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Narrating Nomadism: Tales of Recovery and Resistance
by G. N. Devy; Geoffrey V. Davis; K. K. ChakravartyNarrating Nomadism provides an unflinching account of ethnic groups and nomadic communities across the world that were branded as ‘criminal’ during colonial times. It explores the tragic effect of the new identity imposed on them, the traumatic survival of these communities and cultures, and the creative expression of this experience in their arts and literature in the form of resistance. Presenting specific contexts and locations of cultural devastation in history, the volume traces colonial social imagination as such, showing how the grossly misperceived non-sedentary communities in the colonies were subjected to the mission of ‘settling’ them. The essays presented here document these alternative histories from perspectives ranging from literary criticism and art history to ethnography and socio-linguistics, highlighting in what ways different nomadic communities negotiate discrimination and challenge in contemporary times, while finding remarkable convergence in their local histories and collective testimonies.This anthology opens up a new area in postcolonial studies as well as cultural anthropology by bringing the viewpoint of marginalized communities and their cultural rights to bear upon history, society and culture. It places an activist’s ‘view from below’ at the centre of literary interpretation, engages with oral history more substantially than folklore studies usually do, and brings together several historical narratives hitherto unexplored. This will be essential for students of anthropology, sociology, cultural studies, history, linguistics, post-colonial studies, literature and tribal studies, as well as the general reader.
Narrating Nonhuman Spaces: Form, Story, and Experience Beyond Anthropocentrism (Routledge Studies in World Literatures and the Environment)
by Marco Caracciolo, Marlene Karlsson Marcussen, and David RodriguezRecent debates about the Anthropocene have prompted a re-negotiation of the relationship between human subjectivity and nonhuman matter within a wide range of disciplines. This collection builds on the assumption that our understanding of the nonhuman world is bound up with the experience of space: thinking about and with nonhuman spaces destabilizes human-scale assumptions. Literary form affords this kind of nonanthropocentric experience; one role of the critic in the Anthropocene is to foreground the function of space and description in challenging the conventional link between narrative and human (inter)subjectivity. Bringing together New Formalism, ecocriticism, and narrative theory, the included essays demonstrate that literature can transgress the strong and long-established boundary of the human frame that literary and narrative scholarship clings to. The focus is firmly on the contemporary but with strategic samplings in earlier cultural texts (the American transcendentalists, modernist fiction) that anticipate present-day anxieties about the nonhuman, while at the same time offering important conceptual tools for working through them.
Narrating Post/Communism: Colonial Discourse and Europe's Borderline Civilization (BASEES/Routledge Series on Russian and East European Studies)
by Natasa KovacevicThe transition of communist Eastern Europe to capitalist democracy post-1989 and in the aftermath of the Yugoslav wars has focused much scholarly attention - in history, political science and literature - on the fostering of new identities across Eastern European countries in the absence of the old communist social and ideological frameworks. This book examines an important, but hitherto largely neglected, part of this story: the ways in which the West has defined its own identity and ideals via the demonization of communist regimes and Eastern European cultures as a totalitarian, barbarian and Orientalist "other". It describes how old Orientalist prejudices resurfaced during the Cold War period, and argues that the establishment of this discourse helped to justify transitions of Eastern European societies to market capitalism and liberal democracy, suppressing Eastern Europe’s communist histories and legacies, whilst perpetuating its dependence on the West as a source of its own sense of identity. It argues that this process of Orientalization was reinforced by the literary narratives of Eastern European and Russian anti-communist dissidents and exiles, including Vladimir Nabokov, Czeslaw Milosz and Milan Kundera, in their attempts to present themselves as native, Eastern European experts and also emancipate themselves – and their homelands – as civilized, enlightened and Westernized. It goes on to suggest that the greatest potential for recognizing and overcoming this self-Orientalization lies in post-communist literary and visual narratives, with their themes of disappointment in the social, economic, or political changes brought on by the transitions, challenge of the unequal discursive power in East-West dialogues where the East is positioned as a disciple or a mimic of the West, and the various guises of nostalgia for communism.
Narrating Stance, Morality, and Political Identity: Building a Movement on Facebook (Routledge Research in Narrative, Interaction, and Discourse)
by Lauren ZentzThis book offers unique insights into the use of Facebook after the 2016 US presidential election, interrogating how users in private groups draw on individual experiences in movement building and identity construction while also critically reflecting on ethnographic practices around social media. The volume draws on the author’s own involvement in a specific Facebook group focused around activism and community organizing in Texas following the 2016 US presidential election. Chapters draw on the frameworks of "small stories" and "stance" to unpack the ways in which group members use parts of their individual stories to signal beliefs to others, present themselves in relation to the group, and signal virtues of moral authority on various pressing political issues. Building on these analyses, Zentz goes on to address ways in which the scales of politics are being navigated and modified at the grassroots level in our highly networked world. This book contributes to ongoing conversations about the realities of internet use within linguistic anthropology and new media studies, and how researchers might seek to account for social media use and access to this data as these technologies develop further. This book is key reading for students and scholars in linguistic anthropology, media studies, and activism and social movement studies.
Narrating The Nation: Representations in History, Media and the Arts (Making Sense of History #11)
by Stefan Berger Linas Eriksonas Andrew MycockA sustained and systematic study of the construction, erosion and reconstruction of national histories across a wide variety of states is highly topical and extremely relevant in the context of the accelerating processes of Europeanization and globalization. However, as demonstrated in this volume, histories have not, of course, only been written by professional historians. Drawing on studies from a number of different European nation states, the contributors to this volume present a systematic exploration, of the representation of the national paradigm. In doing so, they contextualize the European experience in a more global framework by providing comparative perspectives on the national histories in the Far East and North America. As such, they expose the complex variables and diverse actors that lie behind the narration of a nation.
Narrating Their Lives: Examining English Language Teachers' Professional Identities Within The Classroom
by Stephanie Vandrick Lia Kamhi-Stein“…a groundbreaking book that will…engage, inform, and connect with present and future teachers and teacher educators. ” ---Stephanie Vandrick, Foreword to Narrating Their Lives The field of TESOL has called attention to the ways that the issues of race and ethnicity, language status and power, and cultural background affect second language learners’ identities and, to some degree, those of teachers. In Narrating Their Lives, Kamhi-Stein examines the process of identity construction of classroom teachers so as to make connections between their personal and professional identities and their instructional practices. To do that, she has selected six autobiographical narratives from teachers who were once part of her TESL 570 (Educational Sociolinguistics) class in the MA TESOL program at California State University, Los Angeles. These six narratives cover a surprisingly wide range of identity issues but also touch on broader instructional themes that are part of teacher education programs. Because of the reflective nature of the narratives—with the teachers using their stories to better understand how their experiences shape what they do in the classroom—this volume includes provocative chapter-opening and reflective chapter-closing questions. An informative discussion of the autobiographical narrative assignment and the TESL 570 course (including supplemental course readings and assessment criteria) is also included.
Narrating Violence in the Postcolonial World (Routledge Research in Postcolonial Literatures)
by Daria Tunca Rebecca RomdhaniThis book examines representations of violence across the postcolonial world—from the Americas to Australia—in novels, short stories, plays, and films. The chapters move from what appear to be interpersonal instances of violence to communal conflicts such as civil war, showing how these acts of violence are specifically rooted in colonial forms of abuse and oppression but constantly move and morph. Taking its cue from theories in such fields as postcolonial, violence, gender, and trauma studies, the book thus shows that violence is slippery in form, but also fluid in nature, so that one must trace its movement across time and space to understand even a single instance of it. When analysing such forms and trajectories of violence in postcolonial creative writing and films, the contributors critically examine the ethical issues involved in narrating abuse, depicting violated bodies, and presenting romanticized resolutions that may conceal other forms of violence.
Narrating a New Mobility Landscape in the Modern American Road Story, 1893–1921: Ambivalence and Aspiration (Studies in Mobilities, Literature, and Culture)
by Andrew VogelThis book examines travel narratives as a medium used by the American public to imagine and negotiate new ways to live in, move through, and share national space. Setting an array of archival material, including congressional deliberations, into analytical conversation with road stories by Walt Whitman, Paul Laurence Dunbar, Upton Sinclair, Emily Post, Zitkala-Ša, Henry Ford and many others, this book reframes our understanding of the origins of American automobility. The evidence gathered here sheds light on the processes by which the defining social infrastructure of the twentieth century came to be enacted, and also exposes the fraught debates and abiding misgivings that continue to roil infrastructure planning today. The insights captured in this study purposefully deepen our attention to questions of land use and collective responsibility at a moment when the ecological and social-justice consequences of American automobility must be thoroughly re-evaluated so that more conscientious mobility futures may be developed.
Narrating the Crusades
by Lee ManionIn Narrating the Crusades, Lee Manion examines crusading's narrative-generating power as it is reflected in English literature from c. 1300 to 1604. By synthesizing key features of crusade discourse into one paradigm, this book identifies and analyzes the kinds of stories crusading produced in England, uncovering new evidence for literary and historical research as well as genre studies. Surveying medieval romances including Richard Cœur de Lion, Sir Isumbras, Octavian, and The Sowdone of Babylone alongside historical practices, chronicles, and treatises, this study shows how different forms of crusading literature address cultural concerns about collective and private action. These insights extend to early modern writing, including Spenser's Faerie Queene, Marlowe's Tamburlaine, and Shakespeare's Othello, providing a richer understanding of how crusading's narrative shaped the beginning of the modern era. This first full-length examination of English crusading literature will be an essential resource for the study of crusading in literary and historical contexts.
Narrating the Mesh: Form and Story in the Anthropocene (Under the Sign of Nature)
by Marco CaraccioloA hierarchical model of human societies’ relations with the natural world is at the root of today’s climate crisis; Narrating the Mesh contends that narrative form is instrumental in countering this ideology. Drawing inspiration from Timothy Morton’s concept of the "mesh" as a metaphor for the human-nonhuman relationship in the face of climate change, Marco Caracciolo investigates how narratives in genres such as the novel and the short story employ formal devices to effectively channel the entanglement of human communities and nonhuman phenomena.How can narrative undermine linearity in order to reject notions of unlimited technological progress and economic growth? What does it mean to say that nonhuman materials and processes—from contaminated landscapes to natural evolution—can become characters in stories? And, conversely, how can narrative trace the rising awareness of climate change in the thick of human characters’ mental activities? These are some of the questions Narrating the Mesh addresses by engaging with contemporary works by Ted Chiang, Emily St. John Mandel, Richard Powers, Jeff VanderMeer, Jeanette Winterson, and many others. Entering interdisciplinary debates on narrative and the Anthropocene, this book explores how stories can bridge the gap between scientific models of the climate and the human-scale world of everyday experience, powerfully illustrating the complexity of the ecological crisis at multiple levels.
Narrating the New African Diaspora: 21st Century Nigerian Literature In Context (African Histories and Modernities)
by Maximilian FeldnerThis book provides the first comprehensive survey and collection of Nigerian diaspora literature, offering readings of novelists such as Chimamanda Ngozi Adichie, Sefi Atta, Helon Habila, Helen Oyeyemi, Taiye Selasi, Chika Unigwe, Chris Abani, and Ike Oguine. As members of the new African diaspora, their literature captures experiences of recent Nigerian migration to the United States and the United Kingdom. Examining representative novels, such as Adichie’s Half of a Yellow Sun and Americanah, Habila’s Waiting for an Angel, Abani’s GraceLand, and Oyeyemi’s The Icarus Girl, the book discusses these novels’ literary and narrative methods and provides detailed analyses of two of the most common themes: depictions of migratory experiences and representations of Nigeria. Placing the novels in their relevant historical, sociological, philosophical, and theoretical contexts, Narrating the New African Diaspora presents an insightful study of current anglophone Nigerian narrative literature.
Narrating the Past
by Alan RobinsonIn recent years controversy has surrounded the narrative turn in history and the historical turn in fiction. This book clarifies what is at stake, tracing connections between historiography and life-writing, arguing that the challenges posed in representing the past illuminate issues which are central to all literary narrative.
Narrating the Past through Theatre
by Michael Y. BennettThis cutting-edge title explores how narrating the past both conflicts and creates an interesting relationship with drama's 'continuing present' that arcs towards an unpredictable future. Theatre both brings the past alive and also fixes it, but through the performance process, allowing the past to be molded for future (not-yet-existent) audiences.
Narrating the Past: Fiction and Historiography in Postwar Spain
by David K. HerzbergerThe relationship between fiction and historiography in Francoist Spain (1939-1975) is a contentious one. The intricacies of this relationship, in which fiction works to subvert the regime's authority to write the past, are the focus of David K. Herzberger's book. The narrative and rhetorical strategies of historical discourse figure in both the fiction and historiography of postwar Spain. Herzberger analyzes these strategies, identifying the structures and vocabularies they use to frame the past and endow it with particular meanings. He shows how Francoist historians sought to affirm the historical necessity of Franco by linking the regime to a heroic and Christian past, while several types of postwar fiction--such as social realism, the novel of memory, and postmodern novels--created a voice of opposition to this practice. Focusing on the concept of writing history that these opposing strategies convey, Herzberger discloses the layering of truth and meaning that lies at the heart of postwar Spanish narrative from the early 1940s to the fall of Franco. His study clearly reveals how the novel in postwar Spain became a crucial form of dissent from the past as it was conceived and used by the State. Making a decisive intervention in the debate about the ways in which narration determines both the meaning and truth of history and fiction, Narrating the Past will be of special interest to students and scholars of the politics, history, and literature of twentieth-century Spain.
Narrating the Visual in Shakespeare
by Richard MeekThis book examines Shakespeare's fascination with the art of narrative and the visuality of language. Richard Meek complicates our conception of Shakespeare as either a 'man of the theatre' or a 'literary dramatist', suggesting ways in which his works themselves debate the question of text versus performance. Beginning with an exploration of the pictorialism of Shakespeare's narrative poems, the book goes on to examine several moments in Shakespeare's dramatic works when characters break off the action to describe an absent, 'offstage' event, place or work of art. Meek argues that Shakespeare does not simply prioritise drama over other forms of representation, but rather that he repeatedly exploits the interplay between different types of mimesis - narrative, dramatic and pictorial - in order to beguile his audiences and readers. Setting Shakespeare's works in their literary and rhetorical contexts, and engaging with contemporary literary theory, the book offers new readings of Venus and Adonis, The Rape of Lucrece, Hamlet, King Lear and The Winter's Tale. The book will be of particular relevance to readers interested in the relationship between verbal and visual art, theories of representation and mimesis, Renaissance literary and rhetorical culture, and debates regarding Shakespeare's status as a literary dramatist.
Narration: Four Lectures
by Gertrude SteinNewly famous in the wake of the publication of her groundbreaking Autobiography of Alice B. Toklas, Gertrude Stein delivered her Narration lectures to packed audiences at the University of Chicago in 1935. Stein had not been back to her home country since departing for France in 1903, and her remarks reflect on the changes in American culture after thirty years abroad.In Stein’s trademark experimental prose, Narration reveals the legendary writer’s thoughts about the energy and mobility of the American people, the effect of modernism on literary form, the nature of history and its recording, and the inventiveness of the English language—in particular, its American variant. Stein also discusses her ambivalence toward her own literary fame as well as the destabilizing effect that notoriety had on her daily life. Restored to print for a new generation of readers to discover, these vital lectures will delight students and scholars of modernism and twentieth-century literature.“Narration is a treasure waiting to be rediscovered and to be pirated by jolly marauders of sparkling texts.”—Catharine Stimpson, NYU
Narrativa completa
by Dorothy ParkerPor primera vez en castellano la narrativa completa de Dorothy Parker, una señora que supo vivir y escribir a la altura de su talento. Dorothy Parker escribió una vez que lo suyo era tomarse un Martini, dos como mucho. Después del tercero, ya estaba debajo de la mesa, y al cuarto... debajo de su anfitrión. Con esas premisas, y haciendo gala de un humor que arañaba los buenos hábitos de la burguesía de entonces, cabe entender que la misma Dorothy se convirtiese en personaje, y que su obra se leyera a menudo como la alegre guarnición de una vida dedicada al chiste ingenioso. Los años fueron pasando, y el tiempo ha revelado que esta protagonista indiscutible de las tertulias más animadas del Nueva York de entreguerras, esposa infiel y amante solícita, fue además una escritora de primer orden, capaz de resumir en pocas páginas la hipocresía de una sociedad que crecía a la sombra de un dinero recién estrenado y de unas costumbres que se caían de viejas. Así lo muestran las mujeres y los hombres que deambulan por sus cuentos, seres patéticos que lloran en habitaciones exquisitamente decoradas, flirtean con un empeño digno de mejores causas, o ríen sin ganas en la barra de un bar para olvidar que alguna vez fueron felices. Es más, basta con acercarnos un poco a esas parejas desesperadas y tiernas para darnos cuenta de que la prosa de Dorothy Parker no ha muerto. Al contrario, su protesta es más actual que nunca, su sonrisa aún nos acompaña, su amor por Nueva York cala hondo, y su ironía es el mejor de los regalos en una época de tanta perplejidad. Reseña:«La posteridad ha obrado en favor de una autora que, al menos en lo que a la sensibilidad femenina se refiere, fue una auténtica visionaria.»El Mundo «La Narrativa completa de Dorothy Parker es un acercamiento sin preámbulos al universo rompedor, rebelde y amante de Nueva York, y a los claroscuros de la escritora más importante e infravalorada de la época.»Cosuki Naru, Mycelebrityskin.net
Narrative Analysis: Social Research and Educational Studies Series
by Martin CortazziThe book examines models of narrative analysis currently proposed in linguistics, sociology, psycology, anthropology and literature and applies insights from these disciplines to the study of teachers' narratives. <P><P>The author proposes an alternative approach to studying narratives which is then applied to original data, demonstrating how narrative analysis can be used to study primary teachers' perceptions of their work.
Narrative Authority and Homeostasis in the Novels of Doris Lessing and Carmen Martín Gaite (Routledge Library Editions: Modern Fiction)
by Linda E. ChownThis study, originally published in 1990, assesses a shift in the presentation of self-consciousness in two pairs of novels by Doris Lessing and Carmen Martín Gaite: 1) Lessing’s The Summer Before the Dark (1973) and Martín Gaite’s Retahílas (1974) and 2) Lessing’s The Memoirs of a Survivor (1974) and Martín Gaite’s The Back Room (1978). Three major structural divisions facilitate examining implications of the novels for 1) feminism 2) literary narrative and 3) the lives of people-at-large.
Narrative Complexity: Cognition, Embodiment, Evolution (Frontiers of Narrative)
by Maria Poulaki Marina GrishakovaThe variety in contemporary philosophical and aesthetic thinking as well as in scientific and experimental research on complexity has not yet been fully adopted by narratology. By integrating cutting-edge approaches, this volume takes a step toward filling this gap and establishing interdisciplinary narrative research on complexity.Narrative Complexity provides a framework for a more complex and nuanced study of narrative and explores the experience of narrative complexity in terms of cognitive processing, affect, and mind and body engagement. Bringing together leading international scholars from a range of disciplines, this volume combines analytical effort and conceptual insight in order to relate more effectively our theories of narrative representation and complexities of intelligent behavior. This collection engages important questions on how narrative complexity functions as an agent of cultural evolution, how our understanding of narrative complexity can be extended in light of new research in the social sciences and humanities, how interactive media produce new types of narrative complexity, and how the role of embodiment as a factor of narrative complexity acquires prominence in cognitive science and media studies. The contributors explore narrative complexity transmitted through various semiotic channels, embedded in multiple contexts, and experienced across different media, including film, comics, music, interactive apps, audiowalks, and ambient literature.
Narrative Concepts and Techniques in International Literary Fiction (Routledge Studies in Contemporary Literature)
by Ken IrelandThe omnipresence of narrative in our real-life experience and in the media world makes it a vital and relevant factor for study. This book presents an easily accessible guide to a series of key narrative topics, with concise entries in a transparent format of compact paragraphs allowing quick reference and omitting footnotes and endnotes to aid fluency. It uses throughout a wide range of illustrative examples from Western and non-Western literature, stressing the universal relevance and application of narrative concepts and techniques. These examples are intended to stimulate interest in less familiar, non-mainstream but important texts, and to highlight unsuspected features in more familiar texts. Engaging with texts from Africa and Asia, the Americas and Australasia, as well as from Britain and Europe, it will appeal to students of comparative literature, to creative writers, whose awareness of available techniques and devices can prompt fresh ideas and approaches, and will introduce general readers can be introduced to new areas of literary experience.
Narrative Conventions and Race in the Novels of Toni Morrison (Studies in Major Literary Authors)
by Jennifer Lee HeinertThis study analyzes the relationship between race and genre in four of Toni Morrison’s novels: The Bluest Eye, Tar Baby, Jazz, and Beloved. Heinert argues how Morrison’s novels revise conventional generic forms such as bildungsroman, folktales, slave narratives, and the formal realism of the novel itself. This study goes beyond formalist analyses to show how these revisions expose the relationship between race, conventional generic forms, and the dominant culture. Morrison’s revisions critique the conventional roles of African Americans as subjects of and in the genre of the novel, and (re)write roles which instead privilege their subjectivity. This study provides readers with new ways of understanding Morrison’s novels. Whereas critics often fault Morrison for breaking with traditional forms and resisting resolution in her novels, this analysis show how Morrison’s revisions shift the narrative truth of the novel from its representation in conventional forms to its interpretation by the readers, who are responsible for constructing their own resolution or version of narrative truth. These revisions expose how the dominant culture has privileged specific forms of narration; in turn, these forms privilege the values of the dominant culture. Morrison’s novels attempt to undermine this privilege and rewrite the canon of American literature.
Narrative Design: Working With Imagination, Craft, And Form
by Madison Smartt BellWith clarity, verve, and the sure instincts of a good teacher, Madison Smartt Bell offers a roll-up-your-sleeves approach to writing in this much-needed book. Focusing on the big picture as well as the crucial details, Bell examines twelve stories by both established writers (including Peter Taylor, Mary Gaitskill, and Carolyn Chute) and his own former students. A story's use of time, plot, character, and other elements of fiction are analyzed, and readers are challenged to see each story's flaws and strengths. Careful endnotes bring attention to the ways in which various writers use language. Bell urges writers to develop the habit of thinking about form and finding the form that best suits their subject matter and style. His direct and practical advice allows writers to find their own voice and imagination.
Narrative Desire and Historical Reparations: A.S. Byatt, Ian McEwan, and Salman Rushdie (Literary Criticism and Cultural Theory)
by Timothy GauthierFirst published in 2006. Routledge is an imprint of Taylor & Francis, an informa company.
Narrative Development in Young Children
by David Mcneill Levy, Elena T. and McNeill, David Elena T. LevyAs children begin to use language in early childhood, they produce increasingly large units of coherent speech, including narrative descriptions of events. This book examines the process of narrative development in young children, focusing on the development of 'cohesion' - the use of speech and gesture to create coherent perspectives on events. Surveying early narrative development in which gesture plays an integral part, the book explores the development of cohesive, clause-linking devices during the period from age two to three. Illustrated with longitudinal cases studies, the book examines the crib-talk of two-year-old Emily and compares it to the discourse patterns of storybooks and nursery rhymes, and to her father's pre-bedtime routines. In a second case study, the authors trace the changing relationships between speech and gesture in the spontaneous narratives of two-year-old Ella. This book will be invaluable to students and researchers in language acquisition, developmental psychology and gesture studies.