- Table View
- List View
Of the Abuse of Words (Penguin Great Ideas)
by John LockeJohn Locke was one of the greatest figures of the Enlightenment, whose assertion that reason is the key to knowledge changed the face of philosophy. These writings on thought, ideas, perception, truth and language are some of the most influential in the history of Western thought. Throughout history, some books have changed the world. They have transformed the way we see ourselves - and each other. They have inspired debate, dissent, war and revolution. They have enlightened, outraged, provoked and comforted. They have enriched lives - and destroyed them. Now Penguin brings you the works of the great thinkers, pioneers, radicals and visionaries whose ideas shook civilization and helped make us who we are.
Off Screen: Women and Film in Italy: Seminar on Italian and American directions (Routledge Library Editions: Cinema)
by Giuliana Bruno Maria NadottiThis feminist anthology from Italy offers an enriching perspective on cinema studies. Focusing on women’s engagement with political theory and film-making, the book never loses sight of the female experience of cinema. It examines how women have chosen to represent themselves and how they have been represented, and how they deal with the cinematic apparatus, as subjects of production, objects of representation, and spectators. A variety of approaches are offered, ranging from psychoanalysis and semiology to history. With an exhaustive filmography, this anthology of chapters by eminent theorists demonstrates the central importance of recent developments in Italy for the whole spectrum of film and feminist studies.
Off the Page: Screenwriting in the Era of Media Convergence
by Daniel Bernardi Julian HoxterOff the Page examines the business and craft of screenwriting in the era of media convergence. Daniel Bernardi and Julian Hoxter use the recent history of screenwriting labor coupled with close analysis of scripts in the context of the screenwriting paraindustry—from “how to write a winning script” books to screenwriting software—to explore the state of screenwriting today. They address the conglomerate studios making tentpole movies, expanded television, Indiewood, independent animation, microbudget scripting, the video games industry, and online content creation. Designed for students, producers, and writers who want to understand what studios want and why they want it, this book also examines how scripting is developing in the convergent media, beneath and beyond the Hollywood tentpole. By addressing specific genres across a wide range of media, this essential volume sets the standard for anyone in the expanded screenwriting industry and the scholars that study it.
Off the Page: Writers Talk About Beginnings, Endings, and Everything In Between
by Marie Arana Carole BurnsA guide where today's best writers reveal their secrets. How do writers approach a new novel? Do they start with plot, character, or theme? A. S. Byatt starts with color. E. L. Doctorow begins with an image. In Off the Page, authors tell us how they work, giving insight into their writing process. Gathered from some of today's best writers--Paul Auster, Martin Amis, Gish Jen, Dan Chaon, Alice McDermott, and many others interviewed on washingtonpost.com's "Off the Page" series--host Carole Burns has woven their wisdom into chapters illuminating to any writer or reader. How does place influence authors? How do they make a sex scene work? How do they tell when the work is done? Walter Mosley defying genre; Shirley Hazzard on love; Michael Cunningham on compassion: these and more from Richard Ford, Jhumpa Lahiri, and Charles Baxter will deepen your appreciation for the art of writing and excite you to try new ways of writing yourself.
Off with Their Heads!: Fairy Tales and the Culture of Childhood
by Maria TatarWhen Hansel and Gretel try to eat the witch's gingerbread house in the woods, are they indulging their "uncontrolled cravings" and "destructive desires" or are they simply responding normally to the hunger pangs they feel after being abandoned by their parents? Challenging Bruno Bettelheim and other critics who read fairy tales as enactments of children's untamed urges, Maria Tatar argues that it is time to stop casting the children as villians. In this provocative book she explores how adults mistreat children, focusing on adults not only as hostile characters in fairy tales themselves but also as real people who use frightening stories to discipline young listeners.
Off-Screen Cinema: Isidore Isou and the Lettrist Avant-Garde
by Kaira M. CabañasOne of the most important avant-garde movements of postwar Paris was Lettrism, which crucially built an interest in the relationship between writing and image into projects in poetry, painting, and especially cinema. Highly influential, the Lettrists served as a bridge of sorts between the earlier works of the Dadaists and Surrealists and the later Conceptual artists.Off-Screen Cinema is the first monograph in English of the Lettrists. Offering a full portrait of the avant-garde scene of 1950s Paris, it focuses on the film works of key Lettrist figures like Gil J Wolman, Maurice Lemaître, François Dufrêne, and especially the movement's founder, Isidore Isou, a Romanian immigrant whose “discrepant editing” deliberately uncoupled image and sound. Through Cabañas's history, we see not only the full scope of the Lettrist project, but also its clear influence on Situationism, the French New Wave, the New Realists, as well as American filmmakers such as Stan Brakhage.
Office Of Assertion: An Art Of Rhetoric For Academic Essay
by Scott F. CriderScott F. Crider addresses the intelligent university student with respect and humor. A short but serious book of rhetoric, it is informed by both the ancient rhetorical tradition and recent discoveries concerning the writing process. Though practical, it is not simply a how-to manual; though philosophical, it never loses sight of writing itself. Crider combines practical guidance about how to improve an academic essay with reflection on the purpose - educational, political, and philosophical - of such improvement.
Office and Duty in King Lear: Shakespeare’s Political Theologies (Palgrave Shakespeare Studies)
by Alexander ThomThis book advances five original readings of Shakespeare's King Lear, influenced by Giorgio Agamben, but tempered by primary research into Jacobean literature, law, religion, and philosophy. To grasp Lear’s encounter between politics and identity, the play demands a wider understanding of the religious influence on political thought. As Lear himself realises, sovereignty is an extreme, glamorous example of a deeper category: sacred office. Lear also shows duty intersecting with a hierarchy of bastards, outlaws, women, waifs, and monks. This book introduces concepts like petit treason, civil death, and waivery into political theological studies, complicating Agamben’s models. Goneril’s treason shows the sovereign’s consort and children are consecrated lives too. Lear’s crisis of "self-knowing" stages a landmark critique of office. The promise of his poignant speech before the prison is foreclosed by Shakespeare's invention: an officer dutifully murdering Cordelia. This book’s conclusion, through Hannah Arendt, reconsiders Lear’s persistent association with the Holocaust.
Official Portraits and Unofficial Counterportraits of At Risk Students: Writing Spaces in Hard Times
by Richard J. MeyerThis book chronicles 5th and 6th grade writers - children of gang members, drug users, poor people, and non-documented and documented immigrants - in a rural school in the southwest US coming into their voices, cultivating those voices, and using those voices in a variety of venues, beginning with the classroom community and spreading outward. At the heart of this book is the cultivation of tension between official and unofficial portraits of these students. Official portraits are composed of demographic data, socioeconomic data, and test results. Unofficial counterportraits offer different views of children, schools, and communities. The big ideas of official and unofficial portraits are presented, then each chapter offers data (the children’s and teachers’ processes and products) and facets of the theoretical construct of counterportraits, as a response to official portraits. The counterportraits are built slowly in order to base them in evidence and to articulate their complexity. Many teachers and soon-to-be teachers facing the dilemmas and complexities of teaching in diverse classrooms have serious questions about how to honor students’ lives outside of school, making school more relevant. This book offers evidence to present to the public, legislators, and the press as a way of talking back to official portraits, demonstrating that officially failing schools are not really failing - evidence that is crucial for the survival of public schools.
Officially Retired: Hilarious Quips and Quotes to Celebrate Your Freedom
by Ted HeybridgeCongratulations, you've retired! It's time to celebrate your freedom. Make the most of all your new free time with Officially Retired, a funny book of quotes, quips and statements on the joys and tribulations of retirement. Put your feet up, relax and enjoy this side-splitting little book.
Officially Retired: Hilarious Quips and Quotes to Celebrate Your Freedom
by Ted HeybridgeCongratulations, you've retired! It's time to celebrate your freedom. Make the most of all your new free time with Officially Retired, a funny book of quotes, quips and statements on the joys and tribulations of retirement. Put your feet up, relax and enjoy this side-splitting little book.
Ogling Ladies: Scopophilia in Medieval German Literature
by Sandra Lindemann SummersIn the European Middle Ages, the harm a person’s gaze could cause was greatly feared. A stare was considered an act of aggression; intense gazing was believed to exert immense power over the individual observed. The love of looking, or scopophilia, is a common motif among female figures in medieval art and literature where it is usually expressed as a motherly or sexually interested gaze--one sanctioned, the other forbidden. Sandra Summers investigates these two major variants of female voyeurism in exemplary didactic and courtly literature by medieval German authors. Setting the motif against the period’s dominant patriarchal ethos and its almost exclusive pattern of male authorship, Summers argues that the maternal gaze was endorsed as a stabilizing influence while the erotic gaze was condemned as a threat to medieval order. Summers examines whether medieval artists and writers invented the idea of “ogling,” or whether they were simply recording a behavioral practice common at the time. She investigates how the act of ogling altered the narrative trajectory of female characters, and she also considers how it may have affected the regulation and restriction of women during Europe’s Middle Ages. Drawing upon contemporary gender studies, women’s studies, film studies, and psychology, Summers argues that the female gaze ultimately governs social formation. The exploration of the female gaze in period literature transcends medieval scholarship and impacts our understanding of the broader problem of gender perceptions and social structuring in Western civilization.
Oh, the Thinks You Can Think! (Beginner Books(R))
by Dr. SeussThe possibilities are endless in the board edition of this classic Dr. Seuss Beginner Book --the perfect back-to-school read for a new year! Young readers will delight in this Oh, the Thinks You Can Think! which celebrates the imagination and encourages young readers to think . . . about thinking! &“Think left and think right and think low and think high. Oh, the Thinks you can think up if only you try.&”Originally created by Dr. Seuss himself, Beginner Books are fun, funny, and easy to read. These unjacketed hardcover early readers encourage children to read all on their own, using simple words and illustrations. Smaller than the classic large format Seuss picture books like The Lorax and Oh, The Places You&’ll Go!, these portable packages are perfect for practicing readers ages 3-7—and lucky parents too!
Oh, the Thinks You Can Think! Read & Listen Edition (Beginner Books(R))
by Dr. SeussThe possibilities are endless in Dr. Seuss&’s classic Beginner Book! Young readers will delight in Oh, the Thinks You Can Think! which celebrates the imagination and encourages young readers to think . . . about thinking! &“Think left and think right and think low and think high. Oh, the Thinks you can think up if only you try.&”Originally created by Dr. Seuss, Beginner Books encourage children to read all by themselves, with simple words and illustrations that give clues to their meaning.This Read & Listen edition contains audio narration.
Ohio Holt Elements of Literature, Second Course
by Kylene Beers Carol Jago Deborah ApplemanNIMAC-sourced textbook
Oil Fictions: World Literature and Our Contemporary Petrosphere (AnthropoScene)
by Stacey Balkan and Swaralipi NandiOil, like other fossil fuels, permeates every aspect of human existence. Yet it has been largely ignored by cultural critics, especially in the context of the Global South. Seeking to make visible not only the pervasiveness of oil in society and culture but also its power, Oil Fictions stages a critical intervention that aligns with the broader goals of the energy humanities.Exploring literature and film about petroleum as a genre of world literature, Oil Fictions focuses on the ubiquity of oil as well as the cultural response to petroleum in postcolonial states. The chapters engage with African, South American, South Asian, Iranian, and transnational petrofictions and cover topics such as the relationship of colonialism to the fossil fuel economy, issues of gender in the Thermocene epoch, and discussions of migration, precarious labor, and the petro-diaspora. This unique exploration includes testimonies of the oil encounter—through memoirs, journals, and interviews—from a diverse geopolitical grid, ranging from the Permian Basin to the Persian Gulf.By engaging with non-Western literary responses to petroleum in a concentrated, sustained way, this pathbreaking book illuminates the transnational dimensions of the discourse on oil. It will appeal to scholars and students working in literature and science studies, energy humanities, ecocriticism, petrocriticism, environmental humanities, and Anthropocene studies.In addition to the editors, the contributors to this volume include Henry Obi Ajumeze, Rebecca Babcock, Ashley Dawson, Sharae Deckard, Scott DeVries, Kristen Figgins, Amitav Ghosh, Corbin Hiday, Helen Kapstein, Micheal Angelo Rumore, Simon Ryle, Sheena Stief, Imre Szeman, Maya Vinai, and Wendy W. Walters.
Oil Safari
by Paul F. SalopekWould Americans pay more attention to their sources of petroleum-the lifeblood of their car-centric society-if gasoline came with a price tag tallying the explicit human costs of each fill-up? What untold stories of war, poverty and corruption get burned up and expelled from millions of U.S. tailpipes every day? And do false industry assurances that fuel can never be traced from local service stations back to its origins in troubled foreign oil patches help absolve us of responsibility for the wages of our energy addiction?Two-time Pulitzer Prize-winning journalist Paul F. Salopek, a Chicago Tribune foreign correspondent, tackles these questions that are at the heart of Oil Safari: In Search of the Source of America's Fuel. Taken from Salopek's four-part narrative travelogue published in 2006, this book debunks the well-tended industry myth that global oil flows are too complex and fungible to tease apart at a retail outlet.Salopek describes the gripping stories of a diverse cast of characters who are touched by a typical shipment of oil that ends up in the U.S. There is the oil rig worker in the Gulf of Mexico, an Iraqi security consultant, a Nigerian fisherman whose homeland is threatened by drilling, and an indigenous Venezuelan elder who benefits from the country's oil reserves (which are used to fund social programs).Energy policy is at the heart of American politics now more than ever, between the troubling aftermath of the BP Deepwater Horizon oil spill, the burgeoning American surplus of natural gas, and the Obama administration's continued emphasis on renewable energy sources. Oil Safari brings human narratives to the foreground of our energy policy debates and own personal consumption habits.
Oil and Modern World Dramas: From Petro-Mania to Petro-Melancholia (Routledge Studies in World Literatures and the Environment)
by Alireza FakhrkonandehThe first to focus on the (re-)presentations of oil in dramatic literature, theatre, and performance, Oil and Modern World Dramas is a pioneering volume in the emerging field of Oil Literatures and Cultures, and the more established field of World Literatures. Through close analysis, Fakhrkonandeh demonstrates how these dramatic works depict oil, both in its perceived nature and character, as an overdetermined matter/sign/object: a symbol (of freedom, autonomy, speed, wealth, modernity, enlightenment), a commodity, a social-cultural agent, a social relation, and a hyper-object. This book is also distinguished by its innovative and critically manifold conceptual framework, positing the petro-literatures and petro-cultures an inextricable part of a global network. Oil and Modern World Dramas not only demonstrates how the chosen works of petro-drama manifest these concepts in their social-political vision, aesthetics and historical-ontological dynamics, but also reveals how they deploy such assemblage-based approaches both as a cartographical means and aesthetic method for exposing the systemic (Capitalocenic) nature of petro-capitalist exploitation, and as means of proposing ways of resistance and producing alternative modes of subjectivity, community, relationality, and economy.
Oil and Modern World Dramas: From Petro-Mania to Petro-Melancholia (Routledge Studies in World Literatures and the Environment)
by Alireza FakhrkonandehThe first to focus on the (re-)presentations of oil in dramatic literature, theatre, and performance, Oil and Modern World Dramas is a pioneering volume in the emerging field of Oil Literatures and Cultures, and the more established field of World Literatures. Through close analysis, Fakhrkonandeh demonstrates how these dramatic works depict oil, both in its perceived nature and character, as an overdetermined matter/sign/object: a symbol (of freedom, autonomy, speed, wealth, modernity, enlightenment), a commodity, a social-cultural agent, a social relation, and a hyper-object. This book is also distinguished by its innovative and critically manifold conceptual framework, positing the petro-literatures and petro-cultures an inextricable part of a global network. Oil and Modern World Dramas not only demonstrates how the chosen works of petro-drama manifest these concepts in their social-political vision, aesthetics and historical-ontological dynamics, but also reveals how they deploy such assemblage-based approaches both as a cartographical means and aesthetic method for exposing the systemic (Capitalocenic) nature of petro-capitalist exploitation, and as means of proposing ways of resistance and producing alternative modes of subjectivity, community, relationality, and economy.
Ojos herejes: Crónicas sobre la belleza para lectores rebeldes
by Sergio Rodríguez BlancoEn catorce crónicas, que son también ensayos sobre literatura y arte desde o sobre México, Ojos herejes examina los procesos intelectuales de la creación y cuestiona la momentánea fe que nos exige el arte. El itinerario de Sergio Rodríguez Blanco nos recuerda a las mejores páginas de sus dos modelos del viajero intelectual: el José Vasconcelos del Ulises criollo y el Sergio Pitol de El arte de la fuga. El autor nació en España, pero desde hace años habita en México en un mundo fluido: sale a caminar por el centro de la Ciudad de México y de pronto lo acompañamos a una lección de arte contemporáneo en la bienal de Venecia. Nos revela los secretos de la casona que inspiró El amor en tiempos del cólera de García Márquez y luego, con Pedro Friedeberg, nos descubre la dimensión artística del papel higiénico. Desentraña el misterio de una película que Federico Fellini jamás rodó (pero que derivó en un delirante viaje por México) y páginas después, con el escritor italiano Pino Cacucci, Sergio comprende que volver a México es una forma más de reiniciar el viaje. -Del prólogo de Oswaldo Zavala "El ojo, si es hereje, puede traspasar el velo de los discursos dominantes, los estereotipos, las cegueras y ensoñaciones que hemos naturalizado." -Del capítulo El polvo y el gorila
Ojos que no ven
by Carmen Gloria LópezA partir de una serie de podcast sobre la realidad de la mujer en Chile y el mundo, la autora construye un ensayo de textos híbridos, mezcla de crónica y guion, en el que reflexiona sobre las deudas, el futuro, la imagen social y el poder de las féminas hoy. Textos híbridos que apuntan a reflexionar sobre la realidad de la mujer hoy y la visión que la sociedad tiene sobre su rol en el mundo, apelando a una mirada feminista y analítica, tanto de las redes sociales, la publicidad, la dimensión laboral e íntima, tópicos que han cambiado velozmente en la última década.
Okanagan Grouse Woman: Upper Nicola Narratives
by Lottie LindleyPublished through the Recovering Languages and Literacies of the Americas initiative, supported by the Andrew W. Mellon FoundationIn this book of Native American language research and oral traditions, linguist John Lyon collects Salish stories as told by culture-bearer Lottie Lindley, one of the last Okanagan elders whose formative years of language learning were unbroken by the colonizing influence of English. Speaking in the Upper Nicola dialect of Okanagan, a Southern Interior Salish language, Lindley tells the stories that recount and reflect Salish culture, history, and historical consciousness (including names of locales won in battle with other interior peoples), coming-of-age rituals and marriage rites, and tales that attest to the self-understanding of the Salish people within their own history. For each Okanagan Salish story, Lyon and Lindley offer a continuous transcription followed by a collaborative English translation of the story and an interlinear rendition with morphological analysis. The presentation allows students of the dialect, linguists, and those interested in Pacific Northwest and Interior Plateau indigenous oral traditions unencumbered access to the culture, history, and language of the Salish peoples. With few native speakers left in the community, Okanagan Grouse Woman contributes to the preservation, presentation, and—with hope—maintenance and cultivation of a vital indigenous language and the cultural traditions of the Interior Salish peoples.
Oklahoma Common Core Coach, English Language Arts, Grade 4
by Triumph LearningNIMAC-sourced textbook