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Art in the Making: Artists and their Materials from the Studio to Crowdsourcing
by Julia Bryan-Wilson Glenn AdamsonThe first book to address the significance of the materials and methods used to make contemporary artworks Today, artists are able to create using multiple methods of production--from painting to digital technologies to crowdsourcing--some of which would have been unheard of just a few decades ago. Yet, even as our means of making art become more extraordinary and diverse, they are almost never addressed in their specificity. While critics and viewers tend to focus on the finished products we see in museums and galleries, authors Glenn Adamson and Julia Bryan-Wilson argue that the materials and processes behind the scenes used to make artworks are also vital to current considerations of authorship and to understanding the economic and social contexts from which art emerges. This wide-ranging exploration of different methods and media in art since the 1950s includes nine chapters that focus on individual processes of making: Painting, Woodworking, Building, Performing, Tooling Up, Cashing In, Fabricating, Digitizing, and Crowdsourcing. Detailed examples are interwoven with the discussion, including visuals that reveal the intricacies of techniques and materials. Artists featured include Ai Weiwei, Alice Aycock, Isa Genzken, Los Carpinteros, Paul Pfeiffer, Doris Salcedo, Santiago Sierra, and Rachel Whiteread.
Art in the Roman Empire
by Michael GrantMichael Grant has specially selected some of the most significant examples of painting, portraits, architecture, mosaic, jewellery and silverware, to give a unique insight into the functions and manifestations of art in the Roman Empire. Art in the Roman Empire shows how many of the most impressive masterpieces were produced outside Rome, on the frontiers of its enormous empire.
Art in the San Francisco Bay Area, 1945-1980: An Illustrated History
by Thomas AlbrightThis title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1985.This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived</DIV
Art in the Science Dominated World: Science, Logic and Art
by E. L. FeinbergThe subject of cybernetics is quickly growing and there now exists a vast amount of information on all aspects of this broad-based set of disciplines. This book concerns the phenomenon of art and the special problems that arise concerning art in our era which is almost unanimously regarded as unique, as the era when science and technology have, as never before, become the influence on human society. The aim of this book is to consider the two ways of perception and cognition of the world, two kinds and trends of man’s spiritual life in their interrelation
Art in the Time of Colony (Empire and the Making of the Modern World, 1650-2000)
by Khadija von CarrollIt is often assumed that the verbal and visual languages of Indigenous people had little influence upon the classification of scientific, legal, and artistic objects in the metropolises and museums of nineteenth-century colonial powers. However colonized locals did more than merely collect material for interested colonizers. In developing the concept of anachronism for the analysis of colonial material this book writes the complex biographies for five key objects that exemplify, embody, and refract the tensions of nineteenth-century history. Through an analysis of particular language notations and drawings hidden in colonial documents and a reexamination of cross-cultural communication, the book writes biographies for five objects that exemplify the tensions of nineteenth-century history. The author also draws on fieldwork done in communities today, such as the group of Koorie women whose re-enactments of tradition illustrate the first chapter’s potted history of indigenous mediums and debates. The second case study explores British colonial history through the biography of the proclamation boards produced under George Arthur (1784-1854), Governor of British Honduras, Tasmania, British Columbia, and India. The third case study looks at the maps of the German explorer of indigenous taxonomy Wilhelm von Blandowski (1822-1878), and the fourth looks at a multi-authored encyclopaedia in which Blandowski had taken into account indigenous knowledge such as that in the work of Kwat-Kwat artist Yakaduna, whose hundreds of drawings (1862-1901) are the material basis for the fifth and final case study. Through these three characters’ histories Art in the Time of Colony demonstrates the political importance of material culture by using objects to revisit the much-contested nineteenth-century colonial period, in which the colonial nations as a cultural and legal-political system were brought into being.
Art is Life: Icons & Iconoclasts, Visionaries & Vigilantes, & Flashes of Hope in the Night
by Jerry Saltz"The world's most famous and celebrated contemporary art critic." -GQ"One of the most powerful art critics today." -Time Out"Senior art critic and columnist for New York magazine, Jerry Saltz is as influential as they come. He demystifies the art world in refreshing plain speak and his latest book, focusing on the two decades since 9/11, promises to be another must-listen." - Irish Times From the Pulitzer Prize winner and bestselling author of How to Be an Artist, a deliciously readable survey of the art world in turbulent times. Jerry Saltz is one of our most-watched writers about art and artists, and a passionate champion of the importance of art in our shared cultural life. Since the 1990s he has been an indispensable cultural voice: witty and provocative, he has attracted contemporary readers to fine art as few critics have.Now, in Art Is Life, Jerry Saltz draws on two decades of work to offer a real-time survey of contemporary art as a barometer of our times. Chronicling a period punctuated by dramatic turning points - from the cultural reset of 9/11 to the rolling social crises of today - Saltz traces how visionary artists have both documented and challenged the culture.Art Is Life offers Saltz's eye-opening appraisals of trailblazers like Kara Walker, Hilma af Klint and Jasper Johns; provocateurs like Jeff Koons, Richard Prince and Marina Abramovic; and visionaries like Jackson Pollock and Willem de Kooning. With his signature blend of candour and conviction, Jerry Saltz argues in Art Is Life for the importance of the fearless artist. The result is an openhearted and irresistibly readable appraisal by one of our most important cultural observers.Praise for How to Be an Artist:"I wish I had read these rules forty years ago and carried them around like a bible. They are the generous, loving, enthusiastic, bullshit-free advice of a master communicator, just reading them makes me want to charge back into the studio" - Grayson Perry"Being an artist is a lonely pursuit - twenty-four hours a day, seven days a week, for the rest of your life. Most of the time it hurts. This book will help the pain" - Tracey Emin"Joy is palpable in these pages. We need such thinking right now" - Apollo Magazine
Art is Life: Icons & Iconoclasts, Visionaries & Vigilantes, & Flashes of Hope in the Night
by Jerry SaltzFrom the Pulitzer Prize winner and bestselling author of How to Be an Artist, a deliciously readable survey of the art world in turbulent times.Jerry Saltz is one of our most-watched writers about art and artists, and a passionate champion of the importance of art in our shared cultural life. Since the 1990s he has been an indispensable cultural voice: witty and provocative, he has attracted contemporary readers to fine art as few critics have. An early champion of forgotten and overlooked women artists, he has also celebrated the pioneering work of African American, LGBTQ+, and other long-marginalized creators. Sotheby's Institute of Art has called him, simply, 'the art critic.'Now, in Art Is Life, Jerry Saltz draws on two decades of work to offer a real-time survey of contemporary art as a barometer of our times. Chronicling a period punctuated by dramatic turning points - from the cultural reset of 9/11 to the rolling social crises of today - Saltz traces how visionary artists have both documented and challenged the culture.Art Is Life offers Saltz's eye-opening appraisals of trailblazers like Kara Walker, Hilma af Klint and Jasper Johns; provocateurs like Jeff Koons, Richard Prince and Marina Abramovic; and visionaries like Jackson Pollock and Willem de Kooning. Saltz celebrates landmarks like the Obama portraits by Kehinde Wiley and Amy Sherald, writes searchingly about disturbing moments such as the Ankara gallery assassination, and offers surprising takes on figures from Thomas Kinkade to Kim Kardashian. And he shares stories of his own haunted childhood, his time as a 'failed artist,' and his epiphanies upon beholding work by Botticelli, Delacroix, and the cave painters of Niaux.With his signature blend of candour and conviction, Jerry Saltz argues in Art Is Life for the importance of the fearless artist, reminding us that art is a kind of channeled voice of human experience, a necessary window onto our times. The result is an openhearted and irresistibly readable appraisal by one of our most important cultural observers.(p) 2022 Octopus Publishing Group
Art of Breaking Ice
by Rachael MeadIn 1960, when the legendary icebreaker Magga Dan set sail for Antarctica, it contained a secret. Hiding on board was Nel Law, wife of expedition leader Phillip Law. She would make history by becoming the first Australian woman to set foot on the icy continent, but it was her art that would change everything.Though a talented artist, Nel has always been defined by her role as 'the explorer's wife', but in the clear expanse of the Southern Ocean, her true self is finally allowed to emerge. Despite misogyny from the all-male crew and increasing resentment from her mercurial husband, Nel's art begins to flourish. Her new friend, a gentle ornithologist, encourages her to explore, but as the ship ploughs on towards Antarctica, rumours swirl, threatening her marriage and the tenuous peace between the controlling Phillip and his crew. In the clear, white light of the south, Nel will be forced to confront the truth of herself and the man to whom she has dedicated her life.This stunning reimagining of Nel Law's life reveals a ground-breaking artist searching for freedom in a world where women's lives were still defined by their husbands.
Art of Engagement: Visual Politics in California and Beyond
by Peter SelzThe book takes a look at the key role of California's art and artists in politics and culture since 1945 that begins with the Nazi death camps and moves through the Bay Area's Free Speech Movement of 1964, the birth of Beat and hippie countercultures, the Chicano labor movement in the San Joaquin Valley, the beginning of the Black Panther Party in Oakland, and some radical manifestations of the women's movement, gay liberation, Red Power, and environmental activism.
Art of Illness: Malingering and Inventing Health Conditions (Routledge Advances in the History of Bioethics)
by Wendy J. TurnerThere is a long history of inventing illness, such as pretending to be sick for attention or accusing others of being ill. This volume explores the art of illness, and the deceptions and truths around health and bodies, from a multiplicity of angles from antiquity to the present. The chapters, which are based on primary-source evidence ranging from antiquity to the late twentieth century, are divided into three sections. The first part explores how the idea of faking illness was understood and conceptualized across multiple fields, locations, and time periods. The second part uses case studies to emphasize the human element of those at the center of these narratives and how their behavior was shaped by societal attitudes. The third part investigates the development of regulations and laws governing malingering and malingerers. Altogether, they paint a picture of humans doing human actions—cheating, lying, stealing, but also hiding, surviving, working. This book’s careful, accessible scholarship is a valuable resource for academics, scientists, and the sophisticated undergraduate audience interested in malingering narratives throughout history.
Art of Islam, Language and Meaning
by Titus BurckhardtKnown as an expert on Islam, Sufism, and Islamic arts & crafts, Burckhardt presents in-depth analyses of seminal examples of Islamic architecture, from Spain and Morocco to Persia and India. He examines Koranic calligraphy and illumination, arabesque, carpets and rugs, Persian miniatures, and much more while making illuminating comparisons with Christian, Hindu, and Buddhist art. Beautifully illustrated in color, this masterpiece is presented in a revised, commemorative edition containing 285 new illustrations and a new Introduction.
Art of Memories: Curating at the Hermitage
by Vincent Antonin LépinayOnce the home of Catherine the Great’s private art collection, Russia’s State Hermitage Museum became the largest museum in the Soviet Union and, since the collapse of the USSR, one of the most active museums in the world. The Hermitage is a global model for the collection and preservation of fine art, deeply shaped by its need to protect itself and its holdings from the world beyond its gates. <P><P>In Art of Memories, Vincent Antonin Lépinay documents the Hermitage’s curatorial practices in an innovative consideration of the museum as a cultural laboratory.Lépinay analyzes the tensions between the museum as a space of exploration of the collections and as a culture heavily invested in self-protection from the outside world. During a time when traveling abroad was rare, a generation of art historians produced a culture of confined scholarship premised on their proximity to the holdings of a museum enclave. As the Hermitage has become increasingly present on the world museum scene, its culture of secrecy and orality has endured. Lépinay analyzes the ethos of Hermitage curators and scholars over the transition from Soviet to post-Soviet museum cultures, considering the mobility of art, documentation of the collection, and the transformation of expertise. Based on Lépinay’s extraordinary access to the Hermitage and the scholars who work there, Art of Memories opens the door of one of the world’s great museums to reveal how art history is made. It is an essential study for readers interested in the role that outside forces play in culture, organizations, and the production of knowledge.
Art of Mesoamerica: From Olmec To Aztec (World of Art #0)
by Mary Ellen MillerMary Ellen Miller’s rich visual and scholarly survey of pre-Hispanic art and architecture, including the most recent archaeological finds. Expanded and revised in its sixth edition, The Art of Mesoamerica surveys the artistic achievements of the high pre-Hispanic civilizations of Central America—Olmec, Maya, Teotihuacan, Toltec, and Aztec—as well as those of their lesser-known contemporaries. Providing an in-depth examination of central works, this book guides readers through the most iconic palaces, pyramids, sculptures, and paintings. From the Olmec colossal head 5 recovered from San Lorenzo to the Aztec calendar stone found in Mexico City’s Zocalo in 1790, this book reveals the complexity and innovation behind the art and architecture produced in pre-Hispanic civilizations. This new edition incorporates fifty new lavish color images and extensive updates based on the latest research and dozens of recent discoveries, particularly in Maya art, where excavations at Teotihuacan, the largest city of Mesoamerica, and Tenochtitlan, the capital of the Aztecs, have yielded new sculptures.
Art of Sharing: The Richer versus the Poorer Provinces since Confederation (Carleton Library Series #250)
by Mary JaniganIn 1957 after a century of scathing debates and threats of provincial separation Ottawa finally tackled the dangerous fiscal inequalities among its richer and poorer provinces. Equalization grants allowed the poorer provinces to provide relatively equal services for relatively equal levels of taxation. The Art of Sharing tells the dramatic history of Canada's efforts to save itself. The introduction of federal equalization grants was controversial and wealthier provinces such as Alberta – wanting to keep more of their taxpayers' money for their own governments – continue to attack them today. Mary Janigan argues that the elusive ideal of fiscal equity in spite of dissent from richer provinces has helped preserve Canada as a united nation. Janigan goes back to Confederation to trace the escalating tensions among the provinces across decades as voters demanded more services to survive in a changing world. She also uncovers the continuing contacts between Canada and Australia as both dominions struggled to placate disgruntled member states and provinces that blamed the very act of federation for their woes. By the mid-twentieth century trapped between the demands of social activists and Quebec's insistence on its right to run its own social programs Ottawa adopted non-conditional grants in compromise. The history of equalization in Canada has never been fully explored. Introducing the idealistic Canadians who fought for equity along with their radically different proposals to achieve it The Art of Sharing makes the case that a willingness to share financial resources is the real tie that has bound the federation together into the twenty-first century.
Art of Suppression: Confronting the Nazi Past in Histories of the Visual and Performing Arts (Weimar and Now: German Cultural Criticism)
by Pamela M. PotterThis provocative study asks why we have held on to vivid images of the Nazis’ total control of the visual and performing arts, even though research has shown that many artists and their works thrived under Hitler. To answer this question, Pamela M. Potter investigates how historians since 1945 have written about music, art, architecture, theater, film, and dance in Nazi Germany and how their accounts have been colored by politics of the Cold War, the fall of communism, and the wish to preserve the idea that true art and politics cannot mix. Potter maintains that although the persecution of Jewish artists and other "enemies of the state" was a high priority for the Third Reich, removing them from German cultural life did not eradicate their artistic legacies. Art of Suppression examines the cultural histories of Nazi Germany to help us understand how the circumstances of exile, the Allied occupation, the Cold War, and the complex meanings of modernism have sustained a distorted and problematic characterization of cultural life during the Third Reich.
Art of War
by Niccolo Machiavelli Christopher LynchThe purpose of this book is to provide English-speaking readers the opportunity to understand the only major prose work Machiavelli published during his lifetime- the Art of War. The book's centerpiece is a translation of the Art of War that seeks to be as faithful as possible to the original. The translation is the first to incorporate the many significant discoveries included in the recent critical edition of the Italian, edited by Jean-Jacques Marchand, Denis Fachard, and Giorgio Masi.
Art of War
by Sun Tzu&“The art of war is of vital importance to the State. It is a matter of life and death, a road either to safety or to ruin. Hence it is a subject of inquiry which can on no account be neglected.&” There is a reason why five-star generals and Fortune 500 CEOs alike have consulted this classic book on the planning and conduct of military operations. Written in China more than two thousand years ago, The Art of War is an ancient Chinese military treatise attributed to Sun Tzu, a high-ranking military general, strategist, and tactician. The Art of War remains one of the most quoted and referenced how-to books ever written. Now, with a foreword by Stephen K. Bannon, this seminal work takes on renewed significance, offering a blueprint for success amidst the chaos of contemporary challenges. As we navigate the complexities of the twenty-first century, The Art of War stands as a beacon of strategic wisdom, guiding us through the turbulent waters of life, leadership, and conflict. Its profound truths, encapsulated in thirteen timeless chapters, illuminate the path to victory in any arena, whether it be the cutthroat world of business, the arena of politics, or the theater of war.
Art of the Deal: Contemporary Art in a Global Financial Market
by Noah HorowitzArt today is defined by its relationship to money as never before. Prices have been driven to unprecedented heights, conventional boundaries within the art world have collapsed, and artists think ever more strategically about how to advance their careers. Art is no longer simply made, but packaged, sold, and branded. In Art of the Deal, Noah Horowitz exposes the inner workings of the contemporary art market, explaining how this unique economy came to be, how it works, and where it's headed.In a new postscript, Horowitz reflects on the evolution of the trade since the book's original release in 2011, shining light on the market's continued ascent as well as its most urgent challenges.
Art of the Gold Rush: (Published in association with the Oakland Museum of California and the Crocker Art Museum, Sacramento)
by Harvey L. Jones Janice T. Driesbach Katherine Church HollandThe California Gold Rush captured the get-rich dreams of people around the world more completely than almost any event in American history. This catalog, published in celebration of the sesquicentennial of the 1848 discovery of gold at Sutter's Mill, shows the vitality of the arts in the Golden State during the latter nineteenth century and documents the dramatic impact of the Gold Rush on the American imagination. Among the throngs of gold-seekers in California were artists, many self-taught, others formally trained, and their arrival produced an outpouring of artistic works that provide insights into Gold Rush events, personages, and attitudes. The best-known painting of the Gold Rush era, C.C. Nahl's Sunday Morning in the Mines (1872), was created nearly two decades after gold fever had subsided. By then the Gold Rush's mythic qualities were well established, and new allegories--particularly the American belief in the rewards of hard work and enterprise--can be seen on Nahl's canvas. Other works added to the image of California as a destination for ambitious dreamers, an image that prevails to this day. In bringing together a range of art and archival material such as artists' diaries and contemporary newspaper articles, The Art of the Gold Rush broadens our understanding of American culture during a memorable period in the nation's history.
Art of the Modern Age: Philosophy of Art from Kant to Heidegger (New French Thought Series #2)
by Jean-Marie SchaefferThis is a sweeping and provocative work of aesthetic theory: a trenchant critique of the philosophy of art as it developed from the eighteenth century to the early twentieth century, combined with a carefully reasoned plea for a new and more flexible approach to art.Jean-Marie Schaeffer, one of France's leading aestheticians, explores the writings of Kant, Schlegel, Novalis, Hegel, Schopenhauer, Nietzsche, and Heidegger to show that these diverse thinkers shared a common approach to art, which he calls the "speculative theory." According to this theory, art offers a special kind of intuitive, quasi-mystical knowledge, radically different from the rational knowledge acquired by science. This view encouraged theorists to consider artistic geniuses the high-priests of humanity, creators of works that reveal the invisible essence of the world. Philosophers came to regard inexpressibility as the aim of art, refused to consider second-tier creations genuine art, and helped to create conditions in which the genius was expected to shock, puzzle, and mystify the public. Schaeffer shows that this speculative theory helped give birth to romanticism, modernism, and the avant-garde, and paved the way for an unfortunate divorce between art and enjoyment, between "high art" and popular art, and between artists and their public.Rejecting the speculative approach, Schaeffer concludes by defending a more tolerant theory of art that gives pleasure its due, includes popular art, tolerates less successful works, and accounts for personal tastes."[A] remarkable work.... [Schaeffer's] writing is governed by ... the ideals of clarity and consequence, the ideas of logic, truth, and evidence.... Schaeffer is so precise and unrelenting a philosophical critic that one wonders how some of the philosophies he anatomizes here can possibly survive the operation."--From the foreword by Arthur C. Danto
Art of the Non-Western World: Asia, Africa, Oceania, and the Americas
by Nancy L. KelkerArt of the Non-Western World: Asia, Africa, Oceania, and the Americas gives students the tools to better understand and appreciate the arts in a global world. It offers an in-depth, contextual exploration of the art from the larger world beyond the European tradition, including painting, sculpture, pottery, graphic arts, and architecture of Asia, the Americas, Africa, Australia, and the Pacific Islands, from the Neolithic to the Contemporary. All new print and electronic versions of Art of the Non-Western World come with access to a full suite of engaging digital learning tools.
Art of the Western World: From Ancient Greece to Post-Modernism
by Bruce Cole Adelheid GealtA good know-how book to gather information about Art progression through the centuries and periods - right from its classical roots in Greece until present day.
Art on Trial: Art Therapy in Capital Murder Cases
by David GussakA man kidnaps his two children, murders one, and attempts to kill the other. The prosecution seeks the death penalty, while the defense employs an unusual strategy to avoid the sentence. The defendant's attorneys turn to more than 100 examples of his artwork, created over many years, to determine whether he was mentally ill at the time he committed the crimes. Detailing an outstanding example of the use of forensic art therapy in a capital murder case, David Gussak, an art therapist contracted by the defense to analyze the images that were to be presented as evidence, recounts his findings and his testimony in court, as well as the future implications of his work for criminal proceedings. <P><P>Gussak describes the role of the art therapist as an expert witness in a murder case, the way to use art as evidence, and the conclusions and assessments that professionals can draw from a defendant's artworks. He examines the effectiveness of expert testimony as communicated by the prosecution, defense, and court, and weighs the moral, ethical, and legal consequences of relying on such evidence. For professionals and general readers, this gripping volume presents a convincing account of the ability of art to reflect a damaged and dangerous psyche. A leading text on an emerging field, Art on Trial demonstrates the practical applications of an innovative approach to clinical assessment and treatment.
Art on the Block: Tracking the New York Art World from SoHo to the Bowery, Bushwick and Beyond
by Ann FensterstockA fascinating tour of the last five decades of contemporary art in New York City, showing how artists are catalysts of gentrification and how neighborhoods in turn shape their art--with special insights into the work of artists such as Jean-Michel Basquiat, Cindy Sherman, and Jeff KoonsStories of New York City's fabled art scene conjure up artists' lofts in SoHo, studios in Brooklyn, and block after block of galleries in Chelsea. But today, no artist can afford a SoHo loft, Brooklyn has long gentrified, and even the galleries of Chelsea are beginning to move on. Art on the Block takes the reader on a journey through the neighborhoods that shape, and are shaped by, New York's ever-evolving art world. Based on interviews with over 150 gallery directors, as well as the artists themselves, art historian and cultural commentator Ann Fensterstock explores the genesis, expansion, maturation and ultimate restless migration of the New York art world from one initially undiscovered neighborhood to the next.Opening with the colonization of the desolate South Houston Industrial District in the late 1960s, the book follows the art world's subsequent elopements to the East Village in the ‘80s, Brooklyn in the mid-90s, Chelsea at the beginning of the new millennium and, most recently, to the Lower East Side. With a look to the newest neighborhoods that artists are just now beginning to occupy, this is a must-read for both art enthusiasts as well as anyone with a passion for New York City.