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Is Tiny Dancer Really Elton’s Little John? Music's Most Enduring Mysteries, Myths, and Rumors Revealed
by Gavin EdwardsSex, Drugs, Rock 'n' Roll, and ... Ham Sandwiches? If you are a music fan, you may be aware of some of music's most enduring mysteries. Where did Pearl Jam get their name? Are the White Stripes related by blood or by marriage? Did Mama Cass really die from choking on a ham sandwich? Gavin Edwards has heard just about every strange question, racy rumor, and legend of the music world. As the writer of Rolling Stone's "Rolling Stone Knows" column, Edwards proved himself as a one-man encyclopedia of music trivia. Now he shares all of his knowledge with you. Look inside to find the answers to these questions and more: *What's the connection between The Beach Boys and Charles Manson? *How did Dr. Dre and Eminem meet? *Did Mick Jagger and David Bowie really sleep together? *What's the deal with Led Zeppelin and the shark? *What's the feud between The Smashing Pumpkins and Pavement all about? *Was Elton John's "Tiny Dancer" really written about his most private body part? Is Tiny Dancer Really Elton's Little John? might not tell you who shot Tupac or why Celine Dion is still allowed to make records, but with thorough research and answers straight from the mouths of the performers themselves, Edwards will help you become a music geek extraordinaire.
Is it French? Popular Postnational Screen Fiction from France (Palgrave European Film and Media Studies)
by Mary Harrod Raphaëlle MoineThis book investigates the recently accelerated phenomenon of mainstream French film and serial television’s remarkable popularity not only within but – more novelly for European audiovisual narratives – outside the domestic context. Treating changes that have taken place in France's production landscape during the mass rollout of global streaming platforms as revelatory of broader tendencies in media production and circulation in Europe and beyond, the collection explores emergent influential players (Omar Sy, Camille Cottin, Alexandre Aja and Fanny Herrero), companies such as Netflix and Gaumont, and new genres, identities and representations on screen. It thus draws together a body of new research by international experts in French and European media production to analyse popular film and television series from France through a postnational lens with regards to both economic and institutional norms and to culture as a whole.
Isabel: Taking Wing (Girls Of Many Lands)
by Annie DaltonIn 1592, twelve-year-old Isabel dreams of adventure and finds it, not only on her journey from her London home to her aunt's manor house in Northamptonshire, but also through the healing arts her aunt teaches her.
Isabella for Real
by Margie Palatini Leuyen PhamWhen Isabella Antonelli becomes an overnight YouTube sensation in a documentary detailing her REAL, non-royal Italian American family, she needs to figure out a way to tell everyone at her fancy new school the truth about her family--or come up with some better lies. Brimming with offbeat humor, Isabella for Real sets the scene for an eccentric, multi-generational family drama that will have readers laughing out loud and giving Isabella's performance a standing ovation.
Isabelle Huppert, Modernist Performance
by Florence JacobowitzIsabelle Huppert's modernist performance style illustrated through detailed readings of key films, demonstrating her immense social impact. Isabelle Huppert's oeuvre constitutes perhaps the most significant feminist body of work to have emerged in the wake of the second wave of the women's movement, a period of intense social change. The emphasis on autonomy, or the "anti-victim," which comes to define Huppert's persona, is supported by a modernist style of performance. Huppert's refusal to surrender herself to the viewer through a character one fully knows disrupts the expectations of identification, inviting a distinctive approach to her characters. By creating a character informed by who she is, Huppert signals a process usually kept invisible. Huppert's performances invite an active form of critical reading, directing one to fill in gaps and consider the character in relation to the social world. The directors she works with welcome her collaboration; Huppert's performance, in conjunction with the mise-en-scène, generic conventions, and the film in its totality, creates the "meaning" of the film. Thus, Isabelle Huppert, Modernist Performance demonstrates its premise through close readings considering how performance must be read in tandem with the whole.
Isabelle's Perfect Performance (The Royal Ballet School Diaries, Book #3)
by Alexandra MossIn their second term at the Royal Ballet School, Elite and her friends prepare for an important appraisal of their dancing while also trying to get along with Isabelle, an unfriendly new girl.
Ishiro Honda: A Life in Film, from Godzilla to Kurosawa
by Martin Scorsese Steve Ryfle Ed Godziszewski Yuuko Honda-YunIshiro Honda was arguably the most internationally successful Japanese director of his generation, with an unmatched succession of science fiction films that were commercial hits worldwide. From the atomic allegory of Godzilla and the beguiling charms of Mothra to the tragic mystery of Matango and the disaster and spectacle of Rodan, The Mysterians, King Kong vs. Godzilla, and many others, Honda’s films reflected postwar Japan’s real-life anxieties and incorporated fantastical special effects, a formula that appealed to audiences around the globe and created a popular culture phenomenon that spans generations. Now, in the first full account of this long overlooked director’s life and career, authors Steve Ryfle and Ed Godziszewski shed new light on Honda’s work and the experiences that shaped it—including his days as a reluctant Japanese soldier, witnessing the aftermath of Hiroshima, and his lifelong friendship with Akira Kurosawa. Ishiro Honda: A Life in Film, from Godzilla to Kurosawa features close analysis of Honda’s films (including, for the first time, his rarely seen dramas, comedies, and war films) and draws on previously untapped documents and interviews to explore how creative, economic, and industrial factors impacted his career. Fans of Honda, Godzilla, and tokusatsu (special effects) film, and of Japanese film in general, will welcome this in-depth study of a highly influential director who occupies a uniquely important position in science fiction and fantasy cinema, as well as in world cinema. Together, the authors have provided audio commentary tracks and produced supplemental material for numerous home video releases, including Ishiro Honda’s Godzilla for the British Film Institute. They co-produced the documentary feature Bringing Godzilla Down to Size (2008).
Ishtyle: Accenting Gay Indian Nightlife (Triangulations: Lesbian/Gay/Queer Theater/Drama/Performance)
by Kareem KhubchandaniIshtyle follows queer South Asian men across borders into gay neighborhoods, nightclubs, bars, and house parties in Bangalore and Chicago. Bringing the cultural practices they are most familiar with into these spaces, these men accent the aesthetics of nightlife cultures through performance. Kareem Khubchandani develops the notion of “ishtyle” to name this accented style, while also showing how brown bodies inadvertently become accents themselves, ornamental inclusions in the racialized grammar of desire. Ishtyle allows us to reimagine a global class perpetually represented as docile and desexualized workers caught in the web of global capitalism. The book highlights a different kind of labor, the embodied work these men do to feel queer and sexy together. Engaging major themes in queer studies, Khubchandani explains how his interlocutors’ performances stage relationships between: colonial law and public sexuality; film divas and queer fans; and race, caste, and desire. Ultimately, the book demonstrates that the unlikely site of nightlife can be a productive venue for the study of global politics and its institutional hierarchies.
Ishwar Chander Nanda
by Charon Dass SidhuOn the works of Ishwar Chander Nanda, 1892-1964, Punjabi playwright.
Islam, Security and Television News
by Christopher Flood Stephen Hutchings Galina Miazhevich Henri C. NickelsFocusing on British, French and Russian television news coverage of Islam as a security threat, this book provides the first comparative account of how television broadcasting in different geo- and socio-political environments integrates discourses on Islam into nationally oriented, representational systems.
Island Possessed
by Katherine DunhamJust as surely as Haiti is "possessed" by the gods and spirits of vaudun (voodoo), the island "possessed" Katherine Dunham when she first went there in 1936 to study dance and ritual. In this book, Dunham reveals how her anthropological research, her work in dance, and her fascination for the people and cults of Haiti worked their spell, catapulting her into experiences that she was often lucky to survive. Here Dunham tells how the island came to be possessed by the demons of voodoo and other cults imported from various parts of Africa, as well as by the deep class divisions, particularly between blacks and mulattos, and the political hatred still very much in evidence today. Full of the flare and suspense of immersion in a strange and enchanting culture,Island Possessedis also a pioneering work in the anthropology of dance and a fascinating document on Haitian politics and voodoo.
Israeli Bourekas Films: Their Origins and Legacy (Sephardi and Mizrahi Studies)
by Rami KimchiA genre of comic melodramas produced in the 1960s and '70s, Bourekas films are among the most popular films ever made in Israel. In Israeli Bourekas Films, author and filmmaker Rami Kimchi sets out a history of Bourekas films and discusses their origin.Kimchi considers the representation of Sephardi or Mizrahi Jews in the films, noting that the material culture reflected in the the films presented a culture that was closer to the European Yiddish culture than to the Middle Eastern world of the Mizrahim. Kimchi reflects on the enormous popularity and commercial success of Bourekas films, uncovers how they were made, who made them and why, and discusses the impact of the films on Israeli cinema today. Israeli Bourekas Films is a film insider's view of the characters, stories, and cultures that made Bourekas films such an important part of Israeli life.
Israeli Cinema
by Miri Talmon Yaron PelegWith top billing at many film forums around the world, as well as a string of prestigious prizes, including consecutive nominations for the Best Foreign Film Oscar, Israeli films have become one of the most visible and promising cinemas in the first decade of the twenty-first century, an intriguing and vibrant site for the representation of Israeli realities. Yet two decades have passed since the last wide-ranging scholarly overview of Israeli cinema, creating a need for a new, state-of-the-art analysis of this exciting cinematic oeuvre. The first anthology of its kind in English, Israeli Cinema: Identities in Motion presents a collection of specially commissioned articles in which leading Israeli film scholars examine Israeli cinema as a prism that refracts collective Israeli identities through the medium and art of motion pictures. The contributors address several broad themes: the nation imagined on film; war, conflict, and trauma; gender, sexuality, and ethnicity; religion and Judaism; discourses of place in the age of globalism; filming the Palestinian Other; and new cinematic discourses. The authors’ illuminating readings of Israeli films reveal that Israeli cinema offers rare visual and narrative insights into the complex national, social, and multicultural Israeli universe, transcending the partial and superficial images of this culture in world media.
Israeli Television: Global Contexts, Local Visions (Routledge Studies in Middle East Film and Media)
by Yael Levy Miri TalmonThe essays in this anthology study Israeli television, its different forms of representation, audiences and production processes, past and present, examining Israeli television in both its local, cultural dynamics, and global interfaces. The book looks at Israeli television as a creator, negotiator, guardian and warden of collective Israeli memory, examining instances of Israeli original television exported and circulated to the US and the global markets, as well as instances of American, British, and global TV formats, adapted and translated to the Israeli scene and screen. The trajectory of this volume is to shed light on major themes and issues Israeli television negotiates: history and memory, war and trauma, Zionism and national disillusionment, place and home, ethnicity in its unique local variations of Ashkenazim and Mizrahim, immigrants from the former Soviet Union and Ethiopia, Israeli–Arabs and Palestinians, gender in its unique Israeli formations, specifically masculinity as shaped by the military and constant violent conflict, femininity in this same context as well as within a complex Jewish oriented society, religion, and secularism. Providing multifaceted portraits of Israeli television and culture in its Middle Eastern political and local context, this book will be a key resource to readers interested in media and television studies, cultural studies, Israel, and the Middle East.
Issues and Ethics in the Helping Professions (7th Edition)
by Gerald Corey Marianne Schneider Corey Patrick CallananUp-to-date and comprehensive, this practical best-selling text now available with an online personalized study plan, helps students learn how to deal with and apply ethical standards. The authors provide readers with the basis for discovering their own guidelines within the broad limits of professional codes of ethics and divergent theoretical positions. They raise what they consider to be central issues, present a range of diverse views on these issues, discuss their position, and provide readers with many opportunities to refine their own thinking and to actively develop their own position. The authors explore such questions as: What role do the therapist's personal values play in the counseling relationship? What ethical responsibilities and rights do clients and therapists have? And, what considerations are involved in adapting counseling practice to diverse client populations?
Issues and Singularity in the British Media Volume 1: Ink, click and screen: from "imagined communities" to "soft power"
by Renée Dickason David HaigronThis book offers a historical, cultural, political and socio-economic analysis of the British media. It examines how facts and events are reported and interpreted, but also how ideas and opinions circulate and are recycled, with attention being paid to British traits and tropes in these domains. This in-depth study of “issues” and “singularity” aims at understanding how the British media have helped shape the country’s culture and representations, thereby providing its people with a sense of togetherness. Volume 1 focuses on the press, the internet and cinema as mass media, from the prolific and innovative Victorian era – the matrix of the modern world – to the turn of the 21st century with the challenge of digitalisation. Newspapers, magazines, films and music are studied as vehicles for fostering shared collective identities (“imagined communities”) and for projecting a certain image of Britain at home and abroad (“soft power”).
Issues and Singularity in the British Media Volume 2: Broadcasting: culture and identity
by Renée Dickason David HaigronThis book offers a historical, cultural, political and socio-economic analysis of the British media. It examines how facts and events are reported and interpreted, but also how ideas and opinions circulate and are recycled, with attention being paid to British traits and tropes in these domains. This in-depth study of “issues” and “singularity” aims at understanding how the British media have helped shape the country’s culture and representations, thereby providing its people with a sense of togetherness. Volume 2 focuses on radio and (mostly) television broadcasting, from the interwar period to the early 21st century. In order to apprehend what is deeply engrained in British culture and thus contributes to shaping national identity, it analyses the ideas disseminated and reflected not only in programmes but also within media institutions in the face of changing political contexts, as well as providing a historiographical overview.
Isuma: Inuit Video Art (McGill-Queen's Indigenous and Northern Studies #52)
by Michael Robert EvansSince director Zacharias Kunuk was awarded the Camera d'Or Award at Cannes in 2001, Igloolik Isuma Productions has been among the most well-known and influential indigenous film companies in the world. Isuma's premier movie, Atanarjuat (The Fast Runner) - the first-ever feature film produced by the Inuit and presented entirely in the Inuktitut language - has received numerous awards and critical acclaim.
It Ain't No Sin to Be Glad You're Alive: The Promise of Bruce Springsteen
by Eric AltermanThis highly praised celebration of Springsteen's artistry & influence is the most perceptive portrait yet of the remarkably gifted musician who, since the media anointed him "the future of rock 'n' roll" in the mid-1970s, has redefined the image of the rock star & emerged an authentic American hero -- a man to whom millions of loyal fans look as a voice for their yearnings, hopes, fears, & dreams. "Part biography, part lyrical deconstruction, & part fan letter, Alterman's book locates the singer-songwriter's strength in his ability to connect the small struggles of the common man with the broad political & social forces that engulf us, & to do so with a human touch." --Time. "It Ain't No Sin to be Glad You're Alive celebrates Springsteen's enduring legacy & reaffirms his position as a recording artist & performer who personifies America in the same way that Woody Guthrie, Walt Whitman, John Steinbeck, & Bob Dylan have in their work." --Cleveland Plain Dealer. "Fascinating, well researched, & serious: three qualities not often found together in biographies of musicians. It Ain't No Sin to be Glad You're Alive ranks with Peter Guralnick's work & is an essential document in evaluating Springsteen's legacy." --Rosanne Cash.
It All Counts
by Carol VordermanCarol Vorderman is everywoman: a single working mother, a businesswoman and a devoted daughter. And now, for the first time, she has decided to tell it like it is.Since 1982, Carol was much loved as co-presenter of Countdown with Richard Whiteley. Joining the show at the age of twenty-one after her mother secretly posted off an application, she became the first woman to appear on Channel Four. Vorderman and Whiteley went on to form one of the most endearing partnerships in British TV history. His death in 2005 devastated Carol but she continued to present Countdown until July 2008, when, after twenty-six unbroken years with the show, it was announced that she was stepping down.Carol’s life has been a rollercoaster. The youngest of three children, she was just three weeks old when her parents separated. Her father refused to acknowledge Carol, leaving her mother to hold down multiple jobs as the family’s only provider. There was a stint in the circus; there have been two marriages; she has juggled a career with two children, whom she adores; she is a detox advocate and has hosted more shows than any other female presenter, including Tomorrow’s World, Better Homes, Pride of Britain and, of course, Countdown.In IT ALL COUNTS, Carol tells the engrossing story of her life from an early age through to today - the personal struggles, the good times, the sad times, and lifts the lid on what really goes on behind the scenes in a TV studio and the full story behind her shocking Countdown departure.
It All Counts
by Carol VordermanCarol Vorderman is everywoman: a single working mother, a businesswoman and a devoted daughter. And now, for the first time, she has decided to tell it like it is.Since 1982, Carol was much loved as co-presenter of Countdown with Richard Whiteley. Joining the show at the age of twenty-one after her mother secretly posted off an application, she became the first woman to appear on Channel Four. Vorderman and Whiteley went on to form one of the most endearing partnerships in British TV history. His death in 2005 devastated Carol but she continued to present Countdown until July 2008, when, after twenty-six unbroken years with the show, it was announced that she was stepping down.Carol’s life has been a rollercoaster. The youngest of three children, she was just three weeks old when her parents separated. Her father refused to acknowledge Carol, leaving her mother to hold down multiple jobs as the family’s only provider. There was a stint in the circus; there have been two marriages; she has juggled a career with two children, whom she adores; she is a detox advocate and has hosted more shows than any other female presenter, including Tomorrow’s World, Better Homes, Pride of Britain and, of course, Countdown.In IT ALL COUNTS, Carol tells the engrossing story of her life from an early age through to today - the personal struggles, the good times, the sad times, and lifts the lid on what really goes on behind the scenes in a TV studio and the full story behind her shocking Countdown departure.
It Chooses You
by Miranda JulyIn the summer of 2009, Miranda July was struggling to finish writing the screenplay for her much-anticipated second film. During her increasingly long lunch breaks, she began to obsessively read the PennySaver, the iconic classifieds booklet that reached everywhere and seemed to come from nowhere. Who was the person selling the "Large leather Jacket, $10"? It seemed important to find out-or at least it was a great distraction from the screenplay.Accompanied by photographer Brigitte Sire, July crisscrossed Los Angeles to meet a random selection of PennySaver sellers, glimpsing thirteen surprisingly moving and profoundly specific realities, along the way shaping her film, and herself, in unexpected ways.Elegantly blending narrative, interviews, and photographs with July's off-kilter honesty and deadpan humor, this is a story of procrastination and inspiration, isolation and connection, and grabbing hold of the invisible world.
It Could Lead to Dancing: Mixed-Sex Dancing and Jewish Modernity (Stanford Studies in Jewish History and Culture)
by Sonia GollanceDances and balls appear throughout world literature as venues for young people to meet, flirt, and form relationships, as any reader of Pride and Prejudice, War and Peace, or Romeo and Juliet can attest. The popularity of social dance transcends class, gender, ethnic, and national boundaries. In the context of nineteenth- and twentieth-century Jewish culture, dance offers crucial insights into debates about emancipation and acculturation. While traditional Jewish law prohibits men and women from dancing together, Jewish mixed-sex dancing was understood as the very sign of modernity––and the ultimate boundary transgression. Writers of modern Jewish literature deployed dance scenes as a charged and complex arena for understanding the limits of acculturation, the dangers of ethnic mixing, and the implications of shifting gender norms and marriage patterns, while simultaneously entertaining their readers. In this pioneering study, Sonia Gollance examines the specific literary qualities of dance scenes, while also paying close attention to the broader social implications of Jewish engagement with dance. Combining cultural history with literary analysis and drawing connections to contemporary representations of Jewish social dance, Gollance illustrates how mixed-sex dancing functions as a flexible metaphor for the concerns of Jewish communities in the face of cultural transitions.
It Follows (Devil's Advocates)
by Josh GrimmAmid a recent resurgence in horror films, David Robert Mitchell’s It Follows stands out as a particularly bold entry, a horror fan’s dream come true that sparked a renewed creativity. Pulling a robust 97% on Rotten Tomatoes, It Follows was hailed as a “teen movie you’ve never seen before,” a “creepy, mesmerizing exercise in minimalist horror,” “the best horror film in years,” and simply, “so damn good.” Mitchell uses a variety of approaches to reinvent genre bromides while simultaneously embracing and challenging tropes that audiences and filmmakers rely on a little too heavily. It Follows is one of the best because it is one of the most unique. In this Devil’s Advocate, Joshua Grimm focuses on how this film helped reinvent the rules of a horror movie, particularly along the lines of genre, style, sex, and gender.
It Gets Better . . . Except When It Gets Worse: And Other Unsolicited Truths I Wish Someone Had Told Me
by Nicole MainesThe irreverent and candid coming-of-age memoir of Nicole Maines, trailblazing trans actress, activist—and sometimes someone who&’s just existing, which is actually pretty hard!Nicole Maines knows a little something about &“happily ever after&”—not just because she&’s a self-professed expert in the Disney princess canon, but because she&’s lived it. After coming out at an early age, her family had not only to educate themselves, but also those around them as they fought and won a landmark court case in the state of Maine before she graduated high school. She made it into college, got the guy, and finally had The Surgery™. She achieved her lifelong goal of becoming an actress when she landed a major role in the CW&’s Supergirl, playing television&’s very first live-action transgender superhero.Cue sappy music and sunsets, because we&’ve got ourselves a happy ending, right?Ha! As if.For the first time, in her own words, Nicole tells the story of her journey from childhood in rural Maine to the spotlights of Hollywood, sharing the lessons she&’s learned along the way. With clever wit and unflinching honesty, she tackles some of the most insidious messaging absorbed by queer kids and all young women, from the idea that any one thing can (or should) ever really &“fix&” you, to wondering what&’s wrong with you when things don&’t always feel better, and reminding us that, sometimes, a happy ending is only the beginning of the story.