegeix aquesta història i descobriràs què li va passar a la Pepa el primer dia que en Jordi va anar a escola amb ella. Avui és el primer dia que en Jordi va a l'escola, i a la Pepa no li fa gaire gràcia. Però quan vegi com es diverteixen els altres nens amb el seu germanet, potser canviarà d'idea... Els llibres de la col·lecció «Primeres lectures» de la Porqueta Pepa estan pensats per nens que tot just comencen a llegir. Els textos contenen vocabulari senzill, els interior són molt visuals i, a més a més, conten les divertides aventures del personatge més estimat pels nens. Tot això garanteix que els petits lectors se sentin motivats per la lectura, s'entretinguin i s'estimuli la seva imaginació.
En Jordi té singlot (La Porqueta Pepa)
by Varios AutoresLa Pepa i en Jordi tenen tantes ganes de sortir a jugar al jardí que esmorzen massa de pressa i a en Jordi li agafa singlot. Descobreix el remei de la Pepa per fer-l'hi passar.
En estas tierras mágicas
by Yamile Saied MéndezMinerva esta encargada de sus hermanas después de la desaparición de su madre en estamágica historia argentina de medio grado que combina perfectamente con la historia de Peter Pan. Minerva must take care of her sisters after her mother's disappearance in this magical Argentinean middle grade story that pairs perfectly with Peter Pan.Ya a los doce años, Minerva Soledad Miranda está decidida a alcanzar sus metas, a pesar de asumir más responsibilidades que los demás niños de las escuela--como cuidar a sus dos hermanas mientras su mamá maneja dos trabajos. Pero una noche, la mamá de Minerva no regresa a casa y Minerva tiene que decider qué hacer. ¿Fue Mama secuestrada por ICE? ¿Serán las niñas enviadas a hogares de acogida o centros de detención para niños inmigrantes? Minerva y su hermanas no pueden dejar que nadie sepa que mamá ha desparecido. Simplemente fingirán que todo sigue normal hasta que ella regrese. El plan de Minerva se desmorona la primera tarde, cuando su hermanita hace un berrinche durante la audición de Minerva para la obra de Peter Pan. Pero a medida que pasan los días y Minerva se preocupa cada vez más por su madre, algo mágico parece estar cuidándolos: dejándoles pastelitos, ayudándolos a encontrar dinero, e incluso dirigiéndolos a amigos y familiares lejanos que pueden ayudarlos. Eventualmente, Minerva debe tomar la decision más dificil de su vida. Y cuando lo haga, estará preparada para enfrentar los desafíos de la vida, con amistad, esparanza y un poco de magia de hadas. Twelve-year-old Minerva Soledad Miranda is determined to reach her goals, despite shouldering more responsibility than the other kids at school--like caring for her two sisters while her mom works two jobs. But one night, Minerva's mom doesn't come home, and Minerva has to figure out what to do. Was Mamá snapped up by ICE? Will the girls be sent to foster homes or holding centers for migrant kids? Minerva and her sisters can't let anyone know Mamá has disappeared. They'll just pretend everything is normal until she comes back. Minerva's plan falls apart the first afternoon, when her baby sister throws a tantrum during Minerva's audition for Peter Pan. But as the days pass and Minerva grows ever more worried about her mother, something magical seems to be watching out for them: leaving them cupcakes, helping her find money, even steering them to friends and distant family who can help. Eventually, Minerva must make the hardest choice of her life. And when she does, she'll be prepared to face life's challenges--with friendship, hope, and a little bit of fairy magic.
En honor a la verdad
by Martha Alicia Chávez"No es motivo de culpabilidad, vergüenza ni desprecio reconocer que de muchas formas todos nos autoengañamos. Sin embargo, sí es necesario hacernos conscientes de esta situación para poder aceptar la verdad, que nos permite vivir en paz. En honor a la verdad es un libro sobre autenticidad, congruencia, confianza y el poder sanador de la verdad. En sus páginas, la autora nos muestra abiertamente las muchas formas en que nos autoengañamos respecto a temas como los hijos, la relación de pareja, el dinero y otros asuntos sociales, y nos brinda el mejor método para reconocer la verdad como parte fundamental de nuestro proceso de maduración, en todos los aspectos de la vida, así como para evitar que el autoengaño aparezca incluso detrás de nuestras más loables intenciones."
Enacting History: A Practical Guide to Teaching the Holocaust through Theater
by Janet E. Rubin Mira Hirsch Arnold MittelmanEnacting History is a practical guide for educators that provides methodologies and resources for teaching the Holocaust through a variety of theatrical means, including scripted texts, verbatim testimony, devised theater techniques and process-oriented creative exercises. A close collaboration with the USC Shoah Foundation I Witness program and the National Jewish Theater Foundation Holocaust Theater International Initiative at the University of Miami Miller Center for Contemporary Judaic Studies resulted in the ground-breaking work within this volume. The material facilitates teaching the Holocaust in a way that directly connects students to individual people and historical events through the art of theater. Each section is designed to help middle and high school educators meet curricular goals, objectives and standards and to integrate other educational disciplines based upon best practices. Students will gain both intellectual and emotional understanding by speaking the words of survivors, as well as young characters in scripted scenes, and developing their own performances based on historical primary sources. This book is an innovative and invaluable resource for teachers and students of the Holocaust; it is an exemplary account of how the power of theater can be harnessed within the classroom setting to encourage a deeper understanding of this defining event in history.
Enacting Lecoq: Movement In Theatre, Cognition, And Life (Cognitive Studies In Literature And Performance Ser.)
by Maiya MurphyThis book examines the theatrical movement-based pedagogy of Jacques Lecoq (1921-1999) through the lens of the cognitive scientific paradigm of enaction. The conversation between these two both uncovers more of the possible cognitive processes at work in Lecoq pedagogy and proposes how Lecoq’s own practical and philosophical approach could have something to offer the development of the enactive paradigm. Understanding Lecoq pedagogy through enaction can shed new light on the ways that movement, key to Lecoq’s own articulation of his pedagogy, might cognitively constitute the development of Lecoq’s ultimate creative figure – the actor-creator. Through an enactive lens, the actor-creator can be understood as not only a creative figure, but also the manifestation of a fundamentally new mode of cognitive selfhood. This book engages with Lecoq pedagogy’s significant practices and principles including the relationship between the instructor and student, identifications, mime, play, mask work, language, improvisation, and movement analysis.
Enchanted Ivy
by Sarah Beth DurstSixteen-year-old Lily is determined to attend Princeton University, so she's thrilled when she meets a group of powerful alumni, the Old Boys, who guarantee her admission if she passes a secret test and finds the Princeton Key. In her search to seal her future, Lily learns of a magical, alternate Princeton and discovers that the Princeton Key, which opens the door between the two worlds, is not an object, but a person. And it's her. Now Lily is caught in a power struggle between the Old Boys and the leaders of the magical realm, and unless she can find a way to make peace between the two sides, Lily's mother--and possibly Lily herself--will die. and dragons might be out for blood, Lily will need all of her ingenuity and courage--and a little magic--to unite the worlds and unlock the secrets of her past and her future.
Enchanted by Cinema: Wilhelm Thiele between Vienna, Berlin, and Hollywood (Film Europa #29)
by Jan-Christopher Horak and Andréas-Benjamin SeyfertWilliam Thiele is remembered today as the father of the sound film operetta with seminal classics such as Drei von der Tankstelle (1930). While often considered among the most accomplished directors of Late Weimar cinema, as an Austrian Jew he was vilified during the onset of the Nazi regime in 1933 and fled to the United States where he continued making films until the end of his career in 1960. Enchanted by Cinema closely examines the European musical film pioneer’s work and his cross-cultural perspective across forty years of filmography in Berlin and Hollywood to account for his popularity while discussing issues of ethnicity, exile, comedy, music, gender, and race.
Enchantment
by Donald SpotoHer name is synonymous with elegance, style and grace. Over the course of her extraordinary life and career, Audrey Hepburn captured hearts around the world and created a public image that stands as one of the most recognizable and beloved in recent memory. But despite her international fame and her tireless efforts on behalf of UNICEF, Audrey was also known for her intense privacy. With unprecedented access to studio archives, friends and colleagues who knew and loved Audrey, bestselling author Donald Spoto provides an intimate and moving account of this beautiful, elusive and talented woman.Tracing her astonishing rise to stardom, from her harrowing childhood in Nazi-controlled Holland during World War II to her years as a struggling ballet dancer in London and her Tony Award-winning Broadway debut in Gigi, Spoto illuminates the origins of Audrey's tenacious spirit and fiercely passionate nature.She would go on to star in some of the most popular movies of the twentieth century, including Roman Holiday, Sabrina, Funny Face, The Nun's Story, Breakfast at Tiffany's and My Fair Lady. A friend and inspiration to renowned designer Hubert de Givenchy, Audrey emerged as a fashion icon as well as a film legend, her influence on women's fashion virtually unparalleled to this day.But behind the glamorous public persona, Audrey Hepburn was both a different and a deeper person and a woman who craved love and affection. Donald Spoto offers remarkable insights into her professional and personal relationships with her two husbands, and with celebrities such as Gregory Peck, William Holden, Fred Astaire, Gary Cooper, Robert Anderson, Cary Grant, Peter O'Toole, Albert Finney and Ben Gazzara. The turbulent romances of her youth, her profound sympathy for the plight of hungry children, and the thrills and terrors of motherhood prepared Audrey for the final chapter in her life, as she devoted herself entirely to the charity efforts of an organization that had once come to her rescue at the end of the war: UNICEF.Donald Spoto has written a poignant, funny and deeply moving biography of an unforgettable woman. At last, Enchantment reveals the private Audrey Hepburn--and invites readers to fall in love with her all over again."She was as funny as she was beautiful. She was a magical combination of high chic and high spirits." --Gregory Peck"In spite of her fragile appearance, she's like steel." --Cary Grant"Audrey was known for something which has disappeared, and that is elegance, grace and manners . . . God kissed her on the cheek, and there she was." --Billy Wilder"There is not a woman alive who does not dream of looking like Audrey Hepburn." --Hubert de Givenchy"Her magnetism was so extraordinary that everyone wanted to be close to her. It was as if she placed a glass barrier between herself and the world. You couldn't get behind it easily. It made her remarkably attractive." --Stanley Donen"She has authentic charm. Most people simply have nice manners." --Alfred LuntFrom the Hardcover edition.
Enchantment: The Life of Audrey Hepburn
by Donald SpotoMore than a decade after her death in 1993, Audrey Hepburn remains an incomparable icon of movie style, of high fashion and mid-twentieth-century elegance. Born in Brussels in 1929, Audrey was the daughter of a British father and a Dutch Baroness. But when she was five, her father deserted the family, and it was not until she was 30 that Audrey found him again. With the outbreak of war in 1939, her mother thought they would be safer in Holland than Holland Park, but, although they survived the German Occupation, the experience left its physical and emotional scars. Back in England again, Audrey studied ballet with Marie Rambert. After a few West End musicals and a few minor film parts, she was spotted by the colourful and eccentric author, Colette, to star in a stage version of her novel, Gigi. And then Audrey's career took off. Her debut screen role was the Princess in William Wyler's enchanting Roman Holiday. It won her an Oscar. Audrey often described herself as an actress who didn't have much technique because she never learned to act. But she had that rare, instinctive ability to reach out to an audience. Billy Wilder, who directed her in Sabrina said, 'She was just born with this kind of quality and she made it look so unforced, so simple, so easy. . . You cannot learn it. God kissed her on the cheek and there she was. 'She brought a unique grace and high spirits to a number of highly acclaimed films - from Funny Face and The Nun's Story to My Fair Lady, Breakfast at Tiffany's, Charade, Wait Until Dark and Robin and Marian. For a while it looked as though her personal life would follow the Hollywood dream. But her marriage to Mel Ferrer, with whom she starred in War and Peace, was not to last. There were passionate but short-lived affairs, some revealed for the first time in this book. She married and divorced a second time. But she pretty much retired from movie-making, and dedicated the last years of her life, as Special Ambassador for UNICEF, to touring Africa and South America to help hungry children. With all the insight, background knowledge and innate sympathy for his subject, qualities that have made his biographies of Hitchcock, Dietrich, Monroe and Bergman such international successes, Donald Spoto truly captures the spirit of an elusive, beautiful, talented and vulnerable woman.