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Hit the Target: Eight Men who Led The Eighth Air Force to Victory over the Luftwaffe
by Bill YenneSelected for the Chief of Staff of the Air Force Reading ListFrom Bill Yenne, author of the military histories Big Week and Aces High, comes the stirring true story of the Eighth Air Force in World War II. Less than a month after the attack on Pearl Harbor, the U.S. Army formed its first air force designated to operate overseas, the Eighth. Within four months, they had set up base in England. Three months later, they were bombing German targets in occupied Europe. The Eighth was the first bomber command on either side to commit to strategic daylight bombing. It was a major change in tactics—and the men of the Eighth paid the price in both lives and blood. But it was that very sacrifice that led the Allies to victory. Hit the Target introduces readers to those who made the Eighth Air Force the formidable juggernaut it soon became. Men of all ranks, from General Tooey Spaatz, the hard-driving founding commander, to Colonel Jimmy Doolittle, the hero who led the first air raid on Japan, to Maynard &“Snuffy&” Smith, the irascible first airman in Europe to be awarded the Congressional Medal of Honor, and Robert &“Rosie&” Rosenthal, who survived his time with the &“Bloody Hundredth,&” which lost airmen at a horrifying rate, and who went on to serve as a prosecutor at the Nuremberg Trials. The story of the Mighty Eighth is told through these men, whose careers paralleled the early history of aviation and who helped to revolutionize airborne warfare and win World War II. INCLUDES PHOTOS
Hit the Trail!: The Race to Chimney Rock and Danger at the Haunted Gate (The Oregon Trail)
by Jesse WileyGo west, young pioneer—your journey begins here! Inside you&’ll find two books in one: The Race to Chimney Rock and Danger at the Haunted Gate. In these first two legs of your trek on the Oregon Trail, you need to find your way to prominent landmarks Chimney Rock and Devil&’s Gate—but not without unpredictable challenges ahead. Natural disasters, disease, and dishonest people are challenges you&’ll face in the wild frontier. Make the right choices and make it halfway to your final destination in Oregon Territory!
Hit To Kill: The New Battle Over Shielding America From Missile Attack
by Bradley GrahamWhat constitutes the best defense?
Hit To Kill: The New Battle Over Shielding America From Missile Attach
by Bradley GrahamEven as America faces a world of difficult-to-detect, low-tech, unconventional threats, the Bush administration has put its faith in a missile defense system or shield to keep us all safe. There ar
Hitch
by Jeanette IngoldAs a teenager growing up during the Depression, Moss Trawnley doesn't have time to be a kid. In search of opportunity, Moss lies about his age and heads west to join Roosevelt's Civilian Conservation Corps. While working to protect Montana's wildlife, he goes to school, makes lifelong friends, falls in love, and finds what he almost lost in the crisis of the Great Depression: himself.In this captivating work of fiction, Jeanette Ingold tells the story of a teen who risks everything to start a new life and, in the process, gains a future.
Hitch Your Antenna to the Stars: Early Television and Broadcast Stardom
by Susan MurrayFirst Published in 2005. Routledge is an imprint of Taylor & Francis, an informa company.
Hitchcock: Past and Future
by Richard Allen Sam Ishii-GonzálesThis new collection of writings on Alfred Hitchcock considers Hitchcock both in his time and as a continuing influence on filmmakers, films and film theory. The contributions, who include leading scholars such as Slavoj Zizek, Laura Mulvey, Peter Wollen, and James Naremore, discuss canonical films such as Notorious and The Birds alongside lesser-known works including Juno and the Paycock and Frenzy. Articles are grouped into four thematic sections: 'Authorship and Aesthetics' examines Hitchcock as auteur and investigates central topics in Hitchcockian aesthetics. 'French Hitchcock' looks at Hitchcock's influence on filmmakers such as Chabrol, Truffaut and Rohmer, and how film critics such as Bazin and Deleuze have engaged with Hitchcock's work. 'Poetics and Politics of Identity' explores the representation of personal and political in Hitchcock's work. The final section, 'Death and Transfiguration' addresses the manner in which the spectacle and figuration of death haunts the narrative universe of Hitchcock's films, in particular his subversive masterpiece Psycho.
Hitchcock
by Francois TruffautIconic, groundbreaking interviews of Alfred Hitchcock by film critic François Truffaut—providing insight into the cinematic method, the history of film, and one of the greatest directors of all time.In Hitchcock, film critic François Truffaut presents fifty hours of interviews with Alfred Hitchcock about the whole of his vast directorial career, from his silent movies in Great Britain to his color films in Hollywood. The result is a portrait of one of the greatest directors the world has ever known, an all-round specialist who masterminded everything, from the screenplay and the photography to the editing and the soundtrack. Hitchcock discusses the inspiration behind his films and the art of creating fear and suspense, as well as giving strikingly honest assessments of his achievements and failures, his doubts and hopes. This peek into the brain of one of cinema’s greats is a must-read for all film aficionados.
Hitchcock à la Carte
by Jan OlssonAlfred Hitchcock: cultural icon, master film director, storyteller, television host, foodie. And as Jan Olsson argues in Hitchcock à la Carte, he was also an expert marketer who built his personal brand around his rotund figure and well-documented table indulgencies. Focusing on Hitchcock's television series Alfred Hitchcock Presents (1955-1962) and the The Alfred Hitchcock Hour (1962-1965), Olsson asserts that the success of Hitchcock's media empire depended on his deft manipulation of bodies and the food that sustained them. Hitchcock's strategies included frequently playing up his own girth, hiring body doubles, making numerous cameos, and using food--such as a frozen leg of lamb--to deliver scores of characters to their deaths. Constructing his brand enabled Hitchcock to maintain creative control, blend himself with his genre, and make himself the multi-million-dollar franchise's principal star. Olsson shows how Hitchcock's media brand management was a unique performance model that he used to mark his creative oeuvre as strictly his own.
Hitchcock And Contemporary Art
by Christine SprenglerHitchcock and Contemporary Art introduces readers to the fascinating and diverse range of artistic practices devoted to Alfred Hitchcock's films. His works have the capacity to activate sophisticated engagements with Hitchcock's films and cinema more generally, tackling issues of time and space, memory and history, and sound and image.
Hitchcock and the Censors (Screen Classics)
by John BillheimerThroughout his career, Alfred Hitchcock had to deal with a wide variety of censors attuned to the slightest suggestion of sexual innuendo, undue violence, toilet humor, religious disrespect, and all forms of indecency, real or imagined. From 1934 to 1968, the Motion Picture Production Code Office controlled the content and final cut on all films made and distributed in the United States. Code officials protected sensitive ears from standard four-letter words, as well as a few five-letter words like tramp and six-letter words like cripes. They also scrubbed "excessively lustful" kissing from the screen and ensured that no criminal went unpunished.During their review of Hitchcock's films, the censors demanded an average of 22.5 changes, ranging from the mundane to the mind-boggling, on each of his American films. Code reviewers dictated the ending of Rebecca (1940), absolved Cary Grant of guilt in Suspicion (1941), edited Cole Porter's lyrics in Stage Fright (1950), decided which shades should be drawn in Rear Window (1954), and shortened the shower scene in Psycho (1960).In Hitchcock and the Censors, author John Billheimer traces the forces that led to the Production Code and describes Hitchcock's interactions with code officials on a film-by-film basis as he fought to protect his creations, bargaining with code reviewers and sidestepping censorship to produce a lifetime of memorable films. Despite the often-arbitrary decisions of the code board, Hitchcock still managed to push the boundaries of sex and violence permitted in films by charming -- and occasionally tricking -- the censors and by swapping off bits of dialogue, plot points, and individual shots (some of which had been deliberately inserted as trading chips) to protect cherished scenes and images. By examining Hitchcock's priorities in dealing with the censors, this work highlights the director's theories of suspense as well as his magician-like touch when negotiating with code officials.
Hitchcock at the Source: The Auteur as Adapter (SUNY series, Horizons of Cinema)
by R. Barton Palmer David BoydThe adaptation of literary works to the screen has been the subject of increasing, and increasingly sophisticated, critical and scholarly attention in recent years, but most studies of the subject have continued to privilege literature over film by taking the literary sources as their starting point. Rather than examining the processes by which a particular author has been adapted into a diversity of films by different filmmakers, the contributors in Hitchcock at the Source consider the processes by which a varied range of literary sources have been transformed by one filmmaker into an impressive body of work.Throughout his career, Alfred Hitchcock transformed a variety of literary sources—novels, plays, short stories—into what is arguably the most coherent and distinctive (narratively, stylistically, and thematically) of all directorial oeuvres. After an introduction surveying the nature and diversity of Hitchcock's sources and locating the current volume in the context of theoretical work on adaptation, nineteen original essays range across the entirety of Hitchcock's career, from the silent period through to the 1970s. In addition to addressing the process of adaptation in particular films in terms of plot and character, the contributors also consider less obvious matters of tone, technique, and ideology; Hitchcock's manipulation of the conventions of literary and dramatic genres such as spy fiction and romantic comedy; and more general problems, such as Hitchcock's shift from plays to novels as his major sources in the course of the 1930s.
Hitchcock Lost and Found: The Forgotten Films (Screen Classics)
by Charles Barr Alain KerzoncufKnown as the celebrated director of critical and commercial successes such as Psycho (1960) and The Birds (1963), Alfred Hitchcock is famous for his distinctive visual style and signature motifs. While recent books and articles discussing his life and work focus on the production and philosophy of his iconic Hollywood-era films like Notorious (1946) and Vertigo (1958), Hitchcock Lost and Found moves beyond these seminal works to explore forgotten, incomplete, lost, and recovered productions from all stages of his career, including his early years in Britain.Authors Alain Kerzoncuf and Charles Barr highlight Hitchcock's neglected works, including various films and television productions that supplement the critical attention already conferred on his feature films. They also explore the director's career during World War II, when he continued making high-profile features while also committing himself to a number of short war-effort projects on both sides of the Atlantic. Focusing on a range of forgotten but fascinating projects spanning five decades, Hitchcock Lost and Found offers a new, fuller perspective on the filmmaker's career and achievements.
The Hitchcock Romance: Love and Irony in Hitchcock's Films
by Lesley BrillWas Alfred Hitchcock a cynical trifler with his audience's emotions, as he liked to pretend? Or was he a profoundly humane artist? Most commentators leave Hitchcock's self-assessment unquestioned, but this book shows that his movies convey an affectionate, hopeful understanding of human nature and the redemptive possibilities of love. Lesley Brill discusses Hitchcock's work as a whole and examines in detail twenty-two films, from perennial favorites like North by Northwest to neglected masterpieces like Rich and Strange.
Hitchcock, Second Edition: The Murderous Gaze (SUNY series, Horizons of Cinema)
by William RothmanFirst published in 1982, William Rothman's Hitchcock is a classic work of film criticism. Written in an engaging style that is philosophically sophisticated yet free of jargon, and using over nine hundred images from the films to illustrate and back up its critical claims, the book follows six different Hitchcock films as they unfold, moment by moment, from first shot to last.In addition to a thoughtful new preface and the original readings of The Lodger (1927), Murder! (1930), The 39 Steps (1935), Shadow of a Doubt (1943), and Psycho (1960), this expanded edition includes a groundbreaking new chapter—now the book's longest—on Marnie (1964), Hitchcock's most heartfelt yet most controversial film. Hitchcock never tired of quoting Oscar Wilde's line, "And all men kill the thing they love." Dark moods therefore prevail in the five original chapters, culminating in the reading of Psycho, but in demonstrating how Marnie overcomes, or transcends, the murderous aspect of Hitchcock's art, this new chapter balances the scales and gives an important new dimension to the book.With exemplary precision, Hitchcock, Second Edition shows how Hitchcock films express, cinematically, serious thoughts about such matters as the nature and relationships of love, murder, sexuality, marriage, and theater—and about their own medium. In so doing, it keeps faith with the idea that Hitchcock was a master, perhaps the master, of what he called the "art of pure cinema." However, insofar as it investigates philosophically the conditions of authorship in the medium of film, it is an auteurist study unlike any other. By attending to the films themselves and to the ways we experience them, rather than allowing some theory to dictate what to say about them, the book proves the fruitfulness of an approach that is open and responsive to the ways serious films are capable of teaching us how to think seriously about them.
Hitchcock's Blondes: The Unforgettable Women Behind the Legendary Director's Dark Obsession
by Laurence LeamerBestselling author of Capote&’s Women Laurence Leamer shares an engrossing account of the enigmatic director Alfred Hitchcock that finally puts the dazzling actresses he cast in his legendary movies at the center of the story.Alfred Hitchcock was fixated—not just on the dark, twisty stories that became his hallmark, but also by the blond actresses who starred in many of his iconic movies. The director of North by Northwest, Rear Window, and other classic films didn&’t much care if they wore wigs, got their hair coloring out of a bottle, or were the rarest human specimen—a natural blonde—as long as they shone with a golden veneer on camera. The lengths he went to in order to showcase (and often manipulate) these women would become the stuff of movie legend. But the women themselves have rarely been at the center of the story, until now.In Hitchcock&’s Blondes, bestselling biographer Laurence Leamer offers an intimate journey into the lives of eight legendary actresses whose stories helped chart the course of the troubled, talented director&’s career—from his early days in the British film industry, to his triumphant American debut, to his Hollywood heyday and beyond. Through the stories of June Howard-Tripp, Madeleine Carroll, Ingrid Bergman, Grace Kelly, Janet Leigh, Kim Novak, Eva Marie Saint, and Tippi Hedren—who starred in fourteen of Hitchcock&’s most notable films and who bore the brunt of his fondness and sometimes fixation—we can finally start to see the enigmatic man himself. After all, &“his&” blondes (as he thought of them) knew the truths of his art, his obsessions and desires, as well as anyone.From the acclaimed author of Capote&’s Women comes an intimate, revealing, and thoroughly modern look at both the enduring art created by a man obsessed…and the private toll that fixation took on the women in his orbit.
Hitchcock’s British Films: Second Edition (Contemporary Approaches To Film And Media Ser.)
by Maurice YacowarA reissued classic that examines the structure and themes of each of Hitchcock's British feature films.
Hitchcock's Moral Gaze: Hitchcock's Moral Gaze P (SUNY series, Horizons of Cinema)
by R. Barton Palmer; Homer B. Pettey; Steven M. SandersIn his essays and interviews, Alfred Hitchcock was guarded about substantive matters of morality, preferring instead to focus on discussions of technique. That has not, however, discouraged scholars and critics from trying to work out what his films imply about such moral matters as honesty, fidelity, jealousy, courage, love, and loyalty. Through discussions and analyses of such films as Strangers on a Train, Rear Window, Vertigo, North by Northwest, and Frenzy, the contributors to this book strive to throw light on the way Hitchcock depicts a moral—if not amoral or immoral—world. Drawing on perspectives from film studies, philosophy, literature, and other disciplines, they offer new and compelling interpretations of the filmmaker's moral gaze and the inflection point it provides for modern cinema.
Hitchcock's Music
by Jack SullivanFor half a century Alfred Hitchcock created films full of gripping and memorable music. Over his long career he presided over more musical styles than any director in history and ultimately changed how we think about film music. This book is the first to fully explore the essential role music played in the movies of Alfred Hitchcock. Based on extensive interviews with composers, writers, and actors, and research in rare archives, Jack Sullivan discusses how Hitchcock used music to influence the atmosphere, characterization, and even storylines of his films. Sullivan examines the director's important relationships with various composers, especially Bernard Herrmann, and tells the stories behind the musical decisions. Covering the whole of the director's career, from the early British works up to Family Plot, this engaging look at the work of Alfred Hitchcock offers new insight into his achievement and genius and changes the way we watch-and listen-to his movies.
Hitchcock's Music
by Jack Sullivan"A wonderfully coherent, comprehensive, groundbreaking, and thoroughly engaging study&” of how the director of Psycho and The Birds used music in his films (Sidney Gottlieb, editor of Hitchcock on Hitchcock). Alfred Hitchcock employed more musical styles and techniques than any film director in history, from Marlene Dietrich singing Cole Porter in Stage Fright to the revolutionary electronic soundtrack of The Birds. Many of his films—including Notorious, Rear Window, Vertigo, North by Northwest, and Psycho—are landmarks in the history of film music. Now author and musicologist Jack Sullivan presents the first in-depth study of the role music plays in Hitchcock&’s films. Based on extensive interviews with composers, writers, and actors, as well as archival research, Sullivan discusses how Hitchcock used music to influence his cinematic atmospheres, characterizations, and even storylines. Sullivan examines the director&’s relationships with various composers, especially Bernard Herrmann, and tells the stories behind some of their now-iconic musical choices. Covering the entire director&’s career, from the early British works up to Family Plot, this engaging work will change the way we watch—and listen—to Hitchcock&’s movies.
Hitchcock's Stars: Alfred Hitchcock and the Hollywood Studio System
by Lesley L CoffinAlthough he was a visual stylist who once referred to actors as cattle, Alfred Hitchcock also had a remarkable talent for innovative and creative casting choices. The director launched the careers of several actors and completely changed the trajectory of others, many of whom created some of the most iconic screen performances in history. However, Hitchcock’s ability to fit his leading men and women into just the right parts has been a largely overlooked aspect of his filmmaking skills. In Hitchcock’s Stars: Alfred Hitchcock and the Hollywood Studio System, Lesley L. Coffin looks at how the director made the most of the actors who were at his disposal for several decades. From his first American production in 1940 to his final feature in 1976, Hitchcock’s films were examples of creative casting that strayed far from the norm during the structured Hollywood star system. Rather than examining the cinematic aspects of his work, this book explores the collaboration the director engaged in with some of the most
The Hitchhike
by Mark Paul SmithMark Paul Smith's hitchhike from Indiana to India in 1972 changed him from being an Air Force Officer into a conscientious objector. He hitchhiked through the Iron Curtain and worked on a collective farm in Hungary only to find that communism wasn't our real enemy. He met people from North Vietnam who showed him the real enemy was the U.S. war machine. Being an American was popular in those days, but the people of the world showed Smith kindness and kept him alive when he ran out of money. The long road to decision showed him that people everywhere want peace, not war. His faith in the United States of America was restored when he sued the government and won his case in federal court.
Hitching for Hope: A Journey into the Heart and Soul of Ireland
by Ruairí McKiernanA modern travel tale—part personal pilgrimage, part political quest—that captures the power of human resilience <P><P> "McKiernan sticks his thumb out, and somehow a healthy dose of humanity manages to roll up alongside him. . . . This book is a paean to nuance, decency and possibility."—Colum McCann, National Book Award winner and New York Times bestselling author of Let the Great World Spin and Apeirogon. <P><P> Following the collapse of Ireland’s Celtic Tiger economy, social activist Ruairí McKiernan questions whether he should join the mounting number of emigrants searching for greater opportunity elsewhere. McKiernan embarks on a hitchhiking odyssey with no money, no itinerary and no idea where he might end up each night. His mission: to give voice to those emerging from one of the most painful periods of economic and social turmoil in Ireland’s history. Engaging, provocative and sincere, Hitching for Hope is a testimony to the spirit of Ireland. It is an inspirational manifesto for hope and healing in troubled times.
Hitler: The Official Third Reich Publication (Images of War Special)
by Bob CarruthersThis exceptional source is probably the best of the contemporary accounts of Hitler in power, albeit from a heavily pro-Nazi stance. The testimonies collected together were based on interviews conducted by Heinz A. Heinz in 1933 and 1934, shortly after Hitler had taken power.Millions of ordinary Germans fell under Hitler's spell and this book is a creation of those emotions. It is very much a product of its time. Written by the party big-wigs, such as Goering, Speer and Goebbels, and published in 1935 under the title Adolf Hitler Bilder Aus Dem Leben Des Furhers, it appeared at a time when they were at the height of their unrivaled powers. This fascinating volume encompasses the superb photography of Heinrich Hoffman, the Munich photographer who was ever present on Hitler's journeys and who grew fabulously wealthy as a result of his intimate access to Hitler. Hitler had an innate understanding of what we would now call public relations. He recognised the excellence of Hoffman's photography and maintained control of his image by limiting the access of other photographers. He also strictly controlled Hoffmann's activities and personally selected the portraits that were allowed to go into circulation.The book incorporates sections on Hitler and the German people, Hitler and the German workers, Hitler and public works and so on, all accompanied by a series of excellent photographs which form a remarkable record of the public face of a man during his brief spell of absolute power. The Nazis were the first party who harnessed the full power of the media in a coherent and all-embracing manner.This is a classic example of the strength of their presentation skills. It is a compelling time-capsule which conveys vividly in almost visceral way the zeitgeist of the thirties in Nazi-Germany. By 1935 the bulk of the German people had fallen in behind Adolf Hitler, and with documents as persuasive as this, it is not too difficult to comprehend the allure of the glittering faade which a stream of publications such as this book sought to create and maintain.
Hitler
by Robin CrossAs Chancellor of Germany between 1933 and 1945, Adolf Hitler exercised unrestricted power over his country's social, political, and economic life. From Hitler's belligerent re-armament programme to his imposition of anti-Semitic legislation and territorially aggressive policies, respected historian Robin Cross maps out the life of one of the most evil men ever to have lived. This succinct and powerful account, illustrated with rare and chillingly evocative photographs, is the essential companion for anyone with a fascination for the twentieth century, the Second World War or the age of dictators.