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Odios fríos: La Novela de Miguel Antonio Caro en el Poder
by Gonzalo EspañaUna novela de Gonzalo España. Narrada con la gracia y el rigor documental propios de su autor, Odiosfríos acerca al lector al Miguel Antonio Caro que no conocemos. Sunombre se asocia con el mármol: fue uno de los redactores principales dela Constitución de 1886, un latinista consumado "traductor célebre deHoracio y Virgilio" y un gramático puntilloso. Pero Caro, católicofuribundo, ultraconservador, maquinador y rencoroso, tuvo un papelfundamental en los acontecimientos más importantes de finales del sigloXIX y comienzos del XX: como lo revelan a la perfección estas páginas,la Guerra de los Mil Días, la separación de Panamá, así como laagudización del conflicto interno y los resentimientos entre losprincipales partidos de Colombia, fueron fruto, en gran medida, de suintransigencia. Esta extraordinaria novela, tan ágil y apasionante comola historia que recrea, es mucho más que el retrato completo de unhombre, en sus facetas pública e íntima: es el retrato de un país y unaépoca, y una pieza invaluable en la reconstrucción de nuestro pasado
Odious Praise: Rhetoric, Religion, and Social Thought
by Eric MacPhailThis book reveals a tradition of thought overlooked in our intellectual history but enormously influential even now: the tradition of odious praise. Distinct from more conventional rhetorical exercises, such as panegyric or the funeral oration, odious praise uses acclaim to censure or to critique. This book reassesses the genre of praise-and-blame rhetoric by considering the potential of odious praise to undermine consensus and to challenge a society’s normative values.Surveying literature from ancient Greece to Renaissance Europe, Eric MacPhail identifies a tradition of epideictic rhetoric that began with the sophists but was cultivated and employed most vigorously by Renaissance political thinkers. Presenting examples from the writings of Lorenzo Valla, Niccolò Machiavelli, Desiderius Erasmus, Michel de Montaigne, Joachim du Bellay, and Jean Bodin, among others, MacPhail shows that by inscribing a positive value to an object worthy of blame, cultural values are turned on their head. MacPhail traces the use of this technique to critique the values of the classical and scholastic traditions. Recognizing and engaging with this tradition, MacPhail argues, can reinvigorate our study of the history of social thought and reveal further the roots of modern social science.Rigorous and lucid, Odious Praise presents a rhetoric capable of suspending and thus critiquing the values of a culture, and in doing so, it uncovers the first serious attempts at social thought and the seedbed of modern social science. It will be welcomed by scholars of Renaissance literature and culture, the history of rhetoric, and political thought.
Odissi and the Geeta Govinda
by Ileana CitaristiThe book attempts to trace an overview of the different components that define the cultural landscape of the state of Odisha in relation to its history, religious cults, art, and literature and to link the development of the various aspects to the role played over the centuries by the Geeta Govinda poem in its different manifestations. From being an important component of the rituals performed in the Jagannath Temple to becoming an essential part of the people’s daily lives and artistic expressions, this immortal poem has exercised its influence on the cultural landscape of the state from its early inception in the twelfth century until present times. Religious beliefs, visual representations, performative expressions, and literary compositions have been influenced by the strong emotional appeal contained in its verses. Its musical structure, spiritual underline and histrionic content have been an essential font of inspiration in the process of the rediscovery of a cultural identity during the last century and continue to exercise a strong influence on the performing arts of the present times. Among all the art forms, the classical style of Odissi dance, the way it has been re-structured in the middle of the last century, is perhaps the one which bears the closest contact with the poem, almost being synonymous with it. The dance’s lyrical quality and its emotional appeal steeped in a long history of association with devotional and spiritual values make it an ideal form of visual expression for the literary content of the poem.
Odyssey: Rendered Into English Prose For The Use Of Those Who Cannot Read The Original (Wordsworth Classics)
by Samuel ButlerThe story of Odysseus' perilous journey home after the fall of Troy relates allegorical tales of goddesses and sirens, capture and escape, and maneuvering between Scylla and Charybdis. After ten years of travel, Odysseus finally reaches Ithaca to find his family in turmoil. The saga of his efforts to make things right is one of the oldest works of Western literature, and still offers powerful lessons for modern times.
Odysseys Home: Mapping African-Canadian Literature
by George Elliott ClarkeOdysseys Home: Mapping African-Canadian Literature is a pioneering study of African-Canadian literary creativity, laying the groundwork for future scholarly work in the field. Based on extensive excavations of archives and texts, this challenging passage through twelve essays presents a history of the literature and examines its debt to, and synthesis with, oral cultures. George Elliott Clarke identifies African-Canadian literature's distinguishing characteristics, argues for its relevance to both African Diasporic Black and Canadian Studies, and critiques several of its key creators and texts. Scholarly and sophisticated, the survey cites and interprets the works of several major African-Canadian writers, including André Alexis, Dionne Brand, Austin Clarke, Claire Harris, and M. Nourbese Philip. In so doing, Clarke demonstrates that African-Canadian writers and critics explore the tensions that exist between notions of universalism and black nationalism, liberalism and conservatism. These tensions are revealed in the literature in what Clarke argues to be - paradoxically - uniquely Canadian and proudly apart from a mainstream national identity. Clarke has unearthed vital but previously unconsidered authors, and charted the relationship between African-Canadian literature and that of Africa, African America, and the Caribbean. In addition to the essays, Clarke has assembled a seminal and expansive bibliography of texts - literature and criticism - from both English and French Canada. This important resource will inevitably challenge and change future academic consideration of African-Canadian literature and its place in the international literary map of the African Diaspora.
Odysseys Home: Mapping African-Canadian Literature
by George Elliott ClarkeOdysseys Home: Mapping African-Canadian Literature is a pioneering study of African-Canadian literary creativity, laying the groundwork for future scholarly work in the field. Based on extensive excavations of archives and texts, this challenging passage through twelve essays presents a history of the literature and examines its debt to, and synthesis with, oral cultures. George Elliott Clarke identifies African-Canadian literature's distinguishing characteristics, argues for its relevance to both African Diasporic Black and Canadian Studies, and critiques several of its key creators and texts. Scholarly and sophisticated, the survey cites and interprets the works of several major African-Canadian writers, including André Alexis, Dionne Brand, Austin Clarke, Claire Harris, and M. Nourbese Philip. In so doing, Clarke demonstrates that African-Canadian writers and critics explore the tensions that exist between notions of universalism and black nationalism, liberalism and conservatism. These tensions are revealed in the literature in what Clarke argues to be – paradoxically – uniquely Canadian and proudly apart from a mainstream national identity. Clarke has unearthed vital but previously unconsidered authors, and charted the relationship between African-Canadian literature and that of Africa, African America, and the Caribbean. In addition to the essays, Clarke has assembled a seminal and expansive bibliography of texts – literature and criticism – from both English and French Canada. This important resource will inevitably challenge and change future academic consideration of African-Canadian literature and its place in the international literary map of the African Diaspora.
Odysseys of Recognition: Performing Intersubjectivity in Homer, Aristotle, Shakespeare, Goethe, and Kleist (New Studies in the Age of Goethe)
by Ellwood WigginsLiterary recognition is a technical term for a climactic plot device. Odysseys of Recognition claims that interpersonal recognition is constituted by performance, and brings performance theory into dialogue with poetics, politics, and philosophy. By observing Odysseus figures from Homer to Kleist, Ellwood Wiggins offers an alternative to conventional intellectual histories that situate the invention of the interior self in modernity. Through strategic readings of Aristotle, this elegantly written, innovative study recovers an understanding of interpersonal recognition that has become strange and counterintuitive. Penelope in Homer’s Odyssey offers a model for agency in ethical knowledge that has a lot to teach us today. Early modern and eighteenth-century characters, meanwhile, discover themselves not deep within an impenetrable self, but in the interpersonal space between people in the world. Recognition, Wiggins contends, is the moment in which epistemology and ethics coincide: in which what we know becomes manifest in what we do. Published by Bucknell University Press. Distributed worldwide by Rutgers University Press.
Oedipus Rex in the Genomic Era: Human Behaviour, Law and Society
by Yulia Kovas Fatos SelitaThis book explores the answers to fundamental questions about the human mind and human behaviour with the help of two ancient texts. The first is Oedipus Rex (Oedipus Tyrannus) by Sophocles, written in the 5th century BCE. The second is human DNA, with its origins around 4 billion years ago, and continuously revised by chance and evolution. With Sophocles as a guide, the authors take a journey into the Genomic era, an age marked by ever-expanding insights into the human genome. Over the course of this journey, the book explores themes of free will, fate, and chance; prediction, misinterpretation, and the burden that comes with knowledge of the future; self-fulfilling and self-defeating prophecies; the forces that contribute to similarities and differences among people; roots and lineage; and the judgement of oneself and others.Using Oedipus Rex as its lens, this novel work provides an engaging overview of behavioural genetics that demonstrates its relevance across the humanities and the social and life sciences. It will appeal in particular to students and scholars of genetics, education, psychology, sociology, and law.
Oedipus The King: A New Translation
by SophoclesAmong the most celebrated plays of ancient Athens, Oedipus the King is one of seven surviving dramas by the great Greek playwright, Sophocles, now available from Harper Perennial in a vivid and dynamic new translation by award-winning poet Robert Bagg. Oedipus the King is the ancient world’s most shocking and memorable tragedy; the story of Thebes’s resilient hero and his royal family brought to hellish ruin by fate, manipulation of the Olympian gods, and all-too-human weakness. This is Sophocles, vibrant and alive, for a new generation.
Oedipus and the Sphinx: The Threshold Myth from Sophocles through Freud to Cocteau
by Almut-Barbara RengerWhen Oedipus met the Sphinx on the road to Thebes, he did more than answer a riddle—he spawned a myth that, told and retold, would become one of Western culture’s central narratives about self-understanding. Identifying the story as a threshold myth—in which the hero crosses over into an unknown and dangerous realm where rules and limits are not known—Oedipus and the Sphinx offers a fresh account of this mythic encounter and how it deals with the concepts of liminality and otherness. Almut-Barbara Renger assesses the story’s meanings and functions in classical antiquity—from its presence in ancient vase painting to its absence in Sophocles’s tragedy—before arriving at two of its major reworkings in European modernity: the psychoanalytic theory of Sigmund Freud and the poetics of Jean Cocteau. Through her readings, she highlights the ambiguous status of the Sphinx and reveals Oedipus himself to be a liminal creature, providing key insights into Sophocles’s portrayal and establishing a theoretical framework that organizes evaluations of the myth’s reception in the twentieth century. Revealing the narrative of Oedipus and the Sphinx to be the very paradigm of a key transition experienced by all of humankind, Renger situates myth between the competing claims of science and art in an engagement that has important implications for current debates in literary studies, psychoanalytic theory, cultural history, and aesthetics.
Oedipus the King: A New Translation
by SophoclesAward–winning poet Robert Bagg presents a dynamic translation of Sophocles&’s celebrated play of ancient Athens, Oedipus the King. Praised by Aristotle as the pinnacle of Greek drama, Oedipus the King is one of seven surviving dramas by the great Greek playwright, Sophocles. The ancient world&’s most shocking and memorable tragedy, it is the story of Thebes&’s resilient hero and his royal family brought to hellish ruin by fate, manipulation of the Olympian gods, and all-too-human weakness.
Oedipus: A Folklore Casebook (Gods and Heroes of the Ancient World)
by Lowell EdmundsAn indispensable guide to the myth of Oedipus this book is the first to analyze its long and varied history from ancient times to the modern day, and presented with an authoritative survey that considers Oedipus in art and music as well as in literature. Lowell Edmunds accepts this variation as the driving force in its longevity and popularity. Refraining from seeking for an original form of the myth, Edmunds relates the changes in content in the myth to changes in meaning, eschewing the notion that one particular version can be set as standard.
Oedipus: The Ancient Legend and Its Later Analogues (Gods And Heroes Of The Ancient World Ser.)
by Lowell EdmundsDrawing on more than seventy works that dispersed the Oedipus legend from Greece to Asia, Africa, and the Americas, Edmunds provides a foundation for discussion of the lasting appeal of this legend, for claims of its universality, and for its uses as a vehicle for personal and cultural expression.The power of the Oedipus legend is apparent not only in its interpretations but even more so in its variations. As Edmunds writes, "Translations, adaptations, and performances still come forth in a never-ending stream. Again and again, playwrights have tried their hand at new shapings of the Sophoclean Oedipuses and often a country's Oedipus forms a whole chapter in the history of its literature." Drawing on more than seventy works that dispersed the Oedipus legend from Greece to Asia, Africa, and the Americas, Edmunds provides a foundation for discussion of the lasting appeal of this legend, for claims of its universality, and for its uses as a vehicle for personal and cultural expression.
Of Bondage
by Amanda BaileyThe late sixteenth-century penal debt bond, which allowed an unsatisfied creditor to seize the body of his debtor, set in motion a series of precedents that would shape the legal, philosophical, and moral issue of property-in-person in England and America for centuries. Focusing on this historical juncture at which debt litigation was not merely an aspect of society but seemed to engulf it completely, Of Bondage examines a culture that understood money and the body of the borrower as comparable forms of property that impinged on one another at the moment of default.Amanda Bailey shows that the early modern theater, itself dependent on debt bonds, was well positioned to stage the complex ethical issues raised by a system of forfeiture that registered as a bodily event. While plays about debt like The Merchant of Venice and The Custom of the Country did not use the language of political philosophy, they were artistically and financially invested in exploring freedom as a function of possession. By revealing dramatic literature's heretofore unacknowledged contribution to the developing narrative of possessed persons, Amanda Bailey not only deepens our understanding of creditor-debtor relations in the period but also sheds new light on the conceptual conditions for the institutions of indentured servitude and African slavery. Of Bondage is vital not only for students and scholars of English literature but also for those interested in British and colonial legal history, the history of human rights, and the sociology of economics.
Of Books and Botany in Early Modern England: Sixteenth-Century Plants and Print Culture (Literary and Scientific Cultures of Early Modernity)
by Leah KnightContemplating the textual gardens, poetic garlands, and epigrammatic groves which dot the landscape of early modern English print, Leah Knight exposes and analyzes the close configuration of plants and writing in the period. She argues that the early modern cultures and cultivation of plants and books depended on each other in historically specific and novel ways that yielded a profusion of linguistic, conceptual, metaphorical, and material intersections. Examining both poetic and botanical texts, as well as the poetics of botanical texts, this study focuses on the two outstanding English botanical writers of the sixteenth century, William Turner and John Gerard, to suggest the unexpected historical relationship between literature and science in the early modern genre of the herbal. In-depth readings of their work are situated amid chapters that establish the broader context for the interpenetration of plants and writing in the period's cultural practices in order to illuminate a complex interplay between materials and discourses rarely considered in tandem today.
Of Bridges: A Poetic and Philosophical Account
by Thomas Harrison“Always,” wrote Philip Larkin, “it is by bridges that we live.” Bridges represent our aspirations to connect, to soar across divides. And it is the unfinished business of these aspirations that makes bridges such stirring sights, especially when they are marvels of ingenuity. A rich compendium of myths, superstitions, literary and ideological figurations, as well as architectural and musical illustrations, Of Bridges organizes a poetic and philosophical history of bridges into nine thematic clusters. Leaping in lucid prose between seemingly unrelated times and places, Thomas Harrison gives a panoramic account of the diverse meanings and valences of human bridges, questioning why they are built and where they lead. He investigates bridges as flashpoints in war and the mega-bridges of our globalized world. He probes links forged by religion between life’s transience and eternity and the consolidating ties of music, illustrated in a case study of the blues. He illuminates the real and symbolic crossings facing migrants each day and the affective connections that make persons and societies cohere. In fine and intricate readings of literature, philosophy, art, and geography, Harrison engages in a profound reflection on how bridges form and transform cultural communities. Interdisciplinary and deeply lyrical, Of Bridges is a mesmerizing, vertiginous tale of bridges both visible and invisible, both lived and imagined.
Of Bridges: A Poetic and Philosophical Account
by Thomas Harrison“Always,” wrote Philip Larkin, “it is by bridges that we live.” Bridges represent our aspirations to connect, to soar across divides. And it is the unfinished business of these aspirations that makes bridges such stirring sights, especially when they are marvels of ingenuity. A rich compendium of myths, superstitions, literary and ideological figurations, as well as architectural and musical illustrations, Of Bridges organizes a poetic and philosophical history of bridges into nine thematic clusters. Leaping in lucid prose between seemingly unrelated times and places, Thomas Harrison gives a panoramic account of the diverse meanings and valences of human bridges, questioning why they are built and where they lead. He investigates bridges as flashpoints in war and the mega-bridges of our globalized world. He probes links forged by religion between life’s transience and eternity and the consolidating ties of music, illustrated in a case study of the blues. He illuminates the real and symbolic crossings facing migrants each day and the affective connections that make persons and societies cohere. In fine and intricate readings of literature, philosophy, art, and geography, Harrison engages in a profound reflection on how bridges form and transform cultural communities. Interdisciplinary and deeply lyrical, Of Bridges is a mesmerizing, vertiginous tale of bridges both visible and invisible, both lived and imagined.
Of Chastity and Power: Elizabethan Literature and the Unmarried Queen
by Philippa BerryElizabeth I was one of the most powerful women rulers in European history. What can feminism reveal about the attitudes of her male subjects towards this enigmatic figure?Through readings of key Elizabethan texts by Lyly, Ralegh, Chapman, Shakespeare, and Spenser, Philippa Berry shows that while Elizabeth's combination of chastity with political and religious power was repeatedly idealized, it was also perceived as extremely disturbing. The figure of the unmarried queen implicitly challenged the masculine focus of Renaissance discourses of love, philosophy and absolutist political ideology.In her exploration of the potent combination of themes of sexuality and politics with classical myth and Neoplatonic mysticism, Berry offers a radical reassessment of the status of `woman' as a bearer of meaning within Renaissance literature and culture.
Of Cigarettes, High Heels, and Other Interesting Things: An Introduction To Semiotics (Semaphores And Signs Ser.)
by Marcel DanesiThis book deals with one the most interesting aspects of human life—the search for meaning. It discusses how the science of semiotics is equipped to provide insight on what meaning is and how we produce it. Why is it that certain people routinely put their survival at risk by smoking? Why is it that some women make locomotion difficult for themselves by donning high-heel footwear? Are there unconscious forces at work behind such strange behaviors? This book will attempt to answer such questions by claiming that these behaviors are meaningful in culture-specific ways. The discipline that studies such behaviors and their relation to meanings is called semiotics. Semiotics probes the human condition in its own peculiar way, by unraveling the meanings of signs, which motivate not only the wearing of high heel shoes, but also the construction of words and art forms. Now in its third edition, this landmark introduction to semiotics has been updated with a wealth of new content, focusing on the many developments in digital culture since the previous edition. With the addition of topics such as memes, Selfies, social media profiles, and even Mafia discourse, the new edition comprehensively covers new trends in culture while streamlining treatments of basic semiotics contents.
Of Comics and Men: A Cultural History of American Comic Books
by Jean-Paul GabillietOriginally published in France and long sought in English translation, Jean-Paul Gabilliet's Of Comics and Men: A Cultural History of American Comic Books documents the rise and development of the American comic book industry from the 1930s to the present. The book intertwines aesthetic issues and critical biographies with the concerns of production, distribution, and audience reception, making it one of the few interdisciplinary studies of the art form. A thorough introduction by translators and comics scholars Bart Beaty and Nick Nguyen brings the book up to date with explorations of the latest innovations, particularly the graphic novel. The book is organized into three sections: a concise history of the evolution of the comic book form in America; an overview of the distribution and consumption of American comic books, detailing specific controversies such as the creation of the Comics Code in the mid-1950s; and the problematic legitimization of the form that has occurred recently within the academy and in popular discourse. Viewing comic books from a variety of theoretical lenses, Gabilliet shows how seemingly disparate issues—creation, production, and reception—are in fact connected in ways that are not necessarily true of other art forms. Analyzing examples from a variety of genres, this book provides a thorough landmark overview of American comic books that sheds new light on this versatile art form.
Of Effacement: Blackness and Non-Being (Inventions: Black Philosophy, Politics, Aesthetics)
by David MarriottIn Of Effacement, David Marriott endeavors to demolish established opinion about what blackness is and reorient our understanding of what it is not in art, philosophy, autobiography, literary theory, political theory, and psychoanalysis. With the critical rigor and polemical bravura which he displayed in Whither Fanon? Marriott here considers the relationships between language, judgement and effacement, and shows how effacement has become the dominant force in anti-blackness. Both skeptically and emphatically, Marriott presents a series of radical philosophical engagements with Fanon's "is not" (n'est pas) and its "black" political truth. How does one speak—let alone represent—that which is without existence? Is blackness n'est pas because it has yet to be thought as blackness? And if so, when Fanon writes of blackness, that it is n'est pas (is not), where should one look to make sense of this n'est pas? Marriott anchors these questions by addressing the most fundamental perennial questions concerning the nature of freedom, resistance, mastery, life, and liberation, via a series of analyses of such key figures as Huey Newton, Nietzsche, Malcolm X, Edward Said, Georges Bataille, Stuart Hall, and Lacan. He thus develops the basis for a reading of blackness by recasting its effacement as an identity, while insisting on it as a fundamental question for philosophy.
Of Elephants and Toothaches: Ethics, Politics, and Religion in Krzysztof Kieslowski's 'Decalogue'
by Eva Badowska Francesca ParmeggianiThis collection is the first to offer a genuinely interdisciplinary approach to Krzysztof Kieślowski’s Decalogue, a ten-film cycle of modern tales that touch on the ethical dilemmas of the Ten Commandments. The cycle’s deft handling of moral ambiguity and inventive technique established Kieślowski as a major international director.Kieślowski once said, “Both the deep believer and the habitual skeptic experience toothaches in exactly the same way.” Of Elephants and Toothaches takes seriously the range of thought, from theological to skeptical, condensed in the cycle’s quite human tales. Bringing together scholars of film, philosophy, literature, and several religions, the volume ranges from individual responsibility, to religion in modernity, to familial bonds, to human desire and material greed. It explores Kieślowski’s cycle as it relentlessly solicits an ethical response that stimulates both inner disquiet and interpersonal dialogue.
Of Fortunes and War: Clare Hollingworth, first of the female war correspondents
by Patrick Garrett'The list of female war reporters is long and distinguished. But the great-grandmother of them all was Clare Hollingworth' Mail on Sunday 'She was a pioneer' Kate Adie OBE'Unputdownable' Alexander McCall Smith'One of the most unforgettable journalists I have ever met' Chris PattenONE OF THE INSPIRATIONS BEHIND THE NEW BBC DRAMA WORLD ON FIRE. Legendary pioneering journalist Clare Hollingworth died in Hong Kong aged 105 in January 2017 after an illustrious career spanning the great events of the 20th century. Clare was famous for getting 'the scoop of the century': the outbreak of the World War 2. From witnessing the first aerial bombings against England in the First World War, through Hitler's Blitzkrieg, Clare's résumé included desert war in North Africa, civil war in Greece, terrorism in Jerusalem, naming Philby as the Third Man, and guerrilla warfare in Vietnam and Borneo. She had an uncanny ability to make headlines throughout her century-long life. And although her style of journalism was very different from the 24-hour breaking rolling news we have today, the need for detailed eye-witness reporting seems even more important today as we face an onslaught of fake news and alternative facts. The story is not just about news and war however: through access to family papers and personal accounts, her great-nephew Patrick Garrett is able to show Clare in three dimensions, explain her life and loves, and show how she dealt with the pressures of life as a correspondent - decades before women were routinely accepted in this role.facebook.com/celebrateclaretwitter.com/celebrateclare
Of Fortunes and War: Clare Hollingworth, first of the female war correspondents
by Patrick Garrett'The list of female war reporters is long and distinguished. But the great-grandmother of them all was Clare Hollingworth' Mail on Sunday 'She was a pioneer' Kate Adie OBE'Unputdownable' Alexander McCall Smith'One of the most unforgettable journalists I have ever met' Chris PattenONE OF THE INSPIRATIONS BEHIND THE NEW BBC DRAMA WORLD ON FIRE. Legendary pioneering journalist Clare Hollingworth died in Hong Kong aged 105 in January 2017 after an illustrious career spanning the great events of the 20th century. Clare was famous for getting 'the scoop of the century': the outbreak of the World War 2. From witnessing the first aerial bombings against England in the First World War, through Hitler's Blitzkrieg, Clare's résumé included desert war in North Africa, civil war in Greece, terrorism in Jerusalem, naming Philby as the Third Man, and guerrilla warfare in Vietnam and Borneo. She had an uncanny ability to make headlines throughout her century-long life. And although her style of journalism was very different from the 24-hour breaking rolling news we have today, the need for detailed eye-witness reporting seems even more important today as we face an onslaught of fake news and alternative facts. The story is not just about news and war however: through access to family papers and personal accounts, her great-nephew Patrick Garrett is able to show Clare in three dimensions, explain her life and loves, and show how she dealt with the pressures of life as a correspondent - decades before women were routinely accepted in this role.facebook.com/celebrateclaretwitter.com/celebrateclare
Of Fortunes and War: Clare Hollingworth, first of the female war correspondents
by Patrick Garrett'Unputdownable' Alexander McCall Smith'One of the most unforgettable journalists I have ever met' Chris Patten'She was a pioneer' Kate Adie OBEThe biography of acclaimed 20th century journalist Clare Hollingworth who scooped the outbreak of World War 2.After an illustrious career spanning the 20th century legendary journalist Clare Hollingworth died in Hong Kong aged 105 in January 2017. She was famous for getting 'the scoop of the century': the outbreak of the Second World War. From witnessing the first aerial bombings against England in the First World War, through Hitler's Blitzkrieg, Clare's résumé included desert war in North Africa, civil war in Greece, terrorism in Jerusalem, naming Philby as the Third Man, and guerrilla warfare in Vietnam and Borneo. She had an uncanny ability to make headlines throughout her century-long life. And although her style of journalism was very different from the 24-hour breaking rolling news we have today, the need for detailed eye-witness reporting seems even more important today as we face an onslaught of fake news and alternative facts. The story is not just about news and war however: through access to family papers and personal accounts, her great-nephew Patrick Garrett is able to show Clare in three dimensions, explain her life and loves, and show how she dealt with the pressures of life as a correspondent - decades before women were routinely accepted in this role.facebook.com/celebrateclaretwitter.com/celebrateclare(P)2017 John Murray Press