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The American Radiohead
by Chuck KlostermanOriginally collected in Chuck Klosterman IV and now available both as a stand-alone essay and in the ebook collection Chuck Klosterman on Pop, this essay is about Jeff Tweedy.
American Rebel: The Life of Clint Eastwood
by Marc EliotAs an actor, he seduces us with his tough-guy charm. As a director and producer, he amazes us with his artistry and technical savvy. As a Hollywood icon, Clint Eastwood, one of film's greatest living legends, represents some of the finest cinematic achievements in the history of American cinema. In American Rebel, bestselling author and acclaimed film historian Marc Eliot examines the ever-exciting, often-tumultuous arc of Clint Eastwood's life and career. Unlike past biographers, Eliot writes with unflinching candor about Eastwood's highs and lows, his artistic successes and failures, and the fascinating, complex relationship between his life and his craft. Eliot's prodigious research reveals how a college dropout and unambitious playboy rose to fame as Hollywood' s "sexy rebel," eventually and against all odds becoming a star in the Academy pantheon as a multiple Oscar winner. Spanning decades, American Rebel covers the best of Eastwood' s oeuvre, films that have fast become American classics–Fistful of Dollars, Dirty Harry, Unforgiven, Mystic River, Million Dollar Baby, and Gran Torino. Filled with remarkable insights into Eastwood's personal life and public work, American Rebel is highly entertaining and the most complete biography of one of Hollywood's truly respected and beloved stars–an actor who, despite being the Man with No Name, has left his indelible mark on the world of motion pictures.From the Hardcover edition.
American Revenge Narratives: A Collection of Critical Essays
by Kyle WigginsAmerican Revenge Narratives critically examines the nation’s vengeful storytelling tradition. With essays on late twentieth and twenty-first century fiction, film, and television, it maps the coordinates of the revenge genre’s contemporary reinvention across American culture. By surveying American revenge narratives, this book measures how contemporary payback plots appraise the nation’s political, social, and economic inequities. The volume’s essays collectively make the case that retribution is a defining theme of post-war American culture and an artistic vehicle for critique. In another sense, this book presents a scholarly coming to terms with the nation’s love for vengeance. By investigating recent iterations of an ancient genre, contributors explore how the revenge narrative evolves and thrives within American literary and filmic imagination. Taken together, the book’s diverse chapters attempt to understand American culture’s seemingly inexhaustible production of vengeful tales.
The American Roadside in Émigré Literature, Film, and Photography: 1955–1985 (Studies in Mobilities, Literature, and Culture)
by Elsa CourtThe American Roadside in Émigré Literature, Film, and Photography: 1955–1985 traces the origin of a postmodern iconography of mobile consumption equating roadside America with an authentic experience of the United States through the postwar road narrative, a narrative which, Elsa Court argues, has been shaped by and through white male émigré narratives of the American road, in both literature and visual culture. While stressing that these narratives are limited in their understanding of the processes of exclusion and unequal flux in experiences of modern automobility, the book works through four case studies in the American works of European-born authors Vladimir Nabokov, Robert Frank, Alfred Hitchcock, and Wim Wenders to unveil an early phenomenology of the postwar American highway, one that anticipates the works of late-twentieth-century spatial theorists Jean Baudrillard, Michel Foucault, and Marc Augé and sketches a postmodern aesthetic of western mobility and consumption that has become synonymous with contemporary America.
American Rose: A Nation Laid Bare: The Life and Times of Gypsy Rose Lee
by Karen AbbottWith the critically acclaimed Sin in the Second City, bestselling author Karen Abbott "pioneered sizzle history" (USA Today). Now she returns with the gripping and expansive story of America's coming-of-age--told through the extraordinary life of Gypsy Rose Lee and the world she survived and conquered. America in the Roaring Twenties. Vaudeville was king. Talking pictures were only a distant flicker. Speakeasies beckoned beyond dimly lit doorways; money flowed fast and free. But then, almost overnight, the Great Depression leveled everything. When the dust settled, Americans were primed for a star who could distract them from grim reality and excite them in new, unexpected ways. Enter Gypsy Rose Lee, a strutting, bawdy, erudite stripper who possessed a preternatural gift for delivering exactly what America needed. With her superb narrative skills and eye for compelling detail, Karen Abbott brings to vivid life an era of ambition, glamour, struggle, and survival. Using exclusive interviews and never-before-published material, she vividly delves into Gypsy's world, including her intensely dramatic triangle relationship with her sister, actress June Havoc, and their formidable mother, Rose, a petite but ferocious woman who seduced men and women alike and literally killed to get her daughters on the stage. American Rose chronicles their story, as well as the story of the four scrappy and savvy showbiz brothers from New York City who would pave the way for Gypsy Rose Lee's brand of burlesque. Modeling their shows after the glitzy, daring reviews staged in the theaters of Paris, the Minsky brothers relied on grit, determination, and a few tricks that fell just outside the law--and they would shape, and ultimately transform, the landscape of American entertainment. With a supporting cast of such Jazz- and Depression-era heavyweights as Lucky Luciano, Harry Houdini, FDR, and Fanny Brice, Karen Abbott weaves a rich narrative of a woman who defied all odds to become a legend--and whose sensational tale of tragedy and triumph embodies the American Dream.From the Hardcover edition.
American Science Fiction Television and Space: Productions and (Re)configurations (1987-2021)
by Joel Hawkes Alex Christie Tom NienhuisThis collection reads the science fiction genre and television medium as examples of heterotopia (and television as science fiction technology), in which forms, processes, and productions of space and time collide – a multiplicity of spaces produced and (re)configured. The book looks to be a heterotopic production, with different chapters and “spaces” (of genre, production, mediums, technologies, homes, bodies, etc), reflecting, refracting, and colliding to offer insight into spatial relationships and the implications of these spaces for a society that increasingly inhabits the world through the space of the screen. A focus on American science fiction offers further spatial focus for this study – a question of geographical and cultural borders and influence not only in terms of American science fiction but American television and streaming services. The (contested) hegemonic nature of American science fiction television will be discussed alongside a nation that has significantly been understood, even produced, through the television screen. Essays will examine the various (re)configurations, or productions, of space as they collapse into the science fiction heterotopia of television since 1987, the year Star Trek: Next Generation began airing.
American Showman: Samuel "Roxy" Rothafel and the Birth of the Entertainment Industry, 1908–1935 (Film and Culture Series)
by Ross MelnickSamuel "Roxy" Rothafel (1882–1936) built an influential and prolific career as film exhibitor, stage producer, radio broadcaster, musical arranger, theater manager, war propagandist, and international celebrity. He helped engineer the integration of film, music, and live performance in silent film exhibition; scored early Fox Movietone films such as Sunrise (1927); pioneered the convergence of film, broadcasting, and music publishing and recording in the 1920s; and helped movies and moviegoing become the dominant form of mass entertainment between the world wars. <P><P>The first book devoted to Rothafel's multifaceted career, American Showman examines his role as the key purveyor of a new film exhibition aesthetic that appropriated legitimate theater, opera, ballet, and classical music to attract multi-class audiences. Roxy scored motion pictures, produced enormous stage shows, managed many of New York's most important movie houses, directed and/or edited propaganda films for the American war effort, produced short and feature-length films, exhibited foreign, documentary, independent, and avant-garde motion pictures, and expanded the conception of mainstream, commercial cinema. He was also one of the chief creators of the radio variety program, pioneering radio broadcasting, promotions, and tours.The producers and promoters of distinct themes and styles, showmen like Roxy profoundly remade the moviegoing experience, turning the deluxe motion picture theater into a venue for exhibiting and producing live and recorded entertainment. Roxy's interest in media convergence also reflects a larger moment in which the entertainment industry began to create brands and franchises, exploit them through content release "events," and give rise to feature films, soundtracks, broadcasts, live performances, and related consumer products. Regularly cited as one of the twelve most important figures in the film and radio industries, Roxy was instrumental to the development of film exhibition and commercial broadcasting, musical accompaniment, and a new, convergent entertainment industry.
American Story
by Bob DotsonThe host of the NBC Today Show's popular segment shares his favorite stories of citizens making a difference around the country For the six million people who watch the Emmy Award-winning "American Story with Bob Dotson" on NBC's Today Show, Bob Dotson's reports celebrate the inspirational stories of everyday Americans. Dotson has been crisscrossing the country for more than forty years--logging more than four million miles--in search of people who have quietly but profoundly changed our lives and our country for the better. Now, in American Story, he presents a road map to the unsung heroes with thoughtful solutions to problems we all face, incredible ideas that work, and blueprints to living our dreams. *The boss who came out of retirement to start a new company for his former employees who could not find work *The truck driver who taught microsurgery *The man you've never heard of who has 465 profitable patents, second only to Thomas Edison *The doctor who developed the vaccine to prevent whooping cough, who didn't retire until age 104 In the tradition of Tom Brokaw's New York Times bestseller The Time of Our Lives, American Story is a deeply moving and endlessly fascinating alternative narrative for everyone who yearns to feel good about America. .
An American Story: Everyone’s Invited
by Wilmer ValderramaThe remarkable true story of a young immigrant from Venezuela who had a dream to change the world, a talent for entertaining, and a determined spirit to build a new life, taking as many as possible with him on the journey.An American Story is the stirring memoir by actor, producer, and activist Wilmer Valderrama, delving into his upbringing in Venezuela where he was raised by two hard working parents as they navigated their family through a rapidly changing country and the rise of Hugo Chavez. With the economy crashing around them and their livelihood disappearing, the family decides to flee the country. Suddenly, the young boy who had loved riding his horse and dreaming of being Zorro from his favorite black and white tv show had to grow up quickly, journeying as a teenager from a tiny little pueblo in Venezuela to the big city of Los Angeles.After being cast in a school theatre production, Valderrama knew he had found his calling, and began thinking of ways to help support his struggling family. He would attempt the impossible: find work in Hollywood as an unproven Latino actor. Following countless auditions and frequent criticisms of his accent, he created the personality that would eventually land him the role as Fez on the hit series That 70s Show, which catapulted him to stardom.Over the coming years, he would create the smash show, Yo Mamma, voice the lead character in Disney&’s Encanto, and so much more, culminating in his joining the cast of the hit show NCIS in 2016.It was through service to others and his first USO trip, however, where Valderrama found his expanded calling, entertaining and encouraging U.S. troops around the world. He has since traveled with the USO a multitude of times, having participated in almost 50 tours domestically and internationally and was recently named USO Global Ambassador.Through his work, Valderrama hopes to demonstrate his love and gratitude for the country that changed his life. An American Story weaves Valderrama&’s personal stories with those of the remarkable people he&’s met along his philanthropic journey. This isn&’t just Valderrama&’s story, though. It&’s a view of America through an immigrant&’s eyes, in both its stunning unmatched wonders and all its native challenges. It is the profound and gripping story of someone who found the way and is now inviting as many as possible to join him on the adventure.
American Stranger: Modernisms, Hollywood, and the Cinema of Nicholas Ray (SUNY series, Horizons of Cinema)
by Will ScheibelHow does cinema culture imagine one of its favorite figures, the rebel? The reputation of the American director Nicholas Ray provides a particularly notable example. Most famous for Rebel Without a Cause, Ray has since been canonized as a "rebel auteur" and celebrated for seeking a personal vision and signature style under the industrial pressures of Classical Hollywood during its late studio period. In American Stranger, Will Scheibel reconstructs how Ray's reputation developed over time, analyzing the different historical practices of modernism that set new horizons for artistic rebellion in postwar cinema.Drawing on biographical legends, interviews, film reviews, articles in both national newspapers and international film magazines, and star promotion and publicity, Scheibel examines the contexts in which Ray's reputation was constructed. These include the consolidation of director-based film criticism and the rise of film studies as an academic discipline; star performances and personifications of the rebel male in Ray's films; the counterculture in which Ray promoted himself as a teacher and worked as a political avant-gardist; and the art cinemas of Jean-Luc Godard, Wim Wenders, and Jim Jarmusch, each of whom were influenced by Ray. In addition to Rebel Without a Cause, Scheibel also analyzes such classic films as The Lusty Men and In a Lonely Place, as well as collaborative, less-examined films from his later career outside of Hollywood, We Can't Go Home Again and Lightning Over Water. Reconstructing the evolution of Ray's place in cinema culture, this intellectual history measures the standards for both rebellion and convention, for the vanguard and the establishment, that determine an artistic reputation.
American Sucker
by David DenbyIn early 2000, the bottom dropped out of the life of New Yorker writer David Denby when his wife announced she was leaving him. To make matters worse, it looked as if he might lose the beloved New York apartment they shared with their children. Determined to hold on to his home and seized by the "irrational exuberance" of the stock market, then approaching its peak, Denby joined the investment frenzy with a particular goal: to make one million dollars so he could buy out his wife's share of their place. Denby gathered courage from stock analysts and from the siren song of CNBC. He listened both skeptically and raptly to dreaming tech gurus and boastful CEOs at investment conferences. He got to know such charming and persuasive New Economy stars as ImClone founder (and Martha Stewart buddy) Sam Waksal and Merrill Lynch Internet analyst Henry Blodget, both of whom would eventually be disgraced in scandals that affected millions of investors. Racing around the country, he struggled to understand the leading-edge technologies of fiber optics and anticancer biotech therapies. He plunged into a season of mania and was swept forward on the alternating currents of hope, greed, hucksterism, and American optimism that caught up so many in that era -- with cataclysmic results. American Sucker is a beautifully written, mesmerizing account of those years of madness. What begins as a money chase becomes an encounter with such eternal issues as envy, time, love, and death, leading to a slow recovery of sanity and happiness. This is a classic tale of the bubble related not by a market guru or an investment professional but by a witty, perceptive, and eloquent outsider. Book jacket.
American Theology, Superhero Comics, and Cinema: The Marvel of Stan Lee and the Revolution of a Genre (Routledge Studies in Religion and Film)
by Anthony MillsStan Lee, who was the head writer of Marvel Comics in the early 1960s, co-created such popular heroes as Spider-Man, Hulk, the X-Men, the Fantastic Four, Iron Man, Thor, and Daredevil. This book traces the ways in which American theologians and comic books of the era were not only both saying things about what it means to be human, but, starting with Lee they were largely saying the same things. Author Anthony R. Mills argues that the shift away from individualistic ideas of human personhood and toward relational conceptions occurring within both American theology and American superhero comics and films does not occur simply on the ontological level, but is also inherent to epistemology and ethics, reflecting the comprehensive nature of human life in terms of being, knowing, and acting. This book explores the idea of the "American monomyth" that pervades American hero stories and examines its philosophical and theological origins and specific manifestations in early American superhero comics. Surveying the anthropologies of six American theologians who argue against many of the monomyth’s assumptions, principally the staunch individualism taken to be the model of humanity, and who offer relationality as a more realistic and ethical alternative, this book offers a detailed argument for the intimate historical relationship between the now disparate fields of comic book/superhero film creation, on the one hand, and Christian theology, on the other, in the United States. An understanding of the early connections between theology and American conceptions of heroism helps to further make sense of their contemporary parallels, wherein superhero stories and theology are not strictly separate phenomena but have shared origins and concerns.
American Titan: Searching for John Wayne
by Marc EliotAs he did in his bestselling biographies of Cary Grant, Jimmy Stewart, and Clint Eastwood, Marc Eliot offers an exciting, groundbreaking new take on an American icon—the most legendary Western film hero of all time, John WayneAn audience favorite and top box-office draw for decades, John Wayne symbolized masculinity, power, and patriotism, and inspired millions of Americans. Yet despite his popularity and success, he was unfairly dismissed as a "B" movie actor lacking elegance, creativity, range, and depth. American Titan challenges conventional wisdom and reevaluates Wayne's life and vital cinematic legacy, ultimately placing the man known as "Duke" among a select and brilliant pantheon of "actor auteurs"—artists whose consistency of style in their work reflects their personal creative vision.In American Titan, Eliot demonstrates that Wayne possessed a distinct and remarkable vision rooted in his unique Midwestern and West Coast childhood that would become manifest in one of the most enduring screen personalities of all time: the elusive, stoic frontier loner. Wayne's heroic outsider also influenced a new generation of actors and filmmakers who would borrow from it to use in their own movies.Drawing on his deep, extensive knowledge of Hollywood and film, Eliot contends that the primary driving force behind Wayne's extraordinary career and body of work was the result of his own ambitions and his collaborations with directors John Ford and Howard Hawks. Eliot offers as evidence the distinct personality that runs through Wayne's staggering 169 films, from Stage Coach and The Searchers to The Quiet Man and The Green Berets.Setting Wayne's life within the sweeping political and social transformations that defined the nation, Eliot's masterly revisionist portrait is a remarkable in-depth look at a life that embodied the spirit of the twentieth century. What emerges is nothing less than a powerful understanding of and appreciation for a true American titan.Marc Eliot is the New York Times bestselling author of more than a dozen books on popular culture, among them the highly acclaimed Cary Grant, the award-winning Walt Disney: Hollywood's Dark Prince, and American Rebel: The Life of Clint Eastwood. He writes for a number of publications and frequently speaks about film at universities and to film groups, and on radio and television. He lives in New York City and Woodstock, New York.MarcEliot.net
American War Cinema and Media since Vietnam
by Patricia Keeton Peter SchecknerNo other cinematic genre more sharply illustrates the contradictions of American society - notions about social class, politics, and socio-economic ideology - than the war film. This book examines the latest cycle of war films to reveal how they mediate and negotiate the complexities of war, class, and a military-political mission largely gone bad.
American War Stories (War Culture)
by Brenda M. BoyleAmerican War Stories asks readers to contemplate what traditionally constitutes a “war story” and how that constitution obscures the normalization of militarism in American culture. The book claims the traditionally narrow scope of “war story,” as by a combatant about his wartime experience, compartmentalizes war, casting armed violence as distinct from everyday American life. Broadening “war story” beyond the specific genres of war narratives such as “war films,” “war fiction,” or “war memoirs,” American War Stories exposes how ingrained militarism is in everyday American life, a condition that challenges the very democratic principles the United States is touted as exemplifying.
The American Way: A True Story of Nazi Escape, Superman, and Marilyn Monroe
by Helene Stapinski Bonnie SieglerIn this &“necessary and beautifully told story of struggle, compassion and serendipity&” (Forbes), the publisher of DC Comics comes to the rescue of a family trying to flee Nazi Berlin, their lives linking up with a dazzling cast of 20th-century icons, all eagerly pursuing the American Dream.Family lore had it that Bonnie Siegler&’s grandfather crossed paths in Midtown Manhattan late one night in 1954 with Marilyn Monroe, her white dress flying up around her as she filmed a scene for The Seven Year Itch. An amateur filmmaker, Jules Schulback had his home movie camera with him, capturing what would become the only surviving footage of that legendary night. Bonnie wasn&’t sure she quite believed her grandfather&’s story…until, cleaning out his apartment, she found the film reel. The discovery would prompt her to investigate all of her grandfather&’s seemingly tall tales—and lead her in pursuit of a remarkable piece of forgotten history that reads like fiction but is all true. A &“fast-moving American epic with a cast of refugees and starlets, publishers and bootleggers, comic-book creators and sports legends&” (The Washington Post), The American Way follows two very different men—Jules Schulback and his unlikely benefactor, DC Comics publisher (and sometimes pornographer) Harry Donenfeld—on an exuberant true-life adventure linking glamorous old Hollywood, the birth of the comic book, and one family&’s experiences during the Holocaust. It&’s an &“amazing&” story told &“with grace, verve, and compassion&” (The Jerusalem Post) of two strivers living through an extraordinary moment in American history, their lives intersecting with a glittering array of stars in a &“colorful&” and &“punchy&” (The New York Times Book Review) tale of hope and reinvention, of daring escapes and fake identities, of big dreams and the magic of movies, and what it means to be a real-life Superman.
Americana: The Kinks, the Riff, the Road: The Story
by Ray DaviesAs a boy in post-War England, legendary Kinks singer/songwriter Ray Davies fell in love with America—its movies and music, its culture of freedom, fed his imagination. Then, as part of the British Invasion, he toured the US with the Kinks during one of the most tumultuous eras in recent history—until the Kinks group was banned from performing there from 1965-69. Many tours and trips later, while living in New Orleans, he experienced a transformative event: the shooting (a result of a botched robbery) that nearly took his life. In Americana, Davies tries to make sense of his long love-hate relationship with the country that both inspired and frustrated him. From his quintessentially English perspective as a Kink, Davies—with candor, humor, and wit—takes us on a very personal road trip through his life and storied career as a rock star, and reveals what music, fame, and America really mean to him. Some of the most fascinating characters in recent pop culture make appearances, from the famous to the perhaps even-more-interesting behind-the-scenes players. The book also includes a photographic insert with images from Daviess own collection from the bands archive.
Americana Portrait Sessions
by Jeff FasanoAmericana Portrait Sessions is the first photography book to take a comprehensive view of contemporary Americana music. The collection features intimate portraits that reveal the strength, heart, and soul of nearly two hundred great artists from the big tent that is Americana music, all shot through the expert lens of Jeff Fasano. Fasano's unparalleled access to Americana artists like Sheryl Crow, Rhiannon Giddens, Vince Gill, Keb' Mo', Judy Collins, John Oates, The Avett Brothers, The McCrary Sisters, Lucinda Williams, Margo Price, Blind Boys of Alabama, and Kris Kristofferson gives Americana Portrait Sessions the kind of authority that comes from true reach into the breadth of the genre. But this collection is as important for the artists few fans know as for the ones with successful careers behind them. While the book champions the diversity of race, gender, sexuality, and age inherent in Americana music, it also spans career arcs to bring lesser-known acts into the spotlight.Americana Portrait Sessions brings you backstage to the greenrooms and quiet corners where artists like The War and Treaty, Jewel, Jason Isbell, and The Wooten Brothers aren't just artists performing, but people hanging out.
American–Australian Cinema: Transnational Connections
by Peter C. Kunze Adrian Danks Stephen GaunsonThis edited collection assesses the complex historical and contemporary relationships between US and Australian cinema by tapping directly into discussions of national cinema, transnationalism and global Hollywood. While most equivalent studies aim to define national cinema as independent from or in competition with Hollywood, this collection explores a more porous set of relationships through the varied production, distribution and exhibition associations between Australia and the US. To explore this idea, the book investigates the influence that Australia has had on US cinema through the exportation of its stars, directors and other production personnel to Hollywood, while also charting the sustained influence of US cinema on Australia over the last hundred years. It takes two key points in time--the 1920s and 1930s and the last twenty years--to explore how particular patterns of localism, nationalism, colonialism, transnationalism and globalisation have shaped its course over the last century. The contributors re-examine the concept and definition of Australian cinema in regard to a range of local, international and global practices and trends that blur neat categorisations of national cinema. Although this concentration on US production, or influence, is particularly acute in relation to developments such as the opening of international film studios in Melbourne, Sydney, Adelaide and the Gold Coast over the last thirty years, the book also examines a range of Hollywood financed and/or conceived films shot in Australia since the 1920s.
The Americans (TV Milestones Series)
by Linda MizejewskiBased on the actual KGB strategy of planting "illegals" into American life during the Cold War, The Americans (FX 2013–2018) focuses on Philip and Elizabeth Jennings (Matthew Rhys and Kerri Russell), Soviet spies posing as middlebrow travel agents in the Virginia suburbs. Groundbreaking and unsettling, The Americans spins its stories of espionage, violence, and politics around narratives of marriage, romance, bromance, and family. Exploring the series’ bold merger of the spy genre and domestic melodrama, author Linda Mizejewski focuses on the characters and relationships that made this series memorable: the extraordinary women who defy the femme fatale stereotype of the spy genre, the conflicted men, and perhaps most shockingly, the children who are both victims and provocateurs Do viewers of this Cold War thriller root for "the good guys"—the American agents in pursuit of the Jennings—or for the Jennings themselves, the attractive couple whose personal stories compel us even as they plot the takedown of the United States? Mizejewski argues for the importance of The Americans’ portrayal of 1980s suburban life as a microcosm of the moral complexities of citizenship and national identity. Drawing on television studies and feminist media theory, this book examines the series’ seamless loop of espionage violence and family melodrama, as well as its savvy uses of 1980s pop culture and music. Far from invoking nostalgia, the replication of the 1980s "look" invokes uncertainties about how, exactly, we should see Reagan’s America and the Cold War. Yet the appeal of this series rests on solid footing in the Americanism it both critiques and espouses. Mizejewski examines The Americans’ struggles with this ambiguity and with the contradictions of identity, gender, marriage, and the meanings of home. Everyone from scholars and students of television and media studies, genre studies, gender and sexuality studies, and popular culture, to superfans who can’t believe the show is over will revel in this highly approachable and fun read.
America's Corporate Art: The Studio Authorship of Hollywood Motion Pictures (1929-2001)
by Jerome ChristensenContrary to theories of single person authorship, America's Corporate Art argues that the corporate studio is the author of Hollywood motion pictures, both during the classical era of the studio system and beyond, when studios became players in global dramas staged by massive entertainment conglomerates. Hollywood movies are examples of a commodity that, until the digital age, was rare: a self-advertising artifact that markets the studio's brand in the very act of consumption. The book covers the history of corporate authorship through the antithetical visions of two of the most dominant Hollywood studios, Warner Bros. and MGM. During the classical era, these studios promoted their brands as competing social visions in strategically significant pictures such as MGM's Singin' in the Rain and Warner's The Fountainhead. Christensen follows the studios' divergent fates as MGM declined into a valuable and portable logo, while Warner Bros. employed Batman, JFK, and You've Got Mail to seal deals that made it the biggest entertainment corporation in the world. The book concludes with an analysis of the Disney-Pixar merger and the first two Toy Story movies in light of the recent judicial extension of constitutional rights of the corporate person.
America's Favorite Radio Station: WKRP in Cincinnati
by Michael B. KasselAlthough it became one of the most successful programs in syndicated television history, WKRP in Cincinnati faced an uphill struggle trying to obtain prime-time success. Kassel chronicles the decisions and problems that affected WKRP's primetime success, and explores the reasons why it went on to become a classic.
America's Japan and Japan's Performing Arts: Cultural Mobility and Exchange in New York, 1952-2011
by Thornbury Barbara E.America’s Japan and Japan’s Performing Arts studies the images and myths that have shaped the reception of Japan-related theater, music, and dance in the United States since the 1950s. Soon after World War II, visits by Japanese performing artists to the United States emerged as a significant category of American cultural-exchange initiatives aimed at helping establish and build friendly ties with Japan. Barbara E. Thornbury explores how “Japan” and “Japanese culture” have been constructed, reconstructed, and transformed in response to the hundreds of productions that have taken place over the past sixty years in New York, the main entry point and defining cultural nexus in the United States for the global touring market in the performing arts. Thornbury crosses disciplinary boundaries in her wide range of both primary sources and published scholarship, making the book of interest to students and scholars of performing arts studies, Japanese studies, and cultural studies.
America's Mistress: Eartha Kitt, Her Life and Times
by John L. WilliamsEartha Kitt was a skinny, mixed-race woman with an odd, angular face, who seduced fifties white America into thinking that she was, in the words of Orson Welles, 'the most exciting woman in the world'. She could count Marilyn Monroe, T.S. Eliot, Prince Philip and Albert Einstein among her friends and admirers, and was almost able to forget she had once been a poor black girl from the Deep South. But her new persona was also a prison from which she found it impossible to escape. John L. Williams' moving and unsettling biography shows a star adrift in a bewildering new America torn apart by the Civil Rights movement. Shunned by many of her former friends, shocked by her country's insiduous racism, and with a perilously fragile sense of her own identity, Eartha Kitt would pay the price that came from trying to be America's mistress.
America's Mistress: Eartha Kitt, Her Life and Times
by John L. WilliamsEartha Kitt was a skinny, mixed-race woman with an odd, angular face, who seduced fifties white America into thinking that she was, in the words of Orson Welles, 'the most exciting woman in the world'. She could count Marilyn Monroe, T.S. Eliot, Prince Philip and Albert Einstein among her friends and admirers, and was almost able to forget she had once been a poor black girl from the Deep South. But her new persona was also a prison from which she found it impossible to escape. John L. Williams' moving and unsettling biography shows a star adrift in a bewildering new America torn apart by the Civil Rights movement. Shunned by many of her former friends, shocked by her country's insiduous racism, and with a perilously fragile sense of her own identity, Eartha Kitt would pay the price that came from trying to be America's mistress.