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Exhibiting Animals in Europe and America (Routledge Research in Art History)
by M. Elizabeth Boone Lianne McTavishThis edited volume, written by historians of art and visual culture who are working in the field of animal studies, seeks to understand how our ways of positioning (and ex-positioning) animals have separated us from the other-than-human animals that are an integral part of our interconnected world.Bringing together the visual and material culture of display with recent theoretical study on human–animal relations, the book draws attention to ways in which we might rethink this history and map pathways for the future. Defining the idea of exhibition and display broadly, chapters consider a diverse range of media, including paintings, anatomical sculpture, books, prints, and clothing; exhibition venues that take place in both the public and private realms; and key ideas such as looking at/looking back, seeing/being seen, and interspecies recognition. The authors cover topics that span the sixteenth through the early twentieth centuries and focus geographically on Europe and America, with significant content related to Canada, Indigenous America, and Latin America.The book will be of interest to scholars working in art history, visual studies, museum studies, animal studies, and environmental humanities.
Exhibiting Animals in Nineteenth-Century Britain
by Helen CowieIn an era of overseas exploration and imperial expansion, exotic animals were among the many foreign commodities to appear on British soil. They were a source of fascination to people across the social spectrum and served simultaneously as objects of entertainment, enlightenment and reflection. Focusing on zoos and travelling menageries in the period 1800-1880, Exhibiting Animals in Nineteenth-Century Britain explores how contemporaries thought about rare animals, where they encountered them and what symbolic, pedagogic and scientific value they attached to them. Helen Cowie uses animal exhibitions as a vehicle through which to examine issues of race, class, gender and colonialism. She devotes particular attention to travelling menageries, whose appeal transcended social boundaries and whose star exhibits included female lion tamers, 'ravenous hyenas' and pistol-firing elephants.
Exhibiting Atrocity: Memorial Museums and the Politics of Past Violence
by Amy SodaroToday, nearly any group or nation with violence in its past has constructed or is planning a memorial museum as a mechanism for confronting past trauma, often together with truth commissions, trials, and/or other symbolic or material reparations. Exhibiting Atrocity documents the emergence of the memorial museum as a new cultural form of commemoration, and analyzes its use in efforts to come to terms with past political violence and to promote democracy and human rights. Through a global comparative approach, Amy Sodaro uses in-depth case studies of five exemplary memorial museums that commemorate a range of violent pasts and allow for a chronological and global examination of the trend: the U.S. Holocaust Memorial Museum in Washington, DC; the House of Terror in Budapest, Hungary; the Kigali Genocide Memorial Centre in Rwanda; the Museum of Memory and Human Rights in Santiago, Chile; and the National September 11 Memorial Museum in New York. Together, these case studies illustrate the historical emergence and global spread of the memorial museum and show how this new cultural form of commemoration is intended to be used in contemporary societies around the world.
Exhibiting Blackness: African Americans And The American Art Museum
by Bridget CooksIn 1927, the Chicago Art Institute presented the first major museum exhibition of art by African Americans. Designed to demonstrate the artists’ abilities and to promote racial equality, the exhibition also revealed the art world’s anxieties about the participation of African Americans in the exclusive venue of art museums―places where blacks had historically been barred from visiting let alone exhibiting. Since then, America’s major art museums have served as crucial locations for African Americans to protest against their exclusion and attest to their contributions in the visual arts. In Exhibiting Blackness, art historian Bridget R. Cooks analyzes the curatorial strategies, challenges, and critical receptions of the most significant museum exhibitions of African American art. Tracing two dominant methodologies used to exhibit art by African Americans―an ethnographic approach that focuses more on artists than their art, and a recovery narrative aimed at correcting past omissions―Cooks exposes the issues involved in exhibiting cultural difference that continue to challenge art history, historiography, and American museum exhibition practices. By further examining the unequal and often contested relationship between African American artists, curators, and visitors, she provides insight into the complex role of art museums and their accountability to the cultures they represent.
Exhibiting Craft and Design: Transgressing the White Cube Paradigm, 1930–Present
by Alla MyzelevExhibiting Craft and Design: Transgressing the White Cube Paradigm, 1930–present investigates the ways that craft and design objects were collected, displayed, and interpreted throughout the second half of the twentieth century and in recent years. The case studies discussed in this volume explain the notion the neutral display space had worked with, challenged, distorted, or assisted in conveying the ideas of the exhibitions in question. In various ways the essays included in this volume analyse and investigate strategies to facilitate interaction amongst craft and design objects, their audiences, exhibiting bodies, and the makers. Using both historical examples from the middle of the twentieth century and contemporary trends, the authors create a dialogue that investigates the different uses of and challenges to the White Cube paradigm of space organization.
Exhibiting Europe in Museums: Transnational Networks, Collections, Narratives, and Representations
by Stefan Krankenhagen Kerstin Poehls Wolfram KaiserMuseums of history and contemporary culture face many challenges in the modern age. One is how to react to processes of Europeanization and globalization, which require more cross-border cooperation and different ways of telling stories for visitors. This book investigates how museums exhibit Europe. Based on research in nearly 100 museums across the Continent and interviews with cultural policy makers and museum curators, it studies the growing transnational activities of state institutions, societal organizations, and people in the museum field such as attempts to Europeanize collection policy and collections as well as different strategies for making narratives more transnational like telling stories of European integration as shared history and discussing both inward and outward migration as a common experience and challenge. The book thus provides fascinating insights into a fast-changing museum landscape in Europe with wider implications for cultural policy and museums in other world regions.
Exhibiting Health: Public Health Displays in the Progressive Era (Critical Issues in Health and Medicine)
by Jennifer Lisa KoslowIn the early twentieth century, public health reformers approached the task of ameliorating unsanitary conditions and preventing epidemic diseases with optimism. Using exhibits, they believed they could make systemic issues visual to masses of people. Embedded within these visual displays were messages about individual action. In some cases, this meant changing hygienic practices. In other situations, this meant taking up action to inform public policy. Reformers and officials hoped that exhibits would energize America's populace to invest in protecting the public's health. Exhibiting Health is an analysis of the logic of the production and the consumption of this technique for popular public health education between 1900 and 1930. It examines the power and limits of using visual displays to support public health initiatives.
Exhibiting Madness in Museums: Remembering Psychiatry Through Collection and Display (Routledge Research in Museum Studies)
by Catharine Coleborne Dolly MacKinnonWhile much has been written on the history of psychiatry, remarkably little has been written about psychiatric collections or curating. Exhibiting Madness in Museums offers a comparative history of independent and institutional collections of psychiatric objects in Australia, New Zealand, Canada and the United Kingdom. Leading scholars in the field investigate collectors, collections, their display, and the reactions to exhibitions of the history of insanity. Linked to the study of medical museums this work broadens the study of the history of psychiatry by investigating the significance and importance of the role of twentieth-century psychiatric communities in the preservation, interpretation and representation of the history of mental health through the practice of collecting. In remembering the asylum and its different communities in the twentieth century, individuals who lived and worked inside an institution have struggled to preserve the physical character of their world. This collection of essays considers the way that collections of objects from the former psychiatric institution have played a role in constructions of its history. It historicises the very act of collecting, and also examines ethical problems and practices which arise from these activities for curators and exhibitions.
Exhibiting the German Past
by Peter M. Mcisaac Gabriele MuellerWhile scholars recognize both museums and films as sites where historical knowledge and cultural memory are created, the convergence between their methods of constructing the past has only recently been acknowledged. The essays in Exhibiting the German Past examine a range of films, museums, and experiences which blend the two, considering how authentic objects and cinematic techniques are increasingly used in similar ways by both visual media and museums.This is the first collection to focus on the museum-film connection in German-language culture and the first to approach the issue using the concept of "musealization," a process that, because it engages the cultural destruction wrought by modernization, offers new means of constructing historical knowledge and shaping collective memory within and beyond the museum's walls. Featuring a wide range of valuable case studies, Exhibiting the German Past offers a unique perspective on the developing relationship between museums and visual media.
Exhibiting the Nazi Past: Museum Objects Between the Material and the Immaterial (The Holocaust and its Contexts)
by Chloe PaverThis book is the first full-length study of the museum object as a memory medium in history exhibitions about the Nazi era, the Second World War, and the Holocaust. Over recent decades, German and Austrian exhibition-makers have engaged in significant programmes of object collection, often in collaboration with witnesses and descendants. At the same time, exhibition-makers have come to recognise the degree to which the National Socialist era was experienced materially, through the loss, acquisition, imposition, destruction, and re-purposing of objects. In the decades after 1945, encounters with material culture from the Nazi past continued, both within the family and in the public sphere. In analysing how these material engagements are explored in the museum, the book not only illuminates a key aspect of German and Austrian cultural memory but contributes to wider debates about relationships between the human and object worlds.
Exhibitionist Japan: The Spectacle of Modern Development
by Angus LockyerFrom the second half of the nineteenth century, Japan has been a particularly enthusiastic user of exhibitions. Large-scale international exhibitions, including Osaka 2025, form only the tip of an iceberg comprising over 1,300 industrial, regional, and local exhibitions held in Japan over the past 150 years. In this unique history, Angus Lockyer explores how and why these events have been used as catalysts of development and arenas for fostering modern industry, empire, and nation. He traces their complicated genesis, realization, and reception, demonstrating that although they rarely achieve their stated aims, this does not undermine their utility – Japanese expos have provided a model subsequently adopted around the world. The history of this enthusiasm provides a more nuanced understanding of development in modern Japan, and emphasizes the shared experiences of global modernity.
Exhuming Franco: Spain's Second Transition, Second Edition
by Sebastiaan FaberThrough dozens of interviews, intensive reporting, and deep research and analysis, Sebastiaan Faber sets out to understand what remains of Francisco Franco's legacy in Spain today. Faber's work is grounded in heavy scholarship, but the book is an engaging, accessible introduction to a national conversation about fascism. Spurred by the disinterment of the dictator in 2019, Faber finds that Spain is still deeply affected—and divided—by the dictatorial legacies of Francoism. This new edition, with additional interviews and a new introduction, illuminates the dangers of the rise of right-wing nationalist revisionism by using Spain as a case study for how nations face, or don't face, difficult questions about their past.
Exhuming Violent Histories: Forensics, Memory, and Rewriting Spain’s Past
by Nicole IturriagaMany years after the fall of Franco’s regime, Spanish human rights activists have turned to new methods to keep the memory of state terror alive. By excavating mass graves, exhuming remains, and employing forensic analysis and DNA testing, they seek to provide direct evidence of repression and break through the silence about the dictatorship’s atrocities that persisted well into Spain’s transition to democracy.Nicole Iturriaga offers an ethnographic examination of how Spanish human rights activists use forensic methods to challenge dominant histories, reshape collective memory, and create new forms of transitional justice. She argues that by grounding their claims in science, activists can present themselves as credible and impartial, helping them intervene in fraught public disputes about the remembrance of the past. The perceived legitimacy and authenticity of scientific techniques allows their users to contest the state’s historical claims and offer new narratives of violence in pursuit of long-delayed justice.Iturriaga draws on interviews with technicians and forensics experts and provides a detailed case study of Spain’s best-known forensic human rights organization, the Association for the Recovery of Historical Memory. She also considers how the tools and tactics used in Spain can be adopted by human rights and civil society groups pursuing transitional justice in other parts of the world. An ethnographically rich account, Exhuming Violent Histories sheds new light on how science and technology intersect with human rights and collective memory.
Exile
by Jakob EjersboFor the vagabond pack of ex-pat Europeans, Indian Tanzanians and wealthy Africans at Moshi's International School, it's all about getting high, getting drunk and getting laid. Their parents - drug dealers, mercenaries and farmers gone to seed - are too dead inside to give a damn. Outwardly free but empty at heart, privileged but out of place, these kids are lost, trapped in a land without hope. They can try to get out, but something will always drag them back - where can you go when you believe in nothing and belong to nowhere? Exile is the first of three powerful novels about growing up as an ex-pat in Tanzania. Ejersbo's first novel, Nordkraft, the Danish Trainspotting, was a phenomenal bestseller. Ejersbo's trilogy, only published after his death in 2008, has proved to be another cult and critical sensation.
Exile (Lady Grace Mysteries #5)
by Grace CavendishThere's a new arrival--a mysterious and exotic young princess--at Court and Lady Grace can't believe how many rumours there are about her already. The exiled Banoo Yasmine from Sharakand is a beautiful girl with a pet panther and, everyone believes, magical powers. Yasmine also possesses the renowned Heart of Kings Ruby, a huge stone that she wears around her neck to balls and feasts, that legend says has the power to make kings. When the famed jewel goes missing, the finger is pointed at Grace's dear friend Ellie the laundry maid. Grace must prove her friend's innocence, find the true thief, and restore the stone to its rightful owner.
Exile (The Africa Trilogy)
by Jakob EjersboFor the vagabond pack of ex-pat Europeans, Indian Tanzanians and wealthy Africans at Moshi's International School, it's all about getting high, getting drunk and getting laid. Their parents - drug dealers, mercenaries and farmers gone to seed - are too dead inside to give a damn. Outwardly free but empty at heart, privileged but out of place, these kids are lost, trapped in a land without hope. They can try to get out, but something will always drag them back - where can you go when you believe in nothing and belong to nowhere? Exile is the first of three powerful novels about growing up as an ex-pat in Tanzania. Ejersbo's first novel, Nordkraft, the Danish Trainspotting, was a phenomenal bestseller. Ejersbo's trilogy, only published after his death in 2008, has proved to be another cult and critical sensation.
Exile Music: A Novel
by Jennifer SteilBased on an unexplored slice of World War II history, Exile Music is the captivating story of a young Jewish girl whose family flees refined and urbane Vienna for safe harbor in the mountains of BoliviaAs a young girl growing up in Vienna in the 1930s, Orly has an idyllic childhood filled with music. Her father plays the viola in the Philharmonic, her mother is a well-regarded opera singer, her beloved and charismatic older brother holds the neighborhood in his thrall, and most of her eccentric and wonderful extended family live nearby. Only vaguely aware of Hitler's rise or how her Jewish heritage will define her family's identity, Orly spends her days immersed in play with her best friend and upstairs neighbor, Anneliese. Together they dream up vivid and elaborate worlds, where they can escape the growing tensions around them.But in 1938, Orly's peaceful life is shattered when the Germans arrive. Her older brother flees Vienna first, and soon Orly, her father, and her mother procure refugee visas for La Paz, a city high up in the Bolivian Andes. Even as the number of Jewish refugees in the small community grows, her family is haunted by the music that can no longer be their livelihood, and by the family and friends they left behind. While Orly and her father find their footing in the mountains, Orly's mother grows even more distant, harboring a secret that could put their family at risk again. Years pass, the war ends, and Orly must decide: Is the love and adventure she has found in La Paz what defines home, or is the pull of her past in Europe--and the piece of her heart she left with Anneliese--too strong to ignore?
Exile and Nation-State Formation in Argentina and Chile, 1810–1862 (Palgrave Macmillan Transnational History Series)
by Edward BlumenthalThis book traces the impact of exile in the formation of independent republics in Chile and the Río de la Plata in the decades after independence. Exile was central to state and nation formation, playing a role in the emergence of territorial borders and Romantic notions of national difference, while creating a transnational political culture that spanned the new independent nations. Analyzing the mobility of a large cohort of largely elite political émigrés from Chile and the Río de la Plata across much of South America before 1862, Edward Blumenthal reinterprets the political thought of well-known figures in a transnational context of exile. As Blumenthal shows, exile was part of a reflexive process in which elites imagined the nation from abroad while gaining experience building the same state and civil society institutions they considered integral to their republican nation-building projects.
Exile and Religious Identity, 1500–1800 (Religious Cultures in the Early Modern World #18)
by Gary K WaiteExile was a central feature of society throughout the early modern world. For this reason the contributors to this volume see exile as a critical framework for analysing and understanding society at this time.
Exile and Revolution: José D. Poyo, Key West, and Cuban Independence
by Gerald E. PoyoJosé Dolores Poyo (1836-1911) was an activist, publisher, social critic, fundraiser, and foundational figure in the campaign for Cuban independence from Spain. His leadership and his mantra-"adelante la revolución" (forward the revolution)-mobilized an insurrectionist movement in Key West. His multidimensional grassroots work and his newspaper El Yara, the longest-lived Cuban exile newspaper of the nineteenth century, gave hope to a people who aspired to be liberated from the bonds of colonialism. In Exile and Revolution, Gerald Poyo provides a comprehensive account of how his great-great-grandfather spurred the working-class community of Key West to transform their roles as supporting cast to become critical actors in the struggle for Cuban independence. The book reveals the depth of Cuba’s longtime ties to Florida, the cigar industry, and its workers; the experience of Cubans in the American South; and the diplomatic intrigues involving Spain, Cuba, and the United States.
Exile and the Jews: Literature, History, and Identity (JPS Anthologies of Jewish Thought)
by Marc Saperstein Nancy E. BergThis first comprehensive anthology examining Jewish responses to exile from the biblical period to our modern day gathers texts from all genres of Jewish literary creativity to explore how the realities and interpretations of exile have shaped Judaism, Jewish politics, and individual Jewish identity for millennia. Ordered along multiple arcs—from universal to particular, collective to individual, and mythic-symbolic to prosaic everyday living—the chapters present different facets of exile: as human condition, in history and life, in holiday rituals, in language, as penance and atonement, as internalized experience, in relation to the Divine Presence, and more. By illuminating the multidimensional nature of &“exile&”—political, philosophical, religious, psychological, and mythological—widely divergent evaluations of Jewish life in the Diaspora emerge. The word &“exile&” and its Hebrew equivalent, galut, evoke darkness, bleakness—and yet the condition offers spiritual renewal and engenders great expressions of Jewish cultural creativity: the Babylonian Talmud, medieval Jewish philosophy, golden age poetry, and modern Jewish literature.Exile and the Jews will engage students, academics, and general readers in contemplating immigration, displacement, evolving identity, and more.
Exile and the Nation: The Parsi Community of India & the Making of Modern Iran
by Afshin Marashi&“Groundbreaking. . . . There is little doubt [this book] will become foundational reading for any student of Iranian modernity and nationalism.&” —Diaspora: A Journal of Transnational Studies In the aftermath of the seventh-century Islamic conquest of Iran, Zoroastrians departed for India. Known as the Parsis, they slowly lost contact with their ancestral land until the nineteenth century, when steam-powered sea travel, the increased circulation of Zoroastrian-themed books, and the philanthropic efforts of Parsi benefactors sparked a new era of interaction between the two groups. Tracing the cultural and intellectual exchange between Iranian nationalists and the Parsi community during the late nineteenth and early twentieth centuries, Exile and the Nation shows how this interchange led to the collective reimagining of Parsi and Iranian national identity—and the influence of antiquity on modern Iranian nationalism, which previously rested solely on European forms of thought. Iranian nationalism, Afshin Marashi argues, was also the byproduct of the complex history resulting from the demise of the early modern Persianate cultural system, as well as one of the many cultural heterodoxies produced within the Indian Ocean world. Crossing the boundaries of numerous fields of study, this book reframes Iranian nationalism within the context of the connected, transnational, and global history of the modern era. &“Well-written, clearly argued . . . Transnational history at its best.&” —Middle East Journal [Marashi&’s] engaging biographies . . . highlight . . . the significance of Parsi Zoroastrians to the related restoration of &‘Iranian authenticity.&’&” —Journal of Asian Studies &“A richly textured study.&” ―Peyk Magazine &“Exile and the Nation is as important a contribution to colonial Indian history as it is to understanding the origins of the modern Middle East.&” ―Los Angeles Review of Books
Exile of the Seas (Chronicles of Dasnaria #2)
by Jeffe KennedyAround the shifting borders of the Twelve Kingdoms, trade and conflict, danger and adventure put every traveler on guard . . . but some have everything to lose. ESCAPED Once she was known as Jenna, Imperial Princess of Dasnaria, schooled in graceful dance and comely submission. Until the man her parents married her off to almost killed her with his brutality. Now, all she knows is that the ship she’s boarded is bound away from her vicious homeland. The warrior woman aboard says Jenna’s skill in dancing might translate into a more lethal ability. Danu’s fighter priestesses will take her in, disguise her as one of their own—and allow her to keep her silence. But it’s only a matter of time until Jenna’s monster of a husband hunts her down. Her best chance to stay hidden is to hire out as bodyguard to a caravan traveling to a far-off land, home to beasts and people so unfamiliar they seem like part of a fairy tale. But her supposed prowess in combat is a fraud. And sooner or later, Jenna’s flight will end in battle—or betrayal . . .
Exile on Bridge Street: A Novel
by Eamon LoingsighExile on Bridge Street details teenage Irish immigrant Liam Garrity's struggle to adulthood in pre-Prohibition Brooklyn. Back home, Ireland's fight for its own independence erupts with the 1916 Easter Rising. The fate of Garrity's father, an Irish rebel, is unknown, which leaves his mother and two sisters vulnerable on the family farm as British troops swarm, seeking reprisals. Garrity must organize their departure to New York immediately. In Brooklyn, Garrity is adopted by Dinny Meehan, leader of a longshoremen gang based in an "Irishtown" saloon under the Manhattan and Brooklyn bridges. Meehan vows to help Garrity and his family. But just as Ireland struggles for independence, Garrity faces great obstacles in his own coming of age on the violent Brooklyn waterfront. World War I, the Spanish Influenza, the temperance movement, the rise of Italian organized crime, police, unions and shipping and dock companies all target the Brooklyn Irish gang and threaten Garrity's chances at bringing his family to New York. When "Wild Bill" Lovett, one of the gang's dockbosses vies to take over, both Meehan and Garrity face a fight for survival in New York City's brawling streets mirroring Ireland's own fledgling independence movement. Compelling writing by a master of historical fiction, as evidenced in the authors critically-acclaimed prequel Light of the Diddicoy.
Exile within Exiles: Herbert Daniel, Gay Brazilian Revolutionary
by James N. GreenHerbert Daniel was a significant and complex figure in Brazilian leftist revolutionary politics and social activism from the mid-1960s until his death in 1992. As a medical student, he joined a revolutionary guerrilla organization but was forced to conceal his sexual identity from his comrades, a situation Daniel described as internal exile. After a government crackdown, he spent much of the 1970s in Europe, where his political self-education continued. He returned to Brazil in 1981, becoming engaged in electoral politics and social activism to champion gay rights, feminism, and environmental justice, achieving global recognition for fighting discrimination against those with HIV/AIDS. In Exile within Exiles, James N. Green paints a full and dynamic portrait of Daniel's deep commitment to leftist politics, using Daniel's personal and political experiences to investigate the opposition to Brazil's military dictatorship, the left's construction of a revolutionary masculinity, and the challenge that the transition to democracy posed to radical movements. Green positions Daniel as a vital bridge linking former revolutionaries to the new social movements, engendering productive dialogue between divergent perspectives in his writings and activism.