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On Compromise: Art, Politics, and the Fate of an American Ideal
by Rachel Greenwald SmithA strident argument about the dangers of compromise in art, politics, and everyday lifeOn Compromise is an argument against contemporary liberal society’s tendency to view compromise as an unalloyed good—politically, ethically, and artistically. In a series of clear, convincing essays, Rachel Greenwald Smith discusses the dangers of thinking about compromise as an end rather than as a means. To illustrate her points, she recounts her stint in a band as a bass player, fighting with her bandmates about “what the song wants,” and then moves outward to Bikini Kill and the Riot Grrrl movement, the Iowa Writers’ Workshop, Poetry magazine, the resurgence of fascism, and other wide-ranging topics.Smith’s arguments are complex and yet have a simplicity to them, as she writes in a concise, cogent style that is eminently readable. By weaving examples drawn from literature, music, and other art forms with political theory and first-person anecdotes, she shows the problems of compromise in action. And even as Smith demonstrates the many ways that late capitalism demands individual compromise, she also holds out hope for the possibility of lasting change through collective action. Closing with a piercing discussion of the uncompromising nature of the COVID-19 pandemic and how global protests against racism and police brutality after the murder of George Floyd point to a new future, On Compromise is a necessary and vital book for our time.
On Conan Doyle: Or, The Whole Art of Storytelling (Writers on Writers #6)
by Michael DirdaFrom Pulitzer Prize–winning critic Michael Dirda, a delightful introduction to the creator of Sherlock HolmesA passionate lifelong fan of the Sherlock Holmes adventures, Pulitzer Prize–winning critic Michael Dirda is a member of The Baker Street Irregulars—the most famous and romantic of all Sherlockian groups. Combining memoir and appreciation, On Conan Doyle is a highly engaging personal introduction to Holmes's creator, as well as a rare insider’s account of the curiously delightful activities and playful scholarship of The Baker Street Irregulars.On Conan Doyle is a much-needed celebration of Arthur Conan Doyle’s genius for every kind of storytelling.
On Course
by Janine KoppStarting again – or maybe starting anew? Want to widen your prospects and sort out your language skills? Looking for a serious French course designed specifically for your needs? On Course provides a thorough grounding in the language and enables you to speak, read, write and understand contemporary French. Covering all you need to know, On Course will: Teach you the sort of French which will enable you to live and study in French-speaking countries Appeal to your interests, concerns and needs Focus your learning on language use, helping you cope in all situations Consolidate your learning and make the language stick Guide your pronunciation so you get it right first time Make you culturally aware Motivate you though to the end of the course Teach you the transferable skills all employers require
On Creaturely Life: Rilke Benjamin Sebald
by Eric L. SantnerIn his Duino Elegies, Rainer Maria Rilke suggests that animals enjoy direct access to a realm of being—the open—concealed from humans by the workings of consciousness and self-consciousness. In his own reading of Rilke, Martin Heidegger reclaims the open as the proper domain of human existence but suggests that human life remains haunted by vestiges of an animal-like relation to its surroundings. Walter Benjamin, in turn, was to show that such vestiges—what Eric Santner calls the creaturely—have a biopolitical aspect: they are linked to the processes that inscribe life in the realm of power and authority. Santner traces this theme of creaturely life from its poetic and philosophical beginnings in the first half of the twentieth century to the writings of the enigmatic German novelist W. G. Sebald. Sebald’s entire oeuvre, Santner argues, can be seen as an archive of creaturely life. For Sebald, the work on such an archive was inseparable from his understanding of what it means to engage ethically with another person’s history and pain, an engagement that transforms us from indifferent individuals into neighbors. An indispensable book for students of Sebald, On Creaturely Life is also a significant contribution to critical theory.
On Creaturely Life: Rilke, Benjamin, Sebald
by Eric L. SanterIn his Duino Elegies, Rainer Maria Rilke suggests that animals enjoy direct access to a realm of being—the open—concealed from humans by the workings of consciousness and self-consciousness. In his own reading of Rilke, Martin Heidegger reclaims the open as the proper domain of human existence but suggests that human life remains haunted by vestiges of an animal-like relation to its surroundings. Walter Benjamin, in turn, was to show that such vestiges—what Eric Santner calls the creaturely—have a biopolitical aspect: they are linked to the processes that inscribe life in the realm of power and authority. Santner traces this theme of creaturely life from its poetic and philosophical beginnings in the first half of the twentieth century to the writings of the enigmatic German novelist W. G. Sebald. Sebald’s entire oeuvre, Santner argues, can be seen as an archive of creaturely life. For Sebald, the work on such an archive was inseparable from his understanding of what it means to engage ethically with another person’s history and pain, an engagement that transforms us from indifferent individuals into neighbors. An indispensable book for students of Sebald, On Creaturely Life is also a significant contribution to critical theory.
On Cussing: Bad Words And Creative Cursing
by Katherine DunnF uck the Fuckity Fuckin’ Fucker. Readers of Katherine Dunn won’t be surprised that this was her father’s favorite sentence, or that, as a young girl, she heard it as a kind of profane poem, a secret song. For many of us, the language of Geek Love carries a similar staying power, born of Dunn’s agile use of language and her strange, beautiful diction. And as a true exegete of the expletive, she remained undividedly devoted to obscenity—both as scholar and practitioner. In On Cussing, Dunn sketches a brief history of swear words and creates something of a field guide to their types and usages, from the common threat (“I’ll squash you like a shithouse mouse”) to the portmanteau intensifier (“Fan-fucking-tastic”). But she also explores their physiology—the physical impact on the reader or listener—and makes an argument for how and when to cuss with maximum effect. Equal parts informative and hilarious, this volume will delight Dunn’s legion of fans, but it’s also a must-have for anyone looking to more successfully wield their expletives, be it in writing or in everyday speech.
On Czeslaw Milosz: Visions from the Other Europe (Writers on Writers #14)
by Eva HoffmanA compelling personal introduction to the life and work of Nobel Prize–winning writer Czesław Miłosz from his fellow Polish exile and acclaimed writer Eva HoffmanCzesław Miłosz (1911–2004) was a giant of twentieth-century literature, not least because he lived through and wrote about many of the most extreme events of that extreme century, from the world wars and the Holocaust to the Cold War. Over a seven-decade career, he produced an important body of poetry, fiction, and nonfiction, including classics such as The Captive Mind, a reflection on the hypnotic power of ideology, and Native Realm, a memoir. In this book, Eva Hoffman, like Miłosz a Polish-born writer who immigrated to the West, presents an eloquent personal portrait of the life and work of her illustrious fellow exile.Miłosz experienced the horrors of World War II in Warsaw—the very epicenter of the inferno—and witnessed the unfolding of the Holocaust from up close. After the war, he lived as a permanent exile—from Poland, communism, and mainstream American culture. Hoffman explores how exile, historical disasters, and Miłosz’s origins in Eastern Europe shaped his vision, and she occasionally compares her own postwar trajectory with Miłosz’s to show how the question of “the Other Europe” is still with us today. She also examines his later turn to the poetry of memory and loss, driven by the need to remember and honor his many friends and others killed in the Holocaust.Combining incisive personal and critical insights, On Czesław Miłosz captures the essence of the life and work of a great poet and writer.
On Deaf Ears: The Limits of the Bully Pulpit
by George C. EdwardsAmerican presidents often engage in intensive campaigns to obtain public support for their policy initiatives. This core strategy for governing is based on the premise that if presidents are skilled enough to exploit the "bully pulpit," they can successfully persuade or even mobilize public opinion on behalf of their legislative goals. In this book, George Edwards analyzes the results of hundreds of public opinion polls from recent presidencies to assess the success of these efforts. Surprisingly, he finds that presidents typically are not able to change public opinion; even great communicators usually fail to obtain the public's support for their high-priority initiatives. Focusing on presidents' personae, their messages, and the American public, he explains why presidents are often unable to move public opinion and suggests that their efforts to do so may be counterproductive. Edwards argues that shoring up previously existing support is the principal benefit of going public and that "staying private"--negotiating quietly with elites-may often be more conducive to a president's legislative success.
On Declaring Love: Eighteenth-Century Literature and Jane Austen (Routledge Studies in Eighteenth-Century Literature)
by Fred Parker"What did she say? – Just what she ought, of course. A lady always does." This book explores the act of declaring love in works of literature written between the middle of the eighteenth century and the death of Jane Austen - and uncovers the uncertain boundaries of the self in the force-field of courtship. Declaring love is understood as the hazardous attempt to find public, social terms which can communicate personal feelings and bring intimacy into being. This was a period highly sensitive to the propriety and artificiality of public forms, and hence peculiarly alive to problems around the idea of saying what you feel, problems experienced especially though not exclusively by women. Through this historical lens the author considers the ways in which we may become entangled with one another through language, the limits to our operation as independent individuals, and whether in love you can only feel what you can tell. The first part of the book examines eighteenth-century attitudes towards the independent or disengaged self, performance culture, and the feasibility of sincerity, through readings of a wide range of different works. This provides the basis for a discussion of Austen's novels in the final two chapters, focused on the dynamics of courtship and the moment of proposal, and making much of the role of Austen's narrative voice in supporting the subjectivity of the one in love.
On Deconstruction: Theory and Criticism after Structuralism
by Jonathan CullerWith an emphasis on readers and reading, Jonathan Culler considered deconstruction in terms of the questions raised by psychoanalytic, feminist, and reader-response criticism. On Deconstruction is both an authoritative synthesis of Derrida's thought and an analysis of the often-problematic relation between his philosophical writings and the work of literary critics. Culler's book is an indispensable guide for anyone interested in understanding modern critical thought. This edition marks the twenty-fifth anniversary of the first publication of this landmark work and includes a new preface by the author that surveys deconstruction's history since the 1980s and assesses its place within cultural theory today.
On Deification and Sacred Eloquence: Richard Rolle and Julian of Norwich (Contemporary Theological Explorations in Mysticism)
by Louise NelstropThis book considers the place of deification in the writings of Julian of Norwich and Richard Rolle, two of the fourteenth-century English Mystics. It argues that, as a consequence of a belief in deification, both produce writing that is helpfully viewed as sacred eloquence. The book begins by discussing the nature of deification, employing Norman Russell’s typology. It explores the realistic and ethical approaches found in the writings of several Early Greek Fathers, including Irenaeus of Lyons, Cyril of Alexandria, Origen, and Evagrius Ponticus, as well as engaging with the debate around whether deification is a theological idea found in the West across its history. The book then turns its attention to Julian and Rolle, arguing that both promote forms of deification: Rolle offering a primarily ethical approach, while Julian’s approach is more realistic. Finally, the book addresses the issue of sacred eloquence, arguing that both Rolle and Julian, in some sense, view their words as divinely inspired in ways that demand an exegetical response that is para-biblical. Offering an important perspective on a previously understudied area of mysticism and deification, this book will be of interest to scholars of mysticism, theology, and Middle English religious literature.
On Demand: Writing for the Market in Early Modern England
by David BakerIn early modern England, while moralists railed against the theater as wasteful and depraved and inflation whittled away at the value of wages, people attended the theater in droves. On Demand draws on recent economic history and theory to account for this puzzling consumer behavior. He shows that during this period demand itself, with its massed acquisitive energies, transformed the English economy. Over the long sixteenth-century consumption burgeoned, though justifications for it lagged behind. People were in a curious predicament: they practiced consumption on a mass scale but had few acceptable reasons for doing so. In the literary marketplace, authors became adept at accommodating such contradictions fashioning works that spoke to self-divided consumers: Thomas Nashe castigated and satiated them at the same time . William Shakespeare satirized credit problems. Ben Jonson investigated the problems of global trade, and Robert Burton enlisted readers in a project of economic betterment.
On Difficulty: And Other Essays (Oxford Paperbacks Ser.)
by George SteinerA distinguished collection of essays on language, literature, and philosophy from acclaimed scholar and critic George SteinerOn Difficulty is as provocative and relevant today as when its essays were first published. Ranging from critical topics such as the understanding of language to the meaning of meaning, inward speech to the relationship between erotic sensibility and linguistic convention, these eight essays posit myriad topics for exploration and dialogue. George Steiner deals with considerations that are simultaneously literary and philosophical, exploring themes of linguistic privacy and the changing technical, physiological, and social statuses of the act of reading.
On Directing Shakespeare (Routledge Library Editions: Shakespeare in Performance)
by Ralph BerryFor producers and directors planning a production, several questions inevitably arise: Which play is appropriate for the contemporary audience? Should the text and setting be altered? Twelve leading contemporary directors answer these questions in interviews in this book and shed light on what Shakespeare means to them and to their audiences. Originally published in 1977.
On Directing: Interviews with Directors
by Gabriella Giannachi and Mary LuckhurstThe profession of directing is barely a century old. On Directing considers the position of the director in theater and performance today. What is a director? How do they begin work on a play or performance? What methods are used in rehearsal? Is the director an enabler, a collaborator or dictator? As we enter the new millennium, is the very concept of directing under increasing threat from changes in thinking and practice? The full diversity of today's approaches to directing are explored through a series of interviews with leading contemporary practitioners. On Directing is a landmark book about the director's craft.
On Disney: Deconstructing Images, Tropes and Narratives (Studien zu Kinder- und Jugendliteratur und -medien #9)
by Ute Dettmar Ingrid TomkowiakDisney – This name stands not only for a company that has had global reach from its early days, but also for a successful aesthetic programme and ideological positions that have had great commercial success but at the same time have been frequently criticised. Straddling traditionalism and modernism, Disney productions have proven adaptable to social discourses and technical and media developments throughout its history. This volume brings together scholars from several European countries to explore various dimensions that constitute ‘Disney.’ In line with current media and cultural studies research, the chapters deal with human-human and human-animal relations, gender and diversity, iconic characters and narratives, Disney’s contribution to cultural and visual heritage, and transmedial and transfictional spaces of experience and practices of participation associated with Disney story worlds.
On Doing Local History (American Association for State and Local History Series)
by Carol KammenFor over thirty years, Carol Kammen’s On Doing Local History has been a valuable guide to professional and “amateur” historians alike. <p><p>First published in 1986, revised in 2003, this book offers not only discussion of practical matters, but also a deeper reflection on local, public history, what it means, and why it is done. It is used in classrooms and found on the shelves of local historians across the U.S.
On Doubt (Univocal)
by Vilém FlusserIn On Doubt, Vilém Flusser refines Martin Heidegger&’s famous declaration that &“language is the dwelling of Being.&” For Flusser, &“the word is the dwelling of being,&” because in fact, in the beginning, there was the word. On Doubt is a treatise on the human intellect, its relation to language, and the reality-forming discourses that subsequently emerge. For Flusser, the faith that the modern age places in Cartesian doubt plays a role similar to the one that faith in God played in previous eras—a faith that needs to be challenged. Descartes doubts the world through his proposition cogito ergo sum, but leaves doubt itself untouched as indubitable and imperious. His cogito ergo sum may have proved to the Western intellect that thoughts exist, but it did not prove the existence of that which thinks: one can eliminate thinking and yet continue being. Therefore, should we not doubt doubt itself? Should we not try to go beyond this last step of Cartesian doubt and look for a new faith? The twentieth century has seen many attempts to defeat Cartesian doubt, however, this doubt of doubt has instead generated a complete loss of faith, which the West experiences as existential nihilism. Hence, the emergent emptying of values that results from such extreme doubt. Everything loses its meaning. Can this climate be overcome? Will the West survive the modern age?
On Duties
by Marcus Tullius Cicero Benjamin Patrick NewtonBenjamin Patrick Newton's translation of Cicero's On Duties is the most complete edition of a text that has been considered a source of moral authority throughout classical, medieval, and modern times. Marcus Tullius Cicero was a preeminent Roman statesman, orator, and philosopher who introduced philosophy into Rome, and through Rome, into Christendom and the modern world. On Duties was championed by important thinkers including Thomas Aquinas, Montesquieu, and Voltaire, and it was one of the earliest books printed on the Gutenberg press.The true significance of On Duties lies in its examination of several fundamental problems of political philosophy, the most important being the possible conflict between the honorable and the useful. The honorable encompasses the virtues of human beings, which include justice and concern for the common good. The useful refers to the needs of living beings, which includes certain necessities and concern for private good. Only by understanding the possible conflict between these two sides of human nature, Cicero declares, may we understand our duties to our community and to ourselves. This new edition of On Duties aims to provide readers who cannot read Latin but wish to study the book with a literal yet elegant translation. It features an introduction, outline, footnotes, interpretative essay, glossary, and indexes, making Cicero's thought accessible to a general audience.
On Earth or in Poems: The Many Lives of al-Andalus
by Eric Calderwood“With extraordinary linguistic range, Calderwood brings us the voices of Arabs and Muslims who have turned to the distant past of Spain to imagine their future.”—Hussein Fancy, Yale UniversityHow the memory of Muslim Iberia shapes art and politics from New York and Cordoba to Cairo and the West Bank.During the Middle Ages, the Iberian Peninsula was home not to Spain and Portugal but rather to al-Andalus. Ruled by a succession of Islamic dynasties, al-Andalus came to be a shorthand for a legendary place where people from the Middle East, North Africa, and Europe; Jews, Christians, and Muslims lived together in peace. That reputation is not entirely deserved, yet, as On Earth or in Poems shows, it has had an enduring hold on the imagination, especially for Arab and Muslim artists and thinkers in Europe, the Middle East, and North Africa.From the vast and complex story behind the name al-Andalus, Syrians and North Africans draw their own connections to history’s ruling dynasties. Palestinians can imagine themselves as “Moriscos,” descended from Spanish Muslims forced to hide their identities. A Palestinian flamenco musician in Chicago, no less than a Saudi women’s rights activist, can take inspiration from al-Andalus. These diverse relationships to the same past may be imagined, but the present-day communities and future visions those relationships foster are real.Where do these notions of al-Andalus come from? How do they translate into aspiration and action? Eric Calderwood traces the role of al-Andalus in music and in debates about Arab and Berber identities, Arab and Muslim feminisms, the politics of Palestine and Israel, and immigration and multiculturalism in Europe. The Palestinian poet Mahmud Darwish once asked, “Was al-Andalus / Here or there? On earth … or in poems?” The artists and activists showcased in this book answer: it was there, it is here, and it will be.
On Economizing the Theory of A-Bar Dependencies (Outstanding Dissertations in Linguistics)
by Wei-Tien Dylan TsaiFirst Published in 1999. Routledge is an imprint of Taylor & Francis, an informa company.
On Edge: Performance at the End of the Twentieth Century
by Cynthia CarrThrough her engaged and articulate essays in the Village Voice, C. Carr has emerged as the cultural historian of the New York underground and the foremost critic of performance art. On Edge brings together her writings to offer a detailed and insightful history of this vibrant brand of theatre from the late 70s to today. It represents both Carr's analysis as a critic and her testament as a witness to performances which, by their very nature, can never be repeated.Carr has organized this collection both chronologically and thematically, ranging from the emphasis on bodily manipulation/endurance in the 70s to the underground club scene in New York to an insider's analysis of the Tompkins Square Riot as a manifestation of the cultural and social conflicts that underlie much of performance art. She examines the transgressive and taboo-shattering work of Ethyl Eichelberger, Karen Finley, and Holly Hughes; documents specific performances by Annie Sprinkle and Lydia Lunch; and maps the development of such artists as Robbie McCauley, Blue Man Group, and John Jesurun. She also describes the "cross-over" phenomenon of the mid-80s and considers the far-right backlash against this mainstreaming as cultural reactionaries sought to curb the influence of these new artists.CONTRIBUTORS: Linda Montano, Chris Burden, G.G Allin, Jean Baudrillard, Patty Hearts, Dan Quayle, Anne Magnouson, John Jesurun, John Kelly, Shu Lea Changvv, Diamanda Galas, Salley May, Rafael Mantanez Ortiz, Sherman Fleming, Kristine Stiles, Laurie Carlos, Jessica Hafedorn, Robbie McCormick, Karen Finley, Poopo Shiraishi, Donna Henes, Holey Hughe, Ela Troyano, Michael Smith, Harry Koipper, John Sex, Nina Jagen, Ethyl Eichelberge, Marina Abramovic, Ulay.
On Editing: How to edit your novel the professional way
by Helen Corner-Bryant Kathryn PriceWriting is a magical hobby and form of expression but getting words on the page is not the same as finalising material which you are happy to send out and share. This book is a complete toolkit which will help you to tame doubts and insecurities and engage with your internal critic in order to assert control over your manuscript and elevate your writing.Written by the team behind one of the world's most successful literary consultancies, On Editing will show you how to master the art of self-editing - perhaps the least understood but most vital skill in the writer's toolkit. You will learn to compose, draft and edit while sharpening your writing and ensuring that your novel is structurally sound, authentic, well-written and ready for submission.ABOUT THE SERIESThe Teach Yourself Creative Writing series helps aspiring authors tell their stories. Covering a range of genres from science fiction and romantic novels to illustrated children's books and comedy, this series is packed with advice, exercises, and tips for unlocking creativity and improving your writing. And because we know how daunting the blank page can be, we set up the Just Write online community, at tyjustwrite.com, for budding authors and successful writers to connect and share.
On Editing: How to edit your novel the professional way
by Helen Corner-Bryant Kathryn Price"Highly recommended: On Editing is indispensable reading for anyone who is or wants to be a writer. Every desk should have a copy!"- Dr Samantha J. Rayner, Director of the Centre for Publishing, UCL"On Editing is a feast with many courses. When you have finished this book, you will feel encouraged, empowered, and indomitable. If you are writing-or editing-a novel, you could do no better than to have this book by your side. Comprehensive, easily digestible, it is a classic in the making." - Shaye Areheart, Director of the Columbia Publishing CourseWriting a novel is a magical but often difficult journey; and when your first draft is complete, that journey's not over. As the editing process gets underway, authors often find themselves in unfamiliar territory. What does it mean to 'map your plot'? How do you know if you're 'head-hopping'? When is your novel ready to send out to agents, and how do you make each submission count? Written by the team behind one of the world's most successful literary consultancies, On Editing will show you how to master the self-edit. You will learn to compose, draft, and edit while sharpening your writing and ensuring that your novel is structurally sound, authentic, well-written, and ready for submission.On Editing will help you harness your creative potential, transform the way you think about your writing, and revolutionise your editorial process."It's easy for writers to be overwhelmed by the technicalities of writing, editing and getting published, but Helen Corner-Bryant and Kathryn Price share their decades of experience nurturing writers in On Editing. They know all the problems and how to fix them - including many you might not even think of - and explain it all in a clean, jargon-free, way that demystifies the whole process, with infectious enthusiasm that will have you ready, eager and bursting with the confidence to take your writing to the next level." - Writing Magazine
On Elizabeth Bishop (Writers on Writers)
by Colm TóibínA compelling portrait of a beloved poet from one of today's most acclaimed novelistsIn this book, novelist Colm Tóibín offers a deeply personal introduction to the work and life of one of his most important literary influences—the American poet Elizabeth Bishop. Ranging across her poetry, prose, letters, and biography, Tóibín creates a vivid picture of Bishop while also revealing how her work has helped shape his sensibility as a novelist and how her experiences of loss and exile resonate with his own. What emerges is a compelling double portrait that will intrigue readers interested in both Bishop and Tóibín.For Tóibín, the secret of Bishop's emotional power is in what she leaves unsaid. Exploring Bishop&’s famous attention to detail, Tóibín describes how Bishop is able to convey great emotion indirectly, through precise descriptions of particular settings, objects, and events. He examines how Bishop&’s attachment to the Nova Scotia of her childhood, despite her later life in Key West and Brazil, is related to her early loss of her parents—and how this connection finds echoes in Tóibín&’s life as an Irish writer who has lived in Barcelona, New York, and elsewhere.Beautifully written and skillfully blending biography, literary appreciation, and descriptions of Tóibín&’s travels to Bishop&’s Nova Scotia, Key West, and Brazil, On Elizabeth Bishop provides a fresh and memorable look at a beloved poet even as it gives us a window into the mind of one of today&’s most acclaimed novelists.