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Dal and Rice
by Wendy M. DavisWendy Davis inherited this affection for India and its people. In Dal & Rice she chronicles the memories of her childhood and offers a poignant and measured character study of her father. Her story is part social history, part travelogue, but mostly a very personal account of a relationship with an exotic, chaotic, and often mysterious country.
Dal and Rice (Footprints Series #8)
by Wendy M. DavisWendy Davis inherited this affection for India and its people. In Dal & Rice she chronicles the memories of her childhood and offers a poignant and measured character study of her father. Her story is part social history, part travelogue, but mostly a very personal account of a relationship with an exotic, chaotic, and often mysterious country.
Dalit Cosmos: Understanding Caste, Marginalisation and Dalit Literature in India
by Mudnakudu ChinnaswamyThis book is a fierce argument against social and caste discrimination in India, especially untouchability and emphatic call for social justice. Written by a first-generation Kannada Dalit writer, the book provides an insider’s view of caste discrimination as the author has lived through and experienced it. It traces the roots of present-day activism against caste discrimination, the influence of Ambedkar, the rise of Hindutva, and the role of Dalit literatures in shaping discourses around caste in India. An invigorating collection of essays and speeches by Mudnakudu Chinnaswamy, this volume will be of great interest to scholars and researchers of discrimination, literature, politics and political philosophy, exclusion studies, race, social justice, cultural studies, and South Asian studies.
Dalit Counter-publics and the Classroom: A Sharmila Rege Reader
by Uma Chakravarti V. GeethaThis book is an anthology of the collected essays of Sharmila Rege (1964 – 2013) that addresses themes to do with pedagogy and culture. Rege makes a compelling argument for rethinking the content of sociological knowledge and invokes in this context, Anticaste radical philosophies, associated with Mahatma Phule and Babasaheb Ambedkar as well as the writings of Dalit women. Equally, she seeks to rethink and engender the domain of Cultural Studies. She calls attention to 'Dalit counter-publics', comprising performance and commemorative traditions that are committed to ending the caste order and argues for a critical rethinking of the relationship between caste, sexuality, and popular culture.Framed and annotated by an introduction that places Sharmila's work in the intellectual and historical contexts that shaped it, the volume also features short prefatory notes by her colleagues on the various themes taken up for discussion. Addressing, as it does, the researcher, the activist and the teacher, the book is indispensable for students and researchers of Women’s Studies, feminism, gender studies, Dalit Studies, minority studies, Sociology, Cultural Studies, Performance Studies, as well as studies in language and rhetoric.
Dalit Feminist Discourse: Voices in Dalit Writings
by Charu Arya Nabanita DekaCharu Arya and Nabanita Deka’s edited book, Dalit Feminist Discourse: Voices in Dalit Writings documents Dalit voices from different regions and languages of India. Divided into three sections, the aim of this book is to foster a Dalit feminist discourse by reading Dalit writings. The contributors of the anthology in their respective chapters pick up different Dalit texts written by both Dalit men and women to analyse how Dalit women subjectivities have emerged over the years.The subject matter in this book covers the theories and history of Dalit feminism, poetry and writings by Dalit women, and also explores the politics of gender, society, and caste from the perspective of this section.Print edition not for sale in South Asia (India, Sri Lanka, Nepal, Bangladesh, Pakistan or Bhutan)
Dalit Literatures in India
by Joshil K. Abraham Judith Misrahi-BarakThis book breaks new ground in the study of Dalit literature, including in its corpus a range of genres such as novels, autobiographies, pamphlets, poetry, short stories and graphic novels. With contributions from major scholars in the field, alongside budding ones, the book critically examines Dalit literary production and theory. It also initiates a dialogue between Dalit writing and Western literary theory. This second edition includes a new Introduction which takes stock of developments since 2015. It discusses how Dalit writing has come to play a major role in asserting marginal identities in contemporary Indian politics while moving towards establishing a more radical voice of dissent and protest. Lucid, accessible yet rigorous in its analysis, this book will be indispensable for scholars and researchers of Dalit studies, social exclusion studies, Indian writing, literature and literary theory, politics, sociology, social anthropology and cultural studies.
Dalit Text: Aesthetics and Politics Re-imagined
by K. Satyanarayana Judith Misrahi-Barak Nicole ThiaraThis book, companion to the much-acclaimed Dalit Literatures in India, examines questions of aesthetics and literary representation in a wide range of Dalit literary texts. It looks at how Dalit literature, born from the struggle against social and political injustice, invokes the rich and complex legacy of oral, folk and performative traditions of marginalised voices. The essays and interviews systematically explore a range of literary forms, from autobiographies, memoirs and other testimonial narratives, to poems, novels or short stories, foregrounding the diversity of Dalit creation. Showcasing the interplay between the aesthetic and political for a genre of writing that has ‘change’ as its goal, the volume aims to make Dalit writing more accessible to a wider public, for the Dalit voices to be heard and understood. The volume also shows how the genre has revolutionised the concept of what literature is supposed to mean and define. Effervescent first-person accounts, socially militant activism and sharp critiques of a little-explored literary terrain make this essential reading for scholars and researchers of social exclusion and discrimination studies, literature (especially comparative literature), translation studies, politics, human rights and culture studies.
Dalton Trumbo: Blacklisted Hollywood Radical (Screen Classics)
by Larry Ceplair Christopher Trumbo&“Trumbo emerges from this well-rounded biography as a larger-than-life figure, not unlike the characters he scripted for the screen.&” —Publishers Weekly James Dalton Trumbo is widely recognized as a screenwriter, playwright, and author, but he is also remembered as one of the Hollywood Ten who opposed the House Un-American Activities Committee. Refusing to answer questions about his prior involvement with the Communist Party, Trumbo sacrificed a successful career in Hollywood to stand up for his rights and defend political freedom. In Dalton Trumbo, Larry Ceplair and Christopher Trumbo present their extensive research on the famed writer, detailing his work; his membership in the Communist Party; his long campaign against censorship during the domestic cold war; his ten-month prison sentence for contempt of Congress; and his thirteen-year struggle to break the blacklist. The blacklist ended for Trumbo in 1960, when he received screen credits for Exodus and Spartacus. Just before his death, he received a long-delayed Academy Award for The Brave One, and in 1993, he was posthumously given another for Roman Holiday. This comprehensive biography, which includes excerpts of Trumbo&’s letters, notes, and other writings, also provides insights into the notable people with whom Trumbo worked, including Stanley Kubrick, Otto Preminger, and Kirk Douglas, and a fascinating look at the life of one of Hollywood&’s most prominent screenwriters and his battle against persecution.
Dame un abrazo fuerte
by Abel Rabanal GonzálezEl amor es el sentimiento más potente que pueden experimentar los seres humanos. ¿Cómo puede sentir el amor alguien que carece de sentimientos, una persona incapacitada para emocionarse, un ser con Síndrome de Asperger. <P><P>La ilusión de un padre por la llegada de su hijo se ve truncada al nacer éste con síndrome de Asperger: carencia de empatía con los demás, ausencia de emociones, incapacidad para los sentimientos, incomunicación con la sociedad. Tras la primera frustración, el progenitor lucha denodadamente contra su propia angustia, contra las trabas sociales y contra los problemas de su hijo. <P>Ha de librar una dura batalla para vencer los prejuicios de la gente, el propio desánimo y las reticencias del vástago. Como ocurre con todos los avatares de la vida, el esfuerzo y el amor permiten que el joven alcance al fin la felicidad: se despejan sus neuronas entumecidas y se despiertan sus sentimientos dormidos. <P>El amor triunfa a plenitud cuando el hijo se enamora de una muchacha, se descubren sus habilidades prodigiosas y el padre recibe el fuerte abrazo que había esperado toda su vida.
Dammtor
by James SheardDammtor is the old city gate and now the centre of ground transport for the great port of Hamburg. In James Sheard's second collection it is a 'station for midnights, hitched up on stone legs, hollow with sunken light' - a hub for the damaged and deracinated. These precise, wounded poems draw the reader through this desolate landscape - through sexual longing, sexual violence, bereavement and the beginning of hope through the birth of a son.Dammtor restlessly narrates the condition of maleness, looking for truth and music in a voice which is both urgent and unadorned. The poems are spoken in solitary places - late-night stations, hotel lobbies, car rides and empty woodland - but they are addressed to the living, the missing, the dead and the just-born. Personal and political narratives leak into the spaces of the poems to form a strange light which has something of the hallucinatory clarity of translations. The voice might be by turn elegaic, vicious, obsessive or bewildered as it explores its topic, but it is accompanied by an eye which will not - or, perhaps, cannot - blink. Finding tenderness amid brutality, Dammtor is a highly accomplished and remarkable collection.
Damn Fine Story: Mastering the Tools of a Powerful Narrative
by Chuck WendigHOOK YOUR AUDIENCE WITH UNFORGETTABLE STORYTELLINGWhat do Luke Skywalker, John McClane, and a lonely dog on Ho‘okipa Beach have in common?Simply put, we care about them.Great storytelling is making readers care about your characters, the choices they make, and what happens to them. It’s making your audience feel the tension and emotion of a situation right alongside your protagonist. And to tell a damn fine story, you need to understand why and how that caring happens.Using a mix of personal stories, pop fiction examples, and traditional storytelling terms, New York Times best-selling author Chuck Wendig will help you internalize the feel of powerful storytelling. In Damn Fine Story, you'll explore:Freytag's Pyramid for visualizing story structure - and when to break away from traditional storytelling formsCharacter relationships and interactions as the basis of every strong plot - no matter the form or genreRising and falling tension that pulls the audience through to the climax and conclusion of the storyDeveloping themes as a way to craft characters with depthWhether you're writing a novel, screenplay, video game, comic, or even if you just like to tell stories to your friends and family over dinner, this funny and informative guide is chock-full of examples about the art and craft of storytelling - and how to write a damn fine story of your own.
Dan Savage: The First Gay Celebrity
by Mark OppenheimerThere are many Dan Savages: the author of the Savage Love advice column, syndicated around the country; the radio essayist beloved by This American Life fans; the author of a best-selling book about his gay marriage, and another about his son's open adoption; the prankster who ruined Rick Santorum's life; and the founder of the "It Gets Better" anti-bullying campaign. But never before have we glimpsed Savage's whole life, from his Catholic-school days, raised by a Chicago cop and a housewife, to his current role as a unique American character. For he is unique: while there are many gay and lesbian celebrities, nearly all of them, from Ellen DeGeneres to Elton John, began their careers in the closet. Savage, on the other hand, has always been out and proud. He is thus a pivotal figure in LGBTQ history -- and a fascinating man, brought vividly to life in this thrilling e-book.
Dan and Ed
by Cindy Peattie Marcin Piwowarski John UssTitle contained within StartUp Phonic Core Program. Not Sold Separately
Dance Lexicon in Shakespeare and His Contemporaries: A Corpus Based Approach (Studies in Performance and Early Modern Drama)
by Fabio CiambellaThis book provides a thorough analysis of terpsichorean lexis in Renaissance drama. Besides considering not only the Shakespearean canon but also the Bard’s contemporaries (e.g., dramatists as John Marston and Ben Jonson among the most refined Renaissance dance aficionados), the originality of this volume is highlighted in both its methodology and structure. As far as methods of analysis are concerned, corpora such as the VEP Early Modern Drama collection and EEBO, and corpus analysis tools such as #LancsBox are used in order to offer the widest range of examples possible from early modern plays and provide co-textual references for each dance. Examples from Renaissance playwrights are fundamental for the analysis of connotative meanings of the dances listed and their performative, poetic and metaphoric role in sixteenth- and seventeenth-century drama. This study will be of great interest to Renaissance researchers, lexicographers and dance historians.
Dance We Do: A Poet Explores Black Dance
by Ntozake ShangeIn her first posthumous work, the revered poet crafts a personal history of Black dance and captures the careers of legendary dancers along with her own rhythmic beginnings.Many learned of Ntozake Shange's ability to blend movement with words when her acclaimed choreopoem for colored girls who have considered suicide/when the rainbow is enuf made its way to Broadway in 1976, eventually winning an Obie Award the following year. But before she found fame as a writer, poet, performer, dancer, and storyteller, she was an untrained student who found her footing in others' classrooms. Dance We Do is a tribute to those who taught her and her passion for rhythm, movement, and dance.After 20 years of research, writing, and devotion, Ntozake Shange tells her history of Black dance through a series of portraits of the dancers who trained her, moved with her, and inspired her to share the power of the Black body with her audience. Shange celebrates and honors the contributions of the often unrecognized pioneers who continued the path Katherine Dunham paved through the twentieth century. Dance We Do features a stunning photo insert along with personal interviews with Mickey Davidson, Halifu Osumare, Camille Brown, and Dianne McIntyre. In what is now one of her final works, Ntozake Shange welcomes the reader into the world she loved best.
Dance of the Dolphin: Transformation and Disenchantment in the Amazonian Imagination
by Candace Slater<p>In folktales told throughout much of the Brazilian Amazon, dolphins take human form, attend raucous dances and festivals, seduce men and women, and carry them away to a city beneath the river. They are encantados, or Enchanted Beings, capable of provoking death or madness, but also called upon to help shamanic healers. Male dolphins—accomplished dancers who appear dressed in dapper straw hats, white suits, and with shiny black shoes—reportedly father numerous children. The females are said to lure away solitary fishermen. Both sinister and charming, these characters resist definition and thus domination; greedy and lascivious outsiders, they are increasingly symbolic of a distinctly Amazonian culture politically, socially, economically, and environmentally under seige. <p>Candace Slater examines these stories in Dance of the Dolphin, both as folk narratives and as representations of culture and conflict in Amazonia. Her engaging study discusses the tales from the viewpoints of genre, performance, and gender, but centers on them as responses to the great changes sweeping the Amazon today. According to Slater, these surprisingly widespread tales reflect Amazonians' own mixed reactions to the ongoing destruction of the rainforest and the resulting transformations in the social as well as physical landscape. Offering an informed view of Brazilian culture, this book crosses the boundaries of folklore, literature, anthropology, and Latin American studies. It is one of the very few studies to offer an overview of the changes taking place in Amazonia through the eyes of ordinary people.</p>
Dance, Desire, and Anxiety in Early Twentieth-Century French Theater: Playing Identities
by Charles R. BatsonThe 1909 arrival of Serge de Diaghilev's Ballets Russes in Paris marked the beginning of some two decades of collaboration among littérateurs, painters, musicians, and choreographers, many not native to France. Charles Batson's original and nuanced exploration of several of these collaborations integral to the formation of modernism and avant-gardist aesthetics reinscribes performances of the celebrated Russians and the lesser-known but equally innovative Ballets Suédois into their varied artistic traditions as well as the French historical context, teasing out connections and implications that are usually overlooked in less decidedly interdisciplinary studies. Batson not only uncovers the multiple meanings set in motion through the interplay of dancers, musicians, librettists, and spectators, but also reinterprets literary texts that inform these meanings, such as Valéry's 'L'Ame et la danse'. Identifying the performing body as a site where anxieties, drives, and desires of the French public were worked out, he shows how the messages carried by and ascribed to bodies in performance significantly influenced thought and informed the direction of much artistic expression in the twentieth century. His book will be a valuable resource for scholars working in the fields of literature, dance, music, and film, as well as French cultural studies.
Dance, Place, and Poetics: Site-specific Performance as a Portal to Knowing (Palgrave Studies in Movement across Education, the Arts and the Social Sciences)
by Celeste Nazeli SnowberThis book explores the relationship between the body, ecology, place, and site-specific performance. The book is situated within arts-based research, particularly within embodied inquiry and poetic inquiry. It explores a theoretical foundation for integration of these areas, primarily to share the lived experiences, poetry and dance which have come out of decades of sharing site-specific performances.
Dances of the Self in Heinrich von Kleist, E.T.A. Hoffmann and Heinrich Heine
by Lucia RuprechtLucia Ruprecht's study is the first monograph in English to analyse the relationship between nineteenth-century German literature and theatrical dance. Combining cultural history with close readings of major texts by Heinrich von Kleist, E.T.A. Hoffmann and Heinrich Heine, the author brings to light little-known German resources on dance to address the theoretical implications of examining the interdiscursive and intermedial relations between the three authors' literary works, aesthetic reflections on dance, and dance of the period. In doing so, she not only shows how dancing and writing relate to one another but reveals the characteristics that make each mode of expression distinct unto itself. Readings engage with literary modes of understanding physical movement that are neglected under the regime of eighteenth-century aesthetic theory, and of classical ballet, setting the human, frail and expressive body against the smoothly idealised neoclassicist ideal. Particularly important is the way juxtaposing texts and performance practice allows for the emergence of meta-discourses about trauma and repetition and their impact on aesthetics and formulations of the self and the human body. Related to this is the author's concept of performative exercises or dances of the self which constitute a decisive force within the formation of subjectivity that is enacted in the literary texts. Joining performance studies with psychoanalytical theory, this book opens up new pathways for understanding Western theatrical dance's theoretical, historical and literary continuum.
Dances with Darwin, 1875–1910: Vernacular Modernity in France
by Rae Beth GordonExamining the extraordinary influence of Darwin's theory of evolution on French thought from 1875 to 1910, Rae Beth Gordon argues for a reconsideration of modernism both in time and in place that situates its beginnings in the French café-concert aesthetic. Gordon weaves the history of medical science, ethnology, and popular culture into a groundbreaking exploration of the cultural implications of gesture in dance performances at late-nineteenth-century Parisian café-concerts and music halls. While art historians have studied the ties between primitivism and modernism, their convergence in fin-de-siècle popular entertainment has been largely overlooked. Gordon argues that while the impact of Darwinism was unprecedented in science, it was no less present in popular culture through the popular press and popular entertainment, where it constituted a kind of "evolutionist aesthetic" on display in the café-concert, circus, and music-hall as well as in the spectator's reception of the representations on the stage. Modernity in these sites, Gordon contends, was composed by the convergence of contemporary medical theory with representations of the primitive, staged in entertainments that ranged from the can-can, Missing Links, and epileptic singers to the Cake-Walk. Her anthropology of gesture uncovers in these dislocations of the human form an aesthetic of disorder a half century before the eruptions of Dada and Surrealism.
Dancing Dinos
by Sally LucasHow do you control a bunch of mischievous dinosaurs? A young boy finds out when the illustrations in his dinosaur picture book come to life.
Dancing Lessons for the Advanced in Age
by Michael Henry Heim Bohumil Hrabal Adam ThirlwellRake, drunkard, aesthete, gossip, raconteur extraordinaire: the narrator of Bohumil Hrabal's rambling, rambunctious masterpiece Dancing Lessons for the Advanced in Age is all these and more. Speaking to a group of sunbathing women who remind him of lovers past, this elderly roué tells the story of his life--or at least unburdens himself of a lifetime's worth of stories. Thus we learn of amatory conquests (and humiliations), of scandals both private and public, of military adventures and domestic feuds, of what things were like "in the days of the monarchy" and how they've changed since. As the book tumbles restlessly forward, and the comic tone takes on darker shadings, we realize we are listening to a man talking as much out of desperation as from exuberance. Hrabal, one of the great Czech writers of the twentieth century, as well as an inveterate haunter of Prague's pubs and football stadiums, developed a unique method which he termed "palavering," whereby characters gab and soliloquize with abandon. Part drunken boast, part soul-rending confession, part metaphysical poem on the nature of love and time, this astonishing novel (which unfolds in a single monumental sentence) shows why he has earned the admiration of such writers as Milan Kundera, John Banville, and Louise Erdrich.
Dancing On Our Turtle's Back: Stories of Nishnaabeg Re-creation, Resurgence, and a New Emergence
by Leanne SimpsonMany promote Reconciliation as a "new" way for Canada to relate to Indigenous Peoples. In Dancing on Our Turtle's Back: Stories of Nishnaabeg Re-Creation, Resurgence, and a New Emergence activist, editor, and educator Leanne Simpson asserts reconciliation must be grounded in political resurgence and must support the regeneration of Indigenous languages, oral cultures, and traditions of governance. Simpson explores philosophies and pathways of regeneration, resurgence, and a new emergence through the Nishnaabeg language, Creation Stories, walks with Elders and children, celebrations and protests, and meditations on these experiences. She stresses the importance of illuminating Indigenous intellectual traditions to transform their relationship to the Canadian state. Challenging and original, Dancing on Our Turtle's Back provides a valuable new perspective on the struggles of Indigenous Peoples.
Dancing Shakespeare: Ballet Adaptations of William Shakespeare’s Works from the Eighteenth Century to the Present (Routledge Advances in Theatre & Performance Studies)
by Iris Julia BührleDancing Shakespeare is the first history of ballets based on William Shakespeare’s works from the birth of the dramatic story ballet in the eighteenth century to the present. It focuses on two main questions: "How can Shakespeare be danced?" and "How can dance shed new light on Shakespeare?"The book explores how librettists and choreographers have transposed Shakespeare’s complex storylines, multifaceted protagonists, rhetoric and humour into non-verbal means of expression, often going beyond the texts in order to comment on them or use them as raw material for their own creative purposes.One aim of the monograph is to demonstrate that the study of wordless performances allows us to gain a deeper understanding of Shakespeare’s texts. It argues that ballets based on Shakespeare’s works direct the audience’s attention to the "bare bones" of the plays: their situations, their characters, and the evolution of both. Moreover, they reveal and develop the "choreographies" that are written into the texts and highlight the importance of movements and gestures as signifiers in Shakespeare’s plays.This book will be of interest to students and scholars of literature, dance, and music, as well as to an international readership of lovers of Shakespeare, ballet, and the arts.
Dancing an Embodied Sinthome: Beyond Phallic Jouissance (The Palgrave Lacan Series)
by Megan SherrittThis book provides the first in-depth analysis of Lacanian psychoanalytic theory and the art of dance and explores what each practice can offer the other. It takes as its starting point Jacques Lacan’s assertion that James Joyce’s literary works helped him create what Lacan terms a sinthome, thereby preventing psychosis. That is, Joyce’s use of written language helped him maintain a “normal” existence despite showing tendencies towards psychosis. Here it is proposed that writing was only the method through which Joyce worked but that the key element in his sinthome was play, specifically the play of the Lacanian real.The book moves on to consider how dance operates similarly to Joyce’s writing and details the components of Joyce’s sinthome, not as a product that keeps him sane, but as an interminable process for coping with the (Lacanian) real. The author contends that Joyce goes beyond words and meaning, using language’s metre, tone, rhythm, and cadence to play with the real, mirroring his experience of it and confining it to his works, creating order in the chaos of his mind. The art of dance is shown to be a process that likewise allows one to play with the real. However, it is emphasized that dance goes further: it also teaches someone how to play if one doesn't already know how. This book offers a compelling analysis that sheds new light on the fields of psychoanalysis and dance and looks to what this can tell us about—and the possibilities for—both practices, concluding that psychoanalysis and dance both offer processes that open possibilities that might otherwise seem impossible. This original analysis will be of particular interest to those working in the fields of psychoanalysis, aesthetics, psychoanalytic theory, critical theory, art therapy, and dance studies.