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Notational Experiments in North American Long Poems, 1961-2011

This book is a critical experiment that tracks the literary and poetic uses of musical notation and notational methods in North American long poems from the middle of last century to the contemporary moment. Poets have readily referred to their poems as "scores. " Yet, in this study, Carruthers argues that the integration of musical scores in expansive works of this period does more work than previously thought, offering both resolution and escape from the demands placed on long poem form. The five case studies, on Langston Hughes, Armand Schwerner, BpNichol, Joan Retallack and Anne Waldman, offer approaches to reading literary scores in what might be described as a critical stave or a critical "fugue" of instances. In differing ways, musical notation and notational methods impact the form, time and sometimes the ethical and political stances of these respective long poems.

Note Taking Activities in E-Learning Environments (Behaviormetrics: Quantitative Approaches to Human Behavior #11)

The main focus of this book is presenting practical procedures for improving learning effectiveness using note taking activities during e-learning courses. Although presentation of e-learning activities recently has been spreading to various education sectors, some practical problems have been discussed such as evaluation of learning performance and encouragement of students. The authors introduce note taking activity as a conventional learning tool in order to promote individual learning activity and learning efficacy. The effectiveness of note taking has been measured in practical teaching in a Japanese university using techniques of learning analytics, and the results are shown here. The relationships between note taking activity and students’ characteristics, the possibility of predicting the final learning performance using metrics of students’ note taking, and the effectiveness for individual emotional learning factors are evaluated. Some differences between blended learning and fully online learning courses are also discussed. The authors provide novel analytical procedures and ideas to manage e-learning courses. In particular, the assessment of note taking activity may help to track individual learning progress and to encourage learning motivation.

Note to Self: On Keeping a Journal and Other Dangerous Pursuits

Keeping a journal is easy. Keeping a life-altering, soul-enlightening journal, however, is not. At its best, journaling can be among the most transformative of experiences, but you can only get there by learning how to express yourself fully and openly. Enter Samara O'Shea. O'Shea charmed readers with her elegant and witty For the Love of Letters. Now, in Note to Self, she's back to guide us through the fun, effective, and revelatory process of journaling. Along the way, selections from O'Shea's own journals demonstrate what a journal should be: a tool to access inner strengths, uncover unknown passions, face uncertain realities, and get to the center of self. To help create an effective journal, O'Shea provides multiple suggestions and exercises, including: Write in a stream of consciousness: Forget everything you ever learned about writing and just write. Let it all out: the good, bad, mad, angry, boring, and ugly. Ask yourself questions: What do I want to change about myself? What would I never change about myself? Copy quotes: Other people's words can help you figure out where you are in life, or where you'd like to be. It takes time: Don't lose faith if you don't immediately feel better after writing in your journal. Think of each entry as part of a collection that will eventually reveal its meaning to you. O'Shea's own journal entries reveal alternately moving, edgy, and hilarious stories from throughout her life, as she hits the party scene in New York, poses naked as an aspiring model, stands by as her boyfriend discovers an infidelity by (you guessed it) reading her journal, and more. There are also fascinating journal entries of notorious diarists, such as John Wilkes Booth, Anaïs Nin, and Sylvia Plath. A tribute to the healing and reflective power of the written word, Note to Self demonstrates that sometimes being completely honest with yourself is the most dangerous and rewarding pursuit of all.

Note to Self: On Keeping a Journal and Other Dangerous Pursuits

Keeping a journal is easy. Keeping a life-altering, soul-enlightening journal, however, is not. At its best, journaling can be among the most transformative of experiences, but you can only get there by learning how to express yourself fully and openly. Enter Samara O'Shea. O'Shea charmed readers with her elegant and witty For the Love of Letters. Now, in Note to Self, she's back to guide us through the fun, effective, and revelatory process of journaling. Along the way, selections from O'Shea's own journals demonstrate what a journal should be: a tool to access inner strengths, uncover unknown passions, face uncertain realities, and get to the center of self. To help create an effective journal, O'Shea provides multiple suggestions and exercises, including:Write in a stream of consciousness: Forget everything you ever learned about writing and just write. Let it all out: the good, bad, mad, angry, boring, and ugly.Ask yourself questions: What do I want to change about myself? What would I never change about myself? Copy quotes: Other people's words can help you figure out where you are in life, or where you'd like to be.It takes time: Don't lose faith if you don't imme­diately feel better after writing in your journal. Think of each entry as part of a collection that will eventually reveal its meaning to you.O'Shea's own journal entries reveal alternately moving, edgy, and hilarious stories from throughout her life, as she hits the party scene in New York, poses naked as an aspiring model, stands by as her boyfriend discovers an infidelity by (you guessed it) reading her journal, and more. There are also fascinating journal entries of notorious diarists, such as John Wilkes Booth, Anaïs Nin, and Sylvia Plath.A tribute to the healing and reflective power of the written word, Note to Self demonstrates that sometimes being completely honest with yourself is the most dangerous and rewarding pursuit of all.

Note-Taking/Reading Study Guide Grade 6

Contains: *Two-Page Study Guide for Each Section of the Textbook Promotes Active Reading, & *Note-Taking Handbook Models A Variety of Graphic Organizers for Taking Notes and Building Vocabulary

Note-taking for Consecutive Interpreting: A Short Course (Translation Practices Explained)

Note-taking for Consecutive Interpreting: A Short Course is the essential step-by-step guide to the skill of note-taking. The system, made up of a range of tried and tested techniques, is simple to learn, consistent and efficient. Each chapter presents a technique, with examples, tasks and exercises. This second edition has been extensively revised throughout, including: an updated chapter on speech analysis new chapters on comparisons and links revised example speeches and notes a summary of other authors' note-taking guidelines for comparison and reference (Part III). The author uses English throughout – explaining how and where to locate material for other languages – thus providing a sound base for all those working in the areas of conference interpreting and consecutive interpreting in any language combination. This user-friendly guide is a particularly valuable resource for student interpreters, professionals looking to refresh their skills, and interpreter trainers looking for innovative ways of approaching note-taking.

Notebooks

Much of A.M. Klein's finest prose is to be found in the mass of uncompleted work that he abandoned at the time of his breakdown, and that became accessible only when his papers were deposited in the National Archives. Notebooks offers a generous selection of this work, revealing previously unsuspected facets of Klein's character and artistry.The fiction, criticism, and memoirs collected here focus on Klein's exploration of the role of the artist. The works illuminate crucial periods of his career, especially the early 1940s, when he was transforming himself into a modernist, and the early 1950s, when he was struggling to overcome the misgivings about his art that were to lead to his final breakdown.The semi-autobiographical text which Klein referred to as 'Raw Material' and the unfinished novel of prison life entitled 'Stranger and Afraid' cast a new light on Klein's often frustrating relationship with the Montreal Jewish community. In 'Marginalia' he discusses poetic form and technique and makes observations on the nature of poetry, thereby providing insights into his own concerns as a writer. In 'The Golem,' a profoundly ambiguous treatment of the act of creation, a self-portrait emerges of a storyteller who has lost faith in the power and value of his story. The volume includes a critical introduction, that places the material in the context of Klein's other works, as well as textual and explanatory notes.

Notebooks 1942-1951

Insight into the evolution of some of the Nobel Prize winner's famous works is provided through the compilation of quotations and commentaries that reveal the nature of the author's spiritual, intellectual, and moral conflicts.

Notebooks/Memoirs/Archives: Reading and Rereading Doris Lessing (Routledge Library Editions: Modern Fiction #24)

Since The Grass is Singing was published in 1950, Doris Lessing has commanded a widespread and heterogeneous readership. Written from a feminist political perspective, and employing diverse modes of critical analysis, the present volume, originally published in 1982, aims to combine detailed technical exploration of Lessing’s work with a sense of this extraordinary writer’s historical, political and personal development. The essays, placed in political and biographical context by the editor’s introduction, span the entire length of Lessing’s career, up to Canopus in Argos, and includes studies of A Man and Two Women, The Golden Notebook and The Children of Violence as well as an interview with David Gladwell, director of Memoirs of a Survivor.

Notelets of Filth: A Companion Reader to Morgan Lloyd Malcolm's Emilia (Routledge Advances in Theatre & Performance Studies)

This collection of short, accessible essays serves as a supplementary text to Morgan Lloyd Malcolm’s play, Emilia. Critically acclaimed and beloved by audiences, this innovative and ground-breaking show is a speculative history, an imaginative (re)telling of the life of English Renaissance poet Aemilia Bassano Lanyer. This book features essays by theatre practitioners, activists, and scholars and informed by intersectional feminist, critical race, queer, and postcolonial analyses will enable students and their teachers across secondary school and higher education to consider the play’s major themes from a wide variety of theoretical and interdisciplinary perspectives. This volume explores the current events and cultural contexts that informed the writing and performing of Emilia between 2017 and 2019, various aspects of the professional London productions, critical and audience responses, and best practices for teaching the play to university and secondary school students. It includes a foreword by Emilia playwright Morgan Lloyd Malcolm This book will be of great interest to students and scholars of theatre, arts activism, feminist literature, and theory.

Notes Made While Falling (Goldsmiths Press Ser.)

A genre-bending meditation on sickness, spirituality, creativity, and the redemptive powers of writing.Notes Made While Falling is both a genre-bending memoir and a cultural study of traumatized and sickened selves in fiction and film. It offers a fresh, visceral, and idiosyncratic perspective on creativity, spirituality, illness, and the limits of fiction itself. At its heart is a story of a disastrously traumatic childbirth, its long aftermath, and the out-of-time roots of both trauma and creativity in an extraordinary childhood. Moving from fairgrounds to Agatha Christie, from literary festivals to neuroscience and the Bible, from Chernobyl to King Lear, Ashworth takes us on a fantastic journey through familiar landscapes transformed through unexpected encounters and comic combinations. The everyday provides the ground for the macabre and the absurd, as the narration twists and stretches time. Hovering on the edge of madness, writing, it seems, might keep us sane—or might just allow us to keep on living. In Notes Made While Falling, Ashworth calls for a redefinition of the creative work of thinking, writing, teaching, and being, and she underlines the necessity of a fearlessly compassionate and empathic attention to vulnerability and fragility.

Notes Towards the Definition of Culture: Notas Para La Definición De La Cultura (Raíces De Europa Ser.)

This critique of modern society argues that culture must be organic, and cannot be planned or imposed. The word culture has been widely and erroneously employed in political, educational, and journalistic contexts. In helping to define a word so greatly misused, T. S. Eliot contradicts many of our popular assumptions about culture, reminding us that it is not the possession of any one class but of a whole society—and yet its preservation may depend on the continuance of a class system, and that a &“classless&” society may be a society in which culture has ceased to exist. Surveying the post–World War II world, Eliot finds evidence of decay in cultural standards in every department of human activity, and expects the phenomenon to continue. He suggests that culture and religion have a common root—and if one decays, the other may die too. In observing the superpowers of his day and the course of recent history, he reminds us that &“the Russians have been the first modern people to practise the political direction of culture consciously, and to attack at every point the culture of any people whom they wish to dominate.&” The appendix includes Eliot&’s broadcasts to Europe, ending with a plea to preserve the legacy of Greece, Rome, and Israel, and Europe&’s legacy throughout the last two thousand years. &“Behind the urbanity, the modesty, the mere good manners of Mr. Eliot&’s exposition, one cannot mistake the force and significance of what he has to say, or ignore that it constitutes a fundamental attack on most of our assumptions on the subject.&” —The Spectator

Notes from Underground

Much history and theory is uncovered here in the first comprehensive study of zine publishing. From their origins in early 20th century science fiction cults, their more proximate roots in '60s counter-culture and their rapid proliferation in the wake of punk rock, Stephen Duncombe pays full due to the political importance of zines as a vital network of popular culture. He also analyzes how zines measure up to their utopian and escapist outlook in achieving fundamental social change. Packed with extracts and illustrations, he provides a useful overview of the contemporary underground in all its splendor and misery.

Notes from Underground (SparkNotes Literature Guide Series)

Notes from Underground (SparkNotes Literature Guide) by Fyodor Dostoevsky Making the reading experience fun! Created by Harvard students for students everywhere, SparkNotes is a new breed of study guide: smarter, better, faster. Geared to what today's students need to know, SparkNotes provides: *Chapter-by-chapter analysis *Explanations of key themes, motifs, and symbols *A review quiz and essay topicsLively and accessible, these guides are perfect for late-night studying and writing papers

Notes of First Visit to New England

Notes of a Native Son

A new edition published on the twenty-fifth anniversary of Baldwin's death, including a new introduction by an important contemporary writer Since its original publication in 1955, this first nonfiction collection of essays by James Baldwin remains an American classic. His impassioned essays on life in Harlem, the protest novel, movies, and African Americans abroad are as powerful today as when they were first written. "A straight-from-the-shoulder writer, writing about the troubled problems of this troubled earth with an illuminating intensity." --Langston Hughes, The New York Times Book Review "Written with bitter clarity and uncommon grace." --TimeFrom the Trade Paperback edition.

Notes on Blood Meridian: Revised and Expanded Edition (Southwestern Writers Collection Series, Wittliff Collections at Texas State University)

&“Sepich offers his insight and detailed research to the less knowledgeable reader. He crafts a book that will delight the McCarthy specialists.&” —Western American Literature Blood Meridian (1985), Cormac McCarthy&’s epic tale of an otherwise nameless &“kid&” who in his teens joins a gang of licensed scalp hunters whose marauding adventures take place across Texas, Chihuahua, Sonora, Arizona, and California during 1849 and 1850, is widely considered to be one of the finest novels of the Old West, as well as McCarthy&’s greatest work. The New York Times Book Review ranked it third in a 2006 survey of the &“best work of American fiction published in the last twenty-five years,&” and in 2005 Time chose it as one of the 100 best novels published since 1923. Yet Blood Meridian&’s complexity, as well as its sheer bloodiness, makes it difficult for some readers. To guide all its readers and help them appreciate the novel&’s wealth of historically verifiable characters, places, and events, John Sepich compiled what has become the classic reference work, Notes on Blood Meridian. Originally published in 1993, Notes remained in print for only a few years and has become highly sought-after in the rare book market, with used copies selling for hundreds of dollars. In bringing the book back into print to make it more widely available, Sepich has revised and expanded Notes with a new preface and two new essays that explore key themes and issues in the work. This amplified edition of Notes on Blood Meridian is the essential guide for all who seek a fuller understanding and appreciation of McCarthy&’s finest work.

Notes on Footnotes: Annotating Eighteenth-Century Literature (Penn State Series in the History of the Book)

This collection presents fourteen essays on annotating eighteenth-century literature. Authored by editors and annotators of current standard editions—such as California’s Works of John Dryden, the Florida Edition of the Works of Laurence Sterne, and the Yale Edition of the Works of Samuel Johnson—this book explores theoretical perspectives on critical editing and the practical work of annotation. Through examples from their own editorial work, the contributors illuminate the personal dilemmas and decisions confronting the annotator of texts: What information in the text needs annotation? When does one stop annotating? How does one manage the annotation-versus-interpretation problem?Brimming with erudition, Notes on Footnotes showcases the precision and attentiveness of some of the world’s foremost editors and annotators. The book is necessary reading—not only for scholars of the eighteenth century but also for scholarly editors of texts of all historical periods, book historians, and book lovers in general.In addition to the editors, the contributors include Kate Bennett, Robert DeMaria Jr., Michael Edson, Robert D. Hume, Stephen Karian, Elizabeth Kraft, Thomas Lockwood, William McCarthy, Maximillian E. Novak, Shef Rogers, Robert G. Walker, and Marcus Walsh.

Notes on Life and Letters

Notes on Life and Letters

I don't know whether I ought to offer an apology for this collection which has more to do with life than with letters. Its appeal is made to orderly minds. This, to be frank about it, is a process of tidying up, which, from the nature of things, cannot be regarded as premature. The fact is that I wanted to do it myself because of a feeling that had nothing to do with the considerations of worthiness or unworthiness of the small (but unbroken) pieces collected within the covers of this volume. Of course it may be said that I might have taken up a broom and used it without saying anything about it. That, certainly, is one way of tidying up. But it would have been too much to have expected me to treat all this matter as removable rubbish. All those things had a place in my life. Whether any of them deserve to have been picked up and ranged on the shelf-this shelf-I cannot say, and, frankly, I have not allowed my mind to dwell on the question. I was afraid of thinking myself into a mood that would hurt my feelings; for those pieces of writing, whatever may be the comment on their display, appertain to the character of the man. And so here they are, dusted, which was but a decent thing to do, but in no way polished, extending from the year '98 to the year '20, a thin array (for such a stretch of time) of really innocent attitudes: Conrad literary, Conrad political, Conrad reminiscent, Conrad controversial. Well, yes! A one-man show-or is it merely the show of one man? The only thing that will not be found amongst those Figures and Things that have passed away, will be Conrad en pantoufles. It is a constitutional inability. Schlafrock und pantoffeln! Not that! Never! . . .

Notes on My Books

In Notes on My Books (1920), Joseph Conrad recounts his experiences with the writing process. He recounts in detail his intentions and aspirations for each of his major works.

Notes on Sontag (Writers on Writers #2)

Notes on Sontag is a frank, witty, and entertaining reflection on the work, influence, and personality of one of the "foremost interpreters of . . . our recent contemporary moment." Adopting Sontag's favorite form, a set of brief essays or notes that circle around a topic from different perspectives, renowned essayist Phillip Lopate considers the achievements and limitations of his tantalizing, daunting subject through what is fundamentally a conversation between two writers. Reactions to Sontag tend to be polarized, but Lopate's account of Sontag's significance to him and to the culture over which she loomed is neither hagiography nor hatchet job. Despite admiring and being inspired by her essays, he admits a persistent ambivalence about Sontag. Lopate also describes the figure she cut in person through a series of wry personal anecdotes of his encounters with her over the years. Setting out from middle-class California to invent herself as a European-style intellectual, Sontag raised the bar of critical discourse and offered up a model of a freethinking, imaginative, and sensual woman. But while crediting her successes, Lopate also looks at how her taste for aphorism and the radical high ground led her into exaggerations that could do violence to her own common sense, and how her ambition to be seen primarily as a novelist made her undervalue her brilliant essays. Honest yet sympathetic, Lopate's engaging evaluation reveals a Sontag who was both an original and very much a person of her time.

Notes to Literature (European Perspectives: A Series in Social Thought and Cultural Criticism #Vol. 2)

Notes to Literature is a collection of the great social theorist Theodor W. Adorno’s essays on such writers as Mann, Bloch, Hölderlin, Siegfried Kracauer, Goethe, Benjamin, and Stefan George. It also includes his reflections on a variety of subjects, such as literary titles, the physical qualities of books, political commitment in literature, the light-hearted and the serious in art, and the use of foreign words in writing. This edition presents this classic work in full in a single volume, with a new introduction by Paul Kottman.

Notework: Victorian Literature and Nonlinear Style (Stanford Text Technologies)

Notework begins with a striking insight: the writer's notebook is a genre in itself. Simon Reader pursues this argument in original readings of unpublished writing by prominent Victorians, offering an expansive approach to literary formalism for the twenty-first century. Neither drafts nor diaries, the notes of Charles Darwin, Oscar Wilde, Gerard Manley Hopkins, Vernon Lee, and George Gissing record ephemeral and nonlinear experiences, revealing each author's desire to leave their fragments scattered and unused. Presenting notes in terms of genre allows Reader to suggest inventive new accounts of key Victorian texts, including The Picture of Dorian Gray, On the Origin of Species, and Hopkins's devotional lyrics, and to reinterpret these works as meditations on the ethics of compiling and using data. In this way, Notework recasts information collection as a personal and expressive activity that comes into focus against large-scale systems of knowledge organization. Finding resonance between today's digital culture and its nineteenth-century precursors, Reader honors our most disposable, improvised, and fleeting written gestures.

Nothing But Drama (Good Girlz #1)

The first book in an exciting and inspiring new series from national bestselling author ReShonda Tate Billingsley Their lives are nothing but drama. . . . Camille can't believe her bad luck when she's ordered to join a church youth group after hiding her boyfriend from the police. She'll bide her time if that's what it takes to get everyone off her back, but it's the last place she ever expected to make a new friend. Angel has a secret that's got her running scared, so when she sees a flyer for the group, she heads to the church, hoping to find an answer to her problem. Now Rachel, their group leader, has a task for them that may just end their daily dramas and give them a whole new beginning. They just have to take a leap of faith. . . . Along the way, they meet tough-as-nails Jasmine and society-darling Alexis, forging friendships built on strength, loyalty, and faith. As the girls take up Rachel's challenge to honor their parents, they find that walking a new path isn't always the easiest way to go. But together, Camille, Angel, Jasmine, and Alexis will embark on adventures that only the best of friends can share.