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Dominant Language Constellations Approach in Education and Language Acquisition (Educational Linguistics #51)
by Eva Vetter Larissa AroninThis volume is an important instalment in the rapidly expanding literature on multilingualism in education and language teaching. Within multilingual studies the volume is highly innovative in its application of the concept, theory and perspectives of the Dominant Language Constellations (DLC). The volume reports original research on language education policy and practice which address contemporary DLC-informed multilingualism within family settings and institutional domains such as teacher education, primary and secondary schooling, and higher education. Deploying the DLC concept as an analytical and conceptual category the chapters explore both personal and institutional life of multilingualism, enriched through visualizations. Specific chapters examine issues connected to career opportunities of adults of refugee background in Norway, multilingual transnational couples, and language teacher preparation in settings as diverse as Austria, Canada, Finland, Iceland, Israel, and the Basque Country and Catalonia in Spain. This volume is of direct relevance to coursework students and researchers pursuing programs in education, linguistics, applied linguistics, sociolinguistics and multilingualism, but will also attract interest in disciplines such as social work and psychology. Additionally the volume will appeal to members of the general public wishing to acquaint themselves with current research and thinking on critical issues in multilingual studies, such as learning experiences within and beyond classrooms, and aspects of public policy and institutional decision-making processes.
Dominant Language Constellations: A New Perspective on Multilingualism (Educational Linguistics #47)
by Joseph Lo Bianco Larissa AroninThis volume is dedicated to the concept and several applications of Dominant Language Constellations (DLC), by which it advances understanding of current multilingualism through addition of a novel perspective from which to view contemporary language use and acquisition. The term Dominant Language Constellation denotes the set of a person’s or group's most expedient languages, functioning as an entire unit and enabling an individual or group to meet their needs in a multilingual environment. The volume presents pioneering contributions that employ DLC as the lens for analysing a wide array of issues. These include multilingual syntactic development, cross-linguistic interaction and multilingual production in formal and informal educational contexts, as well as linguistic profiles of multilingual groups used in elementary school and higher education. Other DLC issues include discussions of how identity, emotions and attitudes operate in various minority and majority contexts. Because the DLC concept does not assume any inherent hierarchy of languages it can serve as a framework public policy in multilingual countries/communities faced with challenging policy determinations regarding choice of languages for use in education settings and more widely in social institutions and the economy. Some chapters develop and extend the DLC concept, others adapt and apply it to a variety of contexts, both global and local. Many chapters feature educational and social settings across large parts of the world– Africa, Australia, Europe, North America (Canada and the USA) and Southeast Asia. The volume can serve as supplementary reading for courses on multilingualism, sociolinguistics, language policy and planning, educational linguistics, Second and Third Language Acquisition.
Dominant Narratives of Colonial Hokkaido and Imperial Japan
by Michele M. MasonRecasts the commonly dismissed colonial project pursued in Hokkaido during the Meiji era (1868-1912) as a major force in the production of modern Japan's national identity, imperial ideology, and empire.
Dominion Built of Praise: Panegyric and Legitimacy Among Jews in the Medieval Mediterranean (Jewish Culture and Contexts)
by Jonathan DecterA constant feature of Jewish culture in the medieval Mediterranean was the dedication of panegyric texts in Hebrew, Judeo-Arabic, and other languages to men of several ranks: scholars, communal leaders, courtiers, merchants, patrons, and poets. Although the imagery of nature and eroticism in the preludes to these poems is often studied, the substance of what follows is generally neglected, as it is perceived to be repetitive, obsequious, and less aesthetically interesting than other types of poetry from the period. In Dominion Built of Praise, Jonathan Decter demurs. As is the case with visual portraits, panegyrics operate according to a code of cultural norms that tell us at least as much about the society that produced them as the individuals they portray. Looking at the phenomenon of panegyric in Mediterranean Jewish culture from several overlapping perspectives—social, historical, ethical, poetic, political, and theological—he finds that they offer representations of Jewish political leadership as it varied across geographic area and evolved over time.Decter focuses his analysis primarily on Jewish centers in the Islamic Mediterranean between the tenth and thirteenth centuries and also includes a chapter on Jews in the Christian Mediterranean through the fifteenth century. He examines the hundreds of panegyrics that have survived: some copied repeatedly in luxurious anthologies, others discarded haphazardly in the Cairo Geniza. According to Decter, the poems extolled conventional character traits ascribed to leaders not only diachronically within the Jewish political tradition but also synchronically within Islamic and, to a lesser extent, Christian civilization and political culture. Dominion Built of Praise reveals more than a superficial and functional parallel between Muslim and Jewish forms of statecraft and demonstrates how ideas of Islamic political legitimacy profoundly shaped the ways in which Jews conceptualized and portrayed their own leadership.
Dominion Undeserved: Milton and the Perils of Creation
by Eric B. SongThat the writings of John Milton continue to provoke study and analysis centuries after his lifetime speaks no doubt to his literary greatness but also to the many ways in which his art both engaged and transcended the political and theological tensions of his age. In Dominion Undeserved, Eric B. Song offers a brilliant reading of Milton's major writings, finding in them a fundamental impasse that explains their creative power.According to Song, a divided view of creation governs Milton's related systems of cosmology, theology, art, and history. For Milton, any coherent entity-a nation, a poem, or even the new world-must be carved out of and guarded against an original unruliness. Despite being sanctioned by God, however, this agonistic mode of creation proves ineffective because it continues to manifest internal rifts that it can never fully overcome. This dilemma is especially pronounced in Milton's later writings, including Paradise Lost, where all forms of creativity must strive against the fact that chaos precedes order and that disruptive forces will continue to reemerge, seemingly without end.Song explores the many ways in which Milton transforms an intractable problem into the grounds for incisive commentary and politically charged artistry. This argument brings into focus topics ranging from Milton's recurring allusions to the Eastern Tartars, the way Milton engages with country house poetry and colonialist discourses in Paradise Lost, and the lasting relevance of Anglo-Irish affairs for his late writings. Song concludes with a new reading of Paradise Regained and Samson Agonistes in which he shows how Milton's integration of conflicting elements forms the heart of his literary archive and confers urgency upon his message even as it reaches its future readers.
Dominion and Agency
by Eli MaclarenThe 1867 Canadian confederation brought with it expectations of a national literature, which a rising class of local printers hoped to supply. Reforming copyright law in the imperial context proved impossible, and Canada became a prime market for foreign publishers instead. The subsequent development of the agency system of exclusive publisher-importers became a defining feature of Canadian trade publishing for most of the twentieth century.In Dominion and Agency, Eli MacLaren analyses the struggle for copyright reform and the creation of a national literature using previously ignored archival sources such as the Board of Trade Papers at the National Archives of the United Kingdom. A groundbreaking study, Dominion and Agency is an important exploration of the legal and economic structures that were instrumental in the formation of today's Canadian literary culture.
Don Camillo Stories of Giovannino Guareschi
by Alan R. PerryGiovannino Guareschi (1908-1968) was an Italian journalist, humorist, and cartoonist best known for his short stories based on the fictional Catholic priest Don Camillo. In this study, Alan R. Perry explores the Don Camillo stories from the perspective of Christian hermeneutics, a unique approach and the best critical key to unlocking the richness of both the author and his tales.The stories of Don Camillo, the cantankerous but beloved priest, and his sidekick, Communist mayor Peppone, continue to entertain viewers and readers. Their Cold War adventures, mishaps, arguments, and reconciliations have a timeless quality, and their actions reflect endearing values that prevail even today. The stories delight, to be sure, but the best of them also force us to stop and think about how Guareschi so powerfully conveyed the Christian message of faith, hope, and love. To appreciate the true genius of Guareschi, Perry argues that we must delve deeper into the latent spiritual meaning that many of his stories contain. In reflecting popular understandings of the faith, the Don Camillo tales allow us to appreciate a sacred awareness of the world, an understanding communicated through objects, gestures, expressions, and actual religious rites.The first full-length scholarly examination of the Don Camillo stories to appear, this book offers a solid appreciation of Italian cultural values and discusses the ways in which those values were contested in the first decades of the Cold War.
Don DeLillo in Context (Literature in Context)
by Jesse KavadloDon DeLillo is one of the most important novelists of the late twentieth and early twenty-first century. Yet despite DeLillo's prolific output and scholarly recognition, much of the attention has gone to his works individually, rather than collectively or thematically. This volume provides separate entries into the wide variety and categories of contexts that surround and help illuminate DeLillo's writings. Don DeLillo in Context examines how geography, biography, history, media studies, culture, philosophy, and the writing process provide critical frameworks and ways of reading and understanding DeLillo's prodigious body of work.
Don DeLillo: The Possibility of Fiction (Routledge Transnational Perspectives on American Literature)
by Peter BoxallOne of the few available books of criticism on the topic, this monograph presents the fullest account to date of Don DeLillo's writing, situating his oeuvre within a wider analysis of the condition of contemporary fiction, and dealing with his entire work in relation to contemporary political and economic concerns for the fist time. Providing a lucid and nuanced reading of DeLillo's ambivalent engagement with American and European culture, as well as with modernism and postmodernism, and globalization and terrorism, this fascinating volume interrogates the critical and aesthetic capacities of fiction in what is an age of global capitalism and US cultural imperialism.
Don Juan
by Lord ByronByron's exuberant masterpiece tells of the adventures of Don Juan, beginning with his illicit love affair at the age of sixteen in his native Spain and his subsequent exile to Italy. Following a dramatic shipwreck, his exploits take him to Greece, where he is sold as a slave, and to Russia, where he becomes a favourite of the Empress Catherine who sends him on to England. Written entirely in ottava rima stanza form, Byron's Don Juan blends high drama with earthy humour, outrageous satire of his contemporaries (in particular Wordsworth and Southey) and sharp mockery of Western societies, with England coming under particular attack.
Don Juan, Mescalito and Modern Magic: The Mythology of Inner Space (Routledge Revivals)
by Nevill DruryFirst published in 1978, Don Juan, Mescalito and Modern Magic begins with an analysis of the Castaneda material from the viewpoint of its inherently magical content. The author examines the symbiotic gestures, the magical actions and the mind-altering techniques employed by the brujo Don Juan, and then goes on to draw comparisons with two other schools of thought: the psychedelic development of the 1960s and the Western Magical Tradition. The essential aim throughout is to show that there is a basically Western shamanism which uses Western symbols and is easily accessible. The shamanistic practices of the Hermetic Order of the Golden Dawn are examined in this context. Considerable emphasis is also placed on mythological aspects associated with out-of-the-body experiences and their relevance to both the Don Juan Mescalito imagery and the Qabalistic and Tarot symbols found in Western Magic. This book will be of interest to students of religion, history and literature.
Don Juan: Variations on a Theme (Routledge Revivals)
by John SmeedFirst published in 1990, Don Juan: Variations on a Theme explores the differing perceptions of this famous character following his first appearance on the European stage in the early seventeenth century. The book concentrates on the ways in which perceptions of Don Juan’s character have altered in response to changes in social and moral values. It examines famous Don Juan works, including those by Moliere, Byron, Pushkin, Shaw, Anouilh, and Max Frisch, and relates them to these changing views. It also looks at a variety of other plays, poems, and novels on this theme, and highlights the important role of music in Don Juan’s history. The book concludes with a consideration of Don Juan’s lasting popularity and whether it has run its course. Don Juan: Variations on a Theme will appeal to anyone with an interest in the history of Don Juan, comparative literature, and European literature.
Don Quijote de las mallas y los libros gigantes
by Eduardo Losa VázquezUn ensayo sobre cine y literatura escrito con la osadía de quien sale a la calle a combatir el crimen con capa y sin poderes. <P><P>Imagine la silueta de Don Quijote proyectada en el cielo nocturno cual batseñal sobre el libro-rascacielos que abre la película de King Vidor «El manantial» y tendrá en su cabeza la imagen que sintetiza este libro, un insólito ensayo doble en el que el autor explora con rigor, ironía y sentido de la aventura el significado del libro como objeto en el cine (los libros gigantes del título) y las relaciones del inmortal personaje de Cervantes con la moderna figura del superhéroe real (ese vigilante enmascarado que, influido por la lectura de cómics, emula con mallas a sus héroes predilectos).
Don Quixote (SparkNotes Literature Guide Series)
by SparkNotesDon Quixote (SparkNotes Literature Guide) by Miguel de Cervantes Making the reading experience fun! Created by Harvard students for students everywhere, SparkNotes is a new breed of study guide: smarter, better, faster.Geared to what today's students need to know, SparkNotes provides:chapter-by-chapter analysis explanations of key themes, motifs, and symbols a review quiz and essay topics Lively and accessible, these guides are perfect for late-night studying and writing papers.
Don Quixote Among the Saracens
by Frederick A. de ArmasThe fictional Don Quixote was constantly defeated in his knightly adventures. In writing Quixote's story, however, Miguel Cervantes succeeded in a different kind of quest -- the creation of a modern novel that 'conquers' and assimilates countless literary genres. Don Quixote among the Saracens considers how Cervantes's work reflects the clash of civilizations and anxieties towards cultural pluralism that permeated Golden Age Spain.Frederick A. de Armas unravels an essential mystery of one of world literature's best known figures: why Quixote sets out to revive knight errantry, and why he comes to feel at home only among the Moorish 'Saracens,' a people whom Quixote feared at the beginning of the novel. De Armas also reveals Quixote's inner conflicts as both a Christian who vows to battle the infidel, but also a secret Saracen sympathizer. While delving into genre theory, Don Quixote among the Saracens adds a new dimension to our understandings of Spain's multicultural history.
Don Quixote: A Dramatic Adaptation (Texts and Translations #29)
by Mikhail BulgakovWhen Soviet censors approved Mikhail Bulgakov's stage adaptation of Don Quixote, they were unaware that they were sanctioning a subtle but powerful criticism of Stalinist rule. The author, whose novel The Master and Margarita would eventually bring him world renown, achieved this sleight of hand through a deft interpretation of Cervantes's knight. Bulgakov's Don Quixote fits comfortably into the nineteenth-century Russian tradition of idealistic, troubled intellectuals, but Quixote's quest becomes an allegory of the artist under the strictures of Stalin's regime. Bulgakov did not live to see the play performed: it went into production in 1940, only months after his death.The volume's introduction provides background for Bulgakov's adaptation and compares Bulgakov with Cervantes and the twentieth-century Russian work with the seventeenth-century Spanish work.
Don Quixote’s Impossible Quest for the Absolute in Literature: Fiction, Reflection, and Negative Theology (Routledge Studies in Latin American and Iberian Literature)
by William FrankeThis book offers a reading particularly of Part II of Don Quixote, a reading that is embedded in a philosophical reflection on the revelation of religious truth in and through literature. Part II of Don Quixote is the far richer part for its meta-literary reflection on the novel itself as a genre and on life as such seen through the lens of self-reflection. The author has treated the phenomenon of modern self-reflexivity as originally theological in nature in previous publications (notably Dante’s Paradiso and the Theological Origins of Modern Thought: Toward a Speculative Philosophy of Self-Reflection, Routledge, 2021). The present endeavor expands this overall intellectual project, extending it into detailed consideration of what is recognizably another nodal great work inaugurating unprecedented forms of self-reflection in the early modern period. Reading the founding texts of literary and cultural tradition in this negative-theological key proves crucial to allowing them to release the full force of their religious vision in the present age, despite its sometimes obstinate secularity. This reading absorbs and reconciles the religious and secular readings of Miguel de Unamuno and José Ortega y Gasset, two of Spain’s outstanding philosophical luminaries. Both thinkers based their entire philosophies and their analyses of the Spanish national character and destiny on their interpretations of the Quixote. Negative theology deploys critical reason that critiques the limits of reason itself and opens toward an unfathomable (un)ground of All. Such speculative interpretation performs a synthesis of the secularizing and sacralizing tendencies that are both sublimely operative in the text of the Quixote. It thereby enables the work to emerge in the fully parodic and paradoxical vitality that other interpretations, governed by one paradigm or the other, access only partially. Rather than falling into one camp or the other, the proposed approach combines and resources both heritages, sacred and secular, in their deepest synergisms. Spanish baroque mysticism and contemporary post-secular thought are made to converge in highlighting the blessed, even sacred, donation that literature like Don Quixote preserves and transmits as our most precious and saving cultural heritage.
Don de gentes
by Elvira LindoElvira Lindo sobrevuela de un lado a otro el Atlántico, va de Los Soprano a Mujercitas, de Serrat a Paul Auster, de los nuevos tertulianos a João Gilberto... Los artículos de Elvira Lindo tienen registros muy diferentes pero un punto en común: la capacidad de condensar una mirada múltiple sobre la realidad. La serie «Don de gentes», publicada en El País, es la manera de Elvira Lindo de sintetizar lo que observan sus grandes ojos. Guiada por la ansiedad poética de verlo todo al mismo tiempo, es capaz de descubrir, a veces de forma intuitiva o instantánea, lo que esconden las miradas de los otros. En estos artículos hay un estado de ánimo permanente y fijo, el de una mujer que se enfrenta a la vida sin abandonar ninguna de sus edades. Reseña:«Su Don de gentes es, en cierto modo, el espejo en el que está el carnaval del mundo tal como lo ve; en alguna esquina, como en el más famoso cuadro de Velázquez, está también ella reflejada. Leerla es verla mirar.»Juan Cruz Ruiz
Don't Be Afraid of the Bullets: An Accidental War Correspondent in Yemen
by Laura KasinofLaura Kasinof studied Arabic in college and moved to Yemen a few years later--after a friend at a late-night party in Washington, DC, recommended the country as a good place to work as a freelance journalist. When she first moved to the capital city of Sanaa in 2009, she was the only American reporter based in the country. She quickly fell in love with Yemen’s people and culture, and even found herself the star of a local TV soap opera. When antigovernment protests broke out in Yemen in 2011, part of the revolts sweeping the Arab world at the time, she contacted the New York Times to see if she could cover the rapidly unfolding events for the newspaper. Laura never planned to be a war correspondent, but found herself in the middle of brutal government attacks on peaceful protesters. As foreign reporters were rounded up and shipped out of the country, Laura managed to elude the authorities but found herself increasingly isolated--and even more determined to report on what she saw. With a new foreword by the author about what has happened in Yemen since the book’s initial publication, Don’t Be Afraid of the Bullets is a fascinating and important debut by a talented young journalist.
Don't Believe A Word: The Surprising Truth About Language
by David Shariatmadari***'Wonderful. You finish the book more alive than ever to the enduring mystery and miracle of that thing that makes us most human' STEPHEN FRY'Most popular books on language dumb down; Shariatmadari's smartens things up, and is all the more entertaining for it' THE SUNDAY TIMES, a Book of the Year'A meaty, rewarding and necessary read' GUARDIAN'Fascinating and thought-provoking . . . crammed with weird and wonderful facts . . . for anyone who delights in linguistics it's a richly rewarding read' MAIL ON SUNDAY ***- A word's origin doesn't tell you what it means today- There are languages that change when your mother-in-law is present- The language you speak could make you more prone to accidents- There's a special part of the brain that produces swear wordsTaking us on a mind-boggling journey through the science of language, linguist David Shariatmadari uncovers the truth about what we do with words, exploding nine widely-held myths about language while introducing us to some of the fundamental insights of modern linguistics.
Don't Believe A Word: The Surprising Truth About Language
by David Shariatmadari***'Wonderful. You finish the book more alive than ever to the enduring mystery and miracle of that thing that makes us most human' STEPHEN FRY'Most popular books on language dumb down; Shariatmadari's smartens things up, and is all the more entertaining for it' THE SUNDAY TIMES, a Book of the Year'A meaty, rewarding and necessary read' GUARDIAN'Fascinating and thought-provoking . . . crammed with weird and wonderful facts . . . for anyone who delights in linguistics it's a richly rewarding read' MAIL ON SUNDAY ***- A word's origin doesn't tell you what it means today- There are languages that change when your mother-in-law is present- The language you speak could make you more prone to accidents- There's a special part of the brain that produces swear wordsTaking us on a mind-boggling journey through the science of language, linguist David Shariatmadari uncovers the truth about what we do with words, exploding nine widely-held myths about language while introducing us to some of the fundamental insights of modern linguistics.
Don't Believe a Word: The Surprising Truth About Language
by David ShariatmadariA linguist’s entertaining and highly informed guide to what languages are and how they function. Think you know language? Think again. There are languages that change when your mother-in-law is present. The language you speak could make you more prone to accidents. Swear words are produced in a special part of your brain. Over the past few decades, we have reached new frontiers of linguistic knowledge. Linguists can now explain how and why language changes, describe its structures, and map its activity in the brain. But despite these advances, much of what people believe about language is based on folklore, instinct, or hearsay. We imagine a word’s origin is it’s “true” meaning, that foreign languages are full of “untranslatable” words, or that grammatical mistakes undermine English. In Don’t Believe A Word, linguist David Shariatmadari takes us on a mind-boggling journey through the science of language, urging us to abandon our prejudices in a bid to uncover the (far more interesting) truth about what we do with words. Exploding nine widely held myths about language while introducing us to some of the fundamental insights of modern linguistics, Shariatmadari is an energetic guide to the beauty and quirkiness of humanity’s greatest achievement.
Don't Bet on the Prince: Contemporary Feminist Fairy Tales in North America and England
by Jack ZipesFirst published in 1987. Routledge is an imprint of Taylor & Francis, an informa company.
Don't Buy It: The Trouble with Talking Nonsense about the Economy
by Anat Shenker-OsorioAfter everything that’s happened, how is it possible that conservatives still win debates about the economy? Time and again the right wins over voters by claiming that their solutions are only common sense, even as their tired policies of budgetary sacrifice and corporate plunder both create and prolong economic disaster. Why does the electorate keep buying what they’re selling? According to political communications expert Anat Shenker-Osorio, it’s all about language-and not just theirs, but ours. InDon’t Buy ItShenker-Osorio diagnoses our economic discourse as stricken with faulty messages, deceptive personification, and, worst of all, a barely coherent concept of what the economy actually is. Opening up the business section of most newspapers or flipping on cable news unleashes an onslaught of economic doomsaying that treats the economy as an ungovernable force of nature. Alternately, by calling the economy "unhealthy” or "recovering” as we so often do, we unconsciously give it the status of a living being. No wonder Americans become willing to submit to any indignity required to keep the economy happy. Tread lightly, we can’t risk irritating the economy! Cutting through conservative myth-making, messaging muddles, and destructive misinformation, Shenker-Osorio suggests a new way to win the most important arguments of our day. The left doesn’t have to self-destruct every time matters economic come to the fore-there are metaphors and frames that can win, and Shenker-Osorio shows what they are and how to use them. Don’t Buy Itis a vital handbook for seizing victory in the economic debate. In the end, it convincingly shows that radically altering our politics and policies for the better is a matter of first changing the conversation-literally.
Don't Call it Literacy!: What every teacher needs to know about speaking, listening, reading and writing
by Geoff Barton"Every teacher in English is a teacher of English," said George Sampson, one of the early school inspectors, back in 1921. It’s never been truer, or more relevant. Literacy has a major impact on young people’s life-chances and it is every teacher’s responsibility to help build their communication, reading and writing skills. However, this book isn’t just about literacy; it’s also about what great teachers do in their classrooms, about applying knowledge consistently across classrooms, in order to help pupils to become more confident in their subjects. This book shows every teacher – whatever your subject – the simple steps which could transform your students into better speakers, listeners, readers and writers. Harnessing a range of straightforward, but powerful techniques, it shows you how to help each student in your subject to improve their spelling, to use the key vocabulary of your subject more accurately and to speak, read and write with confidence like a historian, scientist, designer or mathematician. The book is structured into clear sections which are then divided into short, easy-to-absorb units on the classroom implications of what we know about literacy. Don’t Call it Literacy! also includes: language commentaries which exemplify points made by the author; talking points at the end of each unit for self-assessment; a glossary for non-specialists; subject specific vocabulary for building students’ word power; tutor time spellings lists; a reading list on teaching, language, literacy and education. Written by a leading authority in the field, this book will help both trainee and practising secondary school teachers to turn their classroom into literacy-friendly environments, increasing the motivation and achievement of their students.