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Fast Times and Excellent Adventures: The Surprising History of the '80s Teen Movie
by James King'Brilliant' Mail on SundayTake a trip back to the era of troubled teens and awesome soundtracks; of Reagan, rap and Ridgemont High; of MTV, VHS and 'Axel F'; of outsiders, lost boys and dead poets; of Bill and Ted, Brooke Shields and the Brat Pack; of three Porky's, two Coreys and one summer when everyone called her Baby . . . Fast Times and Excellent Adventures goes behind the scenes of a genre where cult hits mingled with studio blockbusters, where giants like Spielberg and Coppola rubbed shoulders with baby-faced first-timers and where ambitious future superstars Sean, Demi and Tom all got their big break. Music, comedy and politics - all play a part in the surprisingly complex history of the '80s teen movie. And while the films might have been aimed primarily at adolescents, the best tackle universal issues and remain a magnet to all ages. Time of your life, huh kid?From a late '70s Hollywood in flux to an early '90s indie scene that gave youth cinema a timely reboot, respected film expert James King smartly highlights the personal struggles, the social changes and the boardroom shake-ups that produced an iconic time in movie history.
Fast Times and Excellent Adventures: The Surprising History of the '80s Teen Movie
by James King'Brilliant' Mail on SundayTake a trip back to the era of troubled teens and awesome soundtracks; of Reagan, rap and Ridgemont High; of MTV, VHS and 'Axel F'; of outsiders, lost boys and dead poets; of Bill and Ted, Brooke Shields and the Brat Pack; of three Porky's, two Coreys and one summer when everyone called her Baby . . . Fast Times and Excellent Adventures goes behind the scenes of a genre where cult hits mingled with studio blockbusters, where giants like Spielberg and Coppola rubbed shoulders with baby-faced first-timers and where ambitious future superstars Sean, Demi and Tom all got their big break. Music, comedy and politics - all play a part in the surprisingly complex history of the '80s teen movie. And while the films might have been aimed primarily at adolescents, the best tackle universal issues and remain a magnet to all ages. Time of your life, huh kid?From a late '70s Hollywood in flux to an early '90s indie scene that gave youth cinema a timely reboot, respected film expert James King smartly highlights the personal struggles, the social changes and the boardroom shake-ups that produced an iconic time in movie history.
Fasten Your Seat Belts: The Passionate Life of Bette Davis
by Lawrence J. Quirk“Much has been written about actress [Bette] Davis, but little has been very revealing, or comprehensive—until now . . . monumental . . . highly recommended.” —Library JournalWith a career spanning six decades and more than eighty films, Bette Davis is synonymous with Hollywood legend. From her incandescent performance as Margo Channing in All About Eve to her terrifying, psychopathic Jane Hudson in What Ever Happened to Baby Jane?, Davis generated electricity wherever she appeared, whatever she did—and not just on the silver screen. Her personal life was as passionate as her career and was so fiery that it eventually consumed her.In this landmark biography, Lawrence J. Quirk takes us behind the scenes of all of Davis’s movies, from her early unpromising roles, to her commanding presence at the pinnacle of stardom, to the degrading exploitation of her in horror films at the end of her career. Quirk delves into Davis’s four unhappy marriages, as well as her frosty, manipulative relationships with her three children. Also revealed are her many affairs through the years with leading men, bit players, servicemen during World War II, and, very late in her life, much younger men, who repaid her by using her and deserting her. Intense, volatile, ruled often by her emotions, Bette Davis was described by one critic as “a force of nature that could find no ordinary outlet.” “Gripping.” —Kirkus Reviews (starred review)Includes photographs
Faster, Pussycat! Kill! Kill!
by Dean DefinoRuss Meyer's Faster, Pussycat! Kill! Kill! (1965) is an enigma. A box-office failure when initially released on the grindhouse circuit, it has since been embraced by art-house audiences, and referenced in countless films, television series, and songs. A riot of styles and story clichés lifted from biker, juvenile delinquency, and beach party movies, it has the coherence of a dream, and the improvisatory daring of a jazz solo. John Waters has called it the greatest movie ever made, and Quentin Tarantino has long promised to remake it. But what draws them, and so many other cult fans to Pussycat? To help answer that question, this book looks at the production and critical reception of the film, its place within the cultural history of the 1960s, its representations of gender and sexuality, and the specific ways it meets the criteria of a cult film.
Faster, Pussycat! Kill! Kill! (Cultographies)
by Dean DeFinoRuss Meyer's Faster, Pussycat! Kill! Kill! (1965) is an enigma. A box-office failure when initially released on the grindhouse circuit, it has since been embraced by art-house audiences, and referenced in countless films, television series, and songs. A riot of styles and story clichés lifted from biker, juvenile delinquency, and beach party movies, it has the coherence of a dream, and the improvisatory daring of a jazz solo. John Waters has called it the greatest movie ever made, and Quentin Tarantino has long promised to remake it. But what draws them, and so many other cult fans to Pussycat? To help answer that question, this book looks at the production and critical reception of the film, its place within the cultural history of the 1960s, its representations of gender and sexuality, and the specific ways it meets the criteria of a cult film.
Faszinierende Unterhaltung: Die Entstehung und unterhaltsame Qualität der Emotion Awe (Ehrfurcht) bei der Medienrezeption am Beispiel von Videospielen
by Daniel PosslerVon gewaltiger Architektur in Videospielen über weite Landschaftsaufnahmen in Dokumentationen bis zu orchestraler Musik in Spielfilmen – manche unterhaltsame Medieninhalte scheinen explizit dafür geschaffen zu sein, uns in Faszination und Staunen zu versetzen. Während diese Erfahrungen in der Philosophie und Emotionspsychologie schon seit Längerem erforscht werden, blieben sie in gängigen Unterhaltungstheorien weitestgehend unberücksichtigt. Hier setzt das vorliegende Buch an. Auf Basis einer ausführlichen Aufarbeitung des Theorie- und Forschungsstands der kommunikationswissenschaftlichen Unterhaltungsforschung sowie der emotionspsychologischen Arbeiten zu Staunen und Faszination – definiert als Emotion Awe (dt. Ehrfurcht) – entwickelt Daniel Possler ein neues integratives Theoriemodell. Ziel ist die Erklärung der Entstehung sowie der Unterhaltsamkeit von Staunen und Faszination bei der Mediennutzung. Die Modellierung erfolgt dabei zunächst für Medien allgemein und wird dann auf das Fallbeispiel der Videospielnutzung übertragen.
Fat Ham
by James IjamesJuicy—a young, queer, Southern man, who is grappling with questions of identity—is visited by the ghost of his father (Pap) at his mother’s wedding/family barbecue. Pap demands that Juicy avenge his recent murder. How will Juicy, a sensitive and self-aware young Black man, trying to break a cycle of trauma and toxic masculinity, avenge his father’s premature death? Fat Ham reinvents Shakespeare’s masterpiece in startling and hilarious ways amidst the backdrop of a family barbeque in the American South.
Fat kid rules the world
by K. L. GoingTroy Billings at 6'1", 296 pounds, is standing at the edge of a subway platform seriously contemplating suicide when he meets Curt MacCrae -a sage-like, semi-homeless punk guitar genius who also happens to be a drop-out legend at Troy's school on the Lower East Side of Manhattan. <P><P> "I saved your life. You owe me lunch," Curt tells Troy, and Troy can't imagine refusing; after all, think of the headline: FAT KID ARGUES WITH PIECE OF TWINE. <P> But with Curt, Troy gets more than he bargained for and soon finds himself recruited as Curt's drummer. "We'll be called Rage/Tectonic. Sort of a punk rock, Clash sort of thing," Curt informs him. There's only one problem. Troy can't play the drums. Oh yes, and his father thinks Curt's a drug addict. And his brother thinks Troy's a loser. But with Curt, anything is possible. "You'll see," says Curt. "We're going to be HUGE. " <P> In an outstanding, funny, edgy debut, K. L. Going presents two unlikely friends who ultimately save each other. <P> Winner of Pacific Northwest Library Association’s Young Reader’s Choice Award
Fat, Crazy, and Tired: Tales from the Trenches of Transformation
by Van Lathan Jr.Podcaster and former TMZ host Van Lathan Jr. writes a sharp, funny, and brutally honest, cultural critique of the unspoken obstacles and extreme anxiety that keep us from maintaining good health in America&’s &“wellness waistland,&” explored through vignettes about his mental health and weight loss journey as a Black man. A formerly chubby kid who self‑identified for much of his life as &“the fat friend,&” media personality and podcast host Van Lathan Jr. has struggled with physical and mental health his entire life. He was used to being his besties' wing man on the dating scene, the slack bench‑dweller at the gym, and his mother's biggest fan at every meal, especially whenever she served up her infamous mac and cheese with five different kinds of cheese. At 365 lbs, Van hated being fat so much, he found it harder than being Black! After dedicating years to improving his physical and mental health, with many ups and downs, in 2020 Van found himself in a shared slump with other Americans when the Covid-19 pandemic hit and the George Floyd video was released—suddenly he was surrounded by carbs galore, binge-ing everything, feeling non‑stop exhaustion, and crippling waves of anxiety and depression. Fat, Crazy, and Tired isn't just about Van's ultimately unsuccessful journey to an Instagram‑able body and zen; it's about the unspoken personal battlefield of attaining and maintaining what Americans deem as good health. He explores the real reasons behind our unending physical and mental health battles—culture, family, and the baggage of life—and demonstrates how we can better understand our bodies by better understanding ourselves. He takes it back to his southern upbringing in Baton Rouge, opens up about how being &“the Black guy&” at work at TMZ overshadowed his identity, and shares how he holds up to survive the madness.&“Detox&” cleanses? Weight loss pills? Celery juice? No, thank you. Unlike the self‑help gurus that push you to go &“all or nothing&” and &“keep it 100,&” Van wants you to be happier and healthier at 50% without totally admonishing yourself to get there. Packed with double doses of humor Fat, Crazy, and Tired shares abrutally honest cultural critique of mental health and our weight loss obsession in what he dubs America&’s &“wellness waistland.&”
Fat, Drunk, and Stupid: The Inside Story Behind the Making of Animal House
by Matty SimmonsIn 1976 the creators of National Lampoon, America's most popular humor magazine, decided to make a movie. It would be set on a college campus in the 1960s, loosely based on the experiences of Lampoon writers Chris Miller and Harold Ramis and Lampoon editor Doug Kenney. They named it Animal House, in honor of Miller's fraternity at Dartmouth, where the members had been nicknamed after animals. Miller, Ramis, and Kenney wrote a film treatment that was rejected and ridiculed by Hollywood studios—until at last Universal Pictures agreed to produce the film, with a budget of $3 million.A cast was assembled, made up almost completely of unknowns. Stephen Furst, who played Flounder, had been delivering pizzas. Kevin Bacon was a waiter in Manhattan when he was hired to play Chip. Chevy Chase was considered for the role of Otter, but it wound up going to the lesser-known Tim Matheson. John Belushi, for his unforgettable role as Bluto, made $40,000 (the movie's highest-paid actor). For four weeks in the fall of 1977, the actors and crew invaded the college town of Eugene, Oregon, forming their own sort of fraternity in the process. The hilarious, unforgettable movie they made wound up earning more than $600 million and became one of America's most beloved comedy classics. It launched countless careers and paved the way for today's comedies from directors such as Judd Apatow and Todd Phillips.Bestselling author Matty Simmons was the founder of National Lampoon and the producer of Animal House. In Fat, Drunk, and Stupid, he draws from exclusive interviews with actors including Karen Allen, Kevin Bacon, Peter Riegert, and Mark Metcalf, director John Landis, fellow producer Ivan Reitman, and other key players—as well as behind-the-scenes photos—to tell the movie's outrageous story, from its birth in the New York offices of the National Lampoon to writing a script, assembling the perfect cast, the wild weeks of filming, and, ultimately, to the film's release and megasuccess. This is a hilarious romp through one of the biggest grossing, most memorable, most frequently quoted, and most celebrated comedies of all time.
Fate and Freedom in Korean Historical Films (East Asian Popular Culture)
by Kyung Moon HwangThis open access book examines the depiction of Korean history in recent South Korean historical films. Released over the Hallyu (“Korean Wave”) period starting in the mid-1990s, these films have reflected, shaped, and extended the thriving public discourse over national history. In these works, the balance between fate and freedom—the negotiation between societal constraints and individual will, as well as cyclical and linear history—functions as a central theme, subtext, or plot device for illuminating a rich variety of historical events, figures, and issues. In sum, these highly accomplished films set in Korea’s past address universal concerns about the relationship between structure and agency, whether in collective identity or in individual lives. Written in an engaging and accessible style by an established historian, Fate and Freedom in Korean Historical Films offers a distinctive perspective on understanding and appreciating Korean history and culture.
Fate in Film: A Deterministic Approach to Cinema (Short Cuts)
by Thomas M. PuhrThe course of events is predetermined and cannot be changed. Forces beyond our control—or even our comprehension—shape our fates. Such is the deterministic worldview embedded in a wide swath of contemporary cinema, from arthouse experiments to popular genre films, through both thematic concerns and narrative structures. These films, especially the recent spate of “elevated” science fiction and horror, tap into this deep-seated anxiety by focusing on characters who ultimately fail to transcend the patterns and structures that define them.Thomas M. Puhr identifies and analyzes the ways that cinema has dealt with the tension between fate and free will, from Stanley Kubrick’s The Shining to Christopher Nolan’s Tenet. He examines films that express deterministic ideas, including circular narratives of stasis or confinement and fatalistic portraits of external forces dictating characters’ lives. Puhr considers determinism at the levels of the individual, the family, and society, reading films in which characters are trapped by past or alternate selves, the burdens of family histories, or oppressive social structures. He explores how films such as Joel and Ethan Coen’s Inside Llewyn Davis, Ari Aster’s Hereditary, Jordan Peele’s Us, and Lucrecia Martel’s Zama confront the limits of human agency. Puhr relates deterministic themes to the nature of moviegoing: In denying characters any ability to choose alternative paths, these films mirror how viewers themselves can only sit and watch.Recasting the works of some of today’s most compelling directors, Fate in Film is an innovative critical account of an unrecognized yet crucial aspect of contemporary cinema.
Father Knows Best (TV Milestones Series)
by Mary R. DesjardinsAlthough the iconic television series Father Knows Best (CBS 1954-55; NBC 1955-58; CBS 1958-60) has enjoyed a long history in rerun syndication and an enduring fan base, it is often remembered as cultural shorthand for 1950s-era conformism and authoritarianism. In this study of Father Knows Best, author Mary R. Desjardins examines the program, its popularity, and its critical position within historical, industrial, and generic contexts to challenge oversimplified assumptions about the show's use of comedy and melodrama in exploring the place of family in mid-twentieth-century American society. Desjardins begins by looking at Father Knows Best within media and production contexts, including its origin on radio, its place in the history of Screen Gems telefilm production, and its roots in the backgrounds and creative philosophies of co-producer Eugene Rodney and star-producer Robert Young. She goes on to examine the social contexts for the creation and reception of the series, especially in the era's emphasis on family togetherness, shared parenting by both father and mother, and generational stages of the life cycle. Against this background, Desjardins also discusses several Father Knows Best episodes in-depth to consider their treatment of conflicts over appropriate gender roles for women. She concludes by exploring how the series' cast participated in reevaluations of the Anderson family's meaning in relation to "real families" of the fifties, through television specials, talk show appearances, magazine and book interviews, and documentaries. Blending melodrama and comedy, naturalistic acting, and stylized cinematic visuals, Father Knows Best dramatized ideological tensions in the most typical situations facing the American family. Scholars of mid-century American popular culture and film history as well as fans of the show will appreciate Desjardin's measured analysis.
Father Struck It Rich (Leisure Class In America Ser.)
by Evalyn Walsh Mclean Boyden SparkesThomas Walsh discovered fabulous golden wealth in the historic Camp Bird Mine near Ouray, Colorado. His daughter, Evalyn Walsh McLean, tells an engaging true story of the family that wanted for nothing. They led a life of extravagance. It enabled them to acquire possessions such as the Hope Diamond and the fabulous homes that hosted spectacular social functions and served as retreats for kings and presidents.-Print ed.
Father of the Modern Circus 'Billy Buttons': The Life & Times of Philip Astley
by Steve WardThe world of the circus has a long and colorful history but it was with a man named Philip Astley that the modern circus was founded. It was 250 years ago, in April 1768, that Astley pegged out a circular ride on the banks of the river Thames and gave performances of trick riding to a paying audience. Trick riding was nothing new, so what made Astley so popular? He was an accomplished horseman, a military hero and an instinctive showman. Above all, he was an entrepreneur who realized that people would pay good money to be entertained and to be entertained well. He created the comic character of Billy Buttons, and other acts were added to his performances: clowns, rope dancers, tumblers and strongmen. The circus, as we might recognize it today, was born.Father of the Modern Circus Billy Buttons investigates the life and times of this veritable giant of the circus world. Standing well over 6 feet tall, with a stentorian voice and character to match, it was difficult to ignore him wherever he went. From his early days as an apprentice cabinetmaker and his military exploits in the 15th Dragoons to the trials and tribulations of establishing himself as a respected performer and his international successes in France and Ireland, this book gives a detailed account of the larger than life figure that was Philip Astley.
Father's Chinese Opera
by Rich LoThe Chinese opera is anything but boring. Songs, acrobatics, acting, and costumes make the opera a truly spectacular show to behold. Spending a summer backstage at his father's Chinese opera, a young boy is instantly enamored with the performers and works hard to be a part of the show. Rehearsing the moves day and night with the show's famous choreographer, the boy thinks he is soon ready to perform with the others. But the choreographer doesn't agree. In fact, he laughs at the boy when asked to join the others in the acrobatics part of the opera. Upset, the boy runs home to sulk. What will he do next? Will he give up, or will he persevere and work his way up in the show? <p><p> In an exotic and intriguing story that draws on author Rich Lo's personal life, and features his own bright, mesmerizing illustrations, Father's Chinese Opera teaches children about hard work, patience, and the commitment needed to achieve an important goal, while introducing them to an important part of Chinese culture.
Fatherhood: Stories about being a dad
by William McInnesWilliam McInnes, one of Australia's best-known storytellers and actors, has turned to a subject that is close to his heart. Fatherhood is about family, about memories of his father and the memories he's creating as a dad himself, with his own son and daughter.Warm, witty and nostalgic, these tales are just like a friendly chat over the back fence, or the banter of a backyard BBQ. They will stir your own memories: of hot summer days and cooling off under the sprinkler while Dad works in the garden with the radio tuned to the sports results; that time Dad tried to teach you to drive - and then got out of the car and kissed the ground; or taking your own kids on a family road trip.Fatherhood is full of memories: the happy, the hilarious, the sad, bad, and the unexpectedly poignant moments. You will laugh, you may even cry - but you will recognise yourself and those you love somewhere in these pages.
Fatherhood: Stories about being a dad
by William McInnesWilliam McInnes, one of Australia's best-known storytellers and actors, has turned to a subject that is close to his heart. Fatherhood is about family, about memories of his father and the memories he's creating as a dad himself, with his own son and daughter.Warm, witty and nostalgic, these tales are just like a friendly chat over the back fence, or the banter of a backyard BBQ. They will stir your own memories: of hot summer days and cooling off under the sprinkler while Dad works in the garden with the radio tuned to the sports results; that time Dad tried to teach you to drive - and then got out of the car and kissed the ground; or taking your own kids on a family road trip.Fatherhood is full of memories: the happy, the hilarious, the sad, bad, and the unexpectedly poignant moments. You will laugh, you may even cry - but you will recognise yourself and those you love somewhere in these pages.
Fathomless Riches: Or How I Went From Pop to Pulpit
by Reverend Richard ColesThe memoir of popular BBC Radio 4 SATURDAY LIVE presenter and former member of the Communards, the Reverend Richard Coles.'I love @RevRichardColes SO MUCH' Caitlin MoranFATHOMLESS RICHES is the Reverend Richard Coles's warm, witty and wise memoir in which he divulges with searing honesty and intimacy his pilgrimage from a rock-and-roll life of sex and drugs in the Communards to one devoted to God and Christianity. The result is one of the most unusual and readable life stories of recent times, and has the power to shock as well as to console.
Fathomless Riches: Or How I Went From Pop to Pulpit
by Reverend Richard ColesA parish priest in Northamptonshire; a former rock-star whose number-one hit with The Communards was the biggest-selling single of 1986; the regular host of BBC Radio 4's SATURDAY LIVE - these three people are not usually embodied in one person. The Reverend Richard Coles' memoir offers his rich and personal insights into one of the most diverse of lives, encompassed with the wit and humour he brings to his popular radio show. Richard Coles gives the phrase 'time management' a new emphasis. From conducting the funeral of a cross-dressing farmer and recording an interview with a Californian who believes he was abducted by aliens, to a lunch meeting with the Mothers Union, then making an after-dinner speech to a roomful of thoughtful actuaries, his work has taken him from food-fights in a Swiss hotel with the Beastie Boys to propitiating the gods of the sea as Deputy Chaplain to the Admiral of the Wash on his annual inspection of the Beacons and Buoys.Mirroring the Christian calendar with its narrative of birth, death and renewal, from Advent to Christmas, from Lent to Easter, Richard Coles gives an honest and lighthearted account of the drama that comes with fulfilling so many roles, and the daily challenges that accompany it.Fathomless Riches - a phrase characteristic of St Paul and his followers - is the indescribable generosity, love and sheer surprise that Richard Coles encounters through a life of faith. The result is one of the most readable and illuminating autobiographies of the year.Read by the author(p) 2014 Orion Publishing Group
Fathomless Riches: Or How I Went From Pop to Pulpit
by Richard ColesThe Reverend Richard Coles is a parish priest in Northamptonshire and a regular host of BBC Radio 4's Saturday Live. He is also the only vicar in Britain to have had a number 1 hit single: the Communards' 'Don't Leave Me This Way' topped the charts for four weeks and was the biggest-selling single of its year. Fathomless Riches is his remarkable memoir in which he divulges with searing honesty and intimacy his pilgrimage from a rock-and-roll life of sex and drugs to a life devoted to God and Christianity. Music is where it began. Richard Coles was head chorister at school, and later discovered a love of saxophone together with the magic of Jimmy Somerville's voice. Against a backdrop of intense sexual and political awakening, the Communards were formed, and Richard Coles's life as a rock star began. Fathomless Riches - a phrase characteristic of St Paul and his followers - is a deeply personal and illuminating account of a transformation from hedonistic self-abandonment to 'the moment that changed everything'. Funny, warm, witty and wise, it is a memoir which has the power to shock as well as to console. It will be hailed as one of the most unusual and readable life stories of recent times.
Fatih Akin's Cinema and the New Sound of Europe (New Directions in National Cinemas)
by Berna GueneliIn Fatih Akın’s Cinema and the New Sound of Europe, Berna Gueneli explores the transnational works of acclaimed Turkish-German filmmaker and auteur Fatih Akın. The first minority director in Germany to receive numerous national and international awards, Akın makes films that are informed by Europe’s past, provide cinematic imaginations about its present and future, and engage with public discourses on minorities and migration in Europe through his treatment and representation of a diverse, multiethnic, and multilingual European citizenry. Through detailed analyses of some of Akın’s key works—In July, Head-On, and The Edge of Heaven, among others—Gueneli identifies Akın’s unique stylistic use of multivalent sonic and visual components and multinational characters. She argues that the soundscapes of Akın’s films—including music and multiple languages, dialects, and accents—create an “aesthetic of heterogeneity” that envisions an expanded and integrated Europe and highlights the political nature of Akın’s decisions regarding casting, settings, and audio. At a time when belonging and identity in Europe is complicated by questions of race, ethnicity, religion, and citizenship, Gueneli demonstrates how Akın’s aesthetics intersect with politics to reshape notions of Europe, European cinema, and cinematic history.
Faubourg Psychédélique: David Bowie et le Beckenham Arts Lab
by Mary FinniganCeci est la traduction française de Psychédélic Suburbia - traduit par Faubourg Psychédélique, écrit par Mary Finnigan, relatant sa relation avec le chanteur David Bowie et les premières étapes de sa carrière à Beckenham (banlieue sud de Londres) avant qu’il ne devienne une des pop stars mondiales le plus emblématiques.
Faulkner On and Off the Page: Essays in Biographical Criticism
by Carl RollysonThough numerous biographies have been published on William Faulkner, readers are often presented conflicting interpretations of his life and work. Faulkner’s view of himself and his own family was mercurial, and it is widely acknowledged that Faulkner was an unreliable narrator of his own life. As a result, biographies of Faulkner echo and complicate the multitude of ways he portrayed himself, accepting that truth—if it exists—is subjective. Like his work, Faulkner’s own life, then, is not only open to different readings but welcomes them within the landscape of his oeuvre.Faulkner On and Off the Page acknowledges the challenges of “factifying” a life into a textual narrative, while also emphasizing the potential for biography to establish a throughline that traces how literature emerges from life and, in turn, shapes the life narrative Faulkner constructed for himself. Unburdened by the sanctity of the written word, Faulkner embraced mutability and perpetual evolution. This process of reinvention also manifests within the pages of Faulkner's biographies, as each biographer brings a unique context and perspective shaped by generations of Faulkner scholars.Rather than thinking of Faulkner as exclusively the great high modernist who strayed to Hollywood when he needed the money and stayed home when he didn’t, this book portrays an unsettled writer incessantly on the move incorporating what only looked like alien elements into his work, while maintaining a public persona that disparaged anything that did not fit the narrative of the novelist he created in interviews, essays, and speeches. This book attempts to carry on the work of finding the man on the page even as he is shaping a life off of it.
Faust-Ikonologie: Stoff und Figur in der Bildkultur des 19. Jahrhunderts
by Carsten RohdeDie Geschichte des Faust-Stoffes seit Goethe ist lange Zeit vor allem unter ideologischen Gesichtspunkten gedeutet worden. Die vorliegende Studie untersucht erstmals tiefergehend die populärkulturellen Resonanzen von Faust in der sich formierenden Medienmoderne des 19. Jahrhunderts. Die ‚Explosion der Bilder‘ sorgt dafür, dass Stoff und Figur in einer nie dagewesenen Vielfalt und Breite als visuelles Phänomen in Erscheinung treten. Faust wird zu einer populären Projektions- und Identifikationsfigur, die mit ganz unterschiedlichen Formen, Funktionen und Kontexten in Verbindung steht. Ihre Omnipräsenz in der Bildkultur des Jahrhunderts ist sowohl Spiegel als auch Katalysator dieser Entwicklungen.