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Hollywood's Embassies: How Movie Theaters Projected American Power Around the World (Film and Culture Series)
by Ross MelnickBeginning in the 1920s, audiences around the globe were seduced not only by Hollywood films but also by lavish movie theaters that were owned and operated by the major American film companies. These theaters aimed to provide a quintessentially “American” experience. Outfitted with American technology and accoutrements, they allowed local audiences to watch American films in an American-owned cinema in a distinctly American way.In a history that stretches from Buenos Aires and Tokyo to Johannesburg and Cairo, Ross Melnick considers these movie houses as cultural embassies. He examines how the exhibition of Hollywood films became a constant flow of political and consumerist messaging, selling American ideas, products, and power, especially during fractious eras. Melnick demonstrates that while Hollywood’s marketing of luxury and consumption often struck a chord with local audiences, it was also frequently tone-deaf to new social, cultural, racial, and political movements. He argues that the story of Hollywood’s global cinemas is not a simple narrative of cultural and industrial indoctrination and colonization. Instead, it is one of negotiation, booms and busts, successes and failures, adoptions and rejections, and a precursor to later conflicts over the spread of American consumer culture. A truly global account, Hollywood’s Embassies shows how the entanglement of worldwide movie theaters with American empire offers a new way of understanding film history and the history of U.S. soft power.
Hollywood's Frontier Captives: Cultural Anxiety and the Captivity Plot in American Film (Studies in American Popular History and Culture)
by Barbara A. MortimerThe captivity narrative, the earliest genre of American popular literature, continues to be of cultural significance in late 20th-century Hollywood. Many popular films of the last four decades incorporate the most common elements of the captivity narrative tradition, including a politically contested frontier setting and a plot involving innocent, family-oriented white Americans held captive by hostile, culturally alien natives. At the same time, these films offer something new to the narrative tradition: they focus on the captive who resists rescue and the challenge this resistance poses to American cultural self-confidence. By focusing on the lost captive, these films, beginning with The Searchers (1956), deal with questions about American identity raised by a white American's cultural and potentially political transformation. Films as diverse as Little Big Man, Taxi Driver, and The Deer Hunter adapted the captivity narrative's conventions to criticize aspects of contemporary American society and reject outworn models of male heroism; at the same time, however, they retained the genre's traditional assumption of white superiority and its fear of female sexuality. Bibliography. Index.
Hollywood's Hawaii: Race, Nation, and War
by Delia Malia KonzettWhether presented as exotic fantasy, a strategic location during World War II, or a site combining postwar leisure with military culture, Hawaii and the South Pacific figure prominently in the U.S. national imagination. Hollywood’s Hawaii is the first full-length study of the film industry’s intense engagement with the Pacific region from 1898 to the present. Delia Malia Caparoso Konzett highlights films that mirror the cultural and political climate of the country over more than a century—from the era of U.S. imperialism on through Jim Crow racial segregation, the attack on Pearl Harbor and WWII, the civil rights movement, the contemporary articulation of consumer and leisure culture, as well as the buildup of the modern military industrial complex. Focusing on important cultural questions pertaining to race, nationhood, and war, Konzett offers a unique view of Hollywood film history produced about the national periphery for mainland U.S. audiences. Hollywood’s Hawaii presents a history of cinema that examines Hawaii and the Pacific and its representations in film in the context of colonialism, war, Orientalism, occupation, military buildup, and entertainment.
Hollywood's Italian American Filmmakers: Capra, Scorsese, Savoca, Coppola, and Tarantino
by Jonathan J. CavalleroHollywood's Italian American Filmmakers explores the different ways in which Italian American directors from the 1920s to the present have responded to their ethnicity. While some directors have used film to declare their ethnic roots and create an Italian American "imagined community," others have ignored or even denied their background. Jonathan J. Cavallero examines the films of Frank Capra, Martin Scorsese, Nancy Savoca, Francis Ford Coppola, and Quentin Tarantino with a focus on what the films reveal about each director's view on Italian American identities. Whereas Capra's films highlight similarities between immigrant characters and WASP Americans, Scorsese accepts his ethnic heritage but also sees it as confining. Similarly, many of Coppola's films provide a nostalgic treatment of Italian American identity, but with little criticism of the culture's more negative aspects. And while Savoca's movies reveal her artful ability to recognize how ethnic, gender, and class identities overlap, Tarantino's films exhibit a playfully postmodern engagement with Italian American ethnicity. Cavallero's exploration of the films of Capra, Scorsese, Savoca, Coppola, and Tarantino demonstrates how immigrant Italians fought prejudice, how later generations positioned themselves in relation to their predecessors, and how the American cinema, usually seen as a cultural institution that works to assimilate, has also served as a forum where assimilation was resisted.
Hollywood's Last Golden Age: Politics, Society, and the Seventies Film in America
by Jonathan KirshnerBetween 1967 and 1976 a number of extraordinary factors converged to produce an uncommonly adventurous era in the history of American film. The end of censorship, the decline of the studio system, economic changes in the industry, and demographic shifts among audiences, filmmakers, and critics created an unprecedented opportunity for a new type of Hollywood movie, one that Jonathan Kirshner identifies as the "seventies film." In Hollywood's Last Golden Age, Kirshner shows the ways in which key films from this period-including Chinatown, Five Easy Pieces, The Graduate, and Nashville, as well as underappreciated films such as The Friends of Eddie Coyle, Klute, and Night Moves-were important works of art in continuous dialogue with the political, social, personal, and philosophical issues of their times.These "seventies films" reflected the era's social and political upheavals: the civil rights movement, the domestic consequences of the Vietnam war, the sexual revolution, women's liberation, the end of the long postwar economic boom, the Shakespearean saga of the Nixon Administration and Watergate. Hollywood films, in this brief, exceptional moment, embraced a new aesthetic and a new approach to storytelling, creating self-consciously gritty, character-driven explorations of moral and narrative ambiguity. Although the rise of the blockbuster in the second half of the 1970s largely ended Hollywood's embrace of more challenging films, Kirshner argues that seventies filmmakers showed that it was possible to combine commercial entertainment with serious explorations of politics, society, and characters' interior lives.
Hollywood's New Yorker: The Making of Martin Scorsese (SUNY series, Horizons of Cinema)
by Marc RaymondWhen Martin Scorsese finally won an Academy Award in 2007, for The Departed, it was widely viewed as the crowning achievement of a remarkable film career. But what it also represented was an acceptance by Hollywood of a man who became a prestigious auteur precisely because of his status as an outsider from New York. For someone with a high-culture reputation like Scorsese's, this middlebrow sign of respectability was not about cultural standing; rather, it was about using and even sacrificing his distinctive outsider status for a greater share of industry authority within the world of Hollywood.In Hollywood's New Yorker, Marc Raymond offers a fresh look at Scorsese's career in relation to the critical and social environment of the past fifty years. He traces Scorsese's career and films through his association with various cultural institutions, from his role as a student and instructor at New York University, to his move to Hollywood and his relationship with the studio system, to his relationship with prestigious institutions like the Museum of Modern Art. This sociological approach to film authorship provides analysis of previously overlooked Scorsese projects, particularly his documentary work, and gives importance to the role his extracurricular activities in the film preservation movement have played in the rise of his reputation.Hollywood's New Yorker places Scorsese and his films firmly within the various time periods of his career and compares the director with his peers, from fellow New Yorkers like Brian De Palma and Woody Allen to New Hollywood movie brats such as Francis Ford Coppola and Steven Spielberg. The result is a complete picture of Scorsese and the post–World War II American film culture he has both shaped and been shaped by.
Hollywood's Vision of Team Sports: Heroes, Race, and Gender (Studies in American Popular History and Culture)
by Deborah V. TudorThis book analyzes the ways in which sport reflects, imitates, and questions cultural values. It examines the representation of team sports, heroes, race, families, and gender in films and other media. Analysis of the ways in which broadcast media and films create such images allows us to map the ways in which traditional cultural beliefs and practices resist and accommodate changes. Films about sport do not reproduce a simple, unified set of values-rather, they exhibit the complications of attempting to negotiate ideological contradictions. During the last 50 years, sports films have shifted from the heroic idealization of The Babe Ruth Story (1948) to films revealing complexities, controversies, and uncertainties within the sports world, like Everybody's All American (1988). These contradictions are especially strong in the areas of race and gender, which are related major changes in the traditional notion of the hero. The book traces the transformation of the image of the hero in sports films within the context of the development of the sports celebrity, epitomized by Michael Jordan.
Hollywood's War with Poland, 1939–1945
by M.B.B. Biskupski&“This passionate, carefully researched, richly detailed, well-written study&” reveals the political motives behind WWII Hollywood&’s portrayal of Poles (Choice). During World War II, Hollywood studios supported the war effort by making patriotic movies designed to raise the nation's morale. Often the characterizations were as black and white as the movies themselves: Americans and their allies were heroes, while everyone else was a villain. The peoples of Norway, France, Czechoslovakia, and England were all good because they had been invaded or victimized by Nazi Germany. Yet Poland—the first country to be invaded by the Third Reich—was repeatedly represented in a negative light. In this prize-winning study, Polish historian M. B. B. Biskupski explores why. Biskupski presents a close critical study of prewar and wartime films such as To Be or Not to Be, In Our Time, and None Shall Escape. Through memoirs, letters, diaries, and memoranda written by screenwriters, directors, studio heads, and actors, Biskupski examines how the political climate, and especially pro-Soviet sentiment, influenced Hollywood films of the time. Winner of the Oscar Halecki PrizeA Choice Outstanding Academic Title
Hollywood's West: The American Frontier in Film, Television, & History
by Peter C. Rollins and John E. O’Connor&“An excellent study that should interest film buffs, academics, and non-academics alike&” (Journal of the West). Hollywood&’s West examines popular perceptions of the frontier as a defining feature of American identity and history. Seventeen essays by prominent film scholars illuminate the allure of life on the edge of civilization and analyze how this region has been represented on big and small screens. Differing characterizations of the frontier in modern popular culture reveal numerous truths about American consciousness and provide insights into many classic Western films and television programs, from RKO&’s 1931 classic Cimarron to Turner Network Television&’s recent made-for-TV movies. Covering topics such as the portrayal of race, women, myth, and nostalgia, Hollywood&’s West makes a significant contribution to the understanding of how Westerns have shaped our nation&’s opinions and beliefs—often using the frontier as metaphor for contemporary issues.
Hollywood's White House: The American Presidency in Film and History
by Peter C. Rollins and John E. O’ConnorFrom action flicks to biopics to SNL skits, how presidents are portrayed on screen: &“An interesting study of the real presidency and the reel presidency.&” —USA Today Magazine Winner of the Popular Culture Association&’s Ray and Pat Browne Book Award Whether serious or satirical, biographical or fictional, the ways that US presidents are depicted in popular culture reveal much about us as a nation. The contributors to Hollywood&’s White House examine the historical accuracy of presidential depictions, illuminate their influence, and uncover how they reflect the concerns of their times and the social and political visions of the filmmakers. With reflections on portrayals of Washington, Adams, Lincoln, FDR, Nixon, and more, this volume, which includes a comprehensive filmography and a bibliography, is ideal for both historians and film enthusiasts. &“An engaging collection.&” —Robert Brent Toplin, author of Reel History: In Defense of Hollywood
Hollywood: Number 5 in series (Narratives of empire)
by Gore VidalContinuing what has been dubbed his 'revenge on two hundred years of American history', Gore Vidal locates this novel in Washington. But this is 1917, and Hollywood is now competing with America's capital as the nation's power-base, just as it fights for centre-stage in this book. Caroline Sanford, erstwhile newspaper magnate, launches herself into the West Coast land of celluloid dreams and becomes, overnight, an international star. Not for nothing, on the dawn of World War One, is Caroline making films like the Huns from Hell. She is a government agent. But in Washington, that government isn't doing awfully well. Weighed down by his League of Nation's failure, by Roosevelt, Clemenceau, a stroke and the ship-like tonnage of his wife Edith, President Woodrow Wilson is on the wane - and Warren Harding is on the up. A popular, handsome, toothpick-chomping philanderer and dimwit whose wife is given to consulting spiritualists, he is about to usher in a new era. One of unprecedented scandal, cinematic extravagance and tawdry disintegration. The sort of era where the President could easily be mistaken for a film star ...
Hollywood: The Oral History
by Jeanine Basinger Sam WassonThe real story of Hollywood as told by such luminaries as Steven Spielberg, Frank Capra, Katharine Hepburn, Meryl Streep, Harold Lloyd, and nearly four hundred others, assembled from the American Film Institute’s treasure trove of interviews, reveals a fresh history of the American movie industry from its beginnings to today. From the archives of the American Film Institute comes a unique picture of what it was like to work in Hollywood from its beginnings to its present day. Gleaned from nearly three thousand interviews, involving four hundred voices from the industry, Hollywood: The Oral History, lets a reader “listen in” on candid remarks from the biggest names in front of the camera—Bette Davis, Meryl Streep, Tom Hanks, Harold Lloyd—to the biggest behind it—Frank Capra, Steven Spielberg, Alfred Hitchcock, Jordan Peele, as well as the lesser known individuals that shaped what was heard and seen on screen: musicians, costumers, art directors, cinematographers, writers, sound men, editors, make-up artists, and even script timers, messengers, and publicists. The result is like a conversation among the gods and goddesses of film: lively, funny, insightful, historically accurate and, for the first time, authentically honest in its portrait of Hollywood. It’s the insider’s story. Legendary film scholar Jeanine Basinger and New York Times bestselling author Sam Wasson, both acclaimed storytellers in their own right, have undertaken the monumental task of digesting these tens of thousands of hours of talk and weaving it into a definitive portrait of workaday Hollywood.
Hollywoodland
by Hollywood Heritage Inc. Mary MalloryEstablished by real estate developers Tracy E. Shoults and S. H. Woodruff in 1923, Hollywoodland was one of the first hillside developments built in Hollywood. Touting its class and sophistication, the neighborhood promoted a European influence, featuring such unique elements as stone retaining walls and stairways, along with elegant Spanish, Mediterranean, French Normandy, and English Tudor styled homes thoughtfully placed onto the hillsides. The community contains one of the world's most recognizable landmarks, the Hollywood sign, originally constructed as a giant billboard for the development and reading "Hollywoodland." The book illustrates the development of the upper section of Beachwood Canyon known as Hollywoodland with historic photographs from Hollywood Heritage's S. H. Woodruff Collection as well as from other archives, institutions, and individuals.
Hollywood’s Copyright Wars: From Edison to the Internet (Film and Culture Series)
by Peter DecherneyCopyright law is important to every stage of media production and reception. It helps determine filmmakers' artistic decisions, Hollywood's corporate structure, and the varieties of media consumption. The rise of digital media and the internet has only expanded copyright's reach. Everyone from producers and sceenwriters to amateur video makers, file sharers, and internet entrepreneurs has a stake in the history and future of piracy, copy protection, and the public domain. Beginning with Thomas Edison's aggressive copyright disputes and concluding with recent lawsuits against YouTube, Hollywood's Copyright Wars follows the struggle of the film, television, and digital media industries to influence and adapt to copyright law. Many of Hollywood's most valued treasures, from Modern Times (1936) to Star Wars (1977), cannot be fully understood without appreciating their legal controversies. Peter Decherney shows that the history of intellectual property in Hollywood has not always mirrored the evolution of the law. Many landmark decisions have barely changed the industry's behavior, while some quieter policies have had revolutionary effects. His most remarkable contributions uncover Hollywood's reliance on self-regulation. Rather than involve congress, judges, or juries in settling copyright disputes, studio heads and filmmakers have often kept such arguments "in house," turning to talent guilds and other groups for solutions. Whether the issue has been battling piracy in the 1900s, controlling the threat of home video, or managing modern amateur and noncommercial uses of protected content, much of Hollywood's engagement with the law has occurred offstage, in the larger theater of copyright. Decherney's unique history recounts these extralegal solutions and their impact on American media and culture.
Hollywood’s South Seas and the Pacific War
by Chris Dixon Sean BrawleyThis book explores the expectations, experiences, and reactions of Allied servicemen and women who served in the wartime Pacific and viewed the South Pacific through the lens of Hollywood's South Seas. Based on extensive archival research, it explores the intersections between military experiences and cultural history.
Hollywood’s Spies: The Undercover Surveillance of Nazis in Los Angeles (Goldstein-Goren Series in American Jewish History #11)
by Laura B RosenzweigThe remarkable story of the Jewish moguls in Hollywood who established the first anti-Nazi Jewish resistance organization in the country in the 1930s.Finalist, Celebrate 350 Award in American Jewish Studies The 1939 film Confessions of a Nazi Spy may have been the first cinematic shot fired by Hollywood against Nazis in America, but it by no means marked the political awakening of the film industry&’s Jewish executives to the problem. Hollywood&’s Spies tells the remarkable story of the Jewish moguls in Hollywood who paid private investigators to infiltrate Nazi groups operating in Los Angeles, establishing the first anti-Nazi Jewish resistance organization in the country—the Los Angeles Jewish Community Committee (LAJCC). Drawing on more than 15,000 pages of archival documents, Laura B. Rosenzweig offers a compelling narrative illuminating the role that Jewish Americans played in combating insurgent Nazism in the United States in the 1930s. Forced undercover by the anti-Semitic climate of the decade, the LAJCC partnered with organizations whose Americanism was unimpeachable, such as the American Legion, to channel information regarding seditious Nazi plots to Congress, the Justice Department, the FBI and the Los Angeles Police Department.Hollywood&’s Spies corrects the decades-long belief that American Jews lacked the political organization and leadership to assert their political interests during this period in our history and reveals that the LAJCC was one of many covert &“fact finding&” operations funded by Jewish Americans designed to root out Nazism in the United States. &“A remarkable tale.&” —The Wall Street Journal &“Expose[s] a buried story about underground plots waged by Nazis against major Hollywood figures.&” —Los Angeles Review of Books
Holman Bible Atlas: A Complete Guide To The Expansive Geography Of Biblical History
by Thomas V. BriscoWinner of the ECPA Gold Medallion Book Award, the Holman Bible Atlas is the leading Bible atlas in the English language. Through the use of 132 full-color maps, more than 100 color photographs, timelines, chart summaries, and helpful sidebars, it places readers in the geographical, historical, and cultural contexts of the Bible and enables them to experience its perennially relevant message. The book is presented in two broad divisions: physical geography of the Ancient Near East and biblical history periods from the patriarchs to the Christian era until Constantine. The content is arranged in line with specific biblical texts so that teachers, pastors, and students will see the key events of the Bible and Christianity with exceptional clarity. There’s also a wealth of written and visual information regarding various people groups (Aramaeans, Moabites, Phoenicians, etc.), great empires (Egypt, Babylonia, Rome, etc.), and the road systems, agricultural year, and economic life of ancient civilizations based on archaeological recoveries.
Holman Hunt and the Light of the World in Oxford (Routledge Studies in Theology, Imagination and the Arts)
by Markus BockmuehlThis book provides an up-to-date introduction to the religious and artistic story behind The Light of the World by William Holman Hunt. Created in the mid-nineteenth century, it is often said to be the most widely exhibited work of art in history and remains one of the most widely known Christian paintings to this day. The subject matter provides a rich wealth of resources, touching on the extraordinary artistic renewal associated with the Oxford Movement, its religious and intellectual revolution in recovering early Christian tropes and motives of scriptural interpretation. The book also considers the painting’s impact on the religious and cultural life of the British Empire as its tour served not just spiritual edification but also the promotion of imperial values. The contributions reflect on concerns of decolonisation while illustrating religious art’s ability to engage relevantly with contemporary concerns. Enabling a fresh encounter with the painting, this book will be of interest to theologians, biblical scholars, and historians.
Holmes Entangled
by Gordon McAlpineFrom the Edgar®-nominated author of Hammett Unwritten and Woman with a Blue Pencil comes a startling meta-fiction tale told in the voice of Sherlock Holmes. Set in 1920s' London, Cambridge, and Paris, Holmes's final adventure leads him through labyrinths of crime and espionage in a mortally dangerous inquiry into the unseen nature of existence itself. Sherlock Holmes, now in his seventies, retired from investigations and peaceably disguised as a professor at Cambridge, is shaken when a modestly successful author in his late-sixties named Arthur Conan Doyle calls upon him at the university. This Conan Doyle, notable for historical adventure stories, science fiction, and a three-volume history of the Boer War (but no detective tales), somehow knows of the false professor's true identity and pleads for investigative assistance. Someone is trying to kill Conan Doyle. Who? Why? Good questions, but what intrigues Holmes most is how the "middling scribbler" ascertained Holmes's identity in the first place, despite the detective's perfect disguise. Holmes takes the case.There is danger every step of the way. Great powers want the investigation quashed. But with the assistance of Dr. Watson's widow, Holmes persists, exploring séances, the esoterica of Edgar Allan Poe, the revolutionary new science of quantum mechanics, and his own long-denied sense of loss and solitude. Ultimately, even Sherlock Holmes is unprepared for what the evidence suggests.
Holmes and Moriarty
by Gareth RubinThis immersive, clever, and twisty Sherlock Holmes mystery adventure by the author of the acclaimed novel Turnglass pairs Holmes and Watson with two very unlikely allies—Moriarty and his trusted second, Moran—to solve a sinister plot that could threaten the very existence of the human race as we know it. Sherlock Holmes and Dr. John Watson have been hired by theater actor George Reynolds to find out why the audience who comes to see him perform onstage every night are the same people—only wearing different disguises each time. Is something sinister going on and, if so, what? Meanwhile, Holmes&’s archenemy, Professor James Moriarty, is having problems of his own. Implicated in a rival gang leader&’s murder, Moriarty and his second, Moran, must go on the run from the police as they try to find out who&’s behind the frame-up. But their investigation puts them in the way of Holmes and Watson and it&’s not long before all four realize they&’re being targeted by the same person. With million of lives on the line, Holmes and Moriarty must form an uneasy alliance in order to unmask the true villain.For fans of Anthony Horowitz's The House of Silk and Moriarty, this is the first Sherlock Holmes book endorsed by the Conan Doyle Estate in over a decade.
Holmes and Moriarty: The new official Sherlock Holmes novel
by Gareth RubinPreorder The Waterfall, the brand new Gareth Rubin novel, coming Autumn 2025.THE CLEVER AND INTRIGUING CRIME MYSTERY FROM THE AUTHOR OF THE INSTANT TOP TEN SUNDAY TIMES BESTSELLER, THE TURNGLASS.A new Sherlock Holmes novel, endorsed by the Conan Doyle Estate. 'A wonderfully entertaining, high-speed, high-stakes adventure with two, no FOUR and more, characters from classic detective fiction! Holmes and Moriarty by Gareth Rubin is the real deal: an accomplished tribute, true to the spirit of Conan-Doyle, but with a thrillingly original story and enough accomplished inventiveness to captivate and satisfy. The perfect fix for Holmes fans - thoroughly recommended!' Janice HallettTwo adversaries. One deadly alliance. Together, can they unlock the truth? Sherlock Holmes and his faithful friend, Dr John Watson, have been hired by actor George Reynolds to help him solve a puzzle. George wants them to find out why the audience who comes to see him perform every night are the same people, only wearing disguises. Is something sinister going on and, if so, what? Meanwhile, Holmes&’ archenemy, Professor James Moriarty is having problems of his own. Implicated in the murder of a gang leader, Moriarty and his second, Moran, must go on the run from the police in order to find out who is behind the set-up. But their investigation puts them in the way of Holmes and Watson and it&’s not long before all four realise that they are being targeted by the same person. With lives on the line, not just their own, they must form an uneasy alliance in order to unmask the true villain. With clues leading them to a hotel in Switzerland and a conspiracy far greater than any of them expected, who can be trusted – and will anyone of them survive? 'Beautifully written and perfectly capturing the Holmesian spirit. And, yes, sometimes I side with Prof. Moriarty, and I don't care who knows it. Love an evil genius . . .' Vaseem Khan 'Holmes and Moriarty is a rip-roaring thriller, fast-paced and twisty as the greatest detective and the greatest criminal become unlikely allies against the most formidable foes' Martin EdwardsPraise for The Turnglass: 'A bold, breathtaking piece of writing that absolutely nails its two books in one conceit. I doubt I'll ever read anything like it again, which is the highest compliment I can offer' Stuart Turton 'A stunning, ingenious, truly immersive mystery. The Turnglass is a thrilling delight' Chris Whitaker 'An intricate and thoroughly mesmerising tale of family plots and schemes across several generations' Guardian
Holmes and the Ripper: Versus Narratives (Crime Files)
by Lucyna Krawczyk-ŻywkoIn versus narratives Sherlock Holmes is fighting or otherwise engaging Jack the Ripper. These texts pit the archetypal detective against the archetypal serial killer using established formulas as well as new narrative and generic features, a combination that results in their mass appeal among authors and audiences alike. The list of primary sources includes 120 titles – novels, short stories, plays, fanfiction, ‘Grand Game’ studies, movies, TV shows, video and board games – which are treated as a dialogic network of transfictional and transmedial texts. This study unpacks the versus corpus in its media dispersal by analysing Sherlock Holmes and Jack the Ripper as serial figures and culture-texts emphasising the increasing palimpsestousness of the former and the multidirectional polymorphousness of the latter, and tracing the overlapping Doylean culture-text. It also addresses the way character constellations are represented, negotiated, and fed back into the versus network, contextualising them within the coalescence of fact and fiction, Gothic and crime fiction frames, cultural memory, neo-Victorianism, and biofiction.
Holocaust
by Gerald GreenThe epic novel of two families and the genocide in Nazi Germany, by the writer of the blockbuster TV miniseries. The Dorfs are &“good&” Germans, loyal to the new Nazi regime, with whom their son Erik, a promising lawyer, finds his ambitions realized with the SS at the side of the ruthless Reinhard Heydrich. The Weisses are Jewish, also &“good&” Germans—but under the new regime, they are doomed. Told through the reminiscences of Erik Dorf, the ambitious SS officer, and the courageous young Jew Rudi Weiss, who ran away from his family as a young boy in an effort to fight the Nazis, this novel takes us through almost every significant event of the Third Reich, from the horrific reality of Kristallnacht to the mass exterminations at Auschwitz. It is a portrait of the extraordinary choices all Germans were forced to make on a daily basis—and the unimaginable consequences if they were wrong. A winner of the Dag Hammarskjöld International Prize, with more than two million copies sold, Holocaust is an unforgettable glimpse into this monumental human tragedy.
Holocaust Archaeologies
by Caroline Sturdy CollsHolocaust Archaeologies: Approaches and Future Directions aims to move archaeological research concerning the Holocaust forward through a discussion of the variety of the political, social, ethical and religious issues that surround investigations of this period and by considering how to address them. It considers the various reasons why archaeological investigations may take place and what issues will be brought to bear when fieldwork is suggested. It presents an interdisciplinary methodology in order to demonstrate how archaeology can (uniquely) contribute to the history of this period. Case examples are used throughout the book in order to contextualise prevalent themes and a variety of geographically and typologically diverse sites throughout Europe are discussed. This book challenges many of the widely held perceptions concerning the Holocaust, including the idea that it was solely an Eastern European phenomena centred on Auschwitz and the belief that other sites connected to it were largely destroyed or are well-known. The typologically , temporally and spatial diverse body of physical evidence pertaining to this period is presented and future possibilities for investigation of it are discussed. Finally, the volume concludes by discussing issues relating to the "re-presentation" of the Holocaust and the impact of this on commemoration, heritage management and education. This discussion is a timely one as we enter an age without survivors and questions are raised about how to educate future generations about these events in their absence.
Holocaust At Sea: The Drama Of The Scharnhorst
by Fritz-Otto BuschOn Christmas Day, 1943, blinded by the fury of an Arctic blizzard, encircled by enemy destroyers, the German battleship Scharnhorst fought for her life.The luck of the Scharnhorst had become a legend. In 1942 she had slipped unscathed through the Channel under the very bows of the British fleet to harry the Arctic convoy-routes. The British convoy which sailed for Murmansk on Christmas Eve, 1943, seemed a perfect target for another lightning raid. In fact it was a trap to lure the battleship into the open and then destroy her.This is the story of the Scharnhorst’s dramatic sortie from her Norwegian lair.The story of a battle fought with outstanding courage against impossible odds until the most feared of all Hitler’s battleships sank at last off North Cape.