- Table View
- List View
High Voltage Tattoo FF
by Kat Von DHigh Voltage Tattoo is a graphic perspective on today's global tattoo culture by Kat Von D, star of The Learning Channel's L.A. Ink and one of the most talented and popular artists working today. Designed in a style that is reminiscent of a handmade Gothic journal with its red padded cover, ornate typography, and parchmentlike pages, it throws the door wide open to tattooing culture in the way only an insider like Kat can.High Voltage Tattoo traces Kat's career as an artist, from early childhood influences to recent work, along with examples of what inspires her, information about the show and her shop, her sketches, and personal tattoos. The book goes deep into tattoo process and culture: readers can see up close the pigments, the tools, and the making of complex, even collaborative, tattoos.With a foreword by Mötley Crüe's Nikki Sixx, the book features images and stories about celebrities, rockers, pro skaters, and everyday citizens, including Slayer's Kerry King, Anthrax's Scott Ian, Margaret Cho, Jackass' Bam Margera, David Letterman, and many others. It profiles and showcases the work of artists Kat has selected from all over the world, her interviews with people who have compelling tattoos and stories, and amazing images of extraordinary tattoo work. Numerous portfolios throughout the book showcase a range of relevant subjects, from the black and gray portrait work for which Kat is famous to a popular tattoo theme, such as the rose or biblical images. There is a knockout ten-page full-body spread of Kat—clad in a yellow bikini and seven-inch, rhinestone-studded red stilettos—that catalogs in detail all her personal tattoos on her front, back, left, and right sides—even her hands and head.
High Voltage: The Life of Angus Young, AC/DC's Last Man Standing
by Jeff ApterAngus Young, the founder and the last original member of AC/DC still in the band, has for more than forty years been the face, sound, and sometimes the exposed backside of the trailblazing rock band. In his trademark schoolboy outfit, guitar in hand, Angus has applied his signature style to songs such as "A Long Way to the Top," "Highway to Hell," and "Back in Black," helping AC/DC become the biggest rock group on the planet. High Voltage tells of his remarkable rise from working-class Glasgow and Sydney to the biggest stages in the world. The youngest of eight kids, Angus always seemed destined for a life in music, and it was his passion and determination that saw AC/DC become hard rock's greatest act. Over the years, Angus has endured the devastating deaths of iconic vocalist Bon Scott and his brother in arms Malcolm Young as well as the band's loss of singer Brian Johnson and drummer Phil Rudd. Yet the little guitar maestro's unique flair for performance and unstoppable drive to succeed has kept AC/DC not just on the rails, but at the top of the rock pile. Features exclusive photographs by Philip Morris
High Wire (Orca Currents)
by Melanie JacksonZack Freedman has complete control and feels a sense of calm on the high wire. If only he could say the same about the rest of his life. His fellow youth circus performer and roommate, Cubby, hates him, and his aunt dumps a yappy, excitable dog on him. When a necklace is stolen during a circus performance and the victim of the theft threatens to shut down the circus, Zack is desperate to solve the mystery so he can keep his place on the wire.
High and Mighty: The Dangerous Rise of the SUV
by Keith BradsherFrom the book: Sport utility vehicles have taken over America's roads - pushing fuel consumption up and traffic safety down. Keith Bradsher has long been at the forefront of critical SUV coverage and in HIGH AND MIGHTY he delivers a thorough, undeniable indictment of these vehicles as much worse than cars for their occupants, for other motorists, for pedestrians, and for the planet itself. This masterpiece of investigative j'ournalism shows how a flawed regulatory system, a desperate Detroit, and our national love for "bigger and better" have combined to create a highway arms race that puts us all at risk.
High on Rebellion: Inside the Underground at Max's Kansas City
by Yvonne Sewall-RuskinThe definitive oral history—with a foreword by Lou Reed—of the center of New York&’s 1960s and &’70s underground culture. From its opening in December 1965 on Park Avenue South, Max&’s Kansas City, a hybrid restaurant, bar, nightclub, and art gallery, was the boisterous meeting spot for famous—or soon-to-be-famous—figures in New York&’s underground art, music, literary, film, and fashion scenes. Max&’s regulars included Andy Warhol (and his superstars such as Viva, Ultra Violet, Edie Sedgwick, Gerard Malanga, Holly Woodlawn, and Candy Darling), Mick Jagger, Lou Reed, Patti Smith, Allen Ginsberg, William Burroughs, David Bowie, Iggy Pop, Bob Dylan, Jane Fonda, and dozens more. A hotbed of drugs, sex, and creative collaboration, Max&’s was the place to see and be seen among the city&’s cultural elite for nearly two decades. With reminiscences from the likes of Alice Cooper, Bebe Buell, Betsey Johnson, Leee Black Childers, Holly Woodlawn, and John Chamberlain, along with Max&’s owner Mickey Ruskin and several waitresses and bartenders, this vivid oral history evokes an unforgettable place where a spontaneous striptease, a brawl over the meaning of art, and an early performance by the Velvet Underground were all possibilities on any given night. High on Rebellion dazzles with rare photos and other Max&’s memorabilia, and firsthand accounts of legendary nights, chance encounters, romances sparked and extinguished, and stars being born.
Higher Ground: Stevie Wonder, Aretha Franklin, Curtis Mayfield, and the Rise and Fall of American Soul
by Craig WernerIn Higher Ground, one of our most insightful music writers brilliantly reinterprets the lives of three pop geniuses and the soul revolution they launched. Soul music is one of America's greatest cultural achievements, and Stevie Wonder, Aretha Franklin, and Curtis Mayfield are three of its most inspired practitioners. In midcentury America it was soul music--particularly the dazzling stream of recordings made by these three stars--that helped bring the gospel vision of the black church into the mainstream, energizing the era's social movements and defining a new American gospel where the sacred and the secular met. What made this gospel all the more amazing was that its most influential articulators were the sons and daughters of sharecroppers, storefront preachers, and single parents in the projects, whose genius gave voice to a new vision of American possibility. Higher Groundseamlessly weaves the specific and intensely personal narratives of Stevie, Aretha, and Curtis's lives into the historical fabric of their times. The three shared many similarities: They were all children of the great migration and of the black church. But the gospel impulse manifested itself in different ways within the dramas of their individual lives and musical creations. In Stevie Wonder's case, it was a literally color-blind universal sense of spirituality that expressed itself in his life and music as an urge toward transcendence, particularly in the mid-seventies when albums like Innervisions and Songs in the Key of Life radically revised what a pop album could be. For Aretha Franklin, the traditional gospel vision of a beloved community anchored in the strength of women comforted her through a life littered with tragedy and found expression in propulsive pop songs like "Respect" as well as in her legendary gospel albums. For Curtis Mayfield, the gospel notion of conscious living inspired him to create songs that served the purposes of the Civil Rights movement and the radical Black Power movement alike, from the gritty street drama of Superfly to the transcendent call of "People Get Ready." Werner doesn't just provide a narrative of three fascinating lives; he ties them together with a provocative thesis about American history and culture that compels us to reconsider both the music and the times. And aside from the personalities and the history, he writes beautifully about music itself, the nuts and bolts of its creation and performance, in a way that brings a new awareness and understanding to the most familiar music, forcing readers to listen to songs they've heard a thousand times with fresh ears. In Higher Ground, Werner illuminates the lives of three unparalleled American artists, reminding us why their music mattered then and still resonates with us today.
Hijikata Tatsumi and Butoh
by Bruce BairdHijikata Tatsumi's explosive 1959 debut Forbidden Colors sparked a new genre of performance in Japan - butoh: an art form of contrasts, by turns shocking and serene. Since then, though interest has grown exponentially, and people all over the world are drawn to butoh's ability to enact paradox and contradiction, audiences are less knowledgeable about the contributions and innovations of the founder of butoh. Hijikata Tatsumi and Butoh traces the rollicking history of the creation and initial maturation of butoh, and locates Hijikata's performances within the intellectual, cultural, and economic ferment of Japan from the sixties to the eighties.
Hijikata Tatsumi and Ohno Kazuo (Routledge Performance Practitioners)
by Sondra Fraleigh Tamah NakamuraNow re-issued, this compact book unravels the contribution of one of modern theatre’s most charismatic innovators. Hijikata Tatsumi and Ohno Kazuo combines: • an account of the founding of Japanese butoh through the partnership of Hijikata and Ohno, extending to the larger story of butoh’s international assimilation • an exploration of the impact of the social and political issues of post-World War II Japan on the aesthetic development of butoh • metamorphic dance experiences that students of butoh can explore • a glossary of English and Japanese terms. As a first step towards critical understanding, and as an initial exploration before going on to further, primary research, Routledge Performance Practitioners are unbeatable value for today’s student.
Hijos del poder
by Adriana BalaguerNacer y crecer en la tapa de los diarios Si todos los hijos llevan marcas de quienes fueron sus padres, los que han heredado un apellido influyente suman una dificultad: deben aprender a vivir en público, frente a millones de personas que los ven crecer y tomar decisiones, y que fácilmente les transfieren los prejuicios y sentimientos que les han provocado sus padres, antes de que los herederos puedan confirmarlos o desmentirlos. El hijo del empresario exitoso, del futbolista idolatrado, del sindicalista próspero, del político mediático o del presidente de la Nación puede usar el poder paterno como trampolín para su propia carrera, imitar a sus padres hasta casi transformarse en ellos, tomar distancia para pasar desapercibido, protagonizar frívolos escándalos mediáticos o tratar de inmortalizar su legado. Puede llevar el apellido como una bendición o como un estigma, pero nunca sólo como una marca de identidad. Hijos del poder recorre las vidas privadas de Máximo y Florencia Kirchner, Matías Garfunkel, Claudia Rucci, Ricardo Alfonsín, Pablo Moyano, Tomás Costantini, Dalma Maradona, Antonio y Fernando #Aíto# de la Rúa, Carlos Nair Menem y los hijos de Eduardo Duhalde. Son diez retratos que enlazan anécdotas y detalles íntimos y poco conocidos, y logran per_les reveladores de personajes cuyos padres marcaron la historia argentina reciente. Por eso, este libro puede leerse también como el relato del modo en que se construye, se mantiene y se pierde el poder en la Argentina.
Hikaru in the Light! (Volume 1)
by Mai MatsudaBest friends compete for the once-in-a-lifetime chance to become pop stars in this funny, feel-good manga series perfect for fans of K-On!, The Tryout, and The Baby-Sitters Club.Middle-school student Hikaru Ogino is known as the songbird of her family’s bathhouse in Tokyo. Her beautiful singing echoes from room to room as she cleans up after school, but she dreams of holding a microphone, not a mop! When her best friend, Ran -- a former girl group idol -- invites her to try out for a pop star survival camp together, it’s the chance of a lifetime to put her talents to the test. Can Hikaru outshine the competition and make her stage debut, or will she fall flat?
Hiking the Horizontal: Field Notes from a Choreographer
by Liz LermanThe unique career of choreographer Liz Lerman has taken her from theater stages to shipyards, and from synagogues to science labs. In this wide-ranging collection of essays and articles, she reflects on her life-long exploration of dance as a vehicle for human insight and understanding of the world around us. Lerman has been described by the Washington Post as "the source of an epochal revolution in the scope and purposes of dance art." Here, she combines broad outlooks on culture and society with practical applications and accessible stories. Her expansive scope encompasses the craft, structure, and inspiration that bring theatrical works to life as well as the applications of art in fields as diverse as faith, aging, particle physics, and human rights law. Offering readers a gentle manifesto describing methods that bring a horizontal focus to bear on a hierarchical world, this is the perfect book for anyone curious about the possible role for art in politics, science, community, motherhood, and the media.
Hindsight: & All the Things I Can't See in Front of Me
by Justin TimberlakeAn Instant New York Times Bestseller"I can't help that my music shows who I am in this moment, what I'm drawn to, what I'm wondering about. I don't want to help it. What you hear in the words, what you feel in those songs—that's what I was feeling when I wrote them. I want you to see me, just like I want to see you." — Justin TimberlakeIn his first book, Justin Timberlake has created a characteristically dynamic experience, one that combines an intimate, remarkable collection of anecdotes, reflections, and observations on his life and work with hundreds of candid images from his personal archives that range from his early years to the present day, in locations around the world, both on and off the stage. Justin discusses many aspects of his childhood, including his very early love of music and the inspiration behind many of his hit songs and albums.He talks about his songwriting process, offering the back story to many of his hits. He muses on his collaborations with other artists and directors, sharing the details of many performances in concert, TV comedy, and film. He also reflects on who he is, examining what makes him tick, speaking candidly about fatherhood, family, close relationships, struggles, and his search to find an inner calm and strength. Living a creative life, observing and finding inspiration in the world, taking risks and listening to an inner voice—this is Justin Timberlake.
Hip Hop Matters: Politics, Pop Culture, and the Struggle for the Soul of a Movement
by S. Craig WatkinsAvoiding the easy definitions and caricatures that tend to celebrate or condemn the "hip hop generation," Hip Hop Matters focuses on fierce and far-reaching battles being waged in politics, pop culture, and academe to assert control over the movement. At stake, Watkins argues, is the impact hip hop has on the lives of the young people who live and breathe the culture. He presents incisive analysis of the corporate takeover of hip hop and the rampant misogyny that undermines the movement's progressive claims. Ultimately, we see how hip hop struggles reverberate in the larger world: global media consolidation; racial and demographic flux; generational cleavages; the reinvention of the pop music industry; and the ongoing struggle to enrich the lives of ordinary youth.
Hip Hop and Philosophy: Rhyme 2 Reason
by Tommie Shelby Derrick DarbyThe book shows that rap classics by Lauryn Hill, OutKast, and the Notorious B.I.G. can help uncover the meanings of love articulated in Plato's Symposium; that Rakim, 2Pac, and Nas can shed light on the conception of God's essence expressed in St. Thomas Aquinas's Summa Theologica; and explores the connection between Run-D.M.C., Snoop Dogg, and Hegel. Hip-Hop and Philosophy proves that rhyme and reason can be mixed and mastered to contemplate life's most profound mysteries.
Hip Hop on Film: Performance Culture, Urban Space, and Genre Transformation in the 1980s
by Kimberley MonteyneEarly hip hop film musicals have either been expunged from cinema history or excoriated in brief passages by critics and other writers. Hip Hop on Film reclaims and reexamines productions such as Breakin' (1984), Beat Street (1984), and Krush Groove (1985) in order to illuminate Hollywood's fascinating efforts to incorporate this nascent urban culture into conventional narrative forms. Such films presented musical conventions against the backdrop of graffiti-splattered trains and abandoned tenements in urban communities of color, setting the stage for radical social and political transformations. Hip hop musicals are also part of the broader history of teen cinema, and films such as Charlie Ahearn's Wild Style (1983) are here examined alongside other contemporary youth-oriented productions. As suburban teen films banished parents and children to the margins of narrative action, hip hop musicals, by contrast, presented inclusive and unconventional filial groupings that included all members of the neighborhood. These alternative social configurations directly referenced specific urban social problems, which affected the stability of inner-city families following diminished governmental assistance in communities of color during the 1980s. Breakdancing, a central element of hip hop musicals, is also reconsidered. It gained widespread acclaim at the same time that these films entered the theaters, but the nation's newly discovered dance form was embattled—caught between a multitude of institutional entities such as the ballet academy, advertising culture, and dance publications that vied to control its meaning, particularly in relation to delineations of gender. As street-trained breakers were enticed to join the world of professional ballet, this newly forged relationship was recast by dance promoters as a way to invigorate and “remasculinize” European dance, while young women simultaneously critiqued conventional masculinities through an appropriation of breakdance. These multiple and volatile histories influenced the first wave of hip hop films, and even structured the sleeper hit Flashdance (1983). This forgotten, ignored, and maligned cinema is not only an important aspect of hip hop history, but is also central to the histories of teen film, the postclassical musical, and even institutional dance. Kimberley Monteyne places these films within the wider context of their cultural antecedents and reconsiders the genre's influence.
Hip Hoptionary TM: The Dictionary of Hip Hop Terminology
by Alonzo WestbrookThe bumpin’ book for hip-hop disciples (a.k.a. fiends), songwriters, all other writers, pop culture fans, linguists, and parents who are just trying to figure out what their kids are saying.The inventive sounds of hip-hop (which became America’s number two music genre in 2001, outselling country) have echoed far from their Bronx beginnings of twenty years ago. Making its way from Compton sidewalks to suburban malls, garnering commentary from The Wall Street Journal alongside Vibe, hip-hop by definition delivers its messages in the most creative language possible. Celebrating hip-hop’s boon to the realm of self-expression, Hip Hoptionary™ translates dozens of phrases like “marinating in the rizzi with your road dawg” (relaxing in your car with your friend), including:• Big bodies: SUVs or luxury vehicles• Government handle: registered birth name• 411: the latest scoop or information• Bling-bling: diamonds, big money, flash and cash• Brick City: Newark, New Jersey• 1812: war, fight (as in War of 1812)In addition to the lexicon of idioms and beeper codes, Hip Hoptionary™ also features lists of hip-hop fashion labels, books, mixed drinks, and brief bios of America’s famous rappers, making this the ultimate guide for a Double H (hip-hop) nation.
Hip-Hop (And Other Things)
by Shea SerranoHIP-HOP (AND OTHER THINGS) is about, as it were, rap, but also some other things. It's a smart, fun, funny, insightful book that spends the entirety of its time celebrating what has become the most dominant form of music these past two and a half decades. Tupac is in there. Jay Z is in there. Missy Elliott is in there. Drake is in there. Pretty much all of the big names are in there, as are a bunch of the smaller names, too. There's art from acclaimed illustrator Arturo Torres, there are infographics and footnotes; there's all kinds of stuff in there. Some of the chapters are serious, and some of the chapters are silly, and some of the chapters are a combination of both things. All of them, though, are treated with the care and respect that they deserve. HIP-HOP (AND OTHER THINGS) is the third book in the (And Other Things) series. The first two—Basketball (And Other Things) and Movies (And Other Things)—were both #1 New York Times bestsellers.
Hip-Hop Lollipop
by Susan MontanariIn this lyrical read-aloud filled with rhythm and rhyme and illustrated by Caldecott Honor winner Brian Pinkney, follow a little girl as she dances her way to bedtime. Mama says, "Lollipop, stop! Stop!Jumping snapping nonstop."Arms and shoulders pop 'n' lock.Lollie's dancing hip-hop.Watch as Lollipop grooves her way through her bedtime routine, brushing her teeth to the beat and shimmying into pjs. She sways along with her sister, her parents, and even some enthusiastic pets until, finally, Lollie closes her eyes and dances through her dreams. Susan Montanari and Caldecott Honor winner Brian Pinkney offer a playful bedtime read-aloud that perfectly captures the joy of music, movement, and family.
Hip-Hop Road Trip (Academy of Dance)
by Margaret GurevichThere's nothing better than a vacation - unless it's a vacation with your dance team! Brie and the rest of the dancers at Ms. Marianne's Academy of Dance are thrilled when they find out they're performing in the Citrus Jam - the competition to end all dance team competitions. But then Brie overhears another team plotting to win at all costs. Can she find a way to fight fair and still win?
Hippies and Bolsheviks and Other Plays: and Other Plays
by Amiel GladstoneHippies and Bolsheviks and Other Plays collects three works by one of Canada's dramatic luminaries.'Hippies and Bolsheviks' is set in that hotbed of hippie idealism, 1970s British Columbia. Young Star stumbles home from a Led Zeppelin concert with a draft dodger and sets in motion a crisis of love and of faith in their idealism against the Establishment.'In Lena's Car', a woman whose marriage is on the verge of collapse reflects on how it got to that point, harkening back to a youth when things were both more simple and more complicated.'>In The Wedding Pool', a group of dissatisfied single friends decide to each contribute fifty dollars a month to a pool to be collected by the first one to marry. But when one of the friends starts dating the bank teller who opens their account, the others are forced to confront their ideas about loneliness and personal responsibility.'The Wedding Pool is a particularly smart and entertaining example of the thirty-something angst genre.' - The Globe and Mail 'If Hippies and Bolsheviks is any indication of the quality of work at this year's playrites Festival, Calgary theatregoers are in for a phenomenal month.' - Calgary Sun.
Hire Me Hollywood
by Mark Scherzer Keith FenimoreThe secret to Stan Lee's writing process The story behind Elmo's giggle What's for lunch on the set of The Walking Dead Squirrel training with Johnny Depp Think you know what it takes to get your favorite TV show on the air every week? (You'd be surprised. ) Or what all those people whose names in the credits of the latest blockbuster actually do? (Including the Supervising Digital Colorist?) What better way to find out than from the who's who of Hire Me, Hollywood! Entertainment insiders Mark Scherzer and Keith Fenimore are here to give you a crash course in all things Hollywood through thirty sometimes funny, occasionally racy, and always revealing interviews with such industry experts as: Ryan Randall, Hair Stylist/Makeup Artist ( American Idol ) Sam Trammell, Actor (Sam Merlotte on HBO's True Blood ) Paula Davis, Senior Talent Executive (Conan O'Brien) Mark Steines, Cohost ( Entertainment Tonight ) Sara Holden, Stunt Woman ( House, All My Children, How I Met Your Mother, Iron Man 2 ) Cecilia Cardwell, On-Set Tutor ( Titanic, Little Miss Sunshine, No Ordinary Family ) Michael Gelman, Executive Producer ( Live! with Regis and Kelly ) Whether you've always dreamed of yelling Action on a major movie set or you'd be thrilled just to get George Clooney his morning coffee, this book will give you inside scoop from craft service to the director's chair--and every take in between.
Hire Me, Hollywood!
by Mark Scherzer Keith FenimoreThe secret to Stan Lee's writing processThe story behind Elmo's giggleWhat's for lunch on the set of The Walking DeadSquirrel training with Johnny DeppThink you know what it takes to get your favorite TV show on the air every week? (You'd be surprised.) Or what all those people whose names in the credits of the latest blockbuster actually do? (Including the Supervising Digital Colorist?)What better way to find out than from the who's who of Hire Me, Hollywood!Entertainment insiders Mark Scherzer and Keith Fenimore are here to give you a crash course in all things Hollywood through thirty sometimes funny, occasionally racy, and always revealing interviews with such industry experts as:Ryan Randall, Hair Stylist/Makeup Artist (American Idol)Sam Trammell, Actor (Sam Merlotte on HBO's True Blood)Paula Davis, Senior Talent Executive (Conan O'Brien)Mark Steines, Cohost (Entertainment Tonight)Sara Holden, Stunt Woman (House, All My Children, How I Met Your Mother, Iron Man 2)Cecilia Cardwell, On-Set Tutor (Titanic, Little Miss Sunshine, No Ordinary Family)Michael Gelman, Executive Producer (Live! with Regis and Kelly)Whether you've always dreamed of yelling "Action" on a major movie set or you'd be thrilled just to get Matthew McConaughey his morning coffee, this book will give you inside scoop from craft service to the director's chair--and every take in between.
Hire Me, Hollywood!: Your Behind-the-Scenes Guide to the Most Exciting - and Unexpected - Jobs in Show Business
by Mark ScherzerThe secret to Stan Lee's writing processThe story behind Elmo's giggleWhat's for lunch on the set of The Walking DeadSquirrel training with Johnny DeppThink you know what it takes to get your favorite TV show on the air every week? (You'd be surprised.) Or what all those people whose names in the credits of the latest blockbuster actually do? (Including the Supervising Digital Colorist?)What better way to find out than from the who's who of Hire Me, Hollywood!Entertainment insiders Mark Scherzer and Keith Fenimore are here to give you a crash course in all things Hollywood through thirty sometimes funny, occasionally racy, and always revealing interviews with such industry experts as:Ryan Randall, Hair Stylist/Makeup Artist (American Idol)Sam Trammell, Actor (Sam Merlotte on HBO's True Blood)Paula Davis, Senior Talent Executive (Conan O'Brien)Mark Steines, Cohost (Entertainment Tonight)Sara Holden, Stunt Woman (House, All My Children, How I Met Your Mother, Iron Man 2)Cecilia Cardwell, On-Set Tutor (Titanic, Little Miss Sunshine, No Ordinary Family)Michael Gelman, Executive Producer (Live! with Regis and Kelly) Whether you've always dreamed of yelling "Action" on a major movie set or you'd be thrilled just to get Matthew McConaughey his morning coffee, this book will give you inside scoop from craft service to the director's chair-and every take in between.
Hiroshima Mon Amour: A Screenplay (Facile A Lire Ser. #No. 9)
by Marguerite DurasOne of the most influential works in the history of cinema, Alain Renais's Hiroshima Mon Amour gathered international acclaim upon its release in 1959 and was awarded the International Critics' Prize at the Cannes Film festival and the New York Film Critics' Award. Ostensibly the story of a love affair between a Japanese architect and a French actress visiting Japan to make a film on peace, Hiroshima Mon Amour is a stunning exploration of the influence of war on both Japanese and French culture and the conflict between love and inhumanity.
Hirschfeld: The Biography
by Ellen SternThe definitive biography of Al Hirschfeld, renowned caricaturist and artist. Al Hirschfeld knew everybody and drew everybody. He occupied the twentieth century, and illustrated it. Hirschfeld: The Biography is the first portrait of the renowned artist's life—as spirited and unique as his pen-and-ink drawings. Beginning in the 1920s, he caricatured Hollywood actors, Washington politicians, and—his favorite—celebrities of the stage. Broadway belonged to Hirschfeld. His work appeared in the New York Times and other publications, as well as on book jackets, album covers, posters, and postage stamps, for more than seventy-five years. He lived in Paris, Moscow, and Bali, and in a pink New York townhouse on a star-studded block where his closest friends—Carol Channing, S. J. Perelman, Gloria Vanderbilt, Brooks Atkinson, Elia Kazan, Marlene Dietrich, and William Saroyan—flocked in and out. He played the piano, went to jazz joints with Eugene O'Neill, and wrote a musical that bombed. He drove until he was ninety-eight years old and always found a parking space. He worked every day, threw dinner parties twice a week, and hosted New Year's Eve soirees that were legendary. He had three wives, a formidable agent, and a daughter, Nina, the most famous little girl that no one knows. Hirschfeld died in 2003, at the age of ninety-nine. "If you live long enough," he liked to say, "everything happens." For him, it did. And good and bad—it's all here. Through interviews with Hirschfeld himself, his friends and family (including the mysterious Nina), and his famous subjects, as well as through letters, scrapbooks, and home movies, Ellen Stern has crafted a delightful, detailed, and definitive portrait of Al Hirschfeld, one of our most beloved, and most influential, artists.