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Emissaries in Early Modern Literature and Culture: Mediation, Transmission, Traffic, 1550–1700 (Transculturalisms, 1400-1700)
by Gitanjali ShahaniWith its emphasis on early modern emissaries and their role in England's expansionary ventures and cross-cultural encounters across the globe, this collection of essays takes the messenger figure as a focal point for the discussion of transnational exchange and intercourse in the sixteenth and seventeenth centuries. It sees the emissary as embodying the processes of representation and communication within the world of the text, itself an 'emissary' that strives to communicate and re-present certain perceptions of the 'real.' Drawing attention to the limits and licenses of communication, the emissary is a reminder of the alien quality of foreign language and the symbolic power of performative gestures and rituals. Contributions to this collection examine different kinds of cross-cultural activities (e.g. diplomacy, trade, translation, espionage, missionary endeavors) in different world areas (e.g. Asia, the Mediterranean, the Levant, the New World) via different critical methods and approaches. They take up the literary and cultural productions and representations of ambassadors, factors, traders, translators, spies, middlemen, merchants, missionaries, and other agents, who served as complex conduits for the global transport of goods, religious ideologies, and socio-cultural practices throughout the early modern period. Authors in the collection investigate the multiple ways in which the emissary became enmeshed in emerging discourses of racial, religious, gender, and class differences. They consider how the emissary's role might have contributed to an idealized progressive vision of a borderless world or, conversely, permeated and dissolved borders and boundaries between peoples only to further specific group interests.
Emma (MAXNotes Literature Guides)
by Jean HartREA's MAXnotes for Jane Austen's Emma MAXnotes offer a fresh look at masterpieces of literature, presented in a lively and interesting fashion. Written by literary experts who currently teach the subject, MAXnotes will enhance your understanding and enjoyment of the work. MAXnotes are designed to stimulate independent thought about the literary work by raising various issues and thought-provoking ideas and questions. MAXnotes cover the essentials of what one should know about each work, including an overall summary, character lists, an explanation and discussion of the plot, the work's historical context, illustrations to convey the mood of the work, and a biography of the author. Each chapter is individually summarized and analyzed, and has study questions and answers.
Emma (SparkNotes Literature Guide Series)
by SparkNotesEmma (SparkNotes Literature Guide) by Jane Austen Making the reading experience fun! Created by Harvard students for students everywhere, SparkNotes is a new breed of study guide: smarter, better, faster.Geared to what today's students need to know, SparkNotes provides:chapter-by-chapter analysis explanations of key themes, motifs, and symbols a review quiz and essay topics Lively and accessible, these guides are perfect for late-night studying and writing papers.
Emma - Notes
by Jane Austen edited by COLES EDITORIAL BOARDThe novel deals with one community, several families the two major characters - Emma Woodhouse and Knightley. The story reveals their friendship over 17 years the courtship that leads to their marriage. Intertwined with this simple story are the issues of marriage and freedom of choice, class consciousness and snobbery, morality, the evils of self-love and self-deception, and the consciousness of women.
Emma y las otras señoras del narco
by Anabel HernándezEste libro forma parte del largo recorrido periodístico de Anabel Hernández dentro del complejo mundo del crimen organizado en México, así como de su incesante búsqueda por entender los diversos componentes de los cárteles de la droga, los cuales tienen sumida a la nación desde hace décadas en una espiral de violencia en la que todos los días son explotadas, desaparecidas o asesinadas decenas de personas inocentes, muchas de ellas del sexo femenino. Desde su bestseller Los señores del narco (2010), éste es quizás el acercamiento más íntimo a la cúpula del narcotráfico, un detrás de cámaras de lo que ocurre en el multimillonario negocio criminal. En Emma y las otras señoras del narco la autora recorre el velo y muestra las pulsiones más profundas que hacen a los narcos buscar poder y dinero a toda costa. La autora de El traidor (2019), multigalardonada y reconocida internacionalmente como experta en temas de narcotráfico, una vez más gira la mesa del tablero y ofrece al lector un análisis casi antropológico de los capos de la droga y su entorno más cercano desde una nueva óptica: el mundo de sus mujeres. En estas páginas desfilan personajes como Emma Coronel y otras esposas de importantes narcotraficantes, una ex Miss Universo, y algunas de las actrices, cantantes y conductoras de televisión más reconocidas y aplaudidas en México, tanto del pasado como de la época actual. Madres, esposas y amantes. Mujeres que se amoldan a las reglas machistas de sus amos y bailan ante ellos -en privado, fiestas u orgías- la danza de los siete velos, y lo hacen sobre los cadáveres de los miles que han sido víctimas de los mismos hombres a quienes deleitan con su cómplice presencia a cambio de dinero, joyas y propiedades. Con el rigor investigativo que la caracteriza, Anabel Hernández, a través de entrevistas realizadas a testigos de los hechos, lleva al lector a las reuniones familiares, fiestas y alcobas de diversos narcotraficantes donde ocurren las historias de amor, compra y venta de placer, incesto, ambición, traición y venganza. Un mundo hasta ahora desconocido.
Emmanuel Levinas (Routledge Critical Thinkers)
by Seán HandBest known for his theories of ethics and responsibility, Emmanuel Levinas was one of the most profound and influential thinkers of the last century. In this clear, accessible guide, Seán Hand examines why Levinas is increasingly fundamental to the study of literature and culture today. Exploring the intellectual and social contexts of his work and the events that shaped it, Hand considers: the influence of phenomenology and Judaism on Levinas’s thought key concepts such as the ‘face’, the ‘other’, ethical consciousness and responsibility Levinas’s work on aesthetics the relationship of philosophy and religion in his writings the interaction of his work with historical discussions his often complex relationships with other theorists and theories Emmanuel Levinas’s unique contribution to theory set an exemplary standard for all subsequent thought. This outstanding guide to his work will prove invaluable to scholars and students across a wide range of disciplines - from philosophy and literary criticism through to international relations and the creative arts.
Emmett Till in Literary Memory and Imagination: New and Selected Poems (Southern Literary Studies)
by Harriet Pollack Christopher MetressThe horrific 1955 slaying of fourteen-year-old Emmett Till marks a significant turning point in the history of American race relations. An African American boy from Chicago, Till was visiting relatives in the Mississippi Delta when he was accused of "wolf-whistling" at a young white woman. His murderers abducted him from his great-uncle's home, beat him, then shot him in the head. Three days later, searchers discovered his body in the Tallahatchie River. The two white men charged with his murder received a swift acquittal from an all-white jury. The eleven essays in Emmett Till in Literary Memory and Imagination examine how the narrative of the Till lynching continues to haunt racial consciousness and to resonate in our collective imagination.The trial and acquittal of Till's murderers became, in the words of one historian, "the first great media event of the civil rights movement," and since then, the lynching has assumed a central place in literary memory. The international group of contributors to this volume explores how the Emmett Till story has been fashioned and refashioned in fiction, poetry, drama, and autobiography by writers as diverse as William Bradford Huie, James Baldwin, Langston Hughes, Gwendolyn Brooks, Audre Lorde, Anne Moody, Nicolás Guillén, Aimé Césaire, Bebe Moore Campbell, and Lewis Nordan. They suggest the presence of an "Emmett Till narrative" deeply embedded in post-1955 literature, an overarching recurrent plot that builds on recognizable elements and is as legible as the "lynching narrative" or the "passing narrative." Writers have fashioned Till's story in many ways: an the annotated bibliography that ends the volume discusses more than 130 works that memorialize the lynching, calling attention to the full extent of Till's presence in literary memory. Breaking new ground in civil rights studies and the discussion of race in America, Emmett Till in Literary Memory and Imagination eloquently attests to the special power and artistic resonance of one young man's murder.
Emoji Pragmatics
by Francisco YusEmoji is everywhere—on messaging apps, social networking sites, and even in offline media like billboards, films, and printed ads. While there is a substantial existing bibliography on emojis, it often fails to address their functions and interpretations in purely pragmatic terms, specifically focusing on their impact on inferential strategies for both the emojis themselves and accompanying texts. Existing books on this topic tend to focus on the semiotic aspects or visual impact of emojis, rather than their crucial role in interpreting the messaging text or social media post to which they are attached, as well as the way they communicate their own meanings when used in isolation (so-called naked emojis). This book is original in analysing the pragmatic roles that emojis play in online communication, the additional information they convey, and the role of context in their successful interpretation. The book also argues that, despite the apparent differences between words and images, emojis perform similar functions and are inferred in similar ways to words, with the aid of context. Additionally, the book dedicates several chapters to demographic variables (age, gender, ethnic origin, personality, etc.), the role of “interface affordances” in emoji use, and thematic areas where emojis are frequently found: humour, advertising/marketing, politics, law, and health.
Emoji in Higher Education: A Healthcare-Based Perspective
by Omonpee W. Petcoff Janice C. Palaganas Marcel DanesiEmoji are a significant development in contemporary communication, deserving serious attention for their impact on both language use and society. Based on original mixed-methods research, this timely book focuses on emoji literacy across the healthcare landscape, with emphasis on how they are employed in healthcare worker and patient education. It situates emoji within a semioliteracy theoretical framework and presents the findings of a mixed methods study of emoji use as a literacy tool in a health professions course. Drawing on real-life case studies, it explores emoji literacy across a range of public health education contexts including doctor-to-industry, patient-to doctor, doctor-to-patient, and healthcare providers/CDC to global audience. It also advances a broader argument about the role of emoji in a paradigm shift of communication in education. This title is part of the Flip it Open Programme and may also be available Open Access. Check our website Cambridge Core for details.
Emoticons, Kaomoji, and Emoji: The Transformation of Communication in the Digital Age (Routledge Research in Language and Communication)
by Elena Giannoulis Lukas R.A. WildeThis collection offers a comprehensive treatment of emoticons, kaomoji, and emoji, examining these digital pictograms and ideograms from a range of perspectives to comprehend their increasing role in the transformation of communication in the digital age. Featuring a detailed introduction and eleven contributions from an interdisciplinary group of scholars, the volume begins by outlining the history and development of the field, situating emoticons, kaomoji, and emoji – expressing a variety of moods and emotional states, facial expressions, as well as all kinds of everyday objects– as both a topic of global relevance but also within multimodal, semiotic, picture theoretical, cultural and linguistic research. The book shows how the interplay of these systems with text can alter and shape the meaning and content of messaging and examines how this manifests itself through different lenses, including the communicative, socio-political, aesthetic, and cross-cultural. Making the case for further study on emoticons, kaomoji, and emoji and their impact on digital communication, this book is key reading for students and scholars in sociolinguistics, media studies, Japanese studies, and language and communication.
Emotion Recognition using Speech Features
by K. Sreenivasa Rao Shashidhar G. Koolagudi"Emotion Recognition Using Speech Features" provides coverage of emotion-specific features present in speech. The author also discusses suitable models for capturing emotion-specific information for distinguishing different emotions. The content of this book is important for designing and developing natural and sophisticated speech systems. In this Brief, Drs. Rao and Koolagudi lead a discussion of how emotion-specific information is embedded in speech and how to acquire emotion-specific knowledge using appropriate statistical models. Additionally, the authors provide information about exploiting multiple evidences derived from various features and models. The acquired emotion-specific knowledge is useful for synthesizing emotions. Features includes discussion of: * Global and local prosodic features at syllable, word and phrase levels, helpful for capturing emotion-discriminative information; * Exploiting complementary evidences obtained from excitation sources, vocal tract systems and prosodic features in order to enhance the emotion recognition performance; * Proposed multi-stage and hybrid models for improving the emotion recognition performance. This brief is for researchers working in areas related to speech-based products such as mobile phone manufacturing companies, automobile companies, and entertainment products as well as researchers involved in basic and applied speech processing research.
Emotion and Cause: Linguistic Theory and Computational Implementation (Studies in East Asian Linguistics)
by Sophia Yat LeeThis work argues that cause events, being the most tangible component of emotion, provide a rich dimension of how emotions should be classified. While it is often claimed that emotional concepts cannot be defined, this work views emotion as a response triggered by actual or perceived events, specifically focusing on the interaction between five primary emotions (Happiness, Sadness, Fear, Anger, and Surprise) and cause events. Cause events are examined in terms of two dimensions, namely transitivity and epistemicity. By incorporating the semantic and syntactic information of emotion cause events, this representation of emotion not only provides deep linguistic criteria of emotion cause events, but also offers an event-based approach to emotion classification. A text-driven, rule-based system for detecting the causes of emotion is then developed to establish the validity of the proposed linguistic model for emotion detection and classification. The system shows promising results.
Emotion and Discourse in L2 Narrative Research
by Matthew T. PriorThis interdisciplinary book explores the interactional construction and management of emotionality in second language autobiographical interview research. By advancing a discursive constructionist approach, it offers a timely methodological and interaction-based perspective that examines how emotionality is collaboratively managed as both topic and resource within the institutional and interpersonal business of qualitative research. The book weaves together discussions based on first and second language literature as well as original research with adult immigrants from Southeast Asia living in the US and Canada. This book will be of interest to those researching second and foreign language studies, applied linguistics and related bilingual and multilingual research, as well as those interested in qualitative research methods and emotion.
Emotion and Historiography in Polybius’ Histories (Routledge Studies in Ancient History)
by Regina M. LoehrThis volume explores emotion and its importance in Polybius’ conception of history, his writing of historiography, and the benefits of this understanding to readers of history. How and why did ancient historians include emotions in their texts? This book argues that in the Histories of Polybius – the Greek historian who recorded Rome’s rise to dominion in the ancient Mediterranean – emotions play an effective role in history, used by the historian to explain the causes of actions, connect events, and make sense of human behavior. Through analysis of the emotions in the narrative and theory of Polybius’ Histories using critical terminology and frameworks from modern philosophy, psychology, and political science, this work calls into question assumptions that emotions were purely irrational and detrimental in ancient history, politics, and historiography. Emotions often positively shape Polybius’ historical narrative, provide criteria for the success and morality of agents, actions, and even historians, and aid the historian in guiding readers to become intelligent leaders and citizens of a new world centered on Rome. Emotion and Historiography in Polybius’ Histories is a fascinating read for students and scholars of ancient historiography and history, as well as those working on ancient political thought, emotions in the ancient Greek world, and emotion in history and literature more broadly.
Emotion and the Self in English Renaissance Literature: Reforming Contentment
by Paul Joseph ZajacThis book offers the first full-length study of early modern contentment, the emotional and ethical principle that became the gold standard of English Protestant psychology and an abiding concern of English Renaissance literature. Theorists and literary critics have equated contentedness with passivity, stagnation, and resignation. However, this book excavates an early modern understanding of contentment as dynamic, protective, and productive. While this concept has roots in classical and medieval philosophy, contentment became newly significant because of the English Reformation. Reformers explored contentedness as a means to preserve the self and prepare the individual to endure and engage the outside world. Their efforts existed alongside representations and revisions of contentment by authors including Sidney, Spenser, Shakespeare, and Milton. By examining Renaissance models of contentment, this book explores alternatives to Calvinist despair, resists scholarly emphasis on negative emotions, and reaffirms the value of formal concerns to studies of literature, religion, and affect.
Emotion and the Structure of Narrative Film: Film As An Emotion Machine (Routledge Communication Series)
by Ed S. TanIntroduced one hundred years ago, film has since become part of our lives. For the past century, however, the experience offered by fiction films has remained a mystery. Questions such as why adult viewers cry and shiver, and why they care at all about fictional characters -- while aware that they contemplate an entirely staged scene -- are still unresolved. In addition, it is unknown why spectators find some film experiences entertaining that have a clearly aversive nature outside the cinema. These and other questions make the psychological status of emotions allegedly induced by the fiction film highly problematic. Earlier attempts to answer these questions have been limited to a few genre studies. In recent years, film criticism and the theory of film structure have made use of psychoanalytic concepts which have proven insufficient in accounting for the diversity of film induced affect. In contrast, academic psychology -- during the century of its existence -- has made extensive study of emotional responses provoked by viewing fiction film, but has taken the role of film as a natural stimulus completely for granted. The present volume bridges the gap between critical theories of film on the one hand, and recent psychological theory and research of human emotion on the other, in an attempt to explain the emotions provoked by fiction film. This book integrates insights on the narrative structure of fiction film including its themes, plot structure, and characters with recent knowledge on the cognitive processing of natural events, and narrative and person information. It develops a theoretical framework for systematically describing emotion in the film viewer. The question whether or not film produces genuine emotion is answered by comparing affect in the viewer with emotion in the real world experienced by persons witnessing events that have personal significance to them. Current understanding of the psychology of emotions provides the basis for identifying critical features of the fiction film that trigger the general emotion system. Individual emotions are classified according to their position in the affect structure of a film -- a larger system of emotions produced by one particular film as a whole. Along the way, a series of problematic issues is dealt with, notably the reality of the emotional stimulus in film, the identification of the viewer with protagonists on screen, and the necessity of the viewer's cooperation in arriving at a genuine emotion. Finally, it is argued that film-produced emotions are genuine emotions in response to an artificial stimulus. Film can be regarded as a fine-tuned machine for a continuous stream of emotions that are entertaining after all. The work paves the way for understanding and, in principle, predicting emotions in the film viewer using existing psychological instruments of investigation. Dealing with the problems of film-induced affect and rendering them accessible to formal modeling and experimental method serves a wider interest of understanding aesthetic emotion -- the feelings that man-made products, and especially works of art, can evoke in the beholder.
Emotion in Christian and Islamic Contemplative Texts, 1100–1250: Cry of the Turtledove (The New Middle Ages)
by A. S. LazikaniThis book offers a comparative study of emotion in Arabic Islamic and English Christian contemplative texts, c. 1110-1250, contributing to the emerging interest in ‘globalization’ in medieval studies. A.S.Lazikani argues for the necessity of placing medieval English devotional texts in a more global context and seeks to modify influential narratives on the ‘history of emotions’ to enable this more wide-ranging critical outlook. Across eight chapters, the book examines the dialogic encounters generated by comparative readings of Muhyddin Ibn ‘Arabi (1165-1240), ‘Umar Ibn al-Fārid (1181-1235), Abu al-Hasan al-Shushtarī (d. 1269), Ancrene Wisse (c. 1225), and the Wooing Group (c. 1225). Investigating the two-fold ‘paradigms of love’ in the figure of Jesus and in the image of the heart, the (dis)embodied language of affect, and the affective semiotics of absence and secrecy, Lazikani demonstrates an interconnection between the religious traditions of early Christianity and Islam.
Emotion, Affect and Personality in Speech
by Swati JoharThis book explores the various categories of speech variation and works to draw a line between linguistic and paralinguistic phenomenon of speech. Paralinguistic contrast is crucial to human speech but has proven to be one of the most difficult tasks in speech systems. In the quest for solutions to speech technology and sciences, this book narrows down the gap between speech technologists and phoneticians and emphasizes the imperative efforts required to accomplish the goal of paralinguistic control in speech technology applications and the acute need for a multidisciplinary categorization system. This interdisciplinary work on paralanguage will not only serve as a source of information but also a theoretical model for linguists, sociologists, psychologists, phoneticians and speech researchers.
Emotion, Race, and Space in Contemporary African American Literature (American Literature Readings in the 21st Century)
by Marijana MikićThis open access book examines how selected African American authors—Colson Whitehead, Edward P. Jones, Toni Morrison, Brit Bennett, Percival Everett, Maurice Carlos Ruffin, Sherri L. Smith, and N.K. Jemisin—narrate relationships between emotion, race, and space. On the one hand, they bear witness to the structural production of Black emotional pain at the confluence of racial and spatial discrimination. On the other hand, they reveal meaningful and subversive interlinkages between Black emotional experiences and Black spatial practices. Weaving together insights from psychology, narrative theory, African American studies, affect theory, and Black Geographies, Marijana Mikić interrogates fear, hope, shame, guilt, anger, and grief in relation to the racial-geographic projects of slavery, Jim Crow segregation, and their continued legacies. Mikić draws attention to the narrative strategies contemporary African American authors employ to prompt their readers&’ engagement with both the pain and the possibility that continues to shape Black lives in the twenty-first century.
Emotion, Ritual and Power in Europe, 1200–1920: Family, State and Church (Palgrave Studies in the History of Emotions)
by Katie Barclay Merridee L. BaileyThis volume spans the fourteenth to nineteenth centuries, across Europe and its empires, and brings together historians, art historians, literary scholars and anthropologists to rethink medieval and early modern ritual. The study of rituals, when it is alert to the emotions which are woven into and through ritual activities, presents an opportunity to explore profoundly important questions about people’s relationships with others, their relationships with the divine, with power dynamics and importantly, with their concept of their own identity. Each chapter in this volume showcases the different approaches, theories and methodologies that can be used to explore emotions in historical rituals, but they all share the goal of answering the question of how emotions act within ritual to inform balances of power in its many and varied forms. Chapter 5 of this book is available open access under a CC BY 4.0 license.
Emotional Alterity in the Medieval North Sea World (Palgrave Studies in the History of Emotions)
by Daniel Anlezark Erin Sebo Matthew FirthThis book addresses a little-considered aspect of the study of the history of emotions in medieval literature: the depiction of perplexing emotional reactions. Medieval literature often confronts audiences with displays of emotion that are improbable, physiologically impossible, or simply unfathomable in modern social contexts. The intent of such episodes is not always clear; medieval texts rarely explain emotional responses or their motivations. The implication is that the meanings communicated by such emotional display were so obvious to their intended audience that no explanation was required. This raises the question of whether such meanings can be recovered. This is the task to which the contributors to this book have put themselves. In approaching this question, this book does not set out to be a collection of literary studies that treat portrayals of emotion as simple tropes or motifs, isolated within their corpora. Rather, it seeks to uncover how such manifestations of feeling may reflect cultural and social dynamics underlying vernacular literatures from across the medieval North Sea world.
Emotional Experience and Microhistory: A Life Story of a Destitute Pauper Poet in the 19th Century (Microhistories)
by Sigurður Gylfi MagnússonEmotional Experience and Microhistory explores the life and death of Magnús Hj. Magnússon through his diary, poetry and other writing, showing how best to use the methods of microhistory to address complicated historical situations. The book deals with the many faces of microhistory and applies it’s methodology to the life of the Icelandic destitute pauper poet Magnús Hj. Magnússon (1892–1916). Having left his foster home at the age of 19 in 1892, he lived a peripatetic existence in an unstinting struggle with poor health, together with a ceaseless quest for a space to pursue writing and scholarship in accord with his dreams. He produced and accumulated a huge quantity of sources (autobiography, diary, poems, reflections) which are termed by the author as ‘egodocuments’. The book demonstrates how these egodocuments can be applied systematically, revealing unexpected perspectives on his life and demonstrating how integration of diverse sources can open up new perspectives on complex and difficult subjects. In so doing, the author offers an understanding both of how Magnússon’s story has been told, and how it can give insight into such matters as gender relations and sexual life, and the history of emotions. Highlighting how the historiographical development of modern scholarship has shaped scholars’ ideas about egodocuments and microhistory around the world, the book is of great use and interest to scholars of microhistory, social and cultural modern history, literary theory, anthropology and ethnology.
Emotional Labour in Oral History Research: The Hidden Toll
by Jennifer Harding Verusca CalabriaEmotional Labour in Oral History Research critically appraises the many complex ways in which emotion management features in oral history research and its specific implications for the researcher.Uniquely, this volume draws on oral historians’ personal accounts of conducting sensitive research and assesses the applicability of the term emotional labour to this work. It examines how oral historians may perform emotional labour, highlighting the often-hidden emotional toll it takes on them. This volume considers how the emotionally taxing implications of conducting sensitive research may be exacerbated or mitigated by the institutional relations and contexts in which the researcher works. The authors evaluate recommendations from related disciplinary fields for ways of supporting researchers and consider how an ethics of care can be fostered in local research environments. Emotional Labour in Oral History Research engages critically with theories of emotion, conceptualisations of emotional labour, questions of power and positionality, an ethics of care and debate on the impact of neoliberal ideas and policies on the higher education sector.This book will be of interest to all those using oral history to conduct sensitive research in all locations and at all career stages, including doctoral students, academics new to oral history, established oral historians, community-based oral historians and qualitative researchers in adjacent disciplines.
Emotional Prosody Processing for Non-Native English Speakers
by Halszka BąkThis volume provides the first systematic and data-driven exploration of English emotional prosody processing in the minds of non-native speakers of the language. Over the past few decades emotional prosody has attracted the interest of researchers from a variety of disciplines such as psychiatry, neuropsychology, psycholinguistics, and linguistics. Although a considerable collective body of empirical evidence exists regarding emotional prosody processing in native speakers of various languages, non-native speakers have been virtually ignored. This constitutes a knowledge gap of increasing relevance, as we approach 2050, the year when the global population of non-native speakers of English is estimated to overtake that of native speakers of the language. This volume aims to fill this gap and provide insights into how emotions are processed on multiple levels while also presenting novel methodological solutions. Crucially, "Emotional Prosody Processing for Non-Native English Speakers: Towards an Integrative Emotion Paradigm" begins by providing a conceptual background of emotion research, and then demonstrates a novel, workable, completely integrative paradigm for emotion research. This integrative approach reconciles theories such as the dimensional view of emotions, the standard basic emotions view, and the appraisal view of emotions. Following this theoretical section is an empirical exploration of the topic: the volume explores those views via experimental tasks. The insight into overall processing such a multiple-level approach allows a comprehensive answer to the question of how non native speakers of English process emotional prosody in their second language. By offering a critical, data-driven, integrative approach to investigating emotions in the minds of non-native English speakers, this volume is a significant and timely contribution to the literature on emotion prosody processing, bilingual research, and broadly understood emotion research.
Emotional Reinventions: Realist-era Representations Beyond Sympathy
by Melanie V. DawsonFocusing on representational approaches to emotion during the years of American literary realism's dominance and in the works of such authors as Edith Wharton, Alice Dunbar-Nelson, W. D. Howells, Charles Chesnutt, and others, Emotional Reinventions: Realist-Era Representations Beyond Sympathy contends that emotional representations were central to the self-conscious construction of high realism (in the mid-1880s) and to the interrogation of its boundaries. Based on realist-era authors' rejection of "sentimentalism" and its reduction of emotional diversity (a tendency to stress what Karen Sanchez-Eppler has described as sentimental fiction's investment in "overcoming difference"), Melanie Dawson argues that realist-era investments in emotional detail were designed to confront differences of class, gender, race, and circumstance directly. She explores the ways in which representational practices that approximate scientific methods often led away from scientific theories and rejected rigid attempts at creating emotional taxonomies. She argues that ultimately realist-era authors demonstrated a new investment in individuated emotional histories and experiences that sought to honor all affective experiences on their own terms.