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A View from A Broad
by Bette MidlerBette Midler, also known as Divine Miss M--the indomitable and incomparable singer, actor, and musical theater extraordinaire, with a career spanning almost half a century--revisits her classic memoir, now with a new introduction.This book was a kind of last hurrah. When I read it, I hear a disarmingly younger, sweeter voice...I am not sure that this little confection captures a whole time, but I think it's an accurate picture of the spirit and tone of what I was doing in those days...I hope it holds up, and that you find your best younger self in it as I do... With her brassy voice and bold performances making the world finally pay attention, this ambitious Jewish girl from Hawaii, needs no introduction. Grammy award-winning singer, Academy Award-nominee, Broadway star of her critically acclaimed one-woman show, and beloved actress in The Rose, Beaches, and Down and Out in Beverly Hills--Bette Midler is a household name whose career and fans span generations. In A View from A Broad, Bette relives her career through memories of endless rehearsals, her fear of flying, crazy schedules, and wisdom she learned from Thai Gondoliers with her trademark razor-blade wit that her fans have grown to know, love, and expect. Filled with photographs, a new introduction, and heartwarming stories that highlight only a portion of a brilliant career, A View from a Broad is the perfect gift for anyone who loves music, theater, or just plain fun--and will be cherished by the fans of Divine Miss M for years to come.
A View from the Bottom: Asian American Masculinity and Sexual Representation
by Tan Hoang NguyenA View from the Bottom offers a major critical reassessment of male effeminacy and its racialization in visual culture. Examining portrayals of Asian and Asian American men in Hollywood cinema, European art film, gay pornography, and experimental documentary, Nguyen Tan Hoang explores the cultural meanings that accrue to sexual positions. He shows how cultural fantasies around the position of the sexual "bottom" overdetermine and refract the meanings of race, gender, sexuality, and nationality in American culture in ways that both enable and constrain Asian masculinity. Challenging the association of bottoming with passivity and abjection, Nguyen suggests ways of thinking about the bottom position that afford agency and pleasure. A more capacious conception of bottomhood--as a sexual position, a social alliance, an affective bond, and an aesthetic form--has the potential to destabilize sexual, gender, and racial norms, suggesting an ethical mode of relation organized not around dominance and mastery but around the risk of vulnerability and shame. Thus reconceived, bottomhood as a critical category creates new possibilities for arousal, receptiveness, and recognition, and offers a new framework for analyzing sexual representations in cinema as well as understanding their relation to oppositional political projects.
A Visual History of HIV/AIDS: Exploring The Face of AIDS film archive (Routledge Advances in the Medical Humanities)
by Elisabet Björklund Mariah LarssonThe Face of AIDS film archive at Karolinska Institutet, Sweden, consists of more than 700 hours of unedited and edited footage, shot over a period of more than thirty years and all over the world by filmmaker and journalist Staffan Hildebrand. The material documents the HIV/AIDS pandemic and includes scenes from conferences and rallies, and interviews with activists, physicians, people with the infection, and researchers. It represents a global historical development from the early years of the AIDS crisis to a situation in which it is possible to live a normal life with the HIV virus. This volume brings together a range of academic perspectives – from media and film studies, medical history, gender studies, history, and cultural studies – to bear on the archive, shedding light on memories, discourses, trauma, and activism. Using a medical humanities framework, the editors explore the influence of historical representations of HIV/AIDS and stigma in a world where antiretroviral treatment has fundamentally altered the conditions under which many people diagnosed with HIV live. Organized into four sections, this book begins by introducing the archive and its role, setting it in a global context. The first part looks at methodological, legal and ethical issues around archiving memories of the present which are then used to construct histories of the past; something that can be particularly controversial when dealing with a socially stigmatized epidemic such as HIV/AIDS. The second section is devoted to analyses of particular films from the archive, looking at the portrayal of people living with HIV/AIDS, the narrative of HIV as a chronic illness and the contemporary context of particular films. The third section looks at how stigma and trauma are negotiated in the material in the Face of AIDS film archive, discussing ideas about suffering and culpability. The final section contributes perspectives on and by the filmmaker as activist and auteur. This interdisciplinary collection is placed at the intersection of medical humanities, sexuality studies and film and media studies, continuing a tradition of studies on the cultural and social understandings of HIV/AIDS.
A Voice in the Box: My Life in Radio
by Bob EdwardsThe host of The Bob Edwards Show and Bob Edwards Weekend on Sirius XM Radio, Bob Edwards became the first radio personality with a large national audience to take his chances in the new field of satellite radio. The programs' mix of long-form interviews and news documentaries has won many prestigious awards. For thirty years, Louisville native Edwards was the voice of National Public Radio's daily newsmagazine programs, co-hosting All Things Considered before launching Morning Edition in 1979. These programs built NPR's national audience while also bringing Edwards to national prominence. In 2004, however, NPR announced that it would be finding a replacement for Edwards, inciting protests from tens of thousands of his fans and controversy among his listeners and fellow broadcasters. Today, Edwards continues to inform the American public with a voice known for its sincerity, intelligence, and wit. In A Voice in the Box: My Life in Radio, Edwards recounts his career as one of the most important figures in modern broadcasting. He describes his road to success on the radio waves, from his early days knocking on station doors during college and working for American Forces Korea Network to his work at NPR and induction into the National Radio Hall of Fame in 2004. Edwards tells the story of his exit from NPR and the launch of his new radio ventures on the XM Satellite Radio network. Throughout the book, his sharp observations about the people he interviewed and covered and the colleagues with whom he worked offer a window on forty years of American news and on the evolution of public journalism. A Voice in the Box is an insider's account of the world of American media and a fascinating, personal narrative from one of the most iconic personalities in radio history.
A Voice of Their Own: Encouraging Caring and Ethical Practices in Trauma Screen Translation
by Charlotte BosseauxThis open access book explores which audiovisual translation methods or techniques are the most ethical when translating personal narratives dealing with trauma and emotions, and provides good practice guidelines for different stakeholders (audiovisual translators, Language Service Providers, charities, survivors and filmmakers) to ensure that the voices of those who have suffered from trauma and Gender-Based Violence are ethically conveyed on-screen. It also shows how subtitlers cope with the translation of challenging sensitive material. The work described in this book is based on Prof Bosseaux&’s Ethical Translation project and is underpinned by a practical component: a multilingual documentary featuring women who have gone through traumatic events and whose first language is not English. Above all, the research emphasises the importance of filming and translating ethically with a focus on making sure survivors and audiovisual translators&’ voices are fully heard through respectful translation. This book showcases the theories and methods used and developed throughout the Ethical Translation project and the results of the research conducted, ultimately demonstrating the importance of carrying out practice-based research and encouraging collaboration between academics, practitioners and stakeholders to produce research that can be of use to, and be applied by, these groups.
A Voyage with Hitchcock
by Murray PomeranceFollowing from An Eye for Hitchcock and A Dream for Hitchcock, this third volume of reflections upon Alfred Hitchcock's work gives extensive meditations on six films: Psycho, The 39 Steps, The Birds, Dial M for Murder, Rich and Strange, and Suspicion. Murray Pomerance's sources come from a wide territory of interest, including production study, philosophy, cultural history, and more. The book is written as an homage to, and in many ways address to, not only the story content of these films but, more importantly, their overall filmic texture, which involves compositions, visual nuances, sounds, rhythms, and Hitchcock's unique treatments of human experience. The voyage theme plays a key—and moving—role in all the films discussed here.
A Vulgar Art: A New Approach to Stand-Up Comedy (Folklore Studies in a Multicultural World Series)
by Ian BrodieIn A Vulgar Art, Ian Brodie uses a folkloristic approach to stand-up comedy, engaging the discipline's central method of studying interpersonal, artistic communication and performance. Because stand-up comedy is a rather broad category, people who study it often begin by relating it to something they recognize—“literature” or “theatre”; “editorial” or “morality”—and analyze it accordingly. A Vulgar Art begins with a more fundamental observation: someone is standing in front of a group of people, talking to them directly, and trying to make them laugh. So, this book takes the moment of performance as its focus, that stand-up comedy is a collaborative act between the comedian and the audience. Although the form of talk on the stage resembles talk among friends and intimates in social settings, stand-up comedy remains a profession. As such, it requires performance outside of the comedian's own community to gain larger and larger audiences. How do comedians recreate that atmosphere of intimacy in a roomful of strangers? This book regards everything from microphones to clothing and LPs to Twitter as strategies for bridging the spatial, temporal, and sociocultural distances between the performer and the audience.
A Wayward Quest: The Autobiography of Theresa Helburn
by Theresa HelburnA WAYWARD QUEST, which was first published in 1960, is the autobiography of a woman who for forty years was one of the most important figures in the American theater—and who loved every minute of it. Small, vivacious, imaginative, Theresa Helburn was a wonderfully attractive person who at one time or another knew most of the great talents of the century—from Gertrude Stein and Isadora Duncan (her youthful heroines during a sojourn in Paris) to G. B. Shaw and Eugene O’Neill. Her consuming interest in the theater, her convictions about its past and present and dreams for its future, form the background of her story, against this runs a sparkling stream of stories and anecdotes about people and plays she knew and loved.
A Wes Anderson Dictionary: An A–Z of the iconic director and his work, from Asteroid City to Steve Zissou (Director Dictionaries)
by Sophie Monks KaufmanExplore an A-Z of everything you need to know about the iconic films of Wes Anderson, from Asteroid City to Steve Zissou and everything in between.With hundreds of entries covering every facet of Anderson's work - from inspiration and influences to his most frequent collaborators and little-known quirks - A Wes Anderson Dictionary is a stylish guide to the wonderful world of this iconic, unique filmmaker.Written by author and journalist Sophie Monks Kaufman (Little White Lies, Empire, Netflix, BBC) and with bespoke illustrations that bring the director's vision to life, this is a one-stop shop for all things Anderson.
A Wes Anderson Dictionary: An A–Z of the iconic director and his work, from Asteroid City to Steve Zissou (Director Dictionaries)
by Sophie Monks KaufmanExplore an A-Z of everything you need to know about the iconic films of Wes Anderson, from Asteroid City to Steve Zissou and everything in between.With hundreds of entries covering every facet of Anderson's work - from inspiration and influences to his most frequent collaborators and little-known quirks - A Wes Anderson Dictionary is a stylish guide to the wonderful world of this iconic, unique filmmaker.Written by author and journalist Sophie Monks Kaufman (Little White Lies, Empire, Netflix, BBC) and with bespoke illustrations that bring the director's vision to life, this is a one-stop shop for all things Anderson.
A Wild Life: My Adventures Around the World Filming Wildlife
by Martin Hughes-GamesThe frozen wastes of the Southern Ocean; the tropical rainforests of South America, the scorching grasslands of Africa, the dizzy heights of the snow-capped peaks of the Himalayas: Martin Hughes-Games has been to every continent on earth filming natural history programmes. A Wild Life is Martin's personal account of his astonishing adventures around the world, both as a presenter for the BBC and a producer of nature documentaries. We all know Martin as a member of Springwatch and Autumnwatch team, but before his presenting days he spent many years behind the camera producing up-close-and-personal wildlife documentaries on location often in perilous conditions. During a career spanning more than three decades, he has captured the extraordinary life and diversity of the animal kingdom on film - from bloodthirsty bats and man-eating tigers, to huge elephant seals and tiny but ever so painful centipedes.Warmly told with humour and an inimitable style, and packed with insightful facts from the natural world - how fast is the fastest creature on earth, the peregrine falcon? How high can a bird, the bar headed goose on migration, really fly? - A Wild Life has to be one of the natural history books of the year.
A Wild Life: My Adventures Around the World Filming Wildlife
by Martin Hughes-GamesThe frozen wastes of the Southern Ocean; the tropical rainforests of South America, the scorching grasslands of Africa, the dizzy heights of the snow-capped peaks of the Himalayas: Martin Hughes-Games has been to every continent on earth filming natural history programmes. A Wild Life is Martin's personal account of his astonishing adventures around the world, both as a presenter for the BBC and a producer of nature documentaries. We all know Martin as a member of Springwatch and Autumnwatch team, but before his presenting days he spent many years behind the camera producing up-close-and-personal wildlife documentaries on location often in perilous conditions. During a career spanning more than three decades, he has captured the extraordinary life and diversity of the animal kingdom on film - from bloodthirsty bats and man-eating tigers, to huge elephant seals and tiny but ever so painful centipedes.Warmly told with humour and an inimitable style, and packed with insightful facts from the natural world - how fast is the fastest creature on earth, the peregrine falcon? How high can a bird, the bar headed goose on migration, really fly? - A Wild Life has to be one of the natural history books of the year.
A Windfall of Musicians
by Dorothy Lamb CrawfordThis book is the first to examine the brilliant gathering of composers, conductors, and other musicians who fled Nazi Germany and arrived in the Los Angeles area. Musicologist Dorothy Lamb Crawford looks closely at the lives, creative work, and influence of sixteen performers, fourteen composers, and one opera stage director, who joined this immense migration beginning in the 1930s. Some in this group were famous when they fled Europe, others would gain recognition in the young musical culture of Los Angeles, and still others struggled to establish themselves in an environment often resistant to musical innovation. Emphasizing individual voices, Crawford presents short portraits of Igor Stravinsky, Arnold Schoenberg, and the other musicians while also considering their influence as a group--in the film industry, in music institutions in and around Los Angeles, and as teachers who trained the next generation. The book reveals a uniquely vibrant era when Southern California became a hub of unprecedented musical talent.
A Woman First: A Memoir
by Selina MeyerA hilarious parody memoir for the beloved Veep character portrayed for seven seasons by Emmy-winner Julia Louis-Dreyfus.Born and raised deep in the American heartland of God-fearing suburban Maryland, young Selina Eaton learned to love her country and her fellow man from her parents, Catherine, a sportswoman, dog lover, and philanthropist, and Gordon, or “Daddy” as she always called him, a businessman and entrepreneur. From an early age, Selina, an active, curious, happy-go-lucky child, showed an uncanny ability to relate to others and to solve their real-world problems with real-world solutions. In this she was inspired by her idol: feminist, humanitarian, stateswoman, and first lady, Eleanor Roosevelt.Eleanor Roosevelt maintained a lively relationship with many prominent figures of her time, including Adlai Stevenson, John F. Kennedy, Albert Schweitzer, and probably Pablo Casals. She inspired countless women to break out of the established roles for women in society, among them the pioneering aviatrix Amelia Earhart, with whom she flew several times.Dubbed the “Queen of the Air,” Amelia Earhart captivated the nation both with her bravery, skill, and daring when flying her planes and when challenging society’s hidebound attitudes as to what constituted a proper place for women. America mourned when she disappeared mysteriously somewhere in the Pacific during an attempted around-the-world flight in 1937. Speculation continues to this day as to Amelia’s ultimate fate, even as hope has faded that she may yet be found alive.With wit, wisdom, eloquence, and fearless honesty, Selina Meyer reveals for the first time what really goes on in the halls of power, including the ultimate hall, the White House. It’s all here: the triumphs, the tragedies, the personalities, and the momentous events that have shaped our times, brought together in a page-turning tale told as only Selina Meyer could tell it. Selina Meyer’s compassion, her sense of humor, her grace, and her uncommon willingness to bare her heart make this story revelatory, beautifully rendered, and unlike any other president’s memoir ever written. First Woman: A Woman First would be a fitting title for a book about Selina Meyer, Eleanor Roosevelt, or Amelia Earhart, but in this case, it is about Selina Meyer.
A Woman's View
by Jeanine BasingerNow, Voyager, Stella Dallas, Leaver Her to Heaven, Imitation of Life, Mildred Pierce, Gilda...these are only a few of the hundreds of "women's films" that poured out of Hollywood during the thirties, forties, and fifties. The films were widely disparate in subject, sentiment, and technique, they nonetheless shared one dual purpose: to provide the audience (of women, primarily) with temporary liberation into a screen dream--of romance, sexuality, luxury, suffering, or even wickedness--and then send it home reminded of, reassured by, and resigned to the fact that no matter what else she might do, a woman's most important job was...to be a woman. Now, with boundless knowledge and infectious enthusiasm, Jeanine Basinger illuminates the various surprising and subversive ways in which women's films delivered their message. Basinger examines dozens of films, exploring the seemingly intractable contradictions at the convoluted heart of the woman's genre--among them, the dilemma of the strong and glamorous woman who cedes her power when she feels it threatening her personal happiness, and the self-abnegating woman whose selflessness is not always as "noble" as it appears. Basinger looks at the stars who played these women and helps us understand the qualities--the right off-screen personae, the right on-screen attitudes, the right faces--that made them personify the woman's film and equipped them to make believable drama or comedy out of the crackpot plots, the conflicting ideas, and the exaggerations of real behavior that characterize these movies. In each of the films the author discusses--whether melodrama, screwball comedy, musical, film noir, western, or biopic--a woman occupies the center of her particular universe. Her story--in its endless variations of rags to riches, boy meets girl, battle of the sexes, mother love, doomed romance--inevitably sends a highly potent mixed message: Yes, you women belong in your "proper place" (that is, content with the Big Three of the women's film world--men, marriage, and motherhood), but meanwhile, and paradoxically, see what fun, glamour, and power you can enjoy along the way. A Woman's View deepens our understanding of the times and circumstances and attitudes out of which these movies were created.
A Wonderful Life: The Films and Career of James Stewart
by Tony ThomasThomas surveys Jimmy Stewart's life and career, and reviews the circumstances and plot of each of his films, from his small part in 1935's Murder Man, to his last role as a grandfather in a 1981 Lassie movie.
A Work in Progress: A Memoir
by Connor FrantaIn this intimate memoir of life beyond the camera, Connor Franta shares the lessons he has learned on his journey from small-town boy to Internet sensation—so far. Here, Connor offers a look at his Midwestern upbringing as one of four children in the home and one of five in the classroom; his struggles with identity, body image, and sexuality in his teen years; and his decision to finally pursue his creative and artistic passions in his early twenties, setting up his thrilling career as a YouTube personality, philanthropist, entrepreneur, and tastemaker.
A World Elsewhere
by Steven BerkoffA World Elsewhere is Steven Berkoff’s bold attempt to describe his multifarious theatrical works. Berkoff outlines the methods that he uses, first of all as an actor, secondly as a playwright and thirdly as theatre director, as well as those subtle connections in between, when one discipline melds effortlessly into another. He examines the early impulses that generated his works and what drove him to give them form, as well as the challenges he faced when adapting the work of other authors. Berkoff discusses some of his most difficult, successful and unique creations, journeying through his long and varied career to examine how they were shaped by him, and how he was shaped by them. The sheer scale of this book offers a rare experience of an accomplished artist, combined with the honesty and insight of an autobiography, making this text a singular tool for teaching, inspiration and personal exploration. Suitable for anyone with an interest in Steven Berkoff and his illustrious career, A World Elsewhere is the part analysis and part confession of an artist whose work has been performed all over the world.
A World of Demons: The Villains of Doctor Who
by David BushmanThe first-ever essay anthology devoted solely to the villains the Doctor has encountered over the decades since Doctor Who's 1963 premiere -- including all of the usual suspects (Daleks, Cybermen, Weeping Angels, the Silence, etc.), plus plenty of surprises. &“One may tolerate a world of demons for the sake of an angel&”—Jean-Antoninette (&“Reinette&”) Poisson, aka Madame de Pompadour, &“The Girl in the Fireplace&” What a world of demons Doctor Who has presented us with over the past seven decades: from Daleks and Cybermen to Weeping Angels and the Silence, the greatest villains of the Who-niverse have achieved an iconic status all their own, cementing themselves in the minds of millions of viewers (why else would Parker Brothers have devised a version of Monopoly after them?). If, as the Seventh Doctor once said, "You can always judge a man by the quality of his enemies,&” the Doctor is great indeed, rescuing the universe time and again from some of the most formidable and terrifying villains in science fiction history. Now, for the first time, an entire anthology of essays is dedicated to deconstructing this gallery of blackguards. Who are the greatest Who villains of all time? Why are they so frightening? And—apologies to Shakespeare—what do they tell us about the villainy of our own fears? Featuring essays by Joseph Dougherty (executive producer, Pretty Little Liars; producer, thirtysomething), Steven Ashby, Anton Binder, Sarah Corey, Ken Deep, Jan Fennick, Hannah Friedman, Mark Givens, Nancy Hutchins, Jennie Jarvis, Don Klees, Chris Kocher, Robin Koman, Charles Martin, Michael Robinson, Steve Sautter, and Shane Thomas. Edited by David Bushman (Conversations with Mark Frost) and Barnaby Edwards (president, Doctor Who New York)
A Year at the Chateau: As seen on the hit Channel 4 show
by Dick Strawbridge Angel StrawbridgeTHE ENTERTAINING AND HEARTWARMING SUNDAY TIMES BESTSELLER.Like many couples, Dick and Angel had long dreamed of living in France, but where others might settle for a modest bolthole in the French countryside, the Strawbridges fell in love with a 19th-century fairytale château, complete with 45 rooms, seven outbuildings, 12 acres of land and its own moat.Throwing caution to the wind, Dick and Angel swapped their two-bedroom flat in East London for an abandoned and derelict castle in the heart of the Loire valley and embarked on the adventure of a lifetime with their two young children Arthur and Dorothy.Sharing their full journey for the first time, A Year at the Château follows Dick and Angel from when they first moved to France in the depths of winter and found bedrooms infested with flies, turrets inhabited by bats, the wind rattling through cracked windows, and just one working toilet, which flushed into the moat, through to the monumental efforts that went into readying the château for their unforgettable wedding and their incredibly special first Christmas.Along the way we'll read glorious descriptions of rural life in France, with charming characters, delicious food and wonderful seasonal produce, together with the extraordinary list of renovations and restorations Dick and Angel completed, many of which were never shown on TV.As warm and entertaining as their much-loved show, A Year at the Château is a truly irresistible story of adventure and heart, epic ambitions and a huge amount of hard graft.
A Year at the Chateau: As seen on the hit Channel 4 show
by Dick Strawbridge Angel StrawbridgeTHE ENTERTAINING AND HEARTWARMING SUNDAY TIMES BESTSELLER.Like many couples, Dick and Angel had long dreamed of living in France, but where others might settle for a modest bolthole in the French countryside, the Strawbridges fell in love with a 19th-century fairytale château, complete with 45 rooms, seven outbuildings, 12 acres of land and its own moat.Throwing caution to the wind, Dick and Angel swapped their two-bedroom flat in East London for an abandoned and derelict castle in the heart of the Loire valley and embarked on the adventure of a lifetime with their two young children Arthur and Dorothy.Sharing their full journey for the first time, A Year at the Château follows Dick and Angel from when they first moved to France in the depths of winter and found bedrooms infested with flies, turrets inhabited by bats, the wind rattling through cracked windows, and just one working toilet, which flushed into the moat, through to the monumental efforts that went into readying the château for their unforgettable wedding and their incredibly special first Christmas.Along the way we'll read glorious descriptions of rural life in France, with charming characters, delicious food and wonderful seasonal produce, together with the extraordinary list of renovations and restorations Dick and Angel completed, many of which were never shown on TV.As warm and entertaining as their much-loved show, A Year at the Château is a truly irresistible story of adventure and heart, epic ambitions and a huge amount of hard graft.
A Year at the Movies: One Man's Filmgoing Odyssey
by Kevin MurphyFor some of us, moviegoing is an occasional pleasure. Kevin Murphy made it his obsession, and he did it for you.Mr. Murphy, known to legions of fans as Tom Servo on the legendary TV series Mystery Science Theater 3000, went to the movies every day for a year. That's every single day, people. For a whole fricken' year. And not only did he endure, he prevailed -- for this is the hilarious, poignant, fascinating journal of his adventures: the first book about the movies from the audience's point of view.Kevin went to the multiplex, sure. But he didn't stop there. He found the world's smallest commercial movie theater. Another one made completely of ice. Checked out flicks in a tin-roofed hut in the South Pacific. Tooled across the desert from drive-in to drive-in in a groovy convertible. Lived for a week solely on theater food. Took six different women to the same date movie. Dressed up as a nun for the Sing-Along Sound of Music in London. Sneaked into the Cannes and Sundance film festivals. Smuggled an entire Thanksgiving dinner into a movie theater. And saw hundreds of films, from the Arctic Circle to the Equator, from the sublime to the unspeakable. Come along on a joyous global celebration of the cinema with a man on a mission -- to spend A Year at the Movies.
A Year in the Life of Downton Abbey (companion to series 5)
by Jessica FellowesIt's 1924 and there have been many changes in the world of Downton Abbey since we were first welcomed by the family and their servants twelve years ago. A generation of men has been tragically lost at the front, there are once again children breathing new life into the great house, a chauffeur now sits at the Grantham dinner table and hems are up by several inches.Yet despite all of this unsettling upheaval, it is a comfort to find that many things at Downton remain largely unchanged. There are still parties to be thrown, summer fetes to be organised, menus to be planned and farms to be run. Join us, then, as we explore the seasonal events and celebrations of the great estate - Christmas, Easter, the debutante season, the hunt and more - and peer with us through the prism of the house as we learn more about the lives of our favourite characters, the actors who play them, and those who create the world we love so much.Packed full of exclusive new photography and brimming with traditional British recipes for each calendar month, such as Eton mess and sloe gin, this beautiful book takes us on a fascinating journey through a year in the life of Downton Abbey.
A Year in the Life of Downton Abbey (companion to series 5)
by Jessica FellowesIt's 1924 and there have been many changes in the world of Downton Abbey since we were first welcomed by the family and their servants twelve years ago. A generation of men has been tragically lost at the front, there are once again children breathing new life into the great house, a chauffeur now sits at the Grantham dinner table and hems are up by several inches.Yet despite all of this unsettling upheaval, it is a comfort to find that many things at Downton remain largely unchanged. There are still parties to be thrown, summer fetes to be organised, menus to be planned and farms to be run. Join us, then, as we explore the seasonal events and celebrations of the great estate - Christmas, Easter, the debutante season, the hunt and more - and peer with us through the prism of the house as we learn more about the lives of our favourite characters, the actors who play them, and those who create the world we love so much.Packed full of exclusive new photography and brimming with traditional British recipes for each calendar month, such as Eton mess and sloe gin, this beautiful book takes us on a fascinating journey through a year in the life of Downton Abbey.
A Year in the Life of William Shakespeare, 1599
by James Shapiro1599 was an epochal year for Shakespeare and England. Shakespeare wrote four of his most famous plays: Henry the Fifth, Julius Caesar, As You Like It, and, most remarkably, Hamlet; Elizabethans sent off an army to crush an Irish rebellion, weathered an Armada threat from Spain, gambled on a fledgling East India Company, and waited to see who would succeed their aging and childless queen. James Shapiro illuminates both Shakespeare's staggering achievement and what Elizabethans experienced in the course of 1599, bringing together the news and the intrigue of the times with a wonderful evocation of how Shakespeare worked as an actor, businessman, and playwright. The result is an exceptionally immediate and gripping account of an inspiring moment in history.