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Against Normalization: Writing Radical Democracy in South Africa
by Anthony O'BrienAt the end of apartheid, under pressure from local and transnational capital and the hegemony of Western-style parliamentary democracy, South Africans felt called upon to normalize their conceptions of economics, politics, and culture in line with these Western models. In Against Normalization, however, Anthony O'Brien examines recent South African literature and theoretical debate which take a different line, resisting this neocolonial outcome, and investigating the role of culture in the formation of a more radically democratic society. O'Brien brings together an unusual array of contemporary South African writing: cultural theory and debate, worker poetry, black and white feminist writing, Black Consciousness drama, the letters of exiled writers, and postapartheid fiction and film. Paying subtle attention to well-known figures like Nadine Gordimer, Bessie Head, and Njabulo Ndebele, but also foregrounding less-studied writers like Ingrid de Kok, Nise Malange, Maishe Maponya, and the Zimbabwean Dambudzo Marechera, he reveals in their work the construction of a political aesthetic more radically democratic than the current normalization of nationalism, ballot-box democracy, and liberal humanism in culture could imagine. Juxtaposing his readings of these writers with the theoretical traditions of postcolonial thinkers about race, gender, and nation like Paul Gilroy, bell hooks, and Gayatri Spivak, and with others such as Samuel Beckett and Vaclav Havel, O'Brien adopts a uniquely comparatist and internationalist approach to understanding South African writing and its relationship to the cultural settlement after apartheid. With its appeal to specialists in South African fiction, poetry, history, and politics, to other Africanists, and to those in the fields of colonial, postcolonial, race, and gender studies, Against Normalization will make a significant intervention in the debates about cultural production in the postcolonial areas of global capitalism.
Against Plagiarism: A Guide for Editors and Authors (Qualitative and Quantitative Analysis of Scientific and Scholarly Communication)
by Yuehong H. Helen ZhangThis is the first volume of a book series dedicated to "Qualitative and Quantitative Analysis of Scientific and Scholarly Communication". Fighting plagiarism is a the top priority for STM publishing. A practical guide will importantly contribute to the awareness of the relevant communities, bringing to the surface the basic rules and examples from the literature.
Against Redemption: Democracy, Memory, and Literature in Post-Fascist Italy (World War II: The Global, Human, and Ethical Dimension)
by Franco BaldassoWINNER, HELEN AND HOWARD R. MARRARO PRIZE IN ITALIAN HISTORYDiscloses the richness of ideas and sheds light on the controversy that characterized the transition from fascism to democracy, examining authors, works and memories that were subsequently silenced by Cold War politics.How a shared memory of Fascism and its cultural heritage took shape is still today the most disputed question of modern Italy, crossing the boundaries between academic and public discourse. Against Redemption concentrates on the historical period in which disagreement was at its highest: the transition between the downfall of Mussolini in July 1943 and the victory of the Christian Democrats over the Left in the 1948 general elections. By dispelling the silence around the range of opinion in the years before the ideological struggle fossilized into Cold War oppositions, this book points to early postwar literary practices as the main vehicle for intellectual dissent, shedding new light on the role of cultural policies in institutionalizing collective memory. During Italy’s transition to democracy, competing narratives over the recent traumatic past emerged and crystallized, depicting the country’s break with Mussolini’s regime as a political and personal redemption from its politics of exclusion and unrestrained use of violence. Conversely, outstanding authors such as Elsa Morante, Carlo Levi, Alberto Moravia, and Curzio Malaparte, in close dialogue with remarkable but now-neglected figures, stressed the cultural continuity between the new democracy and Fascism, igniting heated debates from opposite political standpoints. Their works addressed questions such as the working through of national defeat, Italian responsibility in World War II, and the Holocaust, revealing how the social, racial, and gender biases that characterized Fascism survived after its demise and haunted the newborn democracy.
Against Self-Reliance
by William Huntting HowellIndividualism is arguably the most vital tenet of American national identity: American cultural heroes tend to be mavericks and nonconformists, and independence is the fulcrum of the American origin story. But in the late eighteenth and early nineteenth centuries, a number of American artists, writers, and educational philosophers cast imitation and emulation as central to the linked projects of imagining the self and consolidating the nation. Tracing continuities between literature, material culture, and pedagogical theory, William Huntting Howell uncovers an America that celebrated the virtues of humility, contingency, and connection to a complex whole over ambition and distinction. Against Self-Reliance revalues and rethinks what it meant to be repetitive, derivative or pointedly generic in the early republic and beyond. Howell draws on such varied sources as Benjamin Franklin's programs for moral reform, Phillis Wheatley's devotional poetry, David Rittenhouse's coins and astronomical machines, Benjamin Rush's psychological and political theory, Susanna Rowson's schoolbooks, and the novels of Charles Brockden Brown and Herman Melville to tease out patterns of dependence in early America. With its incisive critique of America's storied heroic individualism, Against Self-Reliance argues that the arts of dependence were—and are—critical to the project of American independence.
Against Sustainability: Reading Nineteenth-Century America in the Age of Climate Crisis
by Michelle NeelyAgainst Sustainability responds to the twenty-first-century environmental crisis by unearthing the nineteenth-century U.S. literary, cultural, and scientific contexts that gave rise to sustainability, recycling, and preservation. Through novel pairings of antebellum and contemporary writers including Walt Whitman and Lucille Clifton, George Catlin and Louise Erdrich, and Herman Melville and A. S. Byatt, the book demonstrates that some of our most vaunted strategies to address ecological crisis in fact perpetuate environmental degradation.Yet Michelle C. Neely also reveals that the nineteenth century offers useful and generative environmentalisms, if only we know where and how to find them. Henry David Thoreau and Emily Dickinson experimented with models of joyful, anti-consumerist frugality. Hannah Crafts and Harriet Wilson devised forms of radical pet-keeping that model more just ways of living with others. Ultimately, the book explores forms of utopianism that might more reliably guide mainstream environmental culture toward transformative forms of ecological and social justice. Through new readings of familiar texts, Against Sustainability demonstrates how nineteenth-century U.S. literature can help us rethink our environmental paradigms in order to imagine more just and environmentally sound futures.
Against the Despotism of Fact: Modernism, Capitalism, and the Irish Celt (SUNY series, Studies in the Long Nineteenth Century)
by T. J. BoyntonEmerging at a moment of escalating colonial conflict between England and Ireland, the figure of the Irish Celt enjoyed a long and varied career in both English and Irish literature from the late Victorian era to World War II. While this figure assumes many forms and functions, T. J. Boynton argues that he is consistently cast as inherently resistant to capitalism. Beginning with an innovative reassessment of Matthew Arnold's The Study of Celtic Literature, from which the book also takes its title, Against the Despotism of Fact offers new readings of major works by writers such as Kipling, Conrad, Lawrence, Yeats, Joyce, and Beckett. In their writing, Boynton argues, the Irish Celt served as a transnational vehicle of modernist experimentation geared toward interrogating the imperial, social, and pop-cultural dimensions of capitalist modernity. Making a significant contribution to Irish studies, modernist studies, and postcolonial studies, Against the Despotism of Fact draws attention to not only the prevalence but also the critical potential of this fraught figure.
Against the Klan: A Newspaper Publisher in South Louisiana during the 1960s (Media and Public Affairs)
by Lou MajorIn 1964, less than one year into his tenure as publisher of the Bogalusa Daily News, New Orleans native Lou Major found himself guiding the newspaper through a turbulent period in the history of American civil rights. Bogalusa, Louisiana, became a flashpoint for clashes between African Americans advocating for equal treatment and white residents who resisted this change, a conflict that generated an upsurge in activity by the Ku Klux Klan. Local members of the KKK stepped up acts of terror and intimidation directed against residents and institutions they perceived as sympathetic to civil rights efforts. During this turmoil, the Daily News took a public stand against the Klan and its platform of hatred and white supremacy.Against the Klan, Major’s memoir of those years, recounts his attempts to balance the good of the community, the health of the newspaper, and the safety of his family. He provides an in-depth look at the stance the Daily News took in response to the city’s civil rights struggles, including the many fiery editorials he penned condemning the KKK’s actions and urging peaceful relations in Bogalusa. Major’s richly detailed personal account offers a ground-level view of the challenges local journalists faced when covering civil rights campaigns in the Deep South and of the role played by the press in exposing the nefarious activities of hate groups such as the Klan.
Against the Map: The Politics of Geography in Eighteenth-Century Britain
by Adam SillsOver the course of the seventeenth and eighteenth centuries, the increasing accuracy and legibility of cartographic projections, the proliferation of empirically based chorographies, and the popular vogue for travel narratives served to order, package, and commodify space in a manner that was critical to the formation of a unified Britain. In tandem with such developments, however, a trenchant anti-cartographic skepticism also emerged. This critique of the map can be seen in many literary works of the period that satirize the efficacy and value of maps and highlight their ideological purposes. Against the Map argues that our understanding of the production of national space during this time must also account for these sites of resistance and opposition to hegemonic forms of geographical representation, such as the map.This study utilizes the methodologies of critical geography, as well as literary criticism and theory, to detail the conflicted and often adversarial relationship between cartographic and literary representations of the nation and its geography. While examining atlases, almanacs, itineraries, and other materials, Adam Sills focuses particularly on the construction of heterotopias in the works of John Bunyan, Aphra Behn, Jonathan Swift, Daniel Defoe, Samuel Johnson, and Jane Austen. These "other" spaces, such as neighborhood, home, and country, are not reducible to the map but have played an equally important role in the shaping of British national identity. Ultimately, Against the Map suggests that nation is forged not only in concert with the map but, just as important, against it.
Against the Uprooted Word: Giving Language Time in Transatlantic Romanticism
by Tristram WolffIn this revisionist account of romantic-era poetry and language philosophy, Tristram Wolff recovers vibrant ways of thinking language and nature together. Wolff argues that well-known writers including Phillis Wheatley Peters, William Blake, William Wordsworth, and Henry David Thoreau offer a radical chronopolitics in reaction to the "uprooted word," or the formal analytic used to classify languages in progressive time according to a primitivist timeline of history and a hierarchy of civilization. Before the bad naturalisms of nineteenth-century race science could harden language into place as a metric of social difference, poets and thinkers try to soften, thicken, deepen, and dissolve it. This naturalizing tendency makes language more difficult to uproot from its active formation in the lives of its speakers. And its "gray romanticism" simultaneously gives language different kinds of time—most strikingly, the deep time of geologic form—to forestall the hardening of time into progress. Reorienting romantic studies to consider colonialism's pervasive effects on theories of language origin, Wolff shows us the ambivalent position of romantics in this history. His reparative reading makes visible language's ability to reimagine social forms.
Against World Literature
by Emily ApterAgainst World Literature: On the Politics of Untranslatability argues for a rethinking of comparative literature focusing on the problems that emerge when large-scale paradigms of literary studies ignore the politics of the "Untranslatable"--the realm of those words that are continually retranslated, mistranslated, transferred from language to language, or especially resistant to substitution.In the place of "World Literature"--a dominant paradigm in the humanities, one grounded in market-driven notions of readability and universal appeal--Apter proposes a plurality of "world literatures" oriented around philosophical concepts and geopolitical pressure points. The history and theory of the language that constructs World Literature is critically examined with a special focus on Weltliteratur, literary world systems, narrative ecosystems, language borders and checkpoints, theologies of translation, and planetary devolution in a book set to revolutionize the discipline of comparative literature.
Agamben’s Political Ontology of Nudity in Literature and Art (Literary Criticism and Cultural Theory)
by Frances RestucciaThis volume develops the central (though neglected) Agambenian concept of nudity along with its crucial political implications. The book discovers within The Use of Bodies a philosophical path to Agamben’s "ontology of nudity," as it is subtended by his notion of the messianic—a dual temporality of form in motion reflected in the image of a whirlpool that is autonomous although no drop of water belongs to it separately. Drawn from Paul and Benjamin (rather than Derrida), Agamben’s messianic is elaborated in this study through its embodiment in literature—Woolf’s To the Lighthouse, James’s The Aspern Papers, Brodsky’s Watermark, and Mann’s Death in Venice—in response to Agamben’s insistence on the wedding of poetry and philosophy. In particular, Coetzee’s Disgrace gives poetic form to Agamben’s focus on the dissolution of the human/animal border, the salvation of the unsavable, and "nudity"—all to illustrate Agamben’s Open without a closedness. This text shows how art serves as the house of philosophy also by taking up the nude in visual art, making the case that, in comprising chronos and kairos (the two messianic components of Agamben’s ontology of nudity), art demonstrates the constitution of form-of-life for the viewer. Emphasizing Agamben’s privileged non-unveilability/nudity, this book finally examines two major missed encounters, with Heidegger and Lacan, philosophers of the veil. Veiling to Agamben correlates with the sovereignty/bare life structure of the exception, which his ontology of nudity is meant to deactivate—as there is no such thing as a bare life.
Agamemnon
by Aeschylus David MulroyAgamemnon, King of Argos, returns to Greece a victor in the Trojan War. He has brought with him the seer Cassandra as his war-prize and concubine. Awaiting him is his vengeful wife Clytemnestra, who is angry at Agamemnon's sacrifice of their daughter Iphigeneia to the gods, jealous of Cassandra, and guilty of taking a lover herself. The events that unfold catch everyone in a bloody net, including their absent son Orestes. Aeschylus (525-456 BC) was the first of the three great tragic dramatists of ancient Greece, a forerunner of Sophocles and Euripides. His early tragedies were largely choral pageants with minimal plots. In Agamemnon, choral songs still predominate, but Aeschylus infuses them with such dramatic feeling that the spectator or reader is constantly spellbound. Translator David Mulroy brings this ancient tragedy to life for modern readers and audiences. Using end rhyme and strict metrics, he combines the buoyant lyricism of the Greek text with a faithful rendering of its meaning in lucid English.
Agamemnon (SparkNotes Literature Guide Series)
by SparkNotesAgamemnon (SparkNotes Literature Guide) by Aeschylus Making the reading experience fun!Created by Harvard students for students everywhere, SparkNotes is a new breed of study guide: smarter, better, faster.Geared to what today's students need to know, SparkNotes provides:chapter-by-chapter analysisexplanations of key themes, motifs, and symbolsa review quiz and essay topicsLively and accessible, these guides are perfect for late-night studying and writing papers.
Agapito Bush Zero
by Balmores Moreno Fernanda MacchiarellaAgapito è una serie di libri collegati ai livelli di inglese della metodologia OANI. Con questi libri apprendi e fortifichi l'apprendimento della lingua inglese. Letture piacevoli di ogni lezione per osservare la grammatica e il vocabolario con il professore e gli alunni tra gli Agapito. Agapito Bush numero uno revisiona le sedici lezioni del livello uno con un vocabolario base gestito dal professore e dai suoi alunni con le traduzioni di parole o espressioni nuove per lo studente. La lettura è un mezzo idoneo per imparare a gestire una lingua. Acquista la serie di Agapito e divertiti a leggere e imparare l'inglese.
Agatha Christie: An Autobiography
by Agatha ChristieChristie began this book in 1950 and finished it 15 years later at age 75. She wrote 68 novels, over 100 short stories, 17 plays, published in 103 languages. This book begins from her early childhood growing up in Victorian era England to living abroad in France and Egypt, returning, marrying Archie Christie, travelling around the world with him, again returning home, meeting Max Malowan, etc. There is a lot about the middle east, various parts of England, France, and other countries. She also talks about how she became a writer and began writing novels as well as outlining when certain books were written and what gave her the ideas for them. It is a fascinating read.
Agatha Christie: Collecting Agatha Christie's Secret Notebooks and Agatha Christie: Murder in the Making
by John CurranAgatha Christie: Mysteries and Murders in the Making has descriptive copy which is not yet available from the Publisher.
Agatha Christie: The Finished Portrait
by Andrew NormanWhen Agatha Christie, the so-called 'Queen of Crime', disappeared from her home in Sunningdale in Berkshire for eleven days on 3 December 1927, the whole nation held its breath. This work explains, in the light of scientific knowledge, her behaviour during that troubled time.
Agatha Christie: The Sunday Times Bestseller
by Lucy Worsley'Paint(s) an intriguing picture of Christie.' - Guardian'Ms Worsley herself writes engagingly... She combines an almost militant support for her subject with a considered analysis of her books and plays.' - Economist'Admirably scrupulous' - New York Times'(An) authoritative and entertaining biography.' - Irish Independent'Written with... Lucy Worsley's trademark wit and wisdom, Agatha Christie emerges from the page as a thoroughly modern woman' - Red'Entertaining and authoritative, shining a light on just what an extraordinary pioneer Christie was.' - Belfast Telegraph'Nobody in the world was more inadequate to act the heroine than I was.'A new and fascinating account of the life of Agatha Christie from acclaimed historian Lucy Worsley.Why did Agatha Christie spend her career pretending that she was 'just' an ordinary housewife, when clearly she wasn't? As Lucy Worsley says, 'She was thrillingly, scintillatingly modern'. Her life was 'modern' too: she went surfing in Hawaii, she loved fast cars, and she was intrigued by the new science of psychology, which helped her through devastating mental illness.So why - despite all the evidence to the contrary - did Agatha present herself as a retiring Edwardian lady of leisure? She was born in 1890 into a world which had its own rules about what women could and couldn't do. Lucy Worsley's biography is not just of a massively, internationally successful writer. It's also the story of a person who, despite the obstacles of class and gender, became an astonishingly successful working woman.Agatha's life is fascinating for its mysteries and its passion.With access to personal letters and papers that have rarely been seen, Lucy Worsley's biography is both authoritative and entertaining and makes us realise what an extraordinary pioneer Agatha Christie was - truly a woman who wrote the twentieth century.(P)2022 Hodder & Stoughton Limited
Agatha Christie: A Very Elusive Woman
by Lucy Worsley'One brilliant woman writing about another: an irresistible combination.' - Antonia Fraser'One of the most delightful biographies I have ever read.' - A.N. Wilson'Reading Worsley is as enjoyable as reading Christie herself.' - Ruth Scurr'Full of unique insight, eye opening detail, sharp analysis... Gripping.' - Kate Williams'Read it at one sitting. It's frothy and fast and properly, subtly, furious.' - Annie Gray'Nobody in the world was more inadequate to act the heroine than I was.'Why did Agatha Christie spend her career pretending that she was 'just' an ordinary housewife, when clearly she wasn't? As Lucy Worsley says, 'She was thrillingly, scintillatingly modern'. She went surfing in Hawaii, she loved fast cars, and she was intrigued by the new science of psychology, which helped her through devastating mental illness. So why - despite all the evidence to the contrary - did Agatha present herself as a retiring Edwardian lady of leisure? She was born in 1890 into a world which had its own rules about what women could and couldn't do. Lucy Worsley's biography is not just of an internationally renowned bestselling writer. It's also the story of a person who, despite the obstacles of class and gender, became an astonishingly successful working woman. With access to personal letters and papers that have rarely been seen, Lucy Worsley's biography is both authoritative and entertaining and makes us realise what an extraordinary pioneer Agatha Christie was - truly a woman who wrote the twentieth century.
Agatha Christie: A Very Elusive Woman
by Lucy Worsley'One brilliant woman writing about another: an irresistible combination.' - Antonia Fraser'One of the most delightful biographies I have ever read.' - A.N. Wilson'Reading Worsley is as enjoyable as reading Christie herself.' - Ruth Scurr'Full of unique insight, eye opening detail, sharp analysis... Gripping.' - Kate Williams'Read it at one sitting. It's frothy and fast and properly, subtly, furious.' - Annie Gray'Nobody in the world was more inadequate to act the heroine than I was.'Why did Agatha Christie spend her career pretending that she was 'just' an ordinary housewife, when clearly she wasn't? As Lucy Worsley says, 'She was thrillingly, scintillatingly modern'. She went surfing in Hawaii, she loved fast cars, and she was intrigued by the new science of psychology, which helped her through devastating mental illness. So why - despite all the evidence to the contrary - did Agatha present herself as a retiring Edwardian lady of leisure? She was born in 1890 into a world which had its own rules about what women could and couldn't do. Lucy Worsley's biography is not just of an internationally renowned bestselling writer. It's also the story of a person who, despite the obstacles of class and gender, became an astonishingly successful working woman. With access to personal letters and papers that have rarely been seen, Lucy Worsley's biography is both authoritative and entertaining and makes us realise what an extraordinary pioneer Agatha Christie was - truly a woman who wrote the twentieth century.
Agatha Christie and the Guilty Pleasure of Poison (Crime Files)
by Sylvia A. PamboukianAgatha Christie and the Guilty Pleasure of Poison examines Christie’s female poisoners in the context of Christie’s own experience in pharmacy and of detective fiction. In doing so, it uncovers an overlooked dynamic in which female poisoners deliver well-deserved comeuppance for gendered and classed wrongdoing ordinarily accepted in everyday life. While critics have long recognized male outlaws, like Robin Hood, who use crime to oppose a corrupt system, this book contends that female outlaws – witches and poisoners – offer a similar heritage of empowered femininity. Far from cozy and formulaic, Agatha Christie’s outlaw poisoners offer readers the surprising pleasures of comeuppance, and they set the stage for contemporary detective fiction writers, more recent films depicting poisoning as empowering, and even poison gardens, which are tourist destinations that offer visitors the guilty pleasure of poison.
Agatha Christie. Los cuadernos secretos
by John CurranUna fascinante exploración del contenido de los 73 cuadernos de notas de Agatha Christie recientemente descubiertos, que incluyen ilustraciones, extractos eliminados y dos novelas inéditas de Poirot. Cuando Agatha Christie falleció en 1976 se había convertido en la escritora más popular del mundo. Con unas ventas billonarias en todo el mundo y publicada en más de 100 países, había conseguido lo imposible: publicar más de un libro al año desde la década de 1920, y todos ellos éxitos de ventas. Tras la muerte de la hija de Agatha, Rosalind, a finales de 2004, se reveló un extraordinario legado. Entre sus objetos personales de la residencia familiar de Greenway se desenterraron los cuadernos privados de Agatha Christie, 73 volúmenes escritos a mano que habían permanecido en gran parte ignorados, probablemente debido a que la inconfundible caligrafía de Agatha era muy dificultosa de leer. Pero cuando el archivero John Curran comenzó a descifrar los cuadernos, se hizo evidente la magnitud de este tesoro escondido... Este libro abre la tapa del mayor secreto de Agatha Christie: cómo sus anotaciones, listados y borradores se convirtieron en los exitosos libros, obras de teatro y relatos que finalmente fueron. Argumentos alternativos, escenas eliminadas, incluso sus planes para libros que no llegó a escribir, la investigación de Curran revela una enorme riqueza de material inédito, incluidas dos novelas cortas de Hércules Poirot.
Agatha Christie: First Lady of Crime
by Agatha ChristieIncludes a new introduction from Sophie Hannah, bestselling author of THE MONOGRAM MURDERS and HAVEN'T THEY GROWNAgatha Christie was not only the biggest selling writer of detective stories the world has ever known, she was also a mystery in herself, giving only the rarest interviews, declining absolutely to become any sort of public figure, and a mystery too in the manner in which she achieved her astonishing success.H R F Keating, a crime novelist and respected reviewer of crime fiction, brought together a dozen distinguished writers from both sides of the Atlantic to throw light on this double mystery. Some analyse the art itself; some explain the reasons for her success, not just the books, but also in film and theatre.The approaches are penetrating, affectionate, enthusiastic, analytical, funny - even critical. Together, they give an almost unique insight into the life and work of the First Lady of Crime.
Agatha Christie: First Lady of Crime
by Agatha ChristieIncludes a new introduction from Sophie Hannah, bestselling author of THE MONOGRAM MURDERS and HAVEN'T THEY GROWNAgatha Christie was not only the biggest selling writer of detective stories the world has ever known, she was also a mystery in herself, giving only the rarest interviews, declining absolutely to become any sort of public figure, and a mystery too in the manner in which she achieved her astonishing success.H R F Keating, a crime novelist and respected reviewer of crime fiction, brought together a dozen distinguished writers from both sides of the Atlantic to throw light on this double mystery. Some analyse the art itself; some explain the reasons for her success, not just the books, but also in film and theatre.The approaches are penetrating, affectionate, enthusiastic, analytical, funny - even critical. Together, they give an almost unique insight into the life and work of the First Lady of Crime.
Agatha Christie Goes to War (Routledge Interdisciplinary Perspectives on Literature)
by Rebecca Mills J. C. BernthalAgatha Christie has never been substantially considered as a war writer, even though war is a constant presence in her writing. This interdisciplinary collection of essays considers the effects of these conflicts on the social and psychological textures of Christie’s detective fiction and other writings, demonstrating not only Christie’s textual navigation of her contemporary surroundings and politics, but also the value of her voice as a popular fiction writer reflecting popular concerns. Agatha Christie Goes to War introduces the ‘Queen of Crime’ as an essential voice in the discussion of war, warfare, and twentieth century literature.