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D C-T!
by Joana Avillez Molly YoungA joy-inducing illustrated book about New York City in the ingenious style of William Steig's classic CDB!Just as there are few cities as storied and replete with life as New York City, there are few illustrators or writers who have charmed as many generations as William Steig. To Molly Young and Joana Avillez, a connection between the two seemed obvious, and so D C-T! ("The City!") was born.Using a playful phonetic language first invented by Steig in his now classic 1968 book CDB!--but which in today's world of text message and internet shorthand feels uncannily contemporary--Young and Avillez tell a different story on each page of this collection of illustrations stuffed to brim with humor and cleverness:"S L-I-F!" (It's alive!) A boy shouts gleefully at a pile of rubbish seething with rats"I M B-Z" (I'm busy) Declares the phone-wielding businesswoman to the would-be mugger"R U I?" (Are you high?) Asks the clerk at a bodega to the blissed out shopperBrought to life in Avillez's distinctively ebullient and droll style are precocious pets and pet-owners, iconic architecture, and startlingly intrepid anthropomorphic rats. At once recognizable, and imagined like never before, are the surprising, intoxicating, and not-always-entirely-welcome sights, sounds, and smells of New York City. Full of wit, romance, and sheer delight, D C-T! is both an affectionate portrait of the visual cornucopia that is New York City and a gracious love letter to the great William Steig, sure to enchant readers young and old alike just as his work has for half a century.
D Is For Democracy: An American Citizen's Alphabet
by Elissa GrodinDemocracy--America has it and it seems like many other countries want it. But what exactly is a democracy and how easy is it to maintain? Despite the banter in today's media, many Americans are still in the dark when it comes to knowing and acting upon their rights and responsibilities as citizens of a democratic society in refreshingly candid and straight-to-the-point language author Elissa Grodn takes readers of all ages on an A-Z trip through our government's structure, from its earliest beginnings to definitions of basic components and concepts (including immigration and taxation). Engaging, disarming, and frequently thought-provoking artwork from illustrator Victor Juhasz emphasizes the magnitude of the subject. From founding fathers, first ladies, and the First Amendment to the presidential oath of office, D is for Democracy details the political processes, parties, and people of democracy. American style.
D Is for Desert: An ABC Desert Primer
by Ashley Marie MirelesA is for armadillo B is for bedrock C is for cactus . . . With E for erosion, I for iguana, and P for prickly pear, going from A to Z has never been more fun in the sun! Take an alphabetized trip through the dunes and discover the plants, animals, and weather patterns that make the deserts of the world so amazing!
D Is for Dragon Dance
by Ying Chang CompestineA is for Acrobats. B is for Balls. C is for Calligraphy. D is for Dragon Dance. From firecrackers to noodles, from red envelopes to the zodiac, young readers are introduced to the exciting traditions of the Chinese New Year.
D Is for Dress Up
by Maria CarluccioMaria Carluccio's playful fashion alphabet celebrates the fun of getting dressed--and getting dressed up! From a sophisticated bow tie to a warm wool hat, this diverse celebration of what we wear from A to Z invites kids to get creative and embrace their own unique style.
D Is for Dress Up: The ABC's of What We Wear
by Maria CarluccioMaria Carluccio's playful fashion alphabet celebrates the fun of getting dressed—and getting dressed up! From a sophisticated bow tie to a warm wool hat, this diverse celebration of what we wear from A to Z invites kids to get creative and embrace their own unique style. Plus, this is the fixed-format version, which looks almost identical to the print edition!
D Is for Drum: A Native American Alphabet
by Michael Shoulders Debbie ShouldersReaders get an A-Z introduction to the customs and cultures of the first people inhabiting the Americas. Topics include Bison, tipis, Kachinas, and dugout canoes.
D is for Donut (ABCD-Eats)
by Rachel Teichman Rebecca Wright Rachel TiechmanDeliciously delightful donuts from A to Z!“ A is for Apple Fritter” and “ B is for Beignet.” Get ready to dive into this mouthwatering alphabet book that will surely sweeten your day! Lively rhyming text covers all the classics, from Jelly and Rainbow Sprinkles to É clairs and Old-Fashioneds, while introducing Loukoumades, Sufganiyot, and other donuts from around the world. Life-size photos look ready to eat and keep readers asking for more. Practicing your ABCs never looked so yummy!
D is for Duck!
by David MellingCome on an alphabet adventure with Duck in this brilliantly funny story from the bestselling creator of Hugless Douglas.Duck is a magician. Abracadabra! He can conjure up a bunny, a chicken and even the king of the jungle. But can he make a dragon disappear?David Melling is one of the UK's best-loved author-illustrators and his stories combine brilliantly imaginative illustrations and unforgettable characters.'A new Hugless Douglas book is always a cause for celebration.' Daily Mail
D. H. Lawrence
by John BeerA full account of Lawrence, ranging from his talent as a young writer to the continuing genius of his later work, and concentrating on his exceptionally acute powers of observation, both human and natural.
D. H. Lawrence
by Ronald P. DraperLawrence is now an accepted major writer--with W. B. Yeats and T. S. Eliot, I should say, he is one of the three most important writers in English in the twentieth century--and it is fitting that his work should be accorded the same critical treatment that is given to other major writers. Moreover, Lawrence's own famous dictum--"Never trust the artist. Trust the tale. The proper function of a critic is to save the tale from the artist who created, it."--should also be applied to his own work. Lawrence is read, and will continue to be, for his novels, tales, and poems; and these must be preserved, not only from injudicious admirers and detractors, but, where necessary, from the misrepresentations that derive from Lawrence's own didactic rather than artistic self.
D. H. Lawrence In Context (Literature in Context)
by Andrew HarrisonThis collection of original, concise essays by leading international scholars draws closely on the Cambridge Edition of the Letters and Works of D. H. Lawrence to provide up-to-date insights into the key contexts to the author's life, career and legacy. It opens with an overview of Lawrence's life as it is explored in biographies and revealed in his letters and writing, before reassessing his relationship to the contemporary literary marketplace, and his response to - and intervention in - a range of literary/cultural and social/historical contexts. It ends with sections on Lawrence's changing critical reception and his powerful legacy in the work of later authors and filmmakers. The essays present a detailed and nuanced picture of Lawrence as an enterprising professional author with a truly cosmopolitan outlook who engaged deeply and strongly with his contemporary culture, and with currents of thought across a range of disciplines.
D. H. Lawrence and Ambivalence in the Age of Modernity: Rereading Midlands Novels and Wartime Writings in Social and Political Contexts (Routledge Studies in Twentieth-Century Literature)
by Gaku IwaiD. H. Lawrence is renowned for his scathing criticism of the ruling class, industrialisation of the country and wartime patriotism. However, his texts bear the imprint of contemporary dominant ideologies and discourses of the period. Comparing Lawrence’s texts to various major and minor contemporary novels, journal articles, political pamphlets and history books, this book aims to demonstrate that Lawrence’s texts are ambivalent: his texts harbour the dynamism of conflicting power struggles between the subversive and the reactionary. For example, in some apparently apolitical texts such as The White Peacock and Movements in European History, reactionary ideologies and wartime propaganda are embedded. Some texts like Lady Chatterley’s Lover are intended to be a radical critique of the period wherein it was composed, but they also bear discernible traces of the contemporary frame of reference that they intend to subvert. Focusing on Lawrence’s stories and novels set in the mining countryside and the works composed under the impact of the First World War, this book establishes that Lawrence’s texts in fact consist of multiple layers that are often in conflict with each other, serving as a testimony to the age of modernity.
D. H. Lawrence and Feminism (Routledge Revivals)
by Hilary SimpsonFirst published in 1982, D. H. Lawrence and Feminism discusses Lawrence’s work by examining it in relation to aspects of women’s history and the development of feminism. Two different modes of pre-war feminism which provide important themes in Lawrence’s early writings are examined in the opening chapters. The central chapters deal with the war, both as a catalyst for major changes in the position of women and as a point of no return in the development of Lawrence’s work. A final chapter looks at the way in which Lawrence used women as collaborator, and their writing as source material. This book will be of interest to students of literature, women’s studies and history.
D. H. Lawrence and Psychoanalysis (Routledge Interdisciplinary Perspectives on Literature)
by John TurnerThis book opens out a wholly new field of enquiry within a familiar subject: it offers a detailed – yet eminently readable – historical investigation, of a kind never yet undertaken, of the impact of psychoanalysis (at a crucial moment of its history) on the thinking and writing of D.H. Lawrence. It considers the impact on his writing, through his relationship with Frieda Weekley, of the maverick Austrian analyst Otto Gross; it situates the great works of 1911-20 in relation to the controversial issues at stake in the Freud-Jung quarrel, about which his good friend, the English psychoanalyst David Eder, kept him informed; and it explores his sympathy with the maverick American analyst Trigant Burrow. It is a study to interest a literary audience by its close reading of Lawrence’s texts, and a psychoanalytic audience by its detailed consideration of the contribution made to contemporary debate by three comparatively neglected analytic thinkers.
D. H. Lawrence, Ecofeminism and Nature (Routledge Studies in World Literatures and the Environment)
by Terry GiffordThis is the first ecocritical book on the works of D. H. Lawrence and also the first to consider the links between nature and gender in the poetry and the novels. In his search for a balanced relationship between male and female characters, what role does nature play in the challenges Lawrence offers his readers? How far are the anxieties of his characters in negotiating relationships that might threaten their sense of self derived from the same source as their anxieties about engaging with the Other in nature? Indeed, might Lawrence’s metaphors drawn from nature actually be the causes of human actions in The Rainbow, for example? The originality of Lawrence’s poetic and narrative strategies for challenging social attitudes towards both nature and gender can be revealed by new approaches offered by ecocritical theory and ecofeminist readings of his books. This book explores ecocritical notions to frame its ecofeminist readings, from the difference between the ‘Other’ and ‘otherness’ in The White Peacock and Lady Chatterley’s Lover, ‘anotherness’ in the poetry of Birds, Beasts and Flowers, psychogeography in Sea and Sardinia, emergent ecofeminism in Sons and Lovers, land and gender in The Boy in the Bush, gender dialogics in Kangaroo, human animality in Women in Love, trees as tests in Aaron’s Rod, to ‘radical animism’ in The Plumed Serpent. Finally, three late tales provide a reassessment of ecofeminist insights into Lawrence’s work for readers in the present context of the Anthropocene.
D. H. Lawrence, Transport and Cultural Transition: 'A Great Sense of Journeying'
by Andrew F. HumphriesThis book discusses D. H. Lawrence's interest in, and engagement with, transport as a literal and metaphorical focal point for his ontological concerns. Focusing on five key novels, this book explores issues of mobility, modernity and gender. First exploring how mechanized transportation reflects industry and patriarchy in Sons and Lovers, the book then considers issues of female mobility in The Rainbow, the signifying of war transport in Women in Love, revolution and the meeting of primitive and modern in The Plumed Serpent, and the reflection of dystopian post-war concerns in Lady Chatterley's Lover. Appealing to Lawrence, modernist, and mobilities researchers, this book is also of interest to readers interested in early twentieth century society, the First World War and transport history.
D. H. Lawrence: Nature, Narrative, Art, Identity
by J. BeerA full account of Lawrence, ranging from his talent as a young writer to the continuing genius of his later work, and concentrating on his exceptionally acute powers of observation, both human and natural.
D. H. Lawrence: The Croydon Years
by Helen CorkeCroydon, England, was the setting of the famous three-way friendship of D. H. Lawrence, Jessie Chambers, and Helen Corke, all of whom made literary records of their association, and all of whom appeared as characters in Lawrence novels. Perhaps the most objective of these records were Helen Corke’s, which became difficult to acquire. Their scarcity and their continuing usefulness were the stimulus for publication of this volume, which contains in four statements Helen Corke’s “major comment on Lawrence the man and Lawrence the artist.” The “Portrait of D. H. Lawrence, 1909–1910,” a section from Corke’s unpublished autobiography, gives the reader glimpses into the earliest stages of the Lawrence-Corke friendship, when Lawrence worked to bring meaning back into Corke’s life after she had suffered a tragic loss. The “Portrait” tells of conversations before a log fire, German lessons, the reading of poetry, and sessions over Lawrence’s manuscript “Nethermere,” which the publishers renamed The White Peacock. In “Portrait,” Corke tells of working with Lawrence on revising the proofs of this book, of Lawrence’s encouragement of her own literary efforts, of their wandering together in the Kentish hill country, and of her first meeting with Jessie Chambers. “Lawrence’s ‘Princess’” continues the narrative of the triple friendship, carrying it to its sad ending, but with the focus on Jessie Chambers. Perceptively and sympathetically written, it throws a clarifying light on the psychology of Lawrence and presents with literary charm another human being—Jessie, the Miriam of Sons and Lovers. In combined narrative-critique method, Corke, in the essay “Concerning The White Peacock,” relates Lawrence’s problems in writing this novel and gives an analysis of its literary quality. Lawrence and Apocalypse is cast in the form of a “deferred conversation” in which Lawrence and Corke discuss his philosophical ideas as presented in his Apocalypse. Although the book was written to present Lawrence’s ideas, its significance reposes equally in Corke’s reaction to his thought. As a succinct statement of Lawrence’s teachings about the nature of humanity, it has unique value.
D. H. Lawrence: The Croydon Years
by Helen CorkeCroydon, England, was the setting of the famous three-way friendship of D. H. Lawrence, Jessie Chambers, and Helen Corke, all of whom made literary records of their association, and all of whom appeared as characters in Lawrence novels. Perhaps the most objective of these records were Helen Corke’s, which became difficult to acquire. Their scarcity and their continuing usefulness were the stimulus for publication of this volume, which contains in four statements Helen Corke’s “major comment on Lawrence the man and Lawrence the artist.” The “Portrait of D. H. Lawrence, 1909–1910,” a section from Corke’s unpublished autobiography, gives the reader glimpses into the earliest stages of the Lawrence-Corke friendship, when Lawrence worked to bring meaning back into Corke’s life after she had suffered a tragic loss. The “Portrait” tells of conversations before a log fire, German lessons, the reading of poetry, and sessions over Lawrence’s manuscript “Nethermere,” which the publishers renamed The White Peacock. In “Portrait,” Corke tells of working with Lawrence on revising the proofs of this book, of Lawrence’s encouragement of her own literary efforts, of their wandering together in the Kentish hill country, and of her first meeting with Jessie Chambers. “Lawrence’s ‘Princess’” continues the narrative of the triple friendship, carrying it to its sad ending, but with the focus on Jessie Chambers. Perceptively and sympathetically written, it throws a clarifying light on the psychology of Lawrence and presents with literary charm another human being—Jessie, the Miriam of Sons and Lovers. In combined narrative-critique method, Corke, in the essay “Concerning The White Peacock,” relates Lawrence’s problems in writing this novel and gives an analysis of its literary quality. Lawrence and Apocalypse is cast in the form of a “deferred conversation” in which Lawrence and Corke discuss his philosophical ideas as presented in his Apocalypse. Although the book was written to present Lawrence’s ideas, its significance reposes equally in Corke’s reaction to his thought. As a succinct statement of Lawrence’s teachings about the nature of humanity, it has unique value.
D. H. Lawrence: The Story of a Marriage
by Brenda MaddoxBiography crafted, according to the author, around the most momentous of his decisions.
D.H. Lawrence (Routledge Guides to Literature)
by Fiona BecketSo many questions surround the key figures in the English literary canon, but most books focus on one aspect of an author's life or work, or limit themselves to a single critical approach. D. H. Lawrence is a comprehensive, user-friendly guide which: * offers basic information on Lawrence's, contexts and works* outlines the major critical issues surrounding his works, from the time they were written to the present* explain the full range of often very different critical views and interpretation* offer guides to further reading in each area discussed. This guidebook has a broad focus but one very clear aim: to equip you with all the knowledge you need to make your own new readings of the work of D. H. Lawrence.
D.H. Lawrence and Attachment
by Ronald GranofskyThough we all face a tug of war between dependency and autonomy while growing up, British author D.H. Lawrence (1885–1930) experienced the struggle with particular intensity. Later in life, his acute observational skills, high emotional intelligence, and expressive abilities would allow him to articulate this conflict in his works as few other writers have.Applying concepts from attachment theory, D.H. Lawrence and Attachment presents innovative readings of a broad swath of Lawrence’s fiction. Ronald Granofsky teases out hidden patterns in Lawrence’s work, deepening our understanding of his fictional characters and revealing new significance to key thematic concerns like gender identification, marriage, and class. Lawrence’s too-close relationship with his own mother, in particular, was the foundation for his lifelong interest in attachment, as well as the impetus for his literary exploration of the delicate balance between the desire for closeness and the need for separation. While the theories of Margaret S. Mahler, D.W. Winnicott, John Bowlby, and others were developed after Lawrence’s death, his writing about relationships - and how they are influenced by early childhood experiences - bears a striking resemblance to the concepts of attachment theory.The Lawrence who emerges from D.H. Lawrence and Attachment is a psychological writer of great power whose intuitive insights into the vagaries of attachment resulted in rich, complex fiction.
D.H. Lawrence's Australia: Anxiety at the Edge of Empire
by David GameThe first full-length account of D.H. Lawrence’s rich engagement with a country he found both fascinating and frustrating, D.H. Lawrence’s Australia focuses on the philosophical, anthropological and literary influences that informed the utopian and regenerative visions that characterise so much of Lawrence’s work. David Game gives particular attention to the four novels and one novella published between 1920 and 1925, what Game calls Lawrence’s 'Australian period,' shedding new light on Lawrence’s attitudes towards Australia in general and, more specifically, towards Australian Aborigines, women and colonialism. He revisits key aspects of Lawrence’s development as a novelist and thinker, including the influence of Darwin and Lawrence’s rejection of eugenics, Christianity, psychoanalysis and science. While Game concentrates on the Australian novels such as Kangaroo and The Boy in the Bush, he also uncovers the Australian elements in a range of other works, including Lawrence’s last novel, Lady Chatterley’s Lover. Lawrence lived in Australia for just three months, but as Game shows, it played a significant role in his quest for a way of life that would enable regeneration of the individual in the face of what Lawrence saw as the moral collapse of modern industrial civilisation after the outbreak of World War I.
D.H. Lawrence's Border Crossing: Colonialism in His Travel Writing and Leadership Novels (Studies in Major Literary Authors)
by Eunyoung OhD.H. Lawrence's Border Crossing builds upon developments within postcolonial theory to argue for a reconsideration of the concept of "spirit of place" in D. H. Lawrence’s travel books and "leadership" novels – works that record Lawrence’s various encounters with racial and geographical "others." Exploring his relationship to colonialism, Dr. Oh shows how Lawrence’s belief in different "spirits" belonging to these disparate places enables him to transcend the hierarchies between metropolis and colony, between civilized and "primitive" worlds.