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Nidrstigningar Saga: Sources, Transmission, and Theology of the Old Norse “Descent into Hell”
by Dario BullittaThe Evangelium Nicodemi, or Gospel of Nicodemus, was the most widely circulated apocryphal writing in medieval Europe. It depicted the trial, Passion, and crucifixion of Christ as well as his Harrowing of Hell. During the twelfth-century renaissance, some exemplars of the Evangelium Nicodemi found their way to Iceland where its text was later translated into the vernacular and known as Niðrstigningar saga. Dario Bullitta has embarked on a highly fascinating voyage that traces the routes of transmission of the Latin text to Iceland and continental Scandinavia. He argues that the saga is derived from a less popular twelfth-century French redaction of the Evangelium Nicodemi, and that it bears the exegetical and scriptural influences of twelfth-century Parisian scholars active at Saint Victor, Peter Comestor and Peter Lombard in particular. By placing Niðrstigningar saga within the greater theological and homiletical context of early thirteenth-century Iceland, Bullitta successfully adds to our knowledge of the early reception of Latin biblical and apocryphal literature in medieval Iceland and provides a new critical edition and translation of the vernacular text.
Niebla al mediodía
by Tomás GonzálezJulia desapareció hace siete meses, después deabandonar a Raúl. Sólo quedan su recuerdopersistente, su presencia fantasmal y su voz#Raúl observa el paisaje y siente a Julia en los silencios.Su amor por ella fue grande y opresivo, y casi loenloquece su abandono.Raquel vive en Nueva York y enseña Literatura.Detesta a Julia, pero su fantasma la ronda en lasnoches como un presentimiento lúgubre#Aleja es amiga de Julia y cuenta la otra partede la historia.Niebla al mediodía está construida alrededor de unenigma que prácticamente se devela desde el principio:la desaparición de Julia. Sin embargo, comosucede en toda buena obra literaria, el misterio estáen otra parte: amarrado a la fuerza de las voces, a labelleza inquietante de los escenarios, a la conversaciónsolitaria de sus cuatro personajes.
Niebla: (nivola) (El\libro De Bolsillo/alianza Editorial Ser. #Vol. 0085)
by Miguel de UnamunoLos hombres no sucumbimos a las grandes penas ni a las grandes alegrías vienen embozadas en una inmensa niebla de pequeños incidentes, y la vida es esto, de pequeños incidentes, y la vida es esto, la niebla. La vida es una nebulosa. Ahora surge de ella Eugenia. Con Niebla, Unamuno inaugura un nuevo género, la nivola, donde se desarrolla una trama a través de diálogos, monólogos, olvidándose de la narración omnisciente e introduciendo la voz del autor interviniendo en la trama. En esta ocasión, Unamuno nos plantea temas como el existencialismo y presenta la muerte de la idea del romanticismo frente a una mujer que defiende su independencia económica y de decisión. En esta historia, Augusto que vive en un estado como de somnolencia se enamora perdidamente de Eugenia a la que intenta conquistar por todos los medios aunque sin ningún éxito. Este rechazo continuado y tortuosos le lleva, como ya lo hizo el jovenWerther, a rondar la idea del suicidio.
Niels Bohr (SparkNotes Biography Guide)
by SparkNotesNiels Bohr (SparkNotes Biography Guide) Making the reading experience fun! SparkNotes Biography Guides examine the lives of historical luminaries, from Alexander the Great to Virginia Woolf. Each biography guide includes:An examination of the historical context in which the person lived A summary of the person&’s life and achievements A glossary of important terms, people, and events An in-depth look at the key epochs in the person&’s career Study questions and essay topics A review test Suggestions for further reading Whether you&’re a student of history or just a student cramming for a history exam, SparkNotes Biography guides are a reliable, thorough, and readable resource.
Nietzsche and Modernism: Nihilism In Lawrence, Kafka And Beckett (Palgrave Studies in Modern European Literature)
by Stewart SmithReconfiguring Nietzsche’s seminal impact on modernist literature and culture, this book presents a distinctive new reading of modernism by exploring his sustained philosophical engagement with nihilism and its inextricable tie to pain and sickness. Arguing that modernist texts dramatize the frailty of the ill, the impotent, and the traumatised modern subject denuded of the traditional means to justify or redeem one’s suffering, it uses the Nietzschean diagnoses of nihilism and what he calls 'ressentiment', the entwined feelings of powerlessness and vindictiveness, as heuristic tools to remap the fictional landscapes of Lawrence, Kafka, and Beckett. Lucid, authoritative and accessible, this book will appeal internationally to literature and philosophy scholars and undergraduates as well as to readers in medical and sociological fields.
Nietzsche in the Nineteenth Century: Social Questions and Philosophical Interventions (Intellectual History of the Modern Age)
by Robert C. HolubFriedrich Nietzsche is often depicted in popular and scholarly discourse as a lonely philosopher dealing with abstract concerns unconnected to the intellectual debates of his time and place. Robert C. Holub counters this narrative, arguing that Nietzsche was very well attuned to the events and issues of his era and responded to them frequently in his writings. Organized around nine important questions circulating in Europe at the time in the realms of politics, society, and science, Nietzsche in the Nineteenth Century presents a thorough investigation of Nietzsche's familiarity with contemporary life, his contact with and comments on these various questions, and the sources from which he gathered his knowledge.Holub begins his analysis with Nietzsche's views on education, nationhood, and the working-class movement, turns to questions of women and women's emancipation, colonialism, and Jews and Judaism, and looks at Nietzsche's dealings with evolutionary biology, cosmological theories, and the new "science" of eugenics. He shows how Nietzsche, although infrequently read during his lifetime, formulated his thought in an ongoing dialogue with the concerns of his contemporaries, and how his philosophy can be conceived as a contribution to the debates taking place in the nineteenth century. Throughout his examination, Holub finds that, against conventional wisdom, Nietzsche was only indirectly in conversation with the modern philosophical tradition from Descartes through German idealism, and that the books and individuals central to his development were more obscure writers, most of whom have long since been forgotten.This book thus sheds light on Nietzsche's thought as enmeshed in a web of nineteenth-century discourses and offers new insights into his interactive method of engaging with the philosophical universe of his time.
Nietzsche on Tragedy
by Stern J. P. SilkThis is the first comprehensive study of Nietzsche's earliest (and extraordinary) book, The Birth of Tragedy (1872). When he wrote it, Nietzsche was a Greek scholar, a friend and champion of Wagner, and a philosopher in the making. His book has been very influential and widely read, but has always posed great difficulties for readers because of the particular way Nietzsche brings his ancient and modern interests together. The proper appreciation of such a work requires access to ideas that cross the boundaries of conventional specialisms. This is now provided by M. S. Silk and J. P. Stern in their joint study of Nietzsche's book. They examine in detail its content, style and form; its strange genesis and hybrid status; its biographical background and the controversy engendered by its publication; its value as an account of ancient Greek culture and as a theory of tragedy and music; its relation to other theories of tragedy; and its place in the history of German ideas and in Nietzsche's own philosophical career.
Nietzsche's Philosophical Context: An Intellectual Biography
by Thomas H BrobjerFriedrich Nietzsche was immensely influential and, counter to most expectations, also very well read. An essential new reference tool for those interested in his thinking, Nietzsche's Philosophical Context identifies the chronology and huge range of philosophical books that engaged him. Rigorously examining the scope of this reading, Thomas H. Brobjer consulted over two thousand volumes in Nietzsche's personal library, as well as his book bills, library records, journals, letters, and publications. This meticulous investigation also considers many of the annotations in his books. In arguing that Nietzsche's reading often constituted the starting point for, or counterpoint to, much of his own thinking and writing, Brobjer's study provides scholars with fresh insight into how Nietzsche worked and thought; to which questions and thinkers he responded; and by which of them he was influenced. The result is a new and much more contextual understanding of Nietzsche's life and thinking.
Nietzsche's Philosophy of History
by Anthony K. JensenNietzsche, the so-called herald of the 'philosophy of the future', nevertheless dealt with the past on nearly every page of his writing. Not only was he concerned with how past values, cultural practices, and institutions influence the present - he was plainly aware that any attempt to understand that influence encounters many meta-historical problems. This comprehensive and lucid exposition of the development of Nietzsche's philosophy of history explores how Nietzsche thought about history and historiography throughout his life and how it affected his most fundamental ideas. Discussion of the whole span of Nietzsche's writings, from his earliest publications as a classical philologist to his later genealogical and autobiographical projects, is interwoven with careful analysis of his own forms of writing history, the nineteenth-century paradigms which he critiqued, and the twentieth-century views which he anticipated. The book will be of much interest to scholars of Nietzsche and of nineteenth-century philosophy.
Nietzsche's Rhetoric: Four Case Studies
by Francesca CauchiThis book excavates the rhetorical devices that Nietzsche habitually uses and explains how they constitute a distinctive form of philosophical argumentation. Through a sustained analysis of Nietzsche’s rhetorical style, stratagems, and didactic aims in two of his early works (‘On Truth and Lies in a Non-Moral Sense’ and Daybreak) and two of his later works (Beyond Good and Evil and Twilight of the Idols), the book assesses the extent to which Nietzsche's substantial rhetorical arsenal undermines the philosophical claims he is seeking to advance. The four case studies also bring to the fore some of the less palatable aspects of Nietzsche’s thought such as racial-stereotyping, the essentialising of a so-called slave mentality, and the ranking of human beings based on a highly idiosyncratic and prejudiced view of what qualifies as noble and ignoble.
Nietzsche, Freud, Benn, and the Azure Spell of Liguria
by Martina KolbThe Mediterranean region of Liguria, where the Maritime Alps sweep down to the coasts of northwest Italy and southeast France, the Riviera, marks the intersection of two of Europe's major cultural landscapes. Remote, liminal, compact, and steep, the terrain has influenced many international authors and artists. In this study, Martina Kolb traces Liguria's specific impact on the works of three seminal German-writing modernists - Friedrich Nietzsche, Sigmund Freud, and Gottfried Benn - whose encounters with Ligurian lands and seas led to an innovative geopoetic fusion of word and world.Kolb examines each of these authors' acquired affinities with Ligurian and Provençal landscapes and seascapes, revisiting and reassessing the long tradition of northern longing for a Mediterranean south. She also shows how Freud and Benn followed in the footsteps of Nietzsche in his most prolific years, a topic which has received little critical attention to date. Nietzsche, Freud, Benn, and the Azure Spell of Liguria offers a fresh approach to these writers' groundbreaking literary achievements and profound interest in poetic expression as cathartic self-liberation.
Nietzsche, Psychology, and First Philosophy
by Robert B. PippinFriedrich Nietzsche is one of the most elusive thinkers in the philosophical tradition. His highly unusual style and insistence on what remains hidden or unsaid in his writing make pinning him to a particular position tricky. Nonetheless, certain readings of his work have become standard and influential. In this major new interpretation of Nietzsche's work, Robert B. Pippin challenges various traditional views of Nietzsche, taking him at his word when he says that his writing can best be understood as a kind of psychology. Pippin traces this idea of Nietzsche as a psychologist to his admiration for the French moralists: La Rochefoucauld, Pascal, Stendhal, and especially Montaigne. In distinction from philosophers, Pippin shows, these writers avoided grand metaphysical theories in favor of reflections on life as lived and experienced. Aligning himself with this project, Nietzsche sought to make psychology "the queen of the sciences" and the "path to the fundamental problems. " Pippin contends that Nietzsche's singular prose was an essential part of this goal, and so he organizes the book around four of Nietzsche's most important images and metaphors: that truth could be a woman, that a science could be gay, that God could have died, and that an agent is as much one with his act as lightning is with its flash. Expanded from a series of lectures Pippin delivered at the Collège de France, Nietzsche, Psychology, and First Philosophy offers a brilliant, novel, and accessible reading of this seminal thinker.
Nietzsche’s Nihilism in Walter Benjamin
by Mauro PonziThis book reconstructs the lines of nihilism that Walter Benjamin took from Friedrich Nietzsche that define both his theory of art and the avant-garde, and his approach to political action. It retraces the eccentric route of Benjamin's philosophical discourse in the representation of the modern as a place of "permanent catastrophe", where he attempts to overcome the Nietzschean nihilism through messianic hope. Using conventions from literary criticism this book explores the many sources of Benjamin's thought, demonstrating that behind the materialism which Benjamin incorporates into his Theses on the Concept of History is hidden Nietzsche's nihilism. Mauro Ponzi analyses how Benjamin's Arcades Project uses figures such as Baudelaire, Marx, Aragon, Proust and Blanqui as allegories to explain many aspects of modernity. The author argues that Benjamin uses Baudelaire as a paradigm to emphasize the dark side of the modern era, offering us a key to the interpretation of communicative and cultural trends of today.
Nieve en abril
by Rosamunde PilcherCarolina Cliburn se iba a casar con un hombre por gratitud hacia él, pero sabía que eso no bastaba para convertirse en esposa. Tal vez por ello decidió emprender un largo viaje a Escocia por carretera. Sin embargo, jamás hubiese imaginado que una súbita tormenta primaveral iba a interrumpir bruscamente su viaje. Ni que aquella nieve de abril iba a proporcionarle, tanto a ella como a un solitario joven escocés, la última oportunidad de descubrir y experimentar el fuego del verdadero amor...
Nigeria's Third-Generation Literature: Content and Form (Routledge Studies in African Literature)
by Ode OgedeThis book considers the evolution and characteristics of Nigeria’s third-generation literature, which emerged between the late 1980s and the early 1990s and is marked by expressive modes and concerns distinctly different from those of the preceding era. The creative writing of this period reflects new sensibilities and anxieties about Nigeria’s changing fortunes in the post-colonial era. The literature of the third generation is startling in its candidness, irreverence as well as the brutal self-disclosure of its characters, and it is governed by an unusually wide-ranging sweep in narrative techniques. This book examines six key texts of the oeuvre: Maria Ajima’s The Web, Okey Ndibe’s Foreign Gods, Inc., Teju Cole’s Open City, Chika Unigwe’s On Black Sisters Street, Lola Shoneyin’s The Secret Lives of Baba Segi’s Wives, and Chimamanda Ngozi Adichie’s The Thing Around Your Neck. The texts interpret contemporary corruption and other unspeakable social malaise; together, they point to the exciting future of Nigerian literature, which has always been defined by its daring creativity and inventive expressive modes. Even conventional storytelling strategies receive revitalizing energies in these angst-driven narratives. This book will be of interest to students and researchers of contemporary African literature, Sociology, Gender and women’s studies, and post-colonial cultural expression more broadly.
Nigerian Authors and the Me-Generation: New Shades of Black (Routledge Research in Women's Literature)
by Eugenia OssanaNigerian Authors and the Me-Generation: New Shades of Black explores African literary issues and focuses on Nigerian generations throughout history. It also underscores women authors’ relatively unknown or dispersed role and their positions regarding Western feminism. Concurrently, the book acknowledges the emergence of a current Generation called the Me-Generation, dealing with erstwhile taboo themes and genre experimentation. Three contemporary novels are singled out and analysed: My Sister, the Serial Killer by Oyinkan Braithwaite, A Small Silence by Jumoke Verissimo and Freshwater by Akwaeke Emezi. They deal with the trope of blackness as humour and satire, as a healing space and as Igbo spiritual cosmovision, which contests Western givens. This book can become a reference for those interested in African literature and, particularly, Nigerian literature. Concurrently, it can be a starting point to enrich the debate on African literature.
Nigerian Literary Imagination and the Nationhood Project (African Histories and Modernities)
by Toyin FalolaThis book explores how modern Nigerian fiction is rooted in writers’ understanding of their identity and perception of Nigeria as a country and home. Surveying a broad range of authors and texts, the book shows how these fictionalized representations of Nigeria reveal authentic perceptions of Nigeria’s history and culture today. Many of the lessons in these works of literature provide cautionary tales and critiques of Nigeria, as well as an examination of the lasting impact of colonialism. Furthermore, the book presents the nation as both the framework and subject of its narrative. By conducting literary analyses of Nigerian fiction with historical reference points, this work demonstrates how Nigerian literature can convey profound themes and knowledge that resonates with audiences, teaching Nigerians and non-Nigerians about the colonial and postcolonial experience. The chapters cover topics on nationhood, women’s writing, postcolonial modernity, and Nigerian literature in the digital age.
Nigerian Pidgin (Descriptive Grammars)
by Nick FaraclasThis is the first comprehensive grammar of Nigerian Pidgin. This book provides basic descriptive and analytical treatment of the syntax, morphology and phonology of a language which may soon become the most widely spoken in all of Africa.
Nigerian Speculative Fiction: The Evolution (Studies in Global Genre Fiction)
by Chukwunonso EzeiyokeThis book is an exciting addition to a gap in non-Western genre studies of African fiction. It challenges the dominant canonicity of African literature, which is overshadowed by texts concerned with the colonial discourse and ‘writing back’ while exploring speculative themes in Nigerian fiction and writing that stem from an African cosmology and culture.The book examines important twentieth-century precursors of the post-millennial ‘boom’ in Nigerian Speculative Fiction (SF), reading texts that were omitted from the Nigerian literary canon developed in the 1960s. It combines an analysis of recent fiction and criticism with a historical overview of the development of the under-researched area of Nigerian SF. Through these readings, the author demonstrates the range of concerns explored by Nigerian SF including futurism, posthumanism, horror, fantasy, and science fiction, among others. This book argues that these narratives exceed the binary implicitly sustained by the texts that write back to the West and o-ers new readings of contemporary Nigerian SF; works that imagine futures di-erent from the past and present conditions imposed by capitalism, colonialism, and imperialism.Providing new theoretical tools and concepts, this book in the Studies in Global Genre Fiction series will be of interest to readers and scholars working in the fields of African studies, African culture and society, literature and language, interdisciplinary literary studies, area studies, literary criticism, and genre studies.
Night & Horses & The Desert: An Anthology of Classic Arabic Literature
by Robert IrwinThis collection of Arabic literature is “a joy to read. . . . a journey through eleven centuries of a lost world, with a surprise on almost every page” (Financial Times). Spanning the fifth to the sixteenth centuries, from Afghanistan to Spain, Night & Horses & The Desert includes translated extracts from all the major classics in an invaluable introduction to the subject of classical Arabic literature. Robert Irwin has selected a wide range of poetry and prose in translation, from the most important and typical texts to the very obscure. Alongside the extracts, Irwin’s copious commentary and notes provide an explanatory history of the subject. What were the various genres and to what extent were they constrained by rules? What were the canons of traditional Arabic literary criticism? How were Arabic prose and poetry recited and written down? Irwin explores the literary environments of the desert, salon, mosque, and bookshop and provides brief biographies of the caliphs, princesses, warriors, scribes, dandies, and mystics who created such a rich and diverse literary culture. Night & Horses & The Desert gives western readers a unique taste of the sheer vitality and depth of the medieval Arab past.“Superb . . . . a revelation.” —The Washington Post“[A] treasure-house of a book. . . . Unequaled for scholarship and entertainment.” —The Independent
Night Passages: Philosophy, Literature, and Film
by Elisabeth BronfenIn the beginning was the night. All light, shapes, language, and subjective consciousness, as well as the world and art depicting them, emerged from this formless chaos. In fantasy, we seek to return to this original darkness. Particularly in literature, visual representations, and film, the night resiliently resurfaces from the margins of the knowable, acting as a stage and state of mind in which exceptional perceptions, discoveries, and decisions play out.Elisabeth Bronfen investigates the nocturnal spaces in which extraordinary events unfold, and casts a critical eye into the darkness that enables the irrational exploration of desire, transformation, ecstasy, transgression, spiritual illumination, and moral choice. She begins with an analysis of classical myths depicting the creation of the world and then moves through night scenes in Shakespeare and Milton, Gothic novels and novellas, Hegel's romantic philosophy, and Freud's psychoanalysis. Bronfen also demonstrates how modern works of literature and film, particularly film noir, can convey that piece of night the modern subject carries within. From Mozart's "Queen of the Night" to Virginia Woolf 's oscillation between day and night, life and death, and chaos and aesthetic form, Bronfen renders something visible, conceivable, and comprehensible from the dark realms of the unknown.
Night SparkNotes Literature Guide (SparkNotes Literature Guide Series #48)
by SparkNotesNight SparkNotes Literature Guide by Elie Wiesel Making the reading experience fun! When a paper is due, and dreaded exams loom, here's the lit-crit help students need to succeed! SparkNotes Literature Guides make studying smarter, better, and faster. They provide chapter-by-chapter analysis; explanations of key themes, motifs, and symbols; a review quiz; and essay topics. Lively and accessible, SparkNotes is perfect for late-night studying and paper writing. Includes:An A+ Essay—an actual literary essay written about the Spark-ed book—to show students how a paper should be written.16 pages devoted to writing a literary essay including: a glossary of literary termsStep-by-step tutoring on how to write a literary essayA feature on how not to plagiarize
Night's Dancer: The Life of Janet Collins
by Yaël Tamar LewinThe biography of the first African-American prima ballerinaWinner of the The Marfield Prize / National Award for Arts Writing (2011) Dancer Janet Collins, born in New Orleans in 1917 and raised in Los Angeles, soared high over the color line as the first African-American prima ballerina at the Metropolitan Opera. Night's Dancer chronicles the life of this extraordinary and elusive woman, who became a unique concert dance soloist as well as a black trailblazer in the white world of classical ballet. During her career, Collins endured an era in which racial bias prevailed, and subsequently prevented her from appearing in the South. Nonetheless, her brilliant performances transformed the way black dancers were viewed in ballet. The book begins with an unfinished memoir written by Collins in which she gives a captivating account of her childhood and young adult years, including her rejection by the Ballet Russe de Monte Carlo. Dance scholar Yaël Tamar Lewin then picks up the thread of Collins's story. Drawing on extensive research and interviews with Collins and her family, friends, and colleagues to explore Collins's development as a dancer, choreographer, and painter, Lewin gives us a profoundly moving portrait of an artist of indomitable spirit.
Nightingale Fever: Russian Poets in Revolution (Routledge Library Editions: Russian and Soviet Literature #7)
by Ronald HingleyThis book, first published in 1981, examines the dramatic and tragic stories of four of the greatest Russian poets of the twentieth century, their struggle to survive the Stalin years, and their dedication to their art despite considerable personal danger. Interweaving the stories of Anna Akhmatova, Osip Mandelstam, Boris Pasternak and Marina Tsvetayeva, the noted Russian scholar Ronald Hingley traces their education, the literary schools and traditions with which they were associated, the impact of World War I and the Bolshevik Revolution on their work, and the emergence of their distinct and disparate styles. He examines how the four influenced and affected each other – as colleague, critic or rival, friend or lover – and, as their fates were increasingly caught up in the aftermath of the Russian Revolution, how they came to depend on each other for solace and refuge. This book makes vivid the historic conflict between artists and political authority, and shows how they came into conflict with the Stalinist totalitarian regime intent on their destruction. Ronald Hingley’s brilliant narrative and superb translations of many of the major poems give us a haunting story of artistic achievement and heroic resistance.
Nightmare Mode: A Boss Fight Books Anthology (Boss Fight Books)
by Boss Fight BooksSo you've managed to best our most fearsome books? Well gear up, brave adventurer: It's time for some DLC. Boss Fight&’s authors have done so much great writing you won&’t find in their books, so we decided to put together our very own B-sides & rarities compilation: Nightmare Mode. In this anthology you&’ll delve into lost chapters and timely essays in which Boss Fight authors return to the games and series that inspired their full-length titles. Inside you&’ll encounter: David L. Craddock on how Shovel Knight's developers collaborated with speedrunners, Alexa Ray Corriea on the characters and themes in Kingdom Hearts III, Alyse Knorr on how Princess Peach&’s story draws on 2000 years of women in peril, Alex Kane interviews the man behind Star Wars Battlefront II's use of motion capture technology, Salvatore Pane on the fan projects that have kept the Mega Man series alive, Philip J Reed interviews S.D. Perry about her beloved Resident Evil novels, Gabe Durham on how Zelda's fandom influenced the official Zelda timeline, Jon Irwin savors the anticipation of waiting for a new Mario game, Chris Kohler interviews Final Fantasy composer Nobuo Uematsu about his legendary soundtracks, and Michael P. Williams on how Chrono Trigger fits into the Japanese tradition of retrofuturism. If you&’ve read these authors&’ Boss Fight Books, Nightmare Mode offers you a fresh angle on a familiar topic. And if you&’re just encountering their writing for the first time and you like what they have to say, we&’ve got whole new books awaiting you.