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Essays and Lectures
by Oscar WildeThe Rise of Historical Criticism The English Renaissance of Art House Decoration Art and the Handicraftman Lecture to Art Students London Models Poems in Prose
Essays in Little
by Andrew LangAlexandre Dumas -- Mr. Stevenson's works -- Thomas Haynes Bayly -- Theodore de Banville -- Homer and the study of Greek -- The last fashionable novel -- Thackeray -- Dickens -- Adventures of Buccaneers -- The sagas -- Charles Kingsley -- Charles Lever: his books, adventures and misfortunes -- The poems of Sir Walter Scott -- John Bunyan -- Letter to a young journalist -- Mr.Kipling's stories
Essays in Syntactic Theory (Routledge Leading Linguists #No.5)
by Samuel David EpsteinThe essays in this important collection explore wide-ranging aspects of the syntax and semantics of human languages. Key topics covered include movement phenomena and the syntax of logical form, methods in generative linguistics and the role of rules vs. principles in syntactic theory. This volume makes a vital contribution to substantive and methodological debates in linguistic theory.
Essays of George Eliot (Routledge Library Editions: George Eliot)
by Thomas PinneyThis collection, first published in 1963, includes 29 of George Eliot’s essays written between 1846 and 1868. Through these essays, Pinney has managed to convey her range of subject-matters and variety of style. This title, with an introduction and footnotes written by the editor, will be of particular interest to students of literature.
Essays on Argumentation in Antiquity (Argumentation Library #39)
by Joseph Andrew Bjelde David Merry Christopher RoserThis book provides a collection of essays representing the state of the art in the research into argumentation in classical antiquity. It contains essays from leading and up and coming scholars on figures as diverse as Parmenides, Gorgias, Seneca, and Classical Chinese "wandering persuaders." The book includes contributions from specialists in the history of philosophy as well as specialists in contemporary argumentation theory, and stimulates the dialogue between scholars studying issues relating to argumentation theory in ancient philosophy and contemporary argumentation theorists. Furthermore, the book sets the direction for research into argumentation in antiquity by encouraging an engagement with a broader range of historical figures, and closer collaboration between contemporary concerns and the history of philosophy.
Essays on Aristotle's Ethics (Philosophical Traditions #2)
by Amélie Oksenberg RortyAristotle's Nicomachean Ethics deals with character and its proper development in the acquisition of thoughtful habits directed toward appropriate ends. The articles in this unique collection, many new or not readily available, form a continuos commentary on the Ethics. Philosophers and classicists alike will welcome them.
Essays on Aristotle's Poetics
by Amélie Oksenberg RortyAimed at deepening our understanding of the Poetics, this collection places Aristotle's analysis of tragedy in its larger philosophical context. In these twenty-one essays, philosophers and classicists explore the corpus of Aristotle's work in order to link the Poetics to the rest of his views on psychology and on history, ethics, and politics. The essays address such topics as catharsis, pity and fear, pleasure, character and the unity of action, and the modality of dramatic action. In addition to the editor, the contributors are Elizabeth Belfiore, Rdiger Bittner, Mary Whitlock Blundell, Wayne Booth, Dorothea Frede, Cynthia Freeland, Leon Golden, Stephen Halliwell, Richard Janko, Aryeh Kosman, Jonathan Lear, Alexander Nehamas, Martha C. Nussbaum, Deborah Roberts, G.E.M. de Ste. Croix, Nancy Sherman, Jean-Pierre Vernant, Stephen A. White, and Paul Woodruff.
Essays on Chaucerian Irony
by Beryl Rowland Earle BirneyThese essays, written between 1937 and 1960, have remained classics of their kind. They include important discussions on irony--its native traditions and its occurrence in early English literature, an account of critics' appreciation of Chaucerian irony prior to this century, and a detailed examination of four of the Canterbury Tales. The illuminating analysis of the complex use of various kinds of irony in the Miller's Tale, the Friar's Tale, the Summoner's Tale, and the Manciple's Tale emphasizes aspects of Chaucer's art that are very acceptable to contemporary. As a result, these essays lead today's reader towards a fuller understanding of Chaucer's achievement.
Essays on Eddic Poetry
by John Mckinnell Donata Kick John ShaferEssays on Eddic Poetry presents a selection of important articles on Old Norse literature by noted medievalist John McKinnell. While McKinnell's work addresses many of the perennial issues in the study of Old Norse, this collection has a special focus on the interplay between heathen and Christian world-views in the poems.Among the texts examined are Hávamál, which includes an elegantly cynical poem about Óðinn's sexual intrigues and a more mystical one about his self-sacrifice on the world-tree in order to gain magical wisdom; Vǫlundarkviða, which recounts an elvish smith's revenge for his captivity and maiming; and Hervararkviða, where the heroine bravely but foolishly raises her dead father to demand the deadly sword Tyrfingr from him.Originally published between 1988 and 2008, these twelve essays cover a wide range of mythological and heroic poems and have been revised and updated to reflect the latest scholarship.
Essays On Elizabethan Drama
by T. S. EliotTouching on everyone from Marlowe to Middleton, Essays on Elizabethan Drama is a rigorous collection of Eliot’s works on the great dramatists of the 16th century.
Essays on Fiction 1971-82 (Routledge Revivals)
by Sir Frank KermodeIn this book, which was first published in 1983, Frank Kermode looks in particular at the revived Russian Formalism, a highly original body of literary theory that flourished in the years immediately following the Revolution, and at the work of Roman Jakobson, one of its most distinguished exponents. He discusses its modern ‘structuralist’ descendants, recalling the importance of Roland Barthes and the invigorating effect of his fertile and surprising mind. He considers also the work of Foucault, Laca and Levi-Strauss, as well as that of Jacques Derrida, which uses a novel and de(con)structive method of analysis to question to tacit assumptions on which structuralism is based. In an opening chapter, Professor Kermode surveys his relationship with the new theory, explaining that it is a relation from which he has benefited without ever feeling disposed to join a movement. These essays will be of interest to students of literature.
Essays on German Literature: In Honour of G. Joyce Hallamore
by Michael S. Batts Marketa Goetz StankiewiczThe present Festschrift serves a dual purpose: firstly, to honour Professor Joyce Hallamore for her contribution to German studies in Canada, particularly at the University of British Columbia; secondly, to document the flourishing state of German studies in this country. Former and present students of Professor Hallamore were asked to contribute essays from their varied fields of interest which she has stimulated and fostered; furthermore, colleagues across Canada were invited to contribute the results of their research: the broad theme of this second group of essays is the complex relationship between nineteenth and twentieth century literature which has been the centre of Professor Hallamore's own scholarly work.<P><P> This volume commemorates Professor Hallamore's forty years of scholarship and teaching--the time given by her to the University of British Columbia, not only to the formation and growth of the Department of German (which she has headed for some twenty years) but to the expansion of the University as a whole. It demonstrates at the same time through breadth and variety the coming of age of German studies in Canada, which Professor Hallamore has fostered.<P>Although the essays in this volume vary in approach, the result shows a remarkable harmony of outlook, which gives evidence of the authors' conscious effort to reconsider critically traditional categories and attitudes in literary criticism. This harmony of outlook--found in the whole range of papers from the youngest to the most mature scholar--reflects the spirit and work of the person whom the volume is honouring.
Essays on Hilda Hilst: Between Brazil And World Literature (Literatures of the Americas)
by Adam Morris Bruno CarvalhoThis book is the first collection of critical essays on Hilda Hilst (1930-2004) published in English. It brings together a variety of perspectives on one of Latin America’s most inventive and innovative authors. Nine essays by scholars and translators reflect about various aspects of her work, placing it in the context of Brazil and world literature. During her lifetime, Hilst won several major national literary awards and attracted legions of devoted readers. Her writing spanned styles and genres, encompassing poetry, theatre, and experimental fiction. She was also considered to be “a writer’s writer,” and her literary achievements eluded both mainstream acclaim and international recognition. In recent years, Hilst’s books have enjoyed increased visibility in Brazil and beyond. A host of translators (including three contributors to this volume) have finally made some of her masterpieces available in English. This pioneering collection of essays should excite longtime readers and introduce her to a new audience.
Essays on Italian Poetry and Music in the Renaissance, 1350-1600 (Ernest Bloch Lectures #5)
by James HaarThese essays illuminate the changing nature of text-music relationships from the time of Petrarch to Guarini and, in music, from the madrigals of Giovanni da Cascia to those of Gesualdo da Venosa. Haar traces a line of development from the stylized rhetoric of Trecento song through the popularizing trends of Quattrocento music and on to the union of verbal and musical cadence that marked the high Renaissance in sixteenth-century Italian music. This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1986.
Essays on James Clarence Mangan: The Man in the Cloak
by Sinéad SturgeonThis is the first collection of essays to focus on the extraordinary literary achievement of James Clarence Mangan (1803-1849), increasingly recognized as one of the most important Irish writers of the nineteenth century. It features contributions by acclaimed contemporary writers including Paul Muldoon and Ciaran Carson.
Essays on Medieval Rhetoric (Variorum Collected Studies #1006)
by Martin CamargoOriginally published between 1981 and 2003, the thirteen essays collected here cover topics in medieval rhetoric from its origins in late antiquity through the end of the Middle Ages. Most of the essays are concerned with the teaching of prose composition, especially the art of letter writing known as the ars dictaminis, and many of them focus on specific textbooks that were used for such instruction, in particular those composed in England from the twelfth through the fifteenth centuries. Individual essays are devoted to works by major figures such as Saint Augustine, Peter of Blois, and Geoffrey of Vinsauf; to teaching programmes at important academic centres such as Oxford and Bologna; and to such topics as the relationship between the art of letter writing and the art of poetry, the oral dimension of medieval epistolography, the manuscript traditions of influential textbooks, medieval genre terminology, and the position of medieval rhetoric within a continuous disciplinary history rooted in classical rhetoric.
Essays on Music and Language in Modernist Literature: Musical Modernism (Routledge Studies in Twentieth-Century Literature)
by Katherine O'CallaghanThis volume explores the role of music as a source of inspiration and provocation for modernist writers. In its consideration of modernist literature within a broad political, postcolonial, and internationalist context, this book is an important intervention in the growing field of Words and Music studies. It expands the existing critical debate to include lesser-known writers alongside Joyce, Woolf, and Beckett, a wide-ranging definition of modernism, and the influence of contemporary music on modernist writers. From the rhythm of Tagore’s poetry to the influence of jazz improvisation, the tonality of traditional Irish music to the operas of Wagner, these essays reframe our sense of how music inspired Literary Modernism. Exploring the points at which the art forms of music and literature collide, repel, and combine, contributors draw on their deep musical knowledge to produce close readings of prose, poetry, and drama, confronting the concept of what makes writing "musical." In doing so, they uncover commonalities: modernist writers pursue simultaneity and polyphony, evolve the leitmotif for literary purposes, and adapt the formal innovations of twentieth-century music. The essays explore whether it is possible for literature to achieve that unity of form and subject which music enjoys, and whether literary texts can resist paraphrase, can be simply themselves. This book demonstrates how attention to the role of music in text in turn illuminates the manner in which we read literature.
Essays on Shakespeare and Elizabethan Drama: In Honour of Hardin Craig (Routledge Library Editions: Renaissance Drama #Vol. 5)
by Richard HosleyThe twenty-eight essays of this collection, first published in 1962, are the work of distinguished British, Canadian, and American scholars. The essays range widely over the field of Elizabethan drama, concentrating attention on Shakespeare and Marlowe but not neglecting earlier dramatists such as Kyd and Greene or later ones such as Heywood and Massinger. Among the general topics treated are the staging of the interludes, intrigue in Elizabethan tragedy, and Jacobean stage pastoralism. This title will be of interest to students of English literature.
Essays on the Art of Chaucer's Verse (Basic Readings in Chaucer and His Time #3)
by Alan T. GaylordThese fifteen essays, four of them commissioned for this volume, along with a discursive introduction which sets each essay into place and comments on its distinctive features, represent a gathering never before attempted: a symposium on Chaucer's craft that concentrates on his poetic forms, his rhythms, his riming, his versification, his prosody. In his seminal essay, Scanning the Prosodists, Alan Gaylord (the editor of this volume) had asked: To show how Chaucer moves, and in moving, moves us: is that not what the study of his prosody should do? Should it not identify a pattern of sounds in motion, a regular and expressive succession which is part of the order of verse and a major component of its effectiveness? In the two decades that followed that essay, a number of distinguished scholars provided a variety of answers for such questions, arising from the authors' work as metrical theorists, or editors of medieval verse, or literary historians, or critics -- but in every case, such work connected to the initiatives and discoveries of the classroom. The best written and most useful of those essays, by recognized authorities in their fields, have been included in this volume. The volume will be of use to the advanced student of Chaucer and medieval poetry, and to the teacher interested in identifying, explaining, and bringing to life the patterns of sound and sense in Chaucer's verse. The extensive master Bibliography for the whole volume comprises a library of references which will have been reviewed and discussed in the essays.
Essays on the Eighteenth-Century English Stage (Routledge Library Editions: 18th Century Literature)
by Kenneth R. Richards Peter ThomsonThe eighteenth century produced more inventive actors than fine dramatists, and it displayed its actors to increasing advantage as theatre management became more expert, and stage design more ambitious. First published in 1972, the eleven papers collected in The Eighteenth-Century English Stage, originally read at a Manchester University Symposium in July 1971, follow this historical emphasis. Two papers are centred on dramatists, four on actors, three on managers, and two on designers. Malcolm Kelsall analyses Steele’s debt to Terence, using his classical scholarship as illuminatingly as Edgar Roberts uses his musical scholarship in writing about the songs in Fielding’s plays. George Taylor compares and evaluates a number of theories of acting, and speculates on the likely relevance of the best-known books on rhetoric, whilst Kathleen Barker, Arnold Hare, and David Rostron consider the work of individual actors – Powell, Cooke, and John Kemble. Theatre managers are represented by John Rich in Paul Sawyer’s sympathetic account, Thomas Harris, who is given new life in the recent researches of Cecil Price, and Stephen Kemble, fixed by Kenneth Robinson in canny control of the Newcastle theatre circuit. Finally, Graham Barlow reaches some controversial conclusions about the dimensions of the Theatre Royal, Drury Lane, by subjecting Thornhill’s sketches to a practising designer’s statistical examination, and Sybil Rosenfeld carries a stage further her pioneering work on eighteenth-century scene-painting and design. The two last are attractively illustrated by 8 pages of plates. This book’s particular value lies in its bringing together several simply presented but deeply informed explorations of often neglected aspects of the eighteenth-century theatre. The papers, with their general sense of enthusiasm and concern for their subject, will interest all students of the eighteenth century, and theatre enthusiasts in particular.
Essays on the Visualisation of Legal Informatics (Law, Governance and Technology Series #54)
by Vytautas Cyras Friedrich LachmayerBoth legal scholars and computer scientists will be curious to know how the gap between law and computing can be bridged. The law, and also jurisprudence, is based on language, and is mainly textual. Every syntactic system has its semantic range, and so does language, which in law achieves a high degree of professional precision. The use of visualisations is a syntactic supplement and opens up a new understanding of legal forms. This understanding was reinforced by the paradigm shift from textual law to legal informatics, in which visual formal notations are decisive. The authors have been dealing with visualisation approaches for a long time and summarise them here for discussion. In this book, a multiphase transformation from the legal domain to computer code is explored. The authors consider law enforcement by computer. The target view is that legal machines are legal actors that are capable of triggering institutional facts. In the visualisation of statutory law, an approach called Structural Legal Visualisation is presented. Specifically, the visualisation of legal meaning is linked with tertium comparationis, the third part of the comparison. In a legal documentation system, representing one legal source with multiple documents is viewed as a granularity problem. The authors propose to supplement legislative documents ex ante with explicit logic-oriented information in the form of a mini thesaurus. In contrast to so-called strong relations such as synonymy, antonymy and hypernymy/hyponymy, one should consider weak relations: (1) dialectical relations, a term of dialectical antithesis; (2) context relations; and (3) metaphorical relations, which means the use of metaphors for terms. The chapters trace topics such as the distinction between knowledge visualisation and knowledge representation, the visualisation of Hans Kelsen’s Pure Theory of Law, the separation of law and legal science, legal subsumption, legal relations, legal machines, encapsulation, compliance, transparency, standard cases and hard cases.
Essays One: Reading And Writing
by Lydia DavisA selection of essays on writing and reading by the master short-fiction writer Lydia DavisLydia Davis is a writer whose originality, influence, and wit are beyond compare. Jonathan Franzen has called her “a magician of self-consciousness,” while Rick Moody hails her as "the best prose stylist in America." And for Claire Messud, “Davis's signal gift is to make us feel alive.” Best known for her masterful short stories and translations, Davis’s gifts extend equally to her nonfiction. In Essays One, Davis has, for the first time, gathered a selection of essays, commentaries, and lectures composed over the past five decades. In this first of two volumes, her subjects range from her earliest influences to her favorite short stories, from John Ashbery’s translation of Rimbaud to Alan Cote’s painting, and from the Shepherd’s Psalm to early tourist photographs. On display is the development and range of one of the sharpest, most capacious minds writing today.
The Essays Only You Can Write
by Irene PapoulisThis book offers a perspective on essay writing that spotlights a writer’s uniqueness. Resisting the perception that personal and academic writing is at odds with one another, it treats the impulse to write “personally” as potential fuel for a variety of writing purposes. The book encourages students to think like academics--pursuing their enthusiasms, trusting their ideas, and questioning their conclusions--by leading them through three main writing assignments: a personal essay, an essay based on texts, and a research essay. Each chapter offers exercises and strategies for various stages in the pre-writing, drafting, and revision processes. Freewriting; extensive attention to planning; devising a structure and order of ideas that both promote and reflect engagement with a topic; developing rhetorical awareness and knowledge of conventions; and an advocacy for expressive, socially-responsible writing--all are central elements of the text’s instruction. By acknowledging the emotions inherent in the writing process, many of which can muddle thinking--I don’t want anyone to see this; what if I make mistakes? what if the writing isn’t good? I don’t want to be critiqued; etc.--Papoulis helps beginning college writers to navigate the psychological as well as the technical roadblocks that can get in the way of their best personal and academic writing.