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On Empson (Writers on Writers)
by Michael WoodFrom one of today's most distinguished critics, a beautifully written exploration of one of the twentieth century's most important literary criticsAre literary critics writers? As Michael Wood says, "Not all critics are writers—perhaps most of them are not—and some of them are better when they don't try to be." The British critic and poet William Empson (1906–84), one of the most important and influential critics of the twentieth century, was an exception—a critic who was not only a writer but also a great one. In this brief book, Wood, himself one of the most gifted writers among contemporary critics, explores Empson as a writer, a distinguished poet whose criticism is a brilliant literary performance—and proof that the act of reading can be an unforgettable adventure.Drawing out the singularity and strength of Empson's writing, including its unfailing wit, Wood traces the connections between Empson's poetry and criticism from his first and best-known critical works, Seven Types of Ambiguity and Some Versions of Pastoral, to later books such as Milton's God and The Structure of Complex Words. Wood shows why this pioneer of close reading was both more and less than the inventor of New Criticism—more because he was the greatest English critic since Coleridge, and didn't belong to any school; and less because he had severe differences with many contemporary critics, especially those who dismissed the importance of an author's intentions.Beautifully written and rich with insight, On Empson is an elegant introduction to a unique writer for whom literature was a nonstop form of living.
On Endings: American Postmodern Fiction and the Cold War
by Daniel GrausamWhat does narrative look like when the possibility of an expansive future has been called into question? This query is the driving force behind Daniel Grausam's On Endings, which seeks to show how the core texts of American postmodernism are a response to the geopolitical dynamics of the Cold War and especially to the new potential for total nuclear conflict. Postwar American fiction needs to be rethought, he argues, by highlighting postmodern experimentation as a mode of profound historical consciousness. In Grausam's view, previous studies of fiction mimetically concerned with nuclear conflict neither engage the problems that total war might pose to narration nor take seriously the paradox of a war that narrative can never actually describe. Those few critical works that do take seriously such problems do not offer a broad account of American postmodernism. And recent work on postmodernism has offered no comprehensive historical account of the part played by nuclear weapons in the emergence of new forms of temporal and historical experience. On Endings significantly extends the project of historicizing postmodernism while returning the nuclear to a central place in the study of the Cold War.
On Expertise: Cultivating Character, Goodwill, and Practical Wisdom (RSA Series in Transdisciplinary Rhetoric #17)
by Ashley Rose MehlenbacherThere is a deep distrust of experts in America today. Influenced by populist politics, many question or downright ignore the recommendations of scientists, scholars, and others with specialized training. It appears that expertise, a critical component of democratic life, no longer appeals to wide swaths of the body politic. On Expertise is a robust defense of the expert class. Ashley Rose Mehlenbacher examines modern and ancient theories of expertise through the lens of rhetoric and interviews some forty professionals, revealing how they understand their own expertise and how they came to be known as "experts." She shows that expertise requires not only knowledge and skill but also, crucially, an acknowledgment by others—both specialists and laypeople—that one is a credible authority. At its heart, expertise is a rhetorical construct, and to be persuasive, experts must have the ability to apply their knowledge and skills rightly—in the right way, at the right time, to achieve the right end. Ultimately, Mehlenbacher argues that experts apply their technical knowledge effectively and win others’ trust through acting prudently and cultivating goodwill. Timely, practical, and sophisticated, On Expertise provides vital scaffolding for our understanding of expertise and its real-world application. This book is essential for beginning the work of rehabilitating the expert class amid a politics of extreme populism and anti-intellectualism.
On Expertise: Cultivating Character, Goodwill, and Practical Wisdom (RSA Series in Transdisciplinary Rhetoric)
by Ashley Rose MehlenbacherThere is a deep distrust of experts in America today. Influenced by populist politics, many question or downright ignore the recommendations of scientists, scholars, and others with specialized training. It appears that expertise, a critical component of democratic life, no longer appeals to wide swaths of the body politic. On Expertise is a robust defense of the expert class. Ashley Rose Mehlenbacher examines modern and ancient theories of expertise through the lens of rhetoric and interviews some forty professionals, revealing how they understand their own expertise and how they came to be known as “experts.” She shows that expertise requires not only knowledge and skill but also, crucially, an acknowledgment by others—both specialists and laypeople—that one is a credible authority. At its heart, expertise is a rhetorical construct, and to be persuasive, experts must have the ability to apply their knowledge and skills rightly—in the right way, at the right time, to achieve the right end. Ultimately, Mehlenbacher argues that experts apply their technical knowledge effectively and win others’ trust through acting prudently and cultivating goodwill. Timely, practical, and sophisticated, On Expertise provides vital scaffolding for our understanding of expertise and its real-world application. This book is essential for beginning the work of rehabilitating the expert class amid a politics of extreme populism and anti-intellectualism.
On Extended Wings: Wallace Stevens' Longer Poems
by Helen H. VendlerThough Wallace Stevens' shorter poems are perhaps his best known, his longer poems, Helen Hennessy Vendler suggests in this book, deserve equal fame and equal consideration. Stevens' central theme-the worth of the imagination-remained with him all his life, and Mrs. Vendler therefore proposes that his development as a poet can best be seen, not in description-which must be repetitive-of the abstract bases of his work, but rather in a view of his changing styles. The author presents here a chronological account of fourteen longer poems that span a thirty-year period, showing, through Stevens' experiments in genre, diction, syntax, voice, imagery, and meter, the inventive variety of Stevens' work in long forms, and providing at the same time a coherent reading of these difficult poems. She concludes, "Stevens was engaged in constant experimentation all his life in an attempt to find the appropriate vehicle for his expansive consciousness; he found it in his later long poems, which surpass in value the rest of his work. "
On Faulkner: The Best from American Literature
by Louis J. Budd Edwin H. CadyFrom 1929 to the latest issue, American Literature has been the foremost journal expressing the findings of those who study our national literature. The journal has published the best work of literary historians, critics, and bibliographers, ranging from the founders of the discipline to the best current critics and researchers. The longevity of this excellence lends a special distinction to the articles in American Literature.Presented in order of their first appearance, the articles in each volume constitute a revealing record of developing insights and important shifts of critical emphasis. Each article has opened a fresh line of inquiry, established a fresh perspective on a familiar topic, or settled a question that engaged the interest of experts.
On Freedom and the Will to Adorn: The Art of the African American Essay
by Cheryl A. WallAlthough they have written in various genres, African American writers as notable and diverse as W. E. B. Du Bois, James Baldwin, and Alice Walker have done their most influential work in the essay form. The Souls of Black Folk, The Fire Next Time, and In Search of Our Mothers' Gardens are landmarks in African American literary history. Many other writers, such as Ralph Ellison, Zora Neale Hurston, James Weldon Johnson, and Richard Wright, are acclaimed essayists but achieved greater fame for their work in other genres; their essay work is often overlooked or studied only in the contexts of their better-known works. Here Cheryl A. Wall offers the first sustained study of the African American essay as a distinct literary genre. Beginning with the sermons, orations, and writing of nineteenth-century men and women like Frederick Douglass who laid the foundation for the African American essay, Wall examines the genre's evolution through the Harlem Renaissance. She then turns her attention to four writers she regards as among the most influential essayists of the twentieth century: Baldwin, Ellison, June Jordan, and Alice Walker. She closes the book with a discussion of the status of the essay in the twenty-first century as it shifts its medium from print to digital in the hands of writers like Ta-Nehisi Coates and Brittney Cooper. Wall's beautifully written and insightful book is nothing less than a redefinition of how we understand the genres of African American literature.
On Friendship and Freedom: The Ignazio- Marcel Fleischmann Correspondence
by Maria Nicolai PaynterIgnazio Silone, the anti-fascist, Italian author and political activist, continues to intrigue readers and stimulate their minds nearly four decades after his death. On Friendship and Freedom contains the first published collection of correspondence between Silone and his longtime friend the philanthropist and art collector Marcel Fleischmann. Maria Nicolai Paynter, a recognized authority on Silone and his work, deftly guides the reader through the years dominated by Fascism and Nazism as well as the decades leading up to Silone's death in 1978. Of particular interest for its human value, the correspondence gathered in this volume is most inspiring in that it reveals how two men of different cultural and religious backgrounds join together and share true friendship against all odds.
On Frost: The Best from American Literature
by Louis J. Budd Edwin H. CadyFrom 1929 to the latest issue, American Literature has been the foremost journal expressing the findings of those who study our national literature. The jouranl has published the best work of literary historians, critics, and bibliographers, ranging from the founders of the discipline to the best current critics and researchers. The longevity of this excellence lends a special distinction to the articles in American Literature.Presented in order of their first appearance, the articles in each volume constitute a revealing record of developing insights and important shifts of critical emphasis. Each article has opened a fresh line of inquiry, established a fresh perspective on a familiar topic, or settled a question that engaged the interest of experts.
On Gender, Labor, and Inequality
by Ruth MilkmanRuth Milkman's groundbreaking research in women's labor history has contributed important perspectives on work and unionism in the United States. On Gender, Labor, and Inequality presents four decades of Milkman's essential writings, tracing the parallel evolutions of her ideas and the field she helped define. Milkman's introduction frames a career-spanning scholarly project: her interrogation of historical and contemporary intersections of class and gender inequalities in the workplace, and the efforts to challenge those inequalities. Early chapters focus on her pioneering work on women's labor during the Great Depression and the World War II years. In the book's second half, Milkman turns to the past fifty years, a period that saw a dramatic decline in gender inequality even as growing class imbalances created greater-than-ever class disparity among women. She concludes with a previously unpublished essay comparing the impact of the Great Depression and the Great Recession on women workers.
On Goethe (Cultural Memory in the Present)
by Walter BenjaminOn Goethe contains the full range of Walter Benjamin's reflections on the central figure in modern German culture. The writings in this volume—newly translated, fully annotated, and framed by an extensive introduction—display a variety of styles and cover a vast array of topics. The collection revolves around two strikingly different essays. Whereas "Goethe's Elective Affinities" develops a theory of critique in which a work is illuminated wholly from within itself, an article Benjamin wrote on Goethe for the Soviet Encyclopedia represents his first large-scale attempt to elaborate a historical-materialist methodology. The other thirty translations stand in similarly productive tension with one another. Some are concerned with concepts of beauty and categories of the aesthetic, others with the relation of art to politics and the status of "classical authors" in contemporary culture, and still others with what remains of humanistic traditions in the wake of their disappearance under fascist regimes and what synthesis is required for the construction of a historical object. The volume provides a glimpse into the laboratory of Benjamin's thought, while granting readers a series of insights into the epochal phenomena that gather around the name "Goethe."
On Hawthorne: The Best from American Literature
by Louis J. Budd Edwin H. CadyFrom 1929 to the latest issue, American Literature has been the foremost journal expressing the findings of those who study our national literature. The jouranl has published the best work of literary historians, critics, and bibliographers, ranging from the founders of the discipline to the best current critics and researchers. The longevity of this excellence lends a special distinction to the articles in American Literature.Presented in order of their first appearance, the articles in each volume constitute a revealing record of developing insights and important shifts of critical emphasis. Each article has opened a fresh line of inquiry, established a fresh perspective on a familiar topic, or settled a question that engaged the interest of experts.
On Henry James: The Best from American Literature
by Louis J. Budd Edwin H. CadyFrom 1929 to the latest issue, American Literature has been the foremost journal expressing the findings of those who study our national literature. American Literature has published the best work of literary historians, critics, and bibliographers, ranging from the founders of discipline to the best current critics and researchers. The longevity of this excellence lends a special distinction to the articles in American Literature. Presented in order of their first appearance, the articles in each volume constitute a revealing record of developing insights and important shifts of critical emphasis. Each article has opened a fresh line of inquiry, established a fresh perspective on a familiar topic, or settled a question that engaged the interest of experts.
On Henry Miller: Or, How to Be an Anarchist (Writers on Writers)
by John BurnsideAn engaging invitation to rediscover Henry Miller—and to learn how his anarchist sensibility can help us escape “the air-conditioned nightmare” of the modern worldThe American writer Henry Miller's critical reputation--if not his popular readership—has been in eclipse at least since Kate Millett's blistering critique in Sexual Politics, her landmark 1970 study of misogyny in literature and art. Even a Miller fan like the acclaimed Scottish writer John Burnside finds Miller's "sex books"—including The Rosy Crucifixion, Tropic of Cancer, and Tropic of Capricorn—"boring and embarrassing." But Burnside says that Miller's notorious image as a "pornographer and woman hater" has hidden his vital, true importance—his anarchist sensibility and the way it shows us how, by fleeing from conformity of all kinds, we may be able to save ourselves from the "air-conditioned nightmare" of the modern world.Miller wrote that "there is no salvation in becoming adapted to a world which is crazy," and in this short, engaging, and personal book, Burnside shows how Miller teaches us to become less adapted to the world, to resist a life sentence to the prison of social, intellectual, emotional, and material conditioning. Exploring the full range of Miller's work, and giving special attention to The Air-Conditioned Nightmare and The Colossus of Maroussi, Burnside shows how, with humor and wisdom, Miller illuminates the misunderstood tradition of anarchist thought. Along the way, Burnside reflects on Rimbaud's enormous influence on Miller, as well as on how Rimbaud and Miller have influenced his own writing.An unconventional and appealing account of an unjustly neglected writer, On Henry Miller restores to us a figure whose searing criticism of the modern world has never been more relevant.
On Historical Distance
by Mark Salber PhillipsConceptions of distance are foundational to historical thought, but Mark Salber Phillips gives the idea new subtlety and meaning. He argues that distance is a matter not just of time and space but also of form, affect, ideology, and understanding. In this exceptionally wide-ranging study, Phillips examines Renaissance, Enlightenment, and contemporary histories, as well as a broad spectrum of historical genres--including local history, literary history, counter-factual fiction, history painting, and museology."On Historical Distance is a fascinating and very important book that should be read by all historians. Beautifully written in elegant, economical and engaging prose, the book wears its considerable learning very lightly. A deeply original, challenging and thought-provoking study of the evolving history of history by one of our leading historians of historiography, this book should provoke a lively debate among historians and should be assigned as essential reading for classes on historical methods and historiography."--John Marshall, John Hopkins University
On History: Tariq Ali and Oliver Stone in Conversation
by Tariq Ali Oliver StoneThese prominent filmmakers, &“two of our most provocative and radical voices,&” discuss American historical events that have been forgotten—or hidden (Katrina vanden Heuvel, editor of The Nation). In working together on two challenging documentaries—South of the Border and the Untold History of the United States series for Showtime—filmmaker Oliver Stone engaged with author and filmmaker Tariq Ali in a probing, hard-hitting conversation on the politics of history. Their dialogue brings to light a number of forgotten—or deliberately buried—episodes of American history, from the US intervention against the Russian Revolution to the dynamic radicalism of the Wobblies; to how Henry Wallace&’s nomination for the vice presidency was deliberately thwarted by Democratic Party machine insiders; to the ongoing close connections between various US presidents and the Saudi royal family. For Stone, an Academy Award–winner, and Ali, an acclaimed novelist and journalist—two of our most insightful observers on history and popular culture—no topic is sacred, no orthodoxy goes unchallenged.
On Hitler's Mein Kampf: The Poetics of National Socialism (Untimely Meditations #2)
by Albrecht KoschorkeAn examination of the narrative strategies employed in the most dangerous book of the twentieth century and a reflection on totalitarian literature. Hitler's Mein Kampf was banned in Germany for almost seventy years, kept from being reprinted by the accidental copyright holder, the Bavarian Ministry of Finance. In December 2015, the first German edition of Mein Kampf since 1946 appeared, with Hitler's text surrounded by scholarly commentary apparently meant to act as a kind of cordon sanitaire. And yet the dominant critical assessment (in Germany and elsewhere) of the most dangerous book of the twentieth century is that it is boring, unoriginal, jargon-laden, badly written, embarrassingly rabid, and altogether ludicrous. (Even in the 1920s, the consensus was that the author of such a book had no future in politics.) How did the unreadable Mein Kampf manage to become so historically significant? In this book, German literary scholar Albrecht Koschorke attempts to explain the power of Hitler's book by examining its narrative strategies. Koschorke argues that Mein Kampf cannot be reduced to an ideological message directed to all readers. By examining the text and the signals that it sends, he shows that we can discover for whom Hitler strikes his propagandistic poses and who is excluded. Koschorke parses the borrowings from the right-wing press, the autobiographical details concocted to make political points, the attack on the Social Democrats that bleeds into an anti-Semitic conspiracy theory, the contempt for science, and the conscious attempt to trigger outrage. A close reading of National Socialism's definitive text, Koschorke concludes, can shed light on the dynamics of fanaticism. This lesson of Mein Kampf still needs to be learned.
On Howells: The Best from American Literature
by Louis J. Budd Edwin H. CadyFrom 1929 to the latest issue, American Literature has been the foremost journal expressing the findings of those who study our national literature. The jouranl has published the best work of literary historians, critics, and bibliographers, ranging from the founders of the discipline to the best current critics and researchers. The longevity of this excellence lends a special distinction to the articles in American Literature.Presented in order of their first appearance, the articles in each volume constitute a revealing record of developing insights and important shifts of critical emphasis. Each article has opened a fresh line of inquiry, established a fresh perspective on a familiar topic, or settled a question that engaged the interest of experts.
On Human Bondage: After Slavery and Social Death (Ancient World: Comparative Histories)
by Walter Scheidel John BodelOn Human Bondage—a critical reexamination of Orlando Patterson’s groundbreaking Slavery and Social Death—assesses how his theories have stood the test of time and applies them to new case studies. Discusses the novel ideas of social death and natal alienation, as Patterson first presented them 35 years ago and as they are understood today Brings together exciting new work by a group of esteemed historians of slavery, as well as a final chapter by Patterson himself that responds to and expands upon the other contributions Provides insights into slave societies around the world and across time, from classical Greece and Rome to modern Brazil and the Caribbean, and from Han China and pre-colonial South Asia to early modern Europe and the New World Delves into a wide range of topics, including the reformation of social identity after slavery, the new historicist approach to slavery, rituals of enslavement and servitude, questions of honor and dishonor, and symbolic imagery of slavery
On Human Nature: A Gathering While Everything Flows, 1967-1984
by Kenneth Burke William H. Rueckert Angelo BonadonnaAfter 1966, Kenneth Burke certainly changed what he was doing. There were no more text-centered analyses. He tended to write to a request or a conference or seminar topic of some kind. He relentlessly explains and applies logology; and just as relentlessly "attacks" hyper-technologism for the ways in which it is polluting the globe and threatening us in other ways.
On Interpretive Conflict
by John Frow“Interpretation” is a term that encompasses both the most esoteric and the most fundamental activities of our lives, from analyzing medical images to the million ways we perceive other people’s actions. Today, we also leave interpretation to the likes of web cookies, social media algorithms, and automated markets. But as John Frow shows in this thoughtfully argued book, there is much yet to do in clarifying how we understand the social organization of interpretation. On Interpretive Conflict delves into four case studies where sharply different sets of values come into play—gun control, anti-Semitism, the religious force of images, and climate change. In each case, Frow lays out the way these controversies unfold within interpretive regimes that establish what counts as an interpretable object and the protocols of evidence and proof that should govern it. Whether applied to a Shakespeare play or a Supreme Court case, interpretation, he argues, is at once rule-governed and inherently conflictual. Ambitious and provocative, On Interpretive Conflict will attract readers from across the humanities and beyond.
On Joanna Russ
by Farah MendlesohnJoanna Russ, a feminist writer best known for The Female Man (1975), has produced a fierce, intense body of fiction and essays whose influence has been wide-ranging and complex. Her many publications include How to Suppress Women's Writing (1983), and she has won both of science fiction's most prestigious awards, the Nebula and the Hugo. The essays in this volume examine every aspect of Russ's body of work and provide a critical assessment that is long overdue. The first part of the book, "Criticism and Community," gives readers a context for and overview of Russ's works, and includes discussions of Russ's role in the creation of a feminist science fiction tradition. The second part, "Fiction," offers detailed analyses of some of Russ's writing. Contributors include: Andrew M. Butler, Brian Charles Clark, Samuel R. Delany, Edward James , Sandra Lindow, Keridwen Luis, Paul March-Russell, Helen Merrick, Dianne Newell, Graham Sleight, Jenea Tallentire, Jason Vest, Sherryl Vint, Pat Wheeler, Tess Williams, Gary K. Wolfe, and Lisa Yaszek.
On Keats’s Practice and Poetics of Responsibility
by G. Douglas AtkinsThis accessible, informed, and engaging book offers fresh, new avenues into Keats's poems and letters, including a valuable introduction to "the responsible poet. " Focusing on Keats's sense of responsibility to truth, poetry, and the reader, G. Douglas Atkins, a noted T. S. Eliot critic, writes as an ama-teur. He reads the letters as literary texts, essayistic and dramatic; the Odes in comparison with Eliot's treatment of similar subjects; "The Eve of St. Agnes" by adding to his respected earlier article on the poem an addendum outlining a bold new reading; "Lamia" by focusing on its complex and perplexing treatment of philosophy and imagination and revealing how Keats literally represents philosophy as functioning within poetry. Comparing Keats with Eliot, poet-philosopher, this book generates valuable insight into Keats's successful and often sophisticated poetic treatment of ideas, accentuating the image of him as "the responsible poet. "
On Language Change: The Invisible Hand in Language
by Rudi KellerIn the twentieth century paradigms of linguistics have largely left language change to one side. Rudi Keller's book is an exciting contribution to linguistic philosophy becuase it puts language change back on the linguistics agenda and demonstrates that, far from being a remote mystery, it can and should be explained.
On Language and Sexual Politics
by Deborah CameronThis collection of articles presents a selection of Deborah Cameron’s work on language, gender and sex in one single volume. Arranged thematically, this book covers major developments in Anglo-American feminist linguistics, and Cameron’s responses to these, spanning the last twenty years. The collection’s overarching theme is the political relationship between language and gender: four distinctly themed sections demonstrate that a variety of forces affect gender relations, and gender representations, in different times and places. Cameron examines the connections between language and the (mis)representation of reality, and the role language plays in reproducing gender inequalities. More recent articles focus on representations of men and women as communicators, as well as the impact of sexuality on gender and gender relations, an increasingly prominent area of the author’s research. This timely study brings much of Cameron’s work together for the first time, and highlights characteristics of her work with which many readers will be familiar: a combination of linguistic and feminist political orientation; and a distinct focus on conflict in gender relations. Including a new introductory essay and eleven articles, three of which are previously unpublished, with short introductions to contextualize each piece, the collection is extremely useful for students and teachers on a variety of courses including English language and linguistics, women’s studies, gender studies and communication studies.