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Jonas, el marido que no podía volver a desposarse (Trilogía Ducado de Mildre #Volumen 2)
by Verónica MengualSegunda entrega de la trilogía «Ducado de Mildre». Un romance de época. Una mujer irresistible. ¿Valdrá la pena arriesgarlo todo por ella? El duque de Mildre ha estado pensando en la institutriz de su hija y reprimiendo sus impulsos desde que ella se presentó en su casa hace unos años. Su interés en la mujer es tal que le lleva a pedir cosas descabelladas sobre su hija, incluso que tosa de forma elegante. No consigue alejarla de su mente ni por las noches ni por el día y está harto de imaginar situaciones solo en su cabeza. Y no puede desposarla porque está casado... La señorita Moira Milles está cansada de ese rarito duque que pide tonterías a su hija. Y aun así, no puede evitar que él despierte ciertas sensaciones y sentimientos en ella. Una mujer mundana dispuesta a hacer lo que se le antoja... ¿Logrará Jonas vivir la felicidad del cuento de hadas?
Jonathan Edwards and Deification: Reconciling Theosis and the Reformed Tradition (New Explorations in Theology)
by James R. SalladinThe doctrine of deification or theosis is typically associated with the Eastern Orthodox tradition. Indeed, the language of participation in the divine nature as a way to understand salvation often sounds like strange music in the ears of Western Christians despite passages like 2 Peter 1:4 where it appears. However, recent scholarship has argued that the theologies of some of the most prominent figures in the history of the Western church, including Martin Luther, John Calvin, and John Wesley, share more in common with deification than has been acknowledged. In this volume of IVP Academic's New Explorations in Theology series, theologian James Salladin considers the role of deification in the theology of another well-known Western theologian: Jonathan Edwards. In addition, he reflects upon the question of how Edwards's soteriology compares with the rest of the broader Reformed tradition. Here, we discover how Edwards's theology affirms what it means for sinners to be brought into the hands of a loving God.
Jonathan Edwards on the New Birth in the Spirit: The Life, Times, and Thought of America’s Greatest Theologian
by Brandon J. B20 Cozart Peter Reese DoyleBiblical truth in the hands of Edwards lives mightily. Edwards in the hand of Peter Doyle comes alive. As we see an anemic Christendom today in its witness, ethics, and influence, we find the correctives and the guidance we need in the works of Jonathan Edwards––revivalist preacher, philosopher, and theologian. In this insightful book, former pastor and missionary Peter Doyle presents Edwards’ theology in a comprehensive scope: in its cultural context, against its adversaries, and with all its practical and pastoral implications. Doyle paints for readers a clear picture of how Edwards understands the ‘new birth.’ A cursory treatment of being born again this is not. The great revivals under Edwards’ preaching gave to the converts a sense of the glory of God, their own sinfulness, and a humility before the sacrifice of Christ for their sin.
Jonathan Edwards's Philosophy of History: The Reenchantment of the World in the Age of Enlightenment
by Avihu ZakaiAvihu Zakai analyzes Jonathan Edwards's redemptive mode of historical thought in the context of the Enlightenment. As theologian and philosopher, Edwards has long been a towering figure in American intellectual history. Nevertheless, and despite Edwards's intense engagement with the nature of time and the meaning of history, there has been no serious attempt to explore his philosophy of history. Offering the first such exploration, Zakai considers Edwards's historical thought as a reaction, in part, to the varieties of Enlightenment historical narratives and their growing disregard for theistic considerations. Zakai analyzes the ideological origins of Edwards's insistence that the process of history depends solely on God's redemptive activity in time as manifested in a series of revivals throughout history, reading this doctrine as an answer to the threat posed to the Christian theological teleology of history by the early modern emergence of a secular conception of history and the modern legitimation of historical time. In response to the Enlightenment refashioning of secular, historical time and its growing emphasis on human agency, Edwards strove to re-establish God's preeminence within the order of time. Against the de-Christianization of history and removal of divine power from the historical process, he sought to re-enthrone God as the author and lord of history--and thus to re-enchant the historical world. Placing Edwards's historical thought in its broadest context, this book will be welcomed by those who study early modern history, American history, or religious culture and experience in America.
Jonathan Edwards: An Introduction to His Thought
by Oliver D. Crisp Kyle C. StrobelStudent-friendly intro to one of America&’s most fascinating theological minds Jonathan Edwards (1703–1758) has long been recognized as one of the preeminent thinkers in the early Enlightenment and a major figure in the history of American Christianity. In this accessible one-volume text, leading Edwards experts Oliver Crisp and Kyle Strobel introduce readers to the fascinating and formidable mind of Jonathan Edwards as they survey key theological and philosophical themes in his thought, including his doctrine of the Trinity, his philosophical theology of God and creation, and his understanding of the atonement and salvation. More than two centuries after his death, theologians and historians alike are finding the larger-than-life Edwards more interesting than ever. Crisp and Strobel&’s concise yet comprehensive guide will help students of this influential eighteenth-century revivalist preacher to understand why.
Jonathan Edwards: An Introduction to His Thought
by Oliver D. Crisp Kyle C. StrobelStudent-friendly intro to one of America&’s most fascinating theological minds Jonathan Edwards (1703–1758) has long been recognized as one of the preeminent thinkers in the early Enlightenment and a major figure in the history of American Christianity. In this accessible one-volume text, leading Edwards experts Oliver Crisp and Kyle Strobel introduce readers to the fascinating and formidable mind of Jonathan Edwards as they survey key theological and philosophical themes in his thought, including his doctrine of the Trinity, his philosophical theology of God and creation, and his understanding of the atonement and salvation. More than two centuries after his death, theologians and historians alike are finding the larger-than-life Edwards more interesting than ever. Crisp and Strobel&’s concise yet comprehensive guide will help students of this influential eighteenth-century revivalist preacher to understand why.
Jonathan Edwards: Writings from the Great Awakening
by Jonathan Edwards Philip F. GuraJonathan Edwards (1703-1758) is recognized today as a great theologian and philosopher. The historian Perry Miller has called him "one of America's five or six major artists," a writer possessed of "an intelligence which, as much as Emerson's, Melville's, or Mark Twain's, is both an index of American society and a comment upon it." But in his own day Edwards was best known as a leader of what is now known as the Great Awakening: a series of small-town revivals that mushroomed into a movement credited with giving birth to American evangelicalism and laying the groundwork for the American Revolution. In authoritative texts drawn from first editions and manuscript sources, this volume brings together all of Edwards's essential writings from and about the revivals, including the famous sermon "Sinners in the Hands of an Angry God" and his vivid Faithful Narrative of the Surprising Work of God in the Conversion of Many Hundreds of Souls, the work that first publicized the awakenings. Characterized by precise logic and powerful imagery, his writing continues to inspire students and spiritual seekers alike.
Jonathan Richman: the secret history
by Alan CrossAlan Cross is the preeminent chronicler of popular music.Here he provides a history of alt-rock cult figure Jonathan Richman."Boston's Anti-hippie Punk Pioneer" is adapted from the audiobook of the same name.
Jonathan Strange and Mr. Norrell
by Susanna ClarkeEnglish magicians were once the wonder of the known world, with fairy servants at their beck and call; they could command winds, mountains, and woods. But by the early 1800s they have long since lost the ability to perform magic. They can only write long, dull papers about it, while fairy servants are nothing but a fading memory.<P><P> But at Hurtfew Abbey in Yorkshire, the rich, reclusive Mr Norrell has assembled a wonderful library of lost and forgotten books from England's magical past and regained some of the powers of England's magicians. He goes to London and raises a beautiful young woman from the dead. Soon he is lending his help to the government in the war against Napoleon Bonaparte, creating ghostly fleets of rain-ships to confuse and alarm the French.<P> All goes well until a rival magician appears. Jonathan Strange is handsome, charming, and talkative - the very opposite of Mr Norrell. Strange thinks nothing of enduring the rigors of campaigning with Wellington's army and doing magic on battlefields. Astonished to find another practicing magician, Mr Norrell accepts Strange as a pupil. But it soon becomes clear that their ideas of what English magic ought to be are very different. For Mr Norrell, their power is something to be cautiously controlled, while Jonathan Strange will always be attracted to the wildest, most perilous forms of magic. He becomes fascinated by the ancient, shadowy figure of the Raven King, a child taken by fairies who became king of both England and Faerie, and the most legendary magician of all. Eventually Strange's heedless pursuit of long-forgotten magic threatens to destroy not only his partnership with Norrell, but everything that he holds dear.<P> Sophisticated, witty, and ingeniously convincing, Susanna Clarke's magisterial novel weaves magic into a flawlessly detailed vision of historical England. She has created a world so thoroughly enchanting that eight hundred pages leave readers longing for more.<P> Hugo Award winner.
Jonathan Strange y el señor Norrell
by Susanna ClarkeUna de las novelas más brillantes y originales que han aparecido en el panorama anglosajón en los últimos tiempos. Una mezcla prodigiosa de fantasía e historia, en la que los magos conviven con personajes reales y que plantea una historia alternativa de Inglaterra. A principios del siglo XIX, las hazañas del Rey Cuervo, el más grande de todos los magos de la Edad Media, perviven en la memoria y la leyenda, pero la práctica de la magia ha sido completamente olvidada en Inglaterra. Hasta el día en que el esquivo señor Norrell, de Hurtfew Abbey, logra que las piedras de la catedral de York hablen. La noticia del retorno de la magia se extiende como la pólvora y el señor Norrell, convencido de que debe poner sus artes al servicio del gobierno en la guerra contra Napoleón, se traslada a Londres. Allí conoce al joven Jonathan Strange, un brillante y voluntarioso mago, y tras superar algunos recelos, consiente en acogerlo como discípulo. En una época en la que sólo los charlatanes se hacían llamar magos, Norrell y Strange se proponen limpiar el buen nombre de su oficio, al que consideran una ciencia con mayúsculas. Bajo las órdenes de Wellington, realizarán decenas de actos mágicos, y su éxito es tal que muy pronto se los consultará sobre muchos otros problemas, desde la curación de la locura del rey Jorge III hasta la mejor venganza para amantes despechados. A su paso encontrarán amor y muerte, portentos y crueldades, y arrastrados por la ambición y la rivalidad, el camino de la gloria los acercará irremediablemente al abismo. Entre la fina comedia social de Jane Austen y el sombrío universo de Tolkien, Susanna Clarke ha logrado crear un mundo imaginario de enorme belleza y misterio. Distinguida como Mejor Novela del Año por los libreros independientes de Estados Unidos y candidata a los premios Whitbread, Booker y Guardian, Jonathan Strange y el señor Norrell ha sido generosamente elogiada por la crítica y ha permanecido en las listas de los libros más vendidos de Estados Unidos, Gran Bretaña y Alemania desde su publicación. La crítica ha dicho...«Jonathan Strange y el señor Norrell es, sin duda, la mejor novela fantástica inglesa escrita en los últimos setenta años.»Neil Gaiman «Un clásico desde su aparición.»Kirkus Reviews «Una obra prodigiosa.»Sunday Times «Un placer inmenso.»Times Literary Supplement
Jonathan Swift and the Eighteenth-Century Book
by Paddy Bullard James MclavertyJonathan Swift lived through a period of turbulence and innovation in the evolution of the book. His publications, perhaps more than those of any other single author, illustrate the range of developments that transformed print culture during the early Enlightenment. Swift was a prolific author and a frequent visitor at the printing house, and he wrote as critic and satirist about the nature of text. The shifting moods of irony, complicity and indignation that characterise his dealings with the book trade add a layer of complexity to the bibliographic record of his published works. The essays collected here offer the first comprehensive, integrated survey of that record. They shed new light on the politics of the eighteenth-century book trade, on Swift's innovations as a maker of books, on the habits and opinions revealed by his commentary on printed texts and on the re-shaping of the Swiftian book after his death.
Jonathan Swift: His Life and His World
by Leo DamroschJonathan Swift is best remembered today as the author of Gulliver's Travels, the satiric fantasy that quickly became a classic and has remained in print for nearly three centuries. Yet Swift also wrote many other influential works, was a major political and religious figure in his time, and became a national hero, beloved for his fierce protest against English exploitation of his native Ireland. What is really known today about the enigmatic man behind these accomplishments? Can the facts of his life be separated from the fictions? In this deeply researched biography, Leo Damrosch draws on discoveries made over the past thirty years to tell the story of Swift's life anew. Probing holes in the existing evidence, he takes seriously some daring speculations about Swift's parentage, love life, and various personal relationships and shows how Swift's public version of his life--the one accepted until recently--was deliberately misleading. Swift concealed aspects of himself and his relationships, and other people in his life helped to keep his secrets. . Assembling suggestive clues, Damrosch re-narrates the events of Swift's life while making vivid the scents, sounds, and smells of his English and Irish surroundings. Through his own words and those of a wide circle of friends, a complex Swift emerges: a restless, combative, empathetic figure, a man of biting wit and powerful mind, and a major figure in the history of world letters.
Jonathan Swift: Irish Blow-In
by Eugene HammondJonathan Swift: Irish Blow-in covers the arc of the first half of Jonathan Swift’s life, offering fresh details of the contentment and exuberance of his childhood, of the support he received from his grandmother, of his striking affection for Esther Johnson from the time she was ten years old (his pet name for her in her twenties was “saucebox”), of his precocious entry into English politics with his Contests and Dissensions pamphlet, of his brilliant and much misunderstood Tale of a Tub, and of his naive determination to do well both as a vicar of the small parish of Laracor in Ireland and as a writer for the Tory administration trying to pull England out of debt by ending the war England was engaged in with France. I do not share with past biographers the sense that Swift had a deprived childhood. I do not share the suspicion that most of Swift’s enmities were politically motivated. I do not feel critical of him because he was often fastidious with his money. I do not think he was insincere about his religious faith. His pride, his sexual interests, his often shocking or uninhibited language, his instinct for revenge – emphasized by many previous biographers – were all fundamental elements of his being, but elements that he either used for rhetorical effect, or that he tried to keep in check, and that he felt that religion helped him to keep in check. Swift had as firm a conviction as did Freud that we are born with wayward tendencies; unlike Freud, though, he saw both religion and civil society as necessary and helpful checks on those wayward tendencies, and he (frequently, but certainly not always) acknowledged that he shared those tendencies with the rest of us. This biography, in two books, Jonathan Swift: Irish Blow-in and Jonathan Swift:Our Dean, will differ from most literary biographies in that it does not aim to show how Swift’s life illuminates his writings, but rather how and why Swift wrote in order to live the life he wanted to live. I have liberally quoted Swift’s own words in this biography because his inventive expression of ideas, both in his public works and in his private letters, was what has made him a unique and compelling figure in the history of literature. I hope in these two books to come closer than past biographies to capturing how it felt to Swift himself to live his life. Published by University of Delaware Press. Distributed worldwide by Rutgers University Press.
Jonathan Swift: Irish Blow-In
by Eugene HammondJonathan Swift: Irish Blow-in covers the arc of the first half of Jonathan Swift’s life, offering fresh details of the contentment and exuberance of his childhood, of the support he received from his grandmother, of his striking affection for Esther Johnson from the time she was ten years old (his pet name for her in her twenties was “saucebox”), of his precocious entry into English politics with his Contests and Dissensions pamphlet, of his brilliant and much misunderstood Tale of a Tub, and of his naive determination to do well both as a vicar of the small parish of Laracor in Ireland and as a writer for the Tory administration trying to pull England out of debt by ending the war England was engaged in with France. I do not share with past biographers the sense that Swift had a deprived childhood. I do not share the suspicion that most of Swift’s enmities were politically motivated. I do not feel critical of him because he was often fastidious with his money. I do not think he was insincere about his religious faith. His pride, his sexual interests, his often shocking or uninhibited language, his instinct for revenge – emphasized by many previous biographers – were all fundamental elements of his being, but elements that he either used for rhetorical effect, or that he tried to keep in check, and that he felt that religion helped him to keep in check. Swift had as firm a conviction as did Freud that we are born with wayward tendencies; unlike Freud, though, he saw both religion and civil society as necessary and helpful checks on those wayward tendencies, and he (frequently, but certainly not always) acknowledged that he shared those tendencies with the rest of us. This biography, in two books, Jonathan Swift: Irish Blow-in and Jonathan Swift: Our Dean, will differ from most literary biographies in that it does not aim to show how Swift’s life illuminates his writings, but rather how and why Swift wrote in order to live the life he wanted to live. I have liberally quoted Swift’s own words in this biography because his inventive expression of ideas, both in his public works and in his private letters, was what has made him a unique and compelling figure in the history of literature. I hope in these two books to come closer than past biographies to capturing how it felt to Swift himself to live his life. Published by University of Delaware Press. Distributed worldwide by Rutgers University Press.
Jonathan Swift: Our Dean
by Eugene HammondJonathan Swift: Our Dean details the political climax of his remarkable career—his writing and publication of The Drapier’s Letters (1724), Gulliver’s Travels (1726), and A Modest Proposal (1729)—stressing the relentless political opposition he faced and the numerous ways, including through his sermons, that he worked from his political base as Dean of St. Patrick’s Cathedral, psychologically as well as physically just outside the Dublin city walls, to attempt to rouse the Irish people to awareness of the ways that England was abusing them. This book faces squarely the likelihood that Swift had a physical affair with Esther Vanhomrigh between 1719 and 1723, and reassesses in the light of that likelihood his conflicting relations with Esther Vanhomrigh and Esther Johnson. It traces the many loving friendships with both men and women in Ireland that sustained Swift during the years when his health gradually failed him, enabling him to continue indefatiguably, both through his writings and his authority as Dean of St. Patrick’s, to contribute to the public welfare in the face of relentless British attempts to squeeze greater and greater profits out of their Irish colony. Finally, it traces how Swift’s political indignation led to his treating many people, friends and enemies, cruelly during the 1730s, even while his humor and his ability to make and attract new friends sustained themselves until his memory finally failed him in 1742. This biography, in two books, Jonathan Swift: Irish Blow-in and Jonathan Swift:Our Dean, comes closer than past biographies to capturing how it felt to Swift himself to live his life. Published by University of Delaware Press. Distributed worldwide by Rutgers University Press.
Jonathan Swift: Our Dean
by Eugene HammondJonathan Swift: Our Dean details the political climax of his remarkable career—his writing and publication of The Drapier’s Letters (1724), Gulliver’s Travels (1726), and A Modest Proposal (1729)—stressing the relentless political opposition he faced and the numerous ways, including through his sermons, that he worked from his political base as Dean of St. Patrick’s Cathedral, psychologically as well as physically just outside the Dublin city walls, to attempt to rouse the Irish people to awareness of the ways that England was abusing them. This book faces squarely the likelihood that Swift had a physical affair with Esther Vanhomrigh between 1719 and 1723, and reassesses in the light of that likelihood his conflicting relations with Esther Vanhomrigh and Esther Johnson. It traces the many loving friendships with both men and women in Ireland that sustained Swift during the years when his health gradually failed him, enabling him to continue indefatiguably, both through his writings and his authority as Dean of St. Patrick’s, to contribute to the public welfare in the face of relentless British attempts to squeeze greater and greater profits out of their Irish colony. Finally, it traces how Swift’s political indignation led to his treating many people, friends and enemies, cruelly during the 1730s, even while his humor and his ability to make and attract new friends sustained themselves until his memory finally failed him in 1742. This biography, in two books, Jonathan Swift: Irish Blow-in and Jonathan Swift:Our Dean, comes closer than past biographies to capturing how it felt to Swift himself to live his life. Published by University of Delaware Press. Distributed worldwide by Rutgers University Press.
Jonathan Swift: Political Writer (Routledge Revivals)
by Alan DownieFirst published in 1984, this biography gives an account of Jonathan Swift’s political ideas and provides a critical commentary on his major works. With its emphasis on Swift as a political writer, the title offers a revision of the prevailing view of Swift’s politics and its application in the study of his works. Alan Downie argues that in terms of the party politics of the day Swift is neither a Whig nor Tory. Swift thought of himself as an ‘Old Whig’, and said he was ‘of the old Whig principles, without the modern articles and refinements’. Downie shows how Swift’s writings consistently make political points about society’s deviation from an ideal. As Swift’s views on morality, religion and politics are so closely linked, an understanding of his political ideas is vital; this reissue provides a detailed analysis of this aspect of Swift’s writings and views, and as such will be of great interest to any students researching his satire.
Jonathan Swift: The Reluctant Rebel
by John StubbsA rich and riveting portrait of the man behind Gulliver’s Travels, by a “vivid, ardent, and engaging” (New York Times Book Review) author. One of Europe’s most important literary figures, Jonathan Swift was also an inspired humorist, a beloved companion, and a conscientious Anglican minister—as well as a hoaxer and a teller of tales. His anger against abuses of power would produce the most famous satires of the English language: Gulliver’s Travels as well as the Drapier Papers and the unparalleled Modest Proposal, in which he imagined the poor of Ireland farming their infants for the tables of wealthy colonists. John Stubbs’s biography captures the dirt and beauty of a world that Swift both scorned and sought to amend. It follows Swift through his many battles, for and against authority, and in his many contradictions, as a priest who sought to uphold the dogma of his church; as a man who was quite prepared to defy convention, not least in his unshakable attachment to an unmarried woman, his “Stella”; and as a writer whose vision showed that no single creed holds all the answers. Impeccably researched and beautifully told, in Jonathan Swift Stubbs has found the perfect subject for this masterfully told biography of a reluctant rebel—a voice of withering disenchantment unrivaled in English.
Jonathan and Amy
by Grace BurrowesWidower Jonathan Dolan knows how to work hard, make money, and dote on his daughter Georgina, but his humble Irish antecedents have not prepared him for the challenge of wooing Amy Ingraham, Georgina's elegant, genteel governess. Just as Amy begins to evidence a shy pleasure in Jonathan's overtures, a distant cousin turns up claiming that Amy is obligated to marry him. Jonathan must be clever, determined, and above all else honorable if he's to win not only Amy's hand, but the respect of a society only too willing to judge him harshly.
Jones Beach (Postcard History Series)
by Constantine E. Theodosiou George Gorman Jr.Envisioning a noble beachfront park so ordinary people could enjoy a slice of the good life, master builder Robert Moses set out to transform a little-known barrier island off Long Island's South Shore into the civic masterpiece now known as Jones Beach State Park. All vacationers and day-trippers had to do was simply follow its beloved mascot, the Jones Beach seahorse, for an unforgettable day of sand and surf, or for a swim in the saltwater pool at the West Bathhouse, a stroll along the boardwalk, or a friendly match of shuffleboard, pitch-putt golf, or archery. The Indian Village also awaited, as well as fine dining at the Boardwalk Restaurant, a musical at the Marine Theatre, or a night of dancing to the songs of Guy Lombardo.
Jonesboro and Arkansas's Historic Northeast Corner (Images of America)
by Ray Hanley Diane HanleyWhen Union soldiers returned North after the Civil War, they brought home stories of a sparsely populated area with bountiful timber and potential for homes and farms. Over the next 50 years, first by wagon train and then by railroads, settlers came to build not only homes and farms but also thriving communities in the Clay, Greene, and Craighead counties of northeastern Arkansas. Today, visitors and residents of the area see the bustle of Jonesboro and the thriving Arkansas State University. Readers of Jonesboro and Arkansas' Historic Northeast Corner will discover Jonesboro as it lived a century ago, a promising town of 7,000 citizens. As the 20th Century opened, modern and attractive towns such as Corning, Piggott, Rector, and Paragould began to thrive. The evolution of these historic areas-from slow-paced villages with dirt roads and horse-drawn wagons to the bustling towns of the late 20th century-is chronicled in this Images of America edition.
Jonesborough (Images of America)
by Sonya A. HaskinsOriginally established in 1779 as the seat of Washington County, North Carolina, Jonesborough is the oldest incorporated town in Tennessee. Early pioneers were given land grants to settle west of the mountains, but by 1784, they no longer trusted their political leaders in North Carolina. They created their own local government and established the state of Franklin, naming Jonesborough the original capital of the "lost" 14th state. Never recognized by Congress, Franklin eventually fizzled out and Tennessee was formed. Although Tennessee was a slave-holding state prior to the Civil War, Jonesborough produced the earliest regularly published periodical devoted to abolishing slavery. Today, Jonesborough is listed on the National Register of Historic Places, with many buildings fully restored. In this volume, readers will see the Christopher Taylor House, which was built about 1778, and the Chester Inn, which hosted many famous guests in its original days, including Presidents Andrew Jackson, Andrew Johnson, and James K. Polk.
Jonson, Shakespeare, and Aristotle on Comedy (Routledge Studies in Shakespeare)
by Jonathan GoossenJonson, Shakespeare, and Aristotle on Comedy relates new understandings of Aristotle’s dramatic theory to the comedy of Ben Jonson and William Shakespeare. Typically, scholars of Renaissance drama have treated Aristotle’s theory only as a possible historical influence on Jonson’s and Shakespeare’s drama, focusing primarily on their tragedies. Yet recent classical scholarship has undone important misconceptions about Aristotle’s Poetics held by early modern commentators and fleshed out the theory of comedy latent within it. By first synthesizing these developments and then treating them as an interpretive theory, rather than simply an historical influence, this book demonstrates a remarkable consonance between Aristotelian principles of plot and its emotional effect, on the one hand, and the comedy of Shakespeare and Jonson, on the other. In doing so, it also reveals surprising similarities between these seemingly divergent dramatists.