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Icelight: Peter Cotton Thriller 3: Gripping espionage at its best (Peter Cotton Ser.)
by Aly MonroeWinner of the 2012 Ellis Peters Historical Fiction Award, ICELIGHT is the third in the critically acclaimed Peter Cotton series following the fortunes of British spy Peter Cotton as he navigates the treacherous uncertainties of the post-war world. For all fans of John le Carre, Robert Harris, Eric Ambler and Graham Greene.'Confirms Aly Monroe's genius for creating tension' Daily Telegraph 1947. Threadbare London endures the bleakest, coldest winter for decades. Food rationing is worse than during the war. Coal supplies run out. The Thames freezes over. Against a background of black ice, blackouts and the black market, agent Peter Cotton is seconded to Operation Sea-snake. MI5 is in the grip of civil war; MI6 is riddled with traitors. Unsure who to trust - or even who is pulling the strings - Cotton, ever the outsider, must protect an atomic scientist caught up in a vicious homophobic witch-hunt, limit the damage caused by a bully-boy MP, rely on a rent-boy informer and, despite the murderous attentions of a couple of Glasgow razor boys, embark on a ruthless hunt of his own.
Iceman: Uncovering the Life and Times of a Prehistoric Man Found in an Alpine Glacier
by Brenda FowlerOn a warm September day in 1991, two German hikers stumbled upon a frozen, intact body melting out of the remains of a glacier in the Tyrolean Alps. Over the next few days, as a parade of often irreverent visitors poked and prodded the mummy-like corpse, curious items began to emerge from the ice: an ax with a metal blade, a longbow, finely stitched leather clothing, and--most astonishing of all--boots stuffed with grass. But only after the corpse was recovered and taken for an autopsy to the medical examiner in Innsbruck, Austria, did a vigilant archaeologist recognize that this was no ordinary dead body. Iceman is the story of the international scientific investigation launched to study the world's oldest naturally preserved human corpse and the astounding cache of prehistoric personal effects found with it. The dramatic narrative takes us from the day of the Iceman's discovery through eight years of scientific investigation, political intrigue, bizarre theories, and ravenous media coverage. The product of more than one hundred interviews with researchers in Austria, Italy, and Germany,Iceman follows scientists into labs and archaeologists into the field as they search for clues to the life and times of a man who lived before the advent of writing and cities. Who was he? Why were parts of his equipment damaged and unfinished? Where was he going? How did he die? Iceman is not merely a compendium of data but the story of the forces that produced and shaped them. At times, debates over who owned the Iceman and what should be done with him overshadowed the research. Brenda Fowler chronicles the scientists' squabbles and ego trips and the unexpected twists in the research, including the claim that the Iceman was a fraud and the mystery of his missing penis. Along the way, the authority of science is powerfully questioned and then, largely, reaffirmed in a surprise ending that has already led to a reexamination of the Iceman's final hours and his five millennia in the ice.
Ich spioniere einen Herzog aus (Geheime Erbinnen #1)
by Erica MonroeSIE WILL RACHE Als die gebildete Vivian Loren die Gouvernante der reichen Spencer Familie wird, ist sie zwar auf der Jagd nach Hinweisen über den Mord an ihrem Bruder, aber nicht nach einer Romanze. Allerdings hat Vivian mit einer Sache nicht gerechnet: James Spencer, dem furchtlosen Herzog von Abermont, der selbst eine quälende Vergangenheit hat. ER BRAUCHT EINE EHEFRAU Als führender Kopf des Britischen Geheimdienstes, kann sich James nicht leisten vom Heiratsmarkt durchleuchtet zu werden, sobald die Hochzeits- und Ballsaison beginnt. Nachdem er Vivians Wunsch nach Rache entdeckt, wird sie zu einem Pfand in einem heimtückischen Komplott, ausgeheckt von einem der gefährlichsten Spione Napoleons. James realisiert schnell, dass sie sich gegenseitig helfen können. Vivian soll seine Herzogin werden und im Gegenzug würde er sie beschützen. Was als Heirat einer Zweckgemeinschaft beginnt wird rasch mehr, aber der feindliche Spion kommt den beiden gefährlich nah. Wenn Ehemann und Gattin beide dunkle Geheimnisse haben, wird die Liebe rasch zur gefährlichsten Mission von allen.
Ick! Yuck? Eew!: Our Gross American History
by Lois Miner HueyKids study US history, but do they know what life long ago was really like? The past was full of yuckiness. The sounds, smells, filth, bugs, rats, poor hygiene, lack of dental and medical care, and bad food are not portrayed at today's historic sites, in movies, or in most books about US history. Yet this kind of stuff appeals greatly to kids.
Ickstory: Unraveling the Icky History of Mummies (Penguin Young Readers, Level 4)
by Sylvia BranzeiThe creators of Grossology continue the icky, sticky history lesson with this reader about mummies from around the world. With hilarious illustrations and disgusting facts about mummies, this Level 4 reader will keep readers wrapped up for hours!
Icon and Axe
by James Billington"A rich and readable introduction to the whole sweep of Russian cultural and intellectual history from Kievan times to the post-Khruschev era." - Library Journal. Illustrations, references, index.From the Trade Paperback edition.
Icon of Evil: Hitler's Mufti and the Rise of Radical Islam
by David G. Dalin John F. RothmannDalin (Hoover Institution, Stanford U. ) and Rothmann (Fromm Institute, U. of San Francisco) tell the story of Haj Amin al-Husseini, the one-time mufti of Jerusalem, and his support for the fascists during World War II. In the long-standing debate concerning whether Husseini's activities were driven by anti-Semitic hatred as opposed to anti-Zionism/Palestinian nationalism, they opt decisively for the former. Most of their discussion of Husseini's fascist activities will be relatively uncontroversial, although it's quite clear that when faced with choices of interpretation they are far more likely to chose the one that paints the mufti in a bad light, but their argument gets significantly weaker as they attempt to intimately connect Husseini to virtually every single opponent of the US and Israel in the Middle East including the Palestinian Liberation Organization, Saddam Hussein, Al-Qaeda, Hezbollah, and Hamas. Annotation ©2008 Book News, Inc. , Portland, OR (booknews. com)
Icon of Gold
by Teresa CraneA searing tale of forbidden love spanning 1950s Britain and Greece from the author of A Fragile Peace, &“a wonderful storyteller&” (Daily Mail). Cathy Kotsikas is as unsettled as anyone in postwar Britain. A hasty marriage has become an exhausting clash of personalities. Leon, her Greek husband, as charming as he is ruthless and self-centered, understands neither her mildly eccentric character nor her need for freedom. Cathy&’s sanctuary is Sandlings, a remote cottage on the barren Suffolk coast left to her by her grandfather. For Leon, however, his business in London and the restoration of his family home in Greece are of paramount importance. When Nikos, Leon&’s son, arrives from New York, he is drawn to Cathy from the first, and she to him. Neither sees the danger of the attraction until it is too late. Their chemistry becomes a spiral of passion and betrayal culminating in the wild sunlit beauty of the Greek countryside. But how will it end . . . ? &“A story with great momentum and the added attraction of inviting backdrops in sunlit Greece and a remote seascape in Suffolk.&” —Liverpool Echo &“A writer of great skill and vitality.&” —Sarah Harrison, international bestselling author of The Flowers of the Field
Icon, Brand, Myth: The Calgary Stampede
by Max ForanAn investigation of the meanings and iconography of the Stampede: an invented tradition that takes over the city of Calgary for ten days every July. Since 1923, archetypal "Cowboys and Indians" are seen again at the chuckwagon races, on the midway, and throughout Calgary. Each essay in this collection examines a facet of the experience--from the images on advertising posters to the ritual of the annual parade. This study of the Calgary Stampede as a social phenomenon reveals the history and sociology of the city of Calgary and the social construction of identity for western Canada as a whole.
Iconic Chicago Dishes, Drinks and Desserts (American Palate Ser.)
by Amy BizzarriA celebration of Chicago food that goes far beyond deep-dish pizza—filled with recipes, photos, and local history! The food that fuels hardworking Chicagoans includes such local classics as Spinning Salad, Flaming Saganaki, Jumpballs, Jim Shoes, Pizza Puffs, and Pullman Bread. The restaurants, bakeries, taverns, and pushcarts of the city, cherished from one generation to the next, offer satisfying warmth in winter and sweet refreshment in summer. From the city that created the Cape Cod Room&’s Bookbinder Soup and the Original Rainbow Cone, as well as Andersonville Coffee Cake and Taylor Street&’s Italian Lemonade, this combination of cookbook and culinary history is a treat for Chicagoans, visitors, and anyone who loves hearty Midwestern fare.
Iconic Hollywood Dishes, Drinks & Desserts (American Palate)
by Amy BizzarriRecipes born in the city of starsLos Angeles is a city where film mingles with food. From healthful salads to sweet treats inspired by California's agricultural bounty, the innovative fare mirrors the rise from a sleepy, western outpost to celluloid dream, where food has always played an award-winning role. The minds behind these delicious treasures include a pauper who reinvented himself as a prince, a penniless single mom who perfected a treasured recipe to create an empire, and a guru who provided good vibes and scandal alongside cold-pressed juices. Bake up the Cocoanut Grove's Coconut Strawberry Cream Tarts and sip a Zombie from the first-ever Tiki bar to create a little Hollywood magic in your own kitchen. Amy Bizzarri rolls out the red carpet in celebration of Tinseltown's iconic cuisine.
Iconic New York Jewish Food: A History and Guide with Recipes (American Palate)
by June HershCuisine brought to New York by Jewish immigrants more than a century ago has become some of the most iconic foods associated with the Big Apple. No trip to the five boroughs is complete without a hand-sliced pastrami sandwich at a classic delicatessen or
Iconic Pittsburgh: The City's 30 Most Memorable People, Places and Things
by Paul KingThe Steel City has boasted some of the most famous figures, landmarks and innovations in the country's history. Pittsburgh's past is littered with dozens of fascinating stories behind the icons that define it. Mary Schenley was the city's biggest benefactress of the nineteenth century, gifting the site of the 425-acre park in her name, but her fortune was almost lost when she eloped at the age of fifteen. The first ever call-in radio talk show began at famed KDKA in 1951, inspiring the birth of an entire industry. Mount Washington offers tourists sweeping views of the city today, but it once supplied coal to Pittsburghers and was the site of a sixteen-year underground mine fire. Author Paul King lists the best people, places and things of Pittsburgh's grand history.
Iconic Restaurants of Ann Arbor (Images Of America Ser.)
by Jon Milan Gail Offen Ari WeinzweigWhat is an iconic Ann Arbor restaurant? Ask anyone who has ever spent time there as a student, traveler, or “townie,” and they are likely to name several favorites in an instant. From debating the best place to celebrate or console on football Saturdays to deciding where to eat after the bars close, the choices have always sparked passionate conversation. In Ann Arbor, people are known to have strong feelings about the best places for pizza, coffee, beer, burgers, noodles, and burritos. Although many of the go-to hangouts are long gone, a surprising number still thrive. And there are always a few newcomers coming along to win the hearts of the next generation of diners, nibblers, and noshers. Some are fine restaurants and taverns, and others are lunch counters, diners, carry-outs, and drive-ins—but in each and every case, they are unique and together make up a collection of iconic local eateries.
Iconic Restaurants of Columbia, Missouri (American Palate)
by Kerri LinderColumbia's culinary history is chock-full of restaurants that not only satisfied appetites but also provided gathering places to build community. Gentry's Tavern served wild game along the Boonslick Trail. Hungry and broke students could grab a meal on credit from Ralph Morris at the Ever Eat Café during the Depression. During and after World War II, Ambrose's Café required students to give up their seats to men in uniform. Segregation didn't stop Annie Fisher from making her fortune serving her famous beaten biscuits. These stories and more are as rich as the cinnamon rolls served at Breischs. Join Columbia native Kerri Linder as she shares the stories and memories wrapped around the food of Columbia's iconic restaurants.
Iconic Restaurants of Kansas City (American Palate)
by Andrea BroomfieldGenerations of families and restaurateurs have loyally turned out the delectable foods that made Kansas City the food destination that it is. Opened in 1930, the Infante family's El Nopal at 416 West Thirteenth Street is reputedly the first restaurant to introduce a wider Kansas City audience to Mexican food. The city's beloved Savoy Grill was not only one of Harry S Truman's favorite haunts but also the restaurant where many Kansas Citians remember eating their first lobster dinner. "Amazin' Grace" Harris's tiny Kansas City, Kansas H & M Barbecue kept alive Kansas City's "Paris of the Plains" reputation--for those in the know. Author and native Andrea Broomfield goes on a journey to discover the roots of Kansas City's favorite restaurants.
Iconic San Francisco Dishes, Drinks & Desserts (American Palate)
by Laura Smith BorrmanThe roots of San Francisco's celebrated food and drink culture are as diverse as the city itself. A bountiful ocean, rich soil and ingenious residents combined to create unforgettable and enduring gastronomic legacies. Discover the disputed origins of local specialties like the Chicken Tetrazzini, chop suey and the classic martini, along with the legend behind the creation of Green Goddess Dressing. Learn how the abundance of the bay contributed to classics like the Hangtown Fry and Cioppino. Marvel at the introduction of America's first fortune cookie by Benkyodo Candy Factory and how a lack of refrigeration spawned the iconic Anchor Steam Beer. Pile the guacamole on a Mission Burrito and grab an Its-It for dessert. With classic and modern recipes from beloved establishments, author Laura Smith Borrman brings these and other culinary stories to life.
Iconic Works of Art by Feminists and Gender Activists: Mistress-Pieces (Routledge Research in Gender and Art)
by Brenda SchmahmannIn this book, contributors identify and explore a range of iconic works – "Mistress-Pieces" – that have been made by feminists and gender activists since the 1970s. The first volume for which the defining of iconic feminist art is the raison d’être, its contributors interpret a "Mistress-Piece" as a work that has proved influential in a particular context because of its distinctiveness and relevance. Reinterpreting iconic art by Alice Neel, Hannah Wilke and Ana Mendieta, the authors also offer important insights about works that may be less well known – those by Natalia LL, Tanja Ostojić, Swoon, Clara Menéres, Diane Victor, Usha Seejarim, Ilse Fusková, Phaptawan Suwannakudt and Tracey Moffatt, among others. While in some instances revealing cross influences between artists working in different frameworks, the publication simultaneously makes evident how social and political factors specific to particular countries had significant impact on the making and reception of art focused on gender. The book will be of interest to scholars working in art history, visual studies and gender studies.
Iconic Works of Art by Feminists and Gender Activists: Mistress-Pieces (Routledge Research in Gender and Art)
by Brenda SchmahmannIn this book, contributors identify and explore a range of iconic works – "Mistress-Pieces" – that have been made by feminists and gender activists since the 1970s. The first volume for which the defining of iconic feminist art is the raison d’être, its contributors interpret a "Mistress-Piece" as a work that has proved influential in a particular context because of its distinctiveness and relevance.Reinterpreting iconic art by Alice Neel, Hannah Wilke and Ana Mendieta, the authors also offer important insights about works that may be less well known – those by Natalia LL, Tanja Ostojić, Swoon, Clara Menéres, Diane Victor, Usha Seejarim, Ilse Fusková, Phaptawan Suwannakudt □and Tracey Moffatt, among others. While in some instances revealing cross influences between artists working in different frameworks, the publication simultaneously makes evident how social and political factors specific to particular countries had significant impact on the making and reception of art focused on gender.The book will be of interest to scholars working in art history, visual studies and gender studies.
Iconicity of the Uto-Aztecans: Snake Anthropomorphy in the Great Basin, the American Southwest and Mesoamerica
by Tirtha Prasad Mukhopadhyay Alan Philip GarfinkelUto-Aztecan iconic practices are primarily conditioned by the consciousness of the snake as a death-dealing power, and as such, an animal that displays the deepest fears and anxieties of the individual. The attempt to study a snake simulacrum thus constitutes the basic objective of this volume. A long, all-embracing iconicity of snakes and related snake motifs are evident in different cultural expressions ranging from rock art templates to other cultural artifacts like basketry, pottery, temple architecture and sculptural motifs. Uto-Aztecan iconography demonstrates a symbolic memorial order of emotional valences, as well as the negotiations with death and a belief in rebirth, just as the skin shedding snake reptile manifests in its life cycle.
Iconoclasm
by David FreedbergWith new surges of activity from religious, political, and military extremists, the destruction of images has become increasingly relevant on a global scale. A founder of the study of early modern and contemporary iconoclasm, David Freedberg has addressed this topic for five decades. His work has brought this subject to a central place in art history, critical to the understanding not only of art but of all images in society. This volume collects the most significant of Freedberg’s texts on iconoclasm and censorship, bringing five key works back into print alongside new assessments of contemporary iconoclasm in places ranging from the Near and Middle East to the United States, as well as a fresh survey of the entire subject. The writings in this compact volume explore the dynamics and history of iconoclasm, from the furious battles over images in the Reformation to government repression in modern South Africa, the American culture wars of the early 1990s, and today’s cancel culture. Freedberg combines fresh thinking with deep expertise to address the renewed significance of iconoclasm, its ideologies, and its impact. This volume also provides a supplement to Freedberg’s essay on idolatry and iconoclasm from his pathbreaking book, The Power of Images. Freedberg’s writings are of foundational importance to this discussion, and this volume will be a welcome resource for historians, museum professionals, international law specialists, preservationists, and students.
Iconoclasm As Child's Play
by Joe MoshenskaWhen sacred objects were rejected during the Reformation, they were not always burned and broken but were sometimes given to children as toys. Play is typically seen as free and open, while iconoclasm, even to those who deem it necessary, is violent and disenchanting. What does it say about wider attitudes toward religious violence and children at play that these two seemingly different activities were sometimes one and the same? Drawing on a range of sixteenth-century artifacts, artworks, and texts, as well as on ancient and modern theories of iconoclasm and of play, Iconoclasm As Child's Play argues that the desire to shape and interpret the playing of children is an important cultural force. Formerly holy objects may have been handed over with an intent to debase them, but play has a tendency to create new meanings and stories that take on a life of their own. Joe Moshenska shows that this form of iconoclasm is not only a fascinating phenomenon in its own right; it has the potential to alter our understandings of the threshold between the religious and the secular, the forms and functions of play, and the nature of historical transformation and continuity.
Iconoclasm from Antiquity to Modernity
by Kristine Kolrud Marina PrusacThe phenomenon of iconoclasm, expressed through hostile actions towards images, has occurred in many different cultures throughout history. The destruction and mutilation of images is often motivated by a blend of political and religious ideas and beliefs, and the distinction between various kinds of ’iconoclasms’ is not absolute. In order to explore further the long and varied history of iconoclasm the contributors to this volume consider iconoclastic reactions to various types of objects, both in the very recent and distant past. The majority focus on historical periods but also on history as a backdrop for image troubles of our own day. Development over time is a central question in the volume, and cross-cultural influences are also taken into consideration. This broad approach provides a useful comparative perspective both on earlier controversies over images and relevant issues today. In the multimedia era increased awareness of the possible consequences of the use of images is of utmost importance. ’Iconoclasm from Antiquity to Modernity’ approaches some of the problems related to the display of particular kinds of images in conflicted societies and the power to decide on the use of visual means of expression. It provides a deeper understanding of the mechanisms of the phenomenon of iconoclasm. Of interest to a wide group of scholars the contributors draw upon various sources and disciplines, including art history, cultural history, religion and archaeology, as well as making use of recent research from within social and political sciences and contemporary events. Whilst the texts are addressed primarily to those researching the Western world, the volume contains material which will also be of interest to students of the Middle East.
Iconographic Method in New World Prehistory
by Vernon James Knight Jr.This book offers an overview of iconographic methods and their application to archaeological analysis. It offers a truly interdisciplinary approach that draws equally from art history and anthropology. Vernon James Knight, Jr begins with an historiographical overview, addressing the methodologies and theories that underpin both archaeology and art history. He then demonstrates how iconographic methods can be integrated with the scientific methods that are at the core of much archaeological inquiry. Focusing on artifacts from the pre-Columbian civilizations of North and Meso-American sites, Knight shows how the use of iconographic analysis yields new insights into these objects and civilizations.
Iconography Beyond the Crossroads: Image, Meaning, and Method in Medieval Art (Signa: Papers of the Index of Medieval Art at Princeton University)
by Pamela A. Patton and Catherine A. FernandezThis volume assesses how current approaches to iconology and iconography break new ground in understanding the signification and reception of medieval images, both in their own time and in the modern world.Framed by critical essays that apply explicitly historiographical and sociopolitical perspectives to key moments in the evolution of the field, the volume’s case studies focus on how iconographic meaning is shaped by factors such as medieval modes of dialectical thought, the problem of representing time, the movement of the viewer in space, the fragmentation and injury of both image and subject, and the complex strategy of comparing distant cultural paradigms. The contributions are linked by a commitment to understanding how medieval images made meaning; to highlighting the heuristic value of new perspectives and methods in exploring the work of the image in both the Middle Ages and our own time; and to recognizing how subtle entanglements between scholarship and society can provoke mutual and unexpected transformations in both. Collectively, the essays demonstrate the expansiveness, flexibility, and dynamism of iconographic studies as a scholarly field that is still heartily engaged in the challenge of its own remaking.Along with the volume editors, the contributors include Madeline H. Caviness, Beatrice Kitzinger, Aden Kumler, Christopher R. Lakey, Glenn Peers, Jennifer Purtle, and Elizabeth Sears.