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Film Form: Essays in Film Theory
by Sergei EisensteinA classic on the aesthetics of filmmaking from the pioneering Soviet director who made Battleship Potemkin. Though he completed only a half-dozen films, Sergei Eisenstein remains one of the great names in filmmaking, and is also renowned for his theory and analysis of the medium. Film Form collects twelve essays, written between 1928 and 1945, that demonstrate key points in the development of Eisenstein&’s film theory and in particular his analysis of the sound-film medium. Edited, translated, and with an introduction by Jay Leyda, this volume allows modern-day film students and fans to gain insights from the man who produced classics such as Alexander Nevsky and Ivan the Terrible and created the renowned &“Odessa Steps&” sequence.
Film Genere Holywood And Beyond
by Barry LangfordThe overall approach of Film Genre: Hollywood and Beyond situates genres in their historical - primarily, cultural and (film) industrial contexts; the overarching context of the book is the transition from the ‘classical’ Hollywood system to a ‘post-classical’ mode that extends to the present day. In making this separation, I neither explicitly challenge nor endorse arguments about the extent to which ‘post-classical’ Hollywood represents a qualita¬tively different set of visual stylistics in Hollywood film.
Film Genre Reader III
by Barry Keith GrantSince 1986, Film Genre Reader has been the standard reference and classroom text for the study of genre in film, with nearly 20,000 copies in print. Barry Keith Grant has again revised and updated the book to reflect the most recent developments in genre study. This third edition adds new essays on teen films, the question of genre hybridity, and neo-noir and genre in the era of globalization, along with an updated bibliography.
Film Genre Reader IV
by Barry Keith GrantFrom reviews of the third edition:“Film Genre Reader III lives up to the high expectations set by its predecessors, providing an accessible and relatively comprehensive look at genre studies. The anthology’s consideration of the advantages and challenges of genre studies, as well as its inclusion of various film genres and methodological approaches, presents a pedagogically useful overview. ”—ScopeSince 1986, Film Genre Reader has been the standard reference and classroom text for the study of genre in film, with more than 25,000 copies sold. Barry Keith Grant has again revised and updated the book to reflect the most recent developments in genre study. This fourth edition adds new essays on genre definition and cycles, action movies, science fiction, and heritage films, along with a comprehensive and updated bibliography. The volume includes more than thirty essays by some of film’s most distinguished critics and scholars of popular cinema, including Charles Ramírez Berg, John G. Cawelti, Celestino Deleyto, David Desser, Thomas Elsaesser, Steve Neale, Thomas Schatz, Paul Schrader, Vivian Sobchack, Janet Staiger, Linda Williams, and Robin Wood.
Film Genre for the Screenwriter
by Jule SelboFilm Genre for the Screenwriter is a practical study of how classic film genre components can be used in the construction of a screenplay. Based on Jule Selbo’s popular course, this accessible guide includes an examination of the historical origins of specific film genres, how and why these genres are received and appreciated by film-going audiences, and how the student and professional screenwriter alike can use the knowledge of film genre components in the ideation and execution of a screenplay. Explaining the defining elements, characteristics and tropes of genres from romantic comedy to slasher horror, and using examples from classic films like Casablanca alongside recent blockbuster franchises like Harry Potter, Selbo offers a compelling and readable analysis of film genre in its written form. The book also offers case studies, talking points and exercises to make its content approachable and applicable to readers and writers across the creative field.
Film Genre: From Iconography to Ideology (Short Cuts)
by Barry Keith GrantThis is a concise evaluation of film genre, discussing genre theory and sample analyses of the western, science fiction, the musical, horror, comedy, and the thriller. It introduces the topic in an accessible way and includes sections on the principles of studying and understanding "the idea of genre"; genre and popular culture; the narrative and stylistic conventions of specific genres; the relations of genres to culture and history, race, gender, sexuality, class and national identity; and the complex relations between genre and authorship. Case studies include: 42nd Street, Pennies from Heaven, Red River, All That Heaven Allows, Night of the Living Dead, Die Hard, Little Big Man, Blue Steel, and Posse.
Film History: An Introduction, 3rd Edition
by David Bordwell Kristin ThompsonWritten by two of the leading scholars in film studies, Film History: An Introduction is a comprehensive, global survey of the medium that covers the development of every genre in film, from drama and comedy to documentary and experimental. As with the authors' bestselling Film Art: An Introduction (now in its eighth edition), concepts and events are illustrated with frame enlargements taken from the original sources, giving students more realistic points of reference than competing books that rely on publicity stills. The third edition of Film History is thoroughly updated and includes the first comprehensive overviews of the impact of globalization and digital technology on the cinema. Any serious film scholar--professor, undergraduate, or graduate student--will want to read and keep Film History. Visit the author's blog at http://www. davidbordwell. net/blog/
Film Into Video: A Guide to Merging the Technologies
by George Cvjetnicanin Richard KallenbergerFilm Into Video, Second Edition offers comprehensive, practical information on the complex process of converting motion picture film into video. All of the tools of the trade are explained in clear, simple language, as are the operational, business, and creative sides of film to video transfer. This easy-to use guide provides the reader with the necessary foundation to approach any technological advances in this fast-paced field. Additions to the second edition include: information on the Philips Spirit Data Cine and the new Sony FVS-1000; a new section on the latest in flying spot telecines, including Cintel's C-Reality and Ursa Electrum; an examination of recent changes in color correction computers with da Vinci's 2K and Pandora's Mega-Def systems, and in respect to Philips Spirit DataCine and Cintel's C-Reality, a discussion relating to the area of data transfer and how this has changed the telecine industry.
Film Lighting: Talks with Hollywood's Cinematographers and Gaffer
by Kris MalkiewiczNewly revised and updated, Film Lighting is an indispensible sourcebook for the aspiring and practicing cinematographer, based on extensive interviews with leading cinematographers and gaffers in the film industry.Film lighting is a living, dynamic art influenced by new technologies and the changing styles of leading cinematographers. A combination of state-of-the-art technology and in-depth interviews with industry experts, Film Lighting provides an inside look at how cinematographers and film directors establish the visual concept of the film and use the lighting to create a certain atmosphere.Kris Malkiewicz uses firsthand material from the experts he interviewed while researching this book. Among these are leading cinematographers Dion Beebe, Russell Carpenter, Caleb Deschanel, Robert Elswit, Mauro Fiore, Adam Holender, Janusz Kaminski, Matthew Libatique, Rodrigo Prieto, Harris Savides, Dante Spinotti, and Vilmos Zsigmond. This updated version of Film Lighting fills a growing need in the industry and will be a perennial, invaluable resource.
Film Literacy im Englischunterricht: Eine Mixed Methods-Studie zur Erhebung der Kompetenzen von Lernenden der Sekundarstufe I (Literatur-, Kultur- und Sprachvermittlung: LiKuS)
by Jan-Erik LeonhardtFilme sind zu einem wichtigen Bestandteil des Fremdsprachenunterrichts geworden, jedoch erfolgte der Einsatz von Filmen bislang auf Basis eines empirisch wenig fundierten Forschungsfeldes. In diesem Buch untersucht Jan-Erik Leonhardt die Frage, welche Teilkompetenzniveaus von Film Literacy, also der Fähigkeit zu einem kritischen und selbstbestimmten Umgang mit Filmen, Lernende der Jahrgangsstufen 6, 8 und 10 in der Fremdsprache Englisch erreichen. Die Studie ist nach einem Mixed Methods-Design aufgebaut, bei welchem die Ergebnisse eines Fragebogens (n=771) und eines Kompetenztest (n=626) durch die Ergebnisse von Gruppeninterviews (n=36) validiert, ergänzt und erweitert werden. Die zentralen Ergebnisse der Arbeit umfassen eine datenbasierte Neumodellierung des Konstrukts Film Literacy. Auf Basis der Erhebung werden differenzierte Aussagen über die Film Literacy der Lernenden getroffen und Prädiktoren identifiziert, welche ihre Film Literacy voraussagen. Anhand der Studienergebnisse leitet der Autor abschließend evidenzbasierte Prinzipien für die Planung und Durchführung filmbasierten Fremdsprachenunterrichts ab.
Film Makers: 15 Groundbreaking Women Directors (Women of Power #5)
by Lyn Miller-Lachmann Tanisia MooreIn Hollywood, women don't have to be in front of the camera to shine. Each of the 15 women profiled in Film Makers shares a common trait: she is, as Shonda Rhimes says, "First. Only. Different." These phenomenal women have redefined the film and television industry, winning awards historically given to a male counterpart, being the only woman in a writers' room, or portraying stories no one else could tell. While their resumes are impressive, it is how they live their lives that has made a greater impact in the communities they serve. Many of them, like Gina Prince-Bythewood and Greta Gerwig, mentor other women. Some, like Agnieszka Holland and ChloÉ Zhao, have stood up to those who seek to ignore or silence them. All of them tell their stories with passion and integrity, serving as role models and champions for future generations. We hope they will inspire you to use the tools of film to tell your story!
Film Manifestos and Global Cinema Cultures: A Critical Anthology
by Scott MackenzieFilm Manifestoes and Global Cinema Cultures is the first book to collect manifestoes from the global history of cinema, providing the first historical and theoretical account of the role played by film manifestos in filmmaking and film culture. Focussing equally on political and aesthetic manifestoes, Scott MacKenzie uncovers a neglected, yet nevertheless central history of the cinema, exploring a series of documents that postulate ways in which to re-imagine the cinema and, in the process, re-imagine the world.This volume collects the major European "waves" and figures (Eisenstein, Truffaut, Bergman, Free Cinema, Oberhausen, Dogme '95); Latin American Third Cinemas (Birri, Sanjinés, Espinosa, Solanas); radical art and the avant-garde (Buñuel, Brakhage, Deren, Mekas, Ono, Sanborn); and world cinemas (Iimura, Makhmalbaf, Sembene, Sen). It also contains previously untranslated manifestos co-written by figures including Bollaín, Debord, Hermosillo, Isou, Kieslowski, Painlevé, Straub, and many others. Thematic sections address documentary cinema, aesthetics, feminist and queer film cultures, pornography, film archives, Hollywood, and film and digital media. Also included are texts traditionally left out of the film manifestos canon, such as the Motion Picture Production Code and Pius XI's Vigilanti Cura, which nevertheless played a central role in film culture.
Film Music Analysis: Studying the Score (Routledge Music and Screen Media Series)
by Frank LehmanSince the establishment of film music studies, there has been a steady growth of serious analytical work on the film music repertoire. Film Music Analysis: Studying the Score offers the first collection of essays dedicated to the close investigation of musical structure and meaning in film music. Showcasing scholarship from a diverse and distinguished group of music theorists and musicologists, this book presents the many ways to inspect the inner workings of film music in a manner that is exciting and accessible to anyone curious about this music, regardless of their background in film or music theory.Each chapter takes as its focus one music-theoretical parameter and explores how that concept can be used to analyze and interpret film music. Covering theoretical concepts that range from familiar categories such as leitmotif and pitch structure to more cutting-edge ideas such as timbral associativity, topic theory, and metrical states, the book provides a toolkit with which to explore this captivatingly varied repertoire. With example analyses drawn from classic and contemporary films, Film Music Analysis: Studying the Score is a valuable teaching tool and an indispensable addition to the library of any lover of film and music.
Film Music in the Sound Era: A Research and Information Guide, Volume 1: Histories, Theories, and Genres (Routledge Music Bibliographies)
by Jonathan Rhodes LeeFilm Music in the Sound Era: A Research and Information Guide offers a comprehensive bibliography of scholarship on music in sound film (1927–2017). Thematically organized sections cover historical studies, studies of musicians and filmmakers, genre studies, theory and aesthetics, and other key aspects of film music studies. Broad coverage of works from around the globe, paired with robust indexes and thorough cross-referencing, make this research guide an invaluable tool for all scholars and students investigating the intersection of music and film. This guide is published in two volumes: Volume 1: Histories, Theories, and Genres covers overviews, historical surveys, theory and criticism, studies of film genres, and case studies of individual films. Volume 2: People, Cultures, and Contexts covers individual people, social and cultural studies, studies of musical genre, pedagogy, and the Industry. A complete index is included in each volume.
Film Music in the Sound Era: A Research and Information Guide, Volume 2: People, Cultures, and Contexts (Routledge Music Bibliographies)
by Jonathan Rhodes LeeFilm Music in the Sound Era: A Research and Information Guide offers a comprehensive bibliography of scholarship on music in sound film (1927–2017). Thematically organized sections cover historical studies, studies of musicians and filmmakers, genre studies, theory and aesthetics, and other key aspects of film music studies. Broad coverage of works from around the globe, paired with robust indexes and thorough cross-referencing, make this research guide an invaluable tool for all scholars and students investigating the intersection of music and film. This guide is published in two volumes: Volume 1: Histories, Theories, and Genres covers overviews, historical surveys, theory and criticism, studies of film genres, and case studies of individual films. Volume 2: People, Cultures, and Contexts covers individual people, social and cultural studies, studies of musical genre, pedagogy, and the Industry. A complete index is included in each volume.
Film Music: A History
by James WierzbickiFilm Music: A History explains the development of film music by considering large-scale aesthetic trends and structural developments alongside socioeconomic, technological, cultural, and philosophical circumstances. The book’s four large parts are given over to Music and the "Silent" Film (1894--1927), Music and the Early Sound Film (1895--1933), Music in the "Classical-Style" Hollywood Film (1933--1960), and Film Music in the Post-Classic Period (1958--2008). Whereas most treatments of the subject are simply chronicles of "great film scores" and their composers, this book offers a genuine history of film music in terms of societal changes and technological and economic developments within the film industry. Instead of celebrating film-music masterpieces, it deals—logically and thoroughly—with the complex ‘machine’ whose smooth running allowed those occasional masterpieces to happen and whose periodic adjustments prompted the large-scale twists and turns in film music’s path.
Film Music: The Basics (The Basics)
by Kenneth LamplA comprehensive introduction to film music, this book provides a concise and illuminating summary of the process of film scoring, as well as a succinct overview of the rich history of contemporary film music. Written in a non-technical style, this book begins by presenting a brief history of film music from the last 30 years, covering topics ranging from blockbuster franchises to indie film scores. It explores film music from around the world, including Bollywood and European Avant-garde cinema, and film music in animation, like Disney-Pixar and Japanese anime. It then offers a guide to the language of film music analysis, the creative process behind composing film music, and the use of current technology. The book champions diversity in the industry, with case studies and interviews from a range of active film composers, including: Pinar Toprak (Captain Marvel, 2019), Kris Bowers (Bridgerton, 2020), Natalie Holt (Loki, 2021), and Rachel Portman (Emma, 1996), Complete with a glossary of key terms and further reading, this book is an invaluable resource for all those beginning to study film music, as well as lifelong film music buffs seeking to update their understanding of film music.
Film Noir
by Bruce CrowtherWith the advent of the Second World War a new mood was discernible in film drama - an atmosphere of disillusion and a sense of foreboding, a dark quality that derived as much from the characters depicted as from the cinematographer's art. These films, among them such classics as Double Indemnity, The Woman in the Window, Touch of Evil and sunset Boulevard, emerged retrospectively as a genre in themselves when a French film critic referred to them collectively as film noir.Bruce Crowther looks into noir's literary origins (often in the novels of the so-called 'hard-boiled' school typified by Raymond Chandler, Dashiell Hammett and Cornell Woolrich), and at how the material translated to the screen, noting in particular influences from German expressionist films and the almost indispensable techniques of flashback and voice-over narration. He also assesses the contribution made by the players - by actors such as Robert Mitchum, Dick Powell, Alan Ladd and John Garfield and actresses such as Barbara Stanwyck, Lizabeth Scott, Joan Crawford and Gloria Grahame, together with a roll-call of supporting players whose screen presence could lend almost any film the noir imprimatur.Noir was in its heyday from 1945 to 1955, a time when paranoia and disillusion, anxiety and violence could be said to have been part of the fabric of American, and particularly Hollywood, society, yet its impact and its influence are with us still - in films as diverse as The French Connection, Chinatown and Body Heat. This Book commemorates a special period in film-making and a unique combination of talent resulting in a spectrum of films that are as welcome today on their small-screen airings as they were when first shown in cinema.
Film Noir
by William LuhrFilm Noir offers new perspectives on this highly popular and influential film genre, providing a useful overview of its historical evolution and the many critical debates over its stylistic elements.Brings together a range of perspectives on a topic that has been much discussed but remains notoriously ill-definedTraces the historical development of the genre, usefully exploring the relations between the films of the 1940s and 1950s that established the "noir" universe and the more recent films in which it has been frequently revivedEmploys a clear and intelligent writing style that makes this the perfect introduction to the genreOffers a thorough and engaging analysis of this popular area of film studies for students and scholarsPresents an in-depth analysis of six key films, each exemplifying important trends of film noir: Murder, My Sweet; Out of the Past; Kiss Me Deadly; The Long Goodbye; Chinatown; and Seven
Film Noir Production: The Whodunit of the Classic American Mystery Film
by David LandauDavid Landau’s Film Noir Production: The Whodunit of the Classic American Mystery Film is a book meant for those who like a good story, one the Noir Films always delivered, concentrating on the characters more than anything else. Readers will find in these pages many behind-the-scenes tales of the productions of certain hard-boiled film classics and the prime players involved in their creation, from Darryl Zanuck and Raymond Chandler to John Seitz and Billy Wilder. This book features: A clear understanding of how movies are actually made and all the creative artists that contribute, creating a better appreciation for the many talented artistic collaborators that worked in the Hollywood Studio System and who together created film noir. A behind-the-scenes look at the making of a classic film noir movie that typifies the chapter’s subject, allowing the reader to view that film in a new light and think about it from a new prospective. Appendices of suggested films to screen, film noir books for further reading, and downloadable files containing discussion points and class assignments for each chapter. An informative and conversational writing style, making the subject matter easy to digest and fun to read. This book is an indispensible companion text for anyone studying or interested in film noir, film history, the bygone days of the Hollywood film factories or how movies are actually made.
Film Noir Prototypes: Origins of the Movement
by Alain Silver James UrsiniFilm noir is one of the most enduring and popular genres in cinema. But it did not spring up spontaneously, fully formed. Rather, its origins can be traced to sources as varied as Victorian literature, German Expressionism, and American art and photography. In this comprehensive collection of essays that's packed with illustrations and artwork, a team of eminent scholars and film writers present thorough analyses of the influence of prototypes on the classic period of film noir. Some essays focus on particularly influential genres, such as the rogue cop film and "gothic" thrillers; while others discuss the choices of individual filmmakers, including John Ford and Alfred Hitchcock, in their most well-loved films. The editors and all of the featured contributors Sheri Chinen Biesen, Todd Erickson, Richard Edwards, Julie Grossman, Robert Miklitsch, Homer Pettey, Robert Porfirio, Tom Ryall, Marlisa Santos, Jesse Schlotterbeck, and Tony Williams are noted scholars in the field of film noir, most of whom have written book-length studies of their own. From the gangster and horror genres to social realism and Hitchcock's spy films of the 1930s, Film Noir Prototypes offers compelling accounts of the genre's influences.
Film Noir and Los Angeles: Urban History and the Dark Imaginary (Routledge Advances in Film Studies)
by Sean W. MaherThis book combines film studies with urban theory in a spatial exploration of twentieth century Los Angeles. Configured through the dark lens of noir, the author examines an alternate urban history of Los Angeles forged by the fictional modes of detective fiction, film noir and neo noir. Dark portrayals of the city are analyzed in Raymond Chandler’s crime fiction through to key films like Double Indemnity (1944) and The End of Violence (1997). By employing these fictional elements as the basis for historicising the city’s unrivalled urban form, the analysis demonstrates an innovative approach to urban historiography. Revealing some of the earliest tendencies of postmodern expression in Hollywood cinema, this book will be of great relevance to students and researchers working in the fields of film, literature, cultural and urban studies. It will also be of interest to scholars researching histories of Los Angeles and the American noir imagination.
Film Noir and the Arts of Lighting (Techniques of the Moving Image)
by Patrick KeatingMore than any other set of films from the classical era, the Hollywood film noir is known for its lighting: the cast shadows, the blinking street signs, the eyes sparkling in the darkness. Each effect is rich in symbolism, evoking a world of danger and doppelgangers. But what happens if we set aside the symbolism? This book offers a new account of film noir lighting, grounded in a larger theory of Hollywood cinematography as emotionally engaging storytelling. Above all, noir lighting is dynamic, switching from darkness to brightness and back again as characters change, locations shift, and fates unfold. Richly illustrated, Film Noir and the Arts of Lighting features in-depth analyses of eleven classic movies: The Asphalt Jungle, Sorry, Wrong Number, Odds against Tomorrow, The Letter, I Wake Up Screaming, Phantom Lady, Strangers on a Train, Sweet Smell of Success, Gaslight, Secret beyond the Door, and Touch of Evil.
Film Noir and the Possibilities of Hollywood (Palgrave Close Readings in Film and Television)
by Nathaniel DeyoBuilt around close readings of 11 noir films, this book seeks to refresh our understanding of “film noir” by returning to the films themselves. Pushing against totalizing or generalizing approaches, which may have the unintended effect of flattening out significant distinctions and differences between individual approaches, Film Noir and the Possibilities of Hollywood argues for the importance of staying attuned the varied and variegated formal, aesthetic and thematic strategies at work in individual films. By focusing on these strategies, the book invites readers to consider anew the enabling possibilities of Hollywood filmmaking in the studio era.
Film Noir and the Spaces of Modernity
by Edward DimendbergFilm noir remains one of the most enduring legacies of 1940s and '50s Hollywood. Populated by double-crossing, unsavory characters, this pioneering film style explored a shadow side of American life during a period of tremendous prosperity and optimism. Edward Dimendberg compellingly demonstrates how film noir is preoccupied with modernity--particularly the urban landscape. The originality of Dimendberg's approach lies in his examining these films in tandem with historical developments in architecture, city planning, and modern communications systems. He confirms that noir is not simply a reflection of modernity but a virtual continuation of the spaces of the metropolis. He convincingly shows that Hollywood's dark thrillers of the postwar decades were determined by the same forces that shaped the city itself. Exploring classic examples of film noir such as The Asphalt Jungle, Double Indemnity, Kiss Me Deadly, and The Naked City alongside many lesser-known works, Dimendberg masterfully interweaves film history and urban history while perceptively analyzing works by Raymond Chandler, Edward Hopper, Siegfried Kracauer, and Henri Lefebvre. A bold intervention in cultural studies and a major contribution to film history, Film Noir and the Spaces of Modernity will provoke debate by cinema scholars, urban historians, and students of modern culture--and will captivate admirers of a vital period in American cinema.