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Criticism and the Growth of Knowledge
by Imre Lakatos Alan MusgraveTwo books have been particularly influential in contemporary philosophy of science: Karl R. Popper's Logic of Scientific Discovery, and Thomas S. Kuhn's Structure of Scientific Revolutions. Both agree upon the importance of revolutions in science, but differ about the role of criticism in science's revolutionary growth. This volume arose out of a symposium on Kuhn's work, with Popper in the chair, at an international colloquium held in London in 1965. The book begins with Kuhn's statement of his position followed by seven essays offering criticism and analysis, and finally by Kuhn's reply. The book will interest senior undergraduates and graduate students of the philosophy and history of science, as well as professional philosophers, philosophically inclined scientists, and some psychologists and sociologists.
Criticism, Art and Theory in 1970s Britain: The Critical War (ISSN)
by JJ CharlesworthA critical study of the life of art criticism in the 1970s, this volume traces the evolution of art and art criticism in a pivotal period in post-war British history.JJ Charlesworth explores how art critics and the art press attempted to negotiate new developments in art, faced with the challenges of conceptualism, alternative media, new social movements and radical innovations in philosophy and theory. This is the first comprehensive study of the art press and art criticism in Britain during this pivotal period, seen through the lens of its art press, charting the arguments and ideas that would come to shape contemporary art as we know it today.This book will be of interest to scholars working in art history, British cultural history and history of journalism.
Criticism, Crisis, and Contemporary Narrative: Textual Horizons in an Age of Global Risk (Routledge Studies in Contemporary Literature)
by Paul CrosthwaiteThe etymological affinity between ‘criticism’ and ‘crisis’ has never been more resonant than it is today, when social life is increasingly understood as defined by a succession of overlapping global crises: financial and economic crises; environmental crises; geopolitical crises; terrorist crises; public health crises. But what is the role of literary and cultural criticism in conceptualizing this atmosphere of perpetual crisis? If, as Paul de Man maintained, criticism necessarily exists in a state of crisis, in what ways is this condition intensified at a time when the social formations within which criticism operates and the cultural artefacts that it takes as its objects are themselves pervaded by actual and imagined states of emergency? This book, the first sustained response to these questions, demonstrates the capacity of critical thought, working in dialogue with key narrative texts, to provide penetrating insights into a contemporary landscape of global, manufactured risk. Written by an international team of specialist scholars, the essays in the collection draw on a wide variety of contemporary theoretical, fictional, and cinematic sources, ranging from Giorgio Agamben, Jacques Derrida, and Fredric Jameson to Cormac McCarthy, Ian McEwan, and Lauren Beukes to Ghost and the James Bond and National Treasure series. Appearing in the midst of a phase of extraordinary turbulence in the fabric of our interconnected and interdependent world, the book makes a landmark intervention in debates concerning the cultural ramifications of globalization.
Criticism: Major Statements (4th edition)
by Charles Kaplan William Davis AndersonThis anthology encompasses the historic sweep of literary criticism from Plato to the present in a compact format.
Critics at Work: Interviews 1993-2003 (Cultural Front)
by Jeffrey J. WilliamsFeaturing interviews with nineteen leading U.S. literary and cultural critics, Critics at Work offers a unique picture of recent developments in literary studies, critical theory, American studies, gay and lesbian studies, philosophy, and other fields. It provides informative, timely, and often provocative commentary on a broad range of topics, from the state of theory today and the prospects for cultural studies to the role of public intellectuals and the place of political activism. These conversations also elicit illuminating and sometimes surprising insights into the personal and professional lives of its contributors. Individually, each interview gives a significant overview of a critic's work. Taken together, they provide an assessment of literary and cultural studies from the establishment of theory and its diffusion, in recent years, into various cultural and identity studies. In addition to the interviews themselves, the volume includes useful short introductions to each critic's work and biography. Interviewees: K. Anthony Appiah, Lauren Berlant, Cathy Davidson, Morris Dickstein, Stanley Fish, Barbara Foley, Nancy Fraser, Gerald Graff, Alice Kaplan, E. Ann Kaplan, Robin D.G. Kelley, Paul Lauter, Louis Menand, Richard Ohmann, Andrew Ross, Eve Kosofsky Sedgwick, Jane Tompkins, Marianna Torgovnick, and Alan Wald.
Critics of Enlightenment Rationalism Revisited (Palgrave Studies in Classical Liberalism)
by Gene Callahan Kenneth B. McIntyreThis book provides an overview of some of the most important critics of “Enlightenment rationalism.” The subjects of the volume (including, among others, Pascal, Vico, Schmitt, Weber, Anscombe, Scruton, and Tolkien) do not share a philosophical tradition as much as a skeptical disposition toward the notion, common among modern thinkers, that there is only one standard of rationality or reasonableness, and that that one standard is or ought to be taken from the presuppositions, methods, and logic of the natural sciences. The essays on each thinker are intended not merely to offer a commentary on that thinker, but also to place the person in the context of this larger stream of anti-rationalist thought.
Critics on George Eliot (Routledge Revivals)
by William BakerFirst published in 1973 Critics on George Eliot brings together a selection of the best critical essays and discussions on the novels of George Eliot, including many that are not easily available outside well established and comprehensive libraries. The selection covers the whole range of George Eliot’s work, and by setting different critical points of view side by side helps the student to find a position of her own. The intention is not to limit the student’s critical reading to one small volume, but to stimulate to explore the critics more widely for herself and to read the novels again with greater understanding, and pleasure. This is a must read for students of English literature.
Critics, Coteries, and Pre-Raphaelite Celebrity (Gender and Culture Series)
by Wendy GrahamFounded by a band of young iconoclasts, the Pre-Raphaelite Brotherhood stunned Victorian England with its revaluation of culture and lifestyle. With Pre-Raphaelitism ascendant in the 1850s and canonical by the 1880s, the movement’s refractory reception history is an object lesson in how avant-gardes burst upon the scene, dispense with their antagonistic posture, and become a mainstay of tradition. Wendy Graham traces the critical discourses that greeted the Pre-Raphaelites’ debut, shaped their contemporary reception, and continued to inform responses to them well after their heyday. She explains the mechanics of fame and the politics of scandal contributing to the rise of aestheticism, providing a new interpretation of the place of aesthetic counterculture in Victorian England.Critics, Coteries, and Pre-Raphaelite Celebrity sheds new light on Victorian discourses on sexuality and masculinity through a thick description of literary bravado, the emotions of male bonding within cliques, and homoerotic frissons among the creators and reviewers of Pre-Raphaelitism. Graham threads together the qualities that made William Holman Hunt, John Everett Millais, and Gabriel Rossetti exemplary figures of aesthetic celebrity in the 1850s; Algernon Swinburne and Simeon Solomon in the 1860s; and Edward Burne-Jones and Walter Pater in the 1870s. The book documents the symbiotic relationship between periodical writers and the artists and poets they helped make famous, demonstrating that the origin myth of Bohemian artistic transcendence was connected with the rise of a professional class of journalists. Graham shows that the Pre-Raphaelites innovated many of the phenomena now associated with Oscar Wilde, arguing that they were foundational for him in forging an artistic and personal identity with a full-blown publicity apparatus. Wilde had models. This book is about them.
Critics, Monsters, Fanatics, & Other Literary Essays
by Cynthia OzickIn a collection that includes new essays written explicitly for this volume, one of our sharpest and most influential critics confronts the past, present, and future of literary culture. If every outlet for book criticism suddenly disappeared — if all we had were reviews that treated books like any other commodity — could the novel survive? In a gauntlet-throwing essay at the start of this brilliant assemblage, Cynthia Ozick stakes the claim that, just as surely as critics require a steady supply of new fiction, novelists need great critics to build a vibrant community on the foundation of literary history. For decades, Ozick herself has been one of our great critics, as these essays so clearly display. She offers models of critical analysis of writers from the mid-twentieth century to today, from Saul Bellow, Bernard Malamud, and Kafka, to William Gass and Martin Amis, all assembled in provocatively named groups: Fanatics, Monsters, Figures, and others. Uncompromising and brimming with insight, these essays are essential reading for anyone facing the future of literature in the digital age.
Critique and Postcritique
by Rita Felski Elizabeth S. AnkerNow that literary critique's intellectual and political pay-off is no longer quite so self-evident, critics are vigorously debating the functions and futures of critique. The contributors to Critique and Postcritique join this conversation, evaluating critique's structural, methodological, and political potentials and limitations. Following the interventions made by Bruno Latour, Eve Kosofsky Sedgwick, Sharon Marcus and Stephen Best, and others, the contributors assess the merits of the postcritical turn while exploring a range of alternate methods and critical orientations. Among other topics, the contributors challenge the distinction between surface and deep reading; outline how critique-based theory has shaped the development of the novel; examine Donna Haraway's feminist epistemology and objectivity; advocate for a "hopeful" critical disposition; highlight the difference between reading as method and critique as genre; and question critique's efficacy at attending to the affective dimensions of experience. In these and other essays this volume outlines the state of contemporary literary criticism while pointing to new ways of conducting scholarship that are better suited to the intellectual and political challenges of the present. Contributors: Elizabeth S. Anker, Christopher Castiglia, Russ Castronovo, Simon During, Rita Felski, Jennifer L. Fleissner, Eric Hayot, Heather Love, John Michael, Toril Moi, Ellen Rooney, C. Namwali Serpell
Critique as Critical History
by Bregham DalglieshThis book presents the first sustained articulation of a Foucauldian oeuvre. It situates Foucault's critique within the tradition of Kant's call for a philosophical archaeology of reason; in parallel, it demonstrates the priority in Foucault's thought of Nietzsche over Heidegger and the framing of reason against an ontology of power. Bregham Dalgliesh hereby claims that at the heart of the Foucauldian oeuvre is the philosophical method of critical history. Its task is to make the will to know that drives thought conscious of itself as a problem, especially the regimes of truth that define our governmentalities. By revealing the contingency of their constituent parts of knowledge, power and ethics, Dalgliesh demonstrates that critical history offers an alternative mode of critique to the hithertofore singular reading of the intellectual heritage of enlightenment, while it fosters an agonistic concept of freedom in respect of our putatively necessary limits.
Critique of Critique (Square One: First-Order Questions in the Humanities)
by Roy Ben-ShaiWhat is critique? How is it used and abused? At a moment when popular discourse is saturated with voices confronting each other about not being critical enough, while academic discourses proclaim to have moved past critique, this provocative book reawakens the foundational question of what 'critique' is in the first place. Roy Ben-Shai inspects critique as an orientation of critical thinking, probing its structures and assumptions, its limits and its risks, its history and its possibilities. The book is a journey through a landscape of ideas, images, and texts from diverse sources—theological, psychological, etymological, and artistic, but mainly across the history of philosophy, from Plato and Saint Augustine, through Kant and Hegel, Marx and Heidegger, up to contemporary critical theory. Along the way, Ben-Shai invites the reader to examine their own orientation of thought, even at the moment of reading the book; to question popular discourse; and to revisit the philosophical canon, revealing affinities among often antagonistic traditions, such as Catholicism and Marxism. Most importantly, Critique of Critique sets the ground for an examination of alternative orientations of critical thinking, other ways of inhabiting and grasping the world.
Critique of Journalistic Reason: Philosophy and the Time of the Newspaper
by Tom VandeputteAn encounter between philosophy and journalism recurs across the modern philosophical tradition. Images of reporters and newspaper readers, messengers and town criers, announcements and rumors populate the work of such thinkers as Kierkegaard, Nietzsche, and Benjamin. This book argues that these three thinkers’ preoccupation with journalism cannot be separated from their philosophy “proper” but plays a pivotal role in their philosophical work, where it marks an important nexus between their theories of history, time, and language. Journalism, in the tradition Vandeputte brings to light, figures before anything else as a cipher of the time in which philosophy is written. If the journalist and newspaper reader characterize what Kierkegaard calls “the present age,” that is because they exemplify a present marked by the crisis of the philosophy of history—a time after the demise of history as a philosophizable concept. In different ways, the pages of the newspaper appear in the European philosophical tradition as a site where teleological and totalizing representations of history must founder, together with the conceptions of progress and development that sustain them.But journalism does not simply mark the end of philosophy; for Kierkegaard, Nietzsche, and Benjamin, journalistic writing also takes on an exemplary role in the attempt to think time and history in the wake of this demise. The concepts around which these attempts crystallize—Kierkegaard’s “instant,” Nietzsche’s “untimeliness,” and Benjamin’s “actuality”—all emerge from the philosophical confrontation with journalism and its characteristic temporalities.
Critique of Practical Reason (SparkNotes Philosophy Guide)
by SparkNotesCritique of Practical Reason (SparkNotes Philosophy Guide) Making the reading experience fun! SparkNotes Philosophy Guides are one-stop guides to the great works of philosophy–masterpieces that stand at the foundations of Western thought. Inside each Philosophy Guide you&’ll find insightful overviews of great philosophical works of the Western world.
Critique of Pure Nature (Numanities - Arts and Humanities in Progress #26)
by Simona StanoThis book challenges the Western contemporary “praise for Nature”. From food to body practices, from ecological discourses to the Covid-19 pandemic, contemporary imaginaries abound with representations of an ideal “pure Nature”, essentially defined according to a logic of denial of any artificial, modified, manipulated — in short, cultural — aspect.How should we contextualise and understand such an opposition, especially in light of the rich semantic scope of the term “nature” and its variability over time? And how can we — if we actually can — envisage alternative models and approaches capable of better accounting for such richness and variability? The author addresses these fundamental issues, combining an initial theoretical problematisation of the concept of nature and its evolution — from classical philosophy to the crucial changes occurred through the Middle Ages, the Renaissance, Romanticism and the modern era, finally considering recent insights in philosophy, sociology, cultural anthropology and semiotics — with the analysis of its discursivisation — from the iconography of Mother Nature between the past and the present to the representation of catastrophic events in fictional and non-fictional texts, from clean eating and other popular food trends to the ambivalence of the naked body between its supposed natural ascription and its multiple cultural characterisations. Thus she introduces a critique of pure Nature, providing a systematic study of the way nature is attributed meaning and value in some of today’s most relevant discourses and practices, and finally tracing a possible path towards an “internatural turn”.
Critiquing Free Speech: First Amendment theory and the Challenge of Interdisciplinarity (Routledge Communication Series)
by Matthew D. BunkerIn this exceptional volume, Matthew D. Bunker explores the work of contemporary free speech critics and argues that, while at times these critics provide important lessons, many of their conclusions must be rejected. Moreover, Bunker suggests that we be wary of interdisciplinary approaches to free speech theory that--by their very assumptions and techniques--are a poor "fit" with existing free speech theory and doctrine. In his investigation of diverse critiques of free speech theory and his sophisticated rebuttal, he provides an innovative and important examination of First Amendment theory. In doing so, he establishes a new agenda for First Amendment theory scholarship that incorporates some of the critics' insights without abandoning the best aspects of the free speech tradition. COPY FOR MAILER: Distinctive features in this volume include: * an overview of the traditional approaches to First Amendment theory, * an examination of work from key First Amendment scholars and theorists, at both the individual and group level, * an emphasis on interdisciplinarity ranging from femi- nist and critical legal scholars to economists and literary theorists, and * a new agenda for First Amendment theory scholar- ship which incorporates critical comment while pre- serving the best aspects of the free speech tradition.
Critiquing the Teaching and Learning of English in Chile: Challenges and Opportunities for Transformative Practice (Global South Perspectives on TESOL)
by Stephen Darwin Darío Luis Banegas Malba Barahona Leonardo Veliz Loreto Abarzúa Silva Rommy Anabalón Schaaf María Cristina Arancibia Natalia Asenjo Roxana Balbontín-Alvarado Corinne Barger Víctor Birkner Diego Cabezas Bravo Tatiana Cárcamo Rojas Tamara Cortés Seitz Martha Epperson Eric Gómez Burgos Alexia Guerra Rivera Pamela Lara-Morales Paulina Moya-Santiagos Carolina Muñoz Muñoz, Belén Alicia Páez Nykoll Pinilla-Portiño Camilo Ramos-Gálvez Priscila Riffo-Salgado Margarita Ulloa Toro, María Yasna Yilorm BarrientosThis edited volume challenges the hegemonic values and practices that have shaped the contemporary state of English language education in Chile, offering a space for a transformative vision that prioritises pedagogical practices grounded in (g)localised methodologies and epistemologies.Providing insights into English language teacher education and the pedagogical practices that teachers enact in diverse contexts, chapters delve into a critical scrutiny of prevalent issues in ELT education and explore new opportunities for innovation, reconsideration and reconceptualisation of policy and practice. Motivated by the drive for transformative, context-sensitive and culturally relevant practice, contributors critically engage with the socio-cultural and socio-political context of Chilean English language researchers, offering a systematic analysis of the profound effects of entrenched neoliberal ideologies in education, as well as how these act to influence and shape teaching practices, policies, and outcomes. In highlighting the inherent limitations and inequities perpetuated by neoliberal policies, contributors offer alternative perspectives and solutions designed to promote more equitable, inclusive, and socially just second language educational practices.Providing a comprehensive examination of the intricate relationship between Chile's political history, socio-economic evolution, and the rise of English language education, this book will be of interest to scholars, researchers, and postgraduate students in the fields of applied linguistics, teaching and learning English as a foreign/second language, and initial English language teacher education. Policy makers working in ELT in the Chilean context may also find the volume of use.
Crito (SparkNotes Philosophy Guide)
by SparkNotesCrito (SparkNotes Philosophy Guide) Making the reading experience fun! SparkNotes Philosophy Guides are one-stop guides to the great works of philosophy–masterpieces that stand at the foundations of Western thought. Inside each Philosophy Guide you&’ll find insightful overviews of great philosophical works of the Western world.
Crockett Johnson and Ruth Krauss: How an Unlikely Couple Found Love, Dodged the FBI, and Transformed Children's Literature (Children's Literature Association Series)
by Philip NelWinner of the Children’s Literature Association’s 2014 Honor Book AwardCrockett Johnson (born David Johnson Leisk, 1906–1975) and Ruth Krauss (1901–1993) were a husband-and-wife team that created such popular children's books as The Carrot Seed and How to Make an Earthquake. Separately, Johnson created the enduring children's classic Harold and the Purple Crayon and the groundbreaking comic strip Barnaby. Krauss wrote over a dozen children's books illustrated by others, and pioneered the use of spontaneous, loose-tongued kids in children's literature. Together, Johnson and Krauss's style—whimsical writing, clear and minimalist drawing, and a child's point-of-view—is among the most revered and influential in children's literature and cartooning, inspiring the work of Maurice Sendak, Charles M. Schulz, Chris Van Allsburg, and Jon Scieszka. This critical biography examines their lives and careers, including their separate achievements when not collaborating. Using correspondence, sketches, contemporary newspaper and magazine accounts, archived and personal interviews, author Philip Nel draws a compelling portrait of a couple whose output encompassed children's literature, comics, graphic design, and the fine arts. Their mentorship of now-famous illustrator Maurice Sendak (Where the Wild Things Are) is examined at length, as is the couple's appeal to adult contemporaries such as Duke Ellington and Dorothy Parker. Defiantly leftist in an era of McCarthyism and Cold War paranoia, Johnson and Krauss risked collaborations that often contained subtly rendered liberal themes. Indeed, they were under FBI surveillance for years. Their legacy of considerable success invites readers to dream and to imagine, drawing paths that take them anywhere they want to go.
Cronistas bohemios: La rebeldía de la Gente Nueva en 1900
by Miguel Angel del ArcoEl retrato de una época legendaria para la esfera intelectual española y el sector del periodismo, a través de cinco de sus protagonistas. Alrededor de 1900 las redacciones de los periódicos estaban repletas de bohemios que acudían allí para calentarse o para demandar una colaboración. Pero no todos eran hampones y pedigüeños. Entre ellos había literatos de altura que pasaron a la historia como la Gente Nueva y fueron coetáneos, compañeros de café y colegas de modernistas y noventayochistas. Algunos de ellos fueron auténticos pioneros, los primeros corresponsales, cronistas y reporteros, y conformaron los inicios del periodismo moderno. Además de una magnífica contextualización histórica y la descripción de las relaciones entre el periodismo y bohemia de aquel tiempo, Cronistas bohemios reúne algunos de los mejores textos -precedidos de un perfil de cada autor-, excelente muestra de las grandes aportaciones de esta bohemia a la historia del periodismo, esencialmente en el lenguaje (basado en la paradoja y el uso de la palabra como explosivo), el contenido (de calado social) y el humor(a menudo ácido, incluso negro). Los cinco autores aquí reunidos son Antonio Palomero, Alejandro Sawa, Pedro Barrantes, Joaquín Dicenta y Luis Bonafoux, nombres que hoy no representan gran cosa. Sin embargo, estos textos tienen muy poco que envidiar, en calidad, en estilo, en atrevimiento y en novedoso enfoque, a lo que muchos años después conoceríamos como nuevo periodismo. Se pueden leer, hoy mismo, con gusto y asombro. Reseñas:«Además de una magnífica contextualización histórica y la descripción de las relaciones entre periodismo y bohemia de aquel tiempo, Cronistas bohemios reúne algunos de los mejores textos, precedidos de un perfil de cada autor, excelente muestra de las grandes aportaciones de esta bohemia a la historia del periodismo, esencialmente en el lenguaje (basado en la paradoja y el uso de la palabra como explosivo), el contenido (de calado social) y el humor (a menudo ácido, incluso negro).»Todo Literatura «No dejaron huella aparente en el oficio. La Guerra Civil partió en dos el rastro de aquellos hombres en beneficio de una amnesia triunfal que borró su estela. Pero de esos días delirantes quedan sus crónicas y el peso de leyenda que los enclavijó en la bohemia cuando en verdad fueron algo más. En un entorno de sacamantecas, feriantes de café y colmeneros del hambre y la cazalla, dibujaron un periodismo de buen paño que se levantó en los periódicos, en las redacciones de vinagre y ruido, en el fervor de un Madrid sacudido de miseria y sediento de honor, síntomas de una época tremenda y feliz. De una forma de hacer periódicos con el ideal puesto en el último café que cierra más allá de la madrugada.»Antonio Lucas, El Mundo
Crooked Talk: Five Hundred Years of the Language of Crime
by Jonathon GreenThe language of crime has a long and venerable history - in fact, the first collection of words specifically used by criminals, Hye-Way to the Spittel House, dates from as early as 1531. Jonathon Green is our national expert on slang, and in Crooked Talk he looks at five hundred years of crooks and conmen - from the hedge-creepers and counterfeit cranks of the sixteenth century to the blaggers and burners of the twenty-first - as well as the swag, the hideouts, the getaway vehicles and the 'tools of the trade'. Not to mention a substantial detour into the world of prisons that faced those unlucky enough to be caught by the boys in blue. If you have ever wondered when the police were first referred to as pigs, why prison guards became known as redraws, or what precisely the subtle art of dipology involves, then this book has all the answers.
Cross Worlds
by Laura Wright Anne WaldmanCross Words refers to cultural hybrids, trans-cultural alliances, and associations. This fascinating compendium documents--in essays, conversations, and socratic raps--the vital work poets perform when they write across borders.Anne Waldman is the author of more than forty collections of poetry, the editor of numerous anthologies, and, for The Iovis Trilogy, the winner of the Shelley Memorial Award and the USA PEN Center Award for Poetry. She is a chancellor of the Academy of American Poets.Laura E. Wright is a poet, translator, and librarian. With Anne Waldman, she co-edited Beats at Naropa (Coffee House Press, 2009).
Cross of Snow: A Life of Henry Wadsworth Longfellow
by Nicholas A. BasbanesA major literary biography of America's best-loved nineteenth-century poet, the first in more than fifty years, and a much-needed reassessment for the twenty-first century of a writer whose stature and celebrity were unparalleled in his time, whose work helped to explain America's new world not only to Americans but to Europe and beyond. From the author of On Paper ("Buoyant"--The New Yorker; "Essential"--Publishers Weekly), Patience and Fortitude ("A wonderful hymn"--Simon Winchester), and A Gentle Madness ("A jewel"--David McCullough).In Cross of Snow, the result of more than twelve years of research, including access to never-before-examined letters, diaries, journals, notes, Nicholas Basbanes reveals the life, the times, the work--the soul--of the man who shaped the literature of a new nation with his countless poems, sonnets, stories, essays, translations, and whose renown was so wide-reaching that his deep friendships included Charles Dickens, Nathaniel Hawthorne, Ralph Waldo Emerson, Julia Ward Howe, and Oscar Wilde.Basbanes writes of the shaping of Longfellow's character, his huge body of work that included translations of numerous foreign works, among them, the first rendering into a complete edition by an American of Dante's Divine Comedy. We see Longfellow's two marriages, both happy and contented, each cut short by tragedy. His first to Mary Storer Potter that ended in the aftermath of a miscarriage, leaving Longfellow devastated. His second marriage to the brilliant Boston socialite--Fanny Appleton, after a three-year pursuit by Longfellow (his "fiery crucible," he called it), and his emergence as a literary force and a man of letters.A portrait of a bold artist, experimenter of poetic form and an innovative translator--the human being that he was, the times in which he lived, the people whose lives he touched, his monumental work and its place in his America and ours.
Cross-Cultural Communication
by Barry Tomalin Brian J. HurnA comprehensive survey of the key areas of research in cross-cultural communication, based on the authors' experience in organizing and delivering courses for undergraduate and postgraduate students and in business training in the UK and overseas.
Cross-Cultural Connections in Crime Fictions
by Vivien Miller Helen OakleyA collection of ten original essays forging new interdisciplinary connections between crime fiction and film, encompassing British, Swedish, American and Canadian contexts. The authors explore representations of race, gender, sexuality and memory, and challenge traditional categorisations of academic and professional crime writing.