- Table View
- List View
On Speaking Terms: Avoidance Registers and the Sociolinguistics of Kinship (Studies in the Anthropology of Language, Sign, and Social Life)
by Luke FlemingWhy are kin, in societies all over the world, divided into “joking” and “avoidance” relations? Foundational figures in the human sciences, from E.B. Tylor and Alfred Radcliffe-Brown to Sigmund Freud and Claude Lévi-Strauss, have sought to explain why some classes of kin are normatively expected to prank and tease one another while others must studiously avoid each other’s presence. In this extensively researched comparative study, linguistic anthropologist Luke Owles Fleming offers a bold new answer to this problem. With a particular focus on avoidance relationships, On Speaking Terms argues that in order to understand cross-cultural convergences in the patterning of kinship-keyed comportments, we must attend to the sociolinguistic codes through which kinship relationships are enacted. Drawing on ethnographic data from more than one hundred different societies, the book documents and analyses parallels in the linguistic and non-verbal signs through which avoidance relationships are experientially realized. With dedicated discussions of Aboriginal Australian “mother-in-law languages,” name and word tabooing practices, pronominal honorification, and non-verbal strategies of interactional and sensorial avoidance, it reveals recurrent sociolinguistic patterns attested in kinship avoidance. In demonstrating the vital role of sociolinguistic codes for transforming kinship categories into phenomenologically rich relationships, On Speaking Terms makes an important contribution to the anthropology of kinship.
On Speaking Well: How to Give a Speech with Style, Substance, and Clarity
by Peggy NoonanA presidential speechwriter offers practical wisdom and insightful tips in this authoritative guide to writing and giving a speech.For anyone who fears the thought of writing and giving a speech—be it to business associates, or at a wedding—help is at hand. Acclaimed presidential speechwriter Peggy Noonan shares her secrets to becoming a confidence, persuasive speaker demystifying topics including:Finding you own authentic voiceDeveloping a text that interests youAcing the all-important first paragraphUsing logic to move your audienceCreating, developing, and reinventing the “core speech” for diverse audiencesStrengthening your speech with a vital element: humorWinnowing your thoughts down to the essentialsHandling professional jargon, clichés, and the sound bite syndromeRespecting simplicity and clarity—big ideas need small wordsPresenting your speech in the best wayCollecting intellectual income—conversing your speech treasuresBreaking all the rules and still succeedingReading for inspiration—how to use the excellence of othersComplete with lessons, tips and memorable examples, On Speaking Well shows us how to create forceful, persuasive, relevant speeches that will resonate with our audiences. Engaging, informative, and always entertaining, this is undoubtedly the authoritative how-to guide for anyone writing or giving a speech.
On Stories
by C. S. LewisThe theme of this collection is the excellence of the Story, especially the kind of story dear to Lewis-fantasy and science fiction, which he fostered in an age dominated by realistic fiction. On Stories is a companion volume to Lewis's collected shorter fiction, The Dark Tower and Other Stories. Edited and with a Preface by Walter Hooper.
On Stories: And Other Essays on Literature
by C. S. LewisA repackaged edition of the revered author’s collection of essays on writing fiction.C. S. Lewis—the great British writer, scholar, lay theologian, broadcaster, Christian apologist, and bestselling author of Mere Christianity, The Screwtape Letters, The Great Divorce, The Chronicles of Narnia, and many other beloved classics—was a professor of literature at Oxford University, where he was known for his insightful and often witty presentations on the nature of stories. This collection assembles nine essays that encapsulate his ideas about fiction, including "On Stories," "The Death of Words," and "On Three Ways of Writing for Children," as well as eleven pieces that were unpublished during his lifetime.
On Style in Victorian Fiction
by Daniel TylerSome writers of the Victorian period, as well as more recent critics, have argued that the prose style of Victorian fiction aims to efface itself or that an absence of style may in itself represent the nineteenth-century ideal. This collection provides a major assessment of style in Victorian fiction and demonstrates that style - the language, techniques and artistry of prose - is inseparable from meaning and that it is through the many resources of style that the full compass of meaning makes itself known. Leading scholars in the field present an engaging assessment of major Victorian novelists, illustrating how productive and illuminating close attention to literary style can be. Collectively, they build a fresh and nuanced understanding of how style functioned in the literature of the nineteenth century, and propose that the fiction of this era demands we think about what style does, as much as what style is.
On Syntax of Negation (Routledge Library Editions: Syntax #14)
by Itziar LakaThe central concern of this title, first published in 1994, is the syntactic nature of negation in Universal Grammar, and its relation to other functional elements in the Syntax. The study argues that negation is not a syntactic category on its own; rather, it is one of the values of a more abstract syntactic category, named Σ, which includes other sentence operators, such as affirmation and emphasis. This title will be of interest to students of language and linguistics.
On Teacher Neutrality: Politics, Praxis, and Performativity
by Daniel P. RichardsOn Teacher Neutrality explores the consequences of ideological arguments about teacher neutrality in the context of higher education. It is the first edited collection to focus exclusively on this contentious concept, emphasizing the practical possibilities and impossibilities of neutrality in the teaching of writing, the deployment of neutrality as a political motif in the public discourse shaping policy in higher education, and the performativity of individual instructors in a variety of institutional contexts. The collection provides clarity on the contours around defining “neutrality,” depth in understanding how neutrality operates differently in various institutional settings, and nuance in the levels and degrees of neutrality—or what is meant by it—in the teaching of writing. Higher education itself and its stakeholders are continually exploring the role of teachers in the classroom and the extent to which it is possible or ethical to engage in neutrality. Amplifying voices from teachers in underrepresented positions and institutions in discussions of teacher ideology, On Teacher Neutrality shapes the discourse around these topics both within the writing classroom and throughout higher education. The book offers a rich array of practices, pedagogies, and theories that will help ground instructors and posits a way forward toward better dialogue and connections with the various stakeholders of higher education in the United States. Contributors: Tristan Abbott, Kelly Blewett, Meaghan Brewer, Christopher Michael Brown, Chad Chisholm, Jessica Clements, Jason C. Evans, Heather Fester, Romeo García, Yndalecio Isaac Hinojosa, Mara Holt, Erika Johnson, Tawny LeBouef Tullia, Lauren F. Lichty, Adam Pacton, Daniel P. Richards, Patricia Roberts-Miller, Karen Rosenberg, Allison L. Rowland, Robert Samuels, David P. Stubblefield, Jennifer Thomas, John Trimbur
On Teaching and Writing Fiction
by Wallace StegnerWallace Stegner founded the acclaimed Stanford Writing Program-a program whose alumni include such literary luminaries as Larry McMurtry, Robert Stone, and Raymond Carver. Here Lynn Stegner brings together eight of Stegner's previously uncollected essays-including four never-before-published pieces -on writing fiction and teaching creative writing. In this unique collection he addresses every aspect of fiction writing-from the writer's vision to his or her audience, from the use of symbolism to swear words, from the mystery of the creative process to the recognizable truth it seeks finally to reveal. His insights will benefit anyone interested in writing fiction or exploring ideas about fiction's role in the broader culture. .
On The Condition of Anonymity
by Matt CarlsonMatt Carlson confronts the promise and perils of unnamed sources in this exhaustive analysis of controversial episodes in American journalism during the George W. Bush administration, from prewar reporting mistakes at the New York Times and Washington Post to the Valerie Plame leak case and Dan Rather's lawsuit against CBS News. Weaving a narrative thread that stretches from the uncritical post-9/11 era to the spectacle of the Scooter Libby trial, Carlson examines a tense period in American history through the lens of journalism. Revealing new insights about high-profile cases involving confidential sources, he highlights contextual and structural features of the era, including pressure from the right, scrutiny from new media and citizen journalists, and the struggles of traditional media to survive amid increased competition and decreased resources.
On The Prejudices, Predilections, and Firm Beliefs of William Faulkner (Southern Literary Studies)
by Cleanth BrooksIt seems appropriate, if not inevitable, that one of our best critics should be the foremost authority on one of our best novelists. Cleanth Brooks, the author of three seminal studies of William Faulkner, has been a serious student of that master craftsman's fiction for more than four decades. In this new collection, Brooks considers many of the important characteristics of Faulkner's work. He focuses more specifically than he has in the past on certain questions and in some instances offers rebuttals to what he considered unfair assessments of Faulkner. In the first essay, Brooks challenges the notion that Donald Davidson, John Crowe Ransom, Robert Penn Warren, and other members of the Fugitive-Agrarian movement at Vanderbilt University were slow to recognize Faulkner's achievements. Indeed, Brooks provides clear evidence not only that the Fugitives were early supporters of Faulkner but that Faulkner and the Fugitives shared many concerns and ideas about their region. Brooks also writes about Faulkner's personal beliefs and demonstrates how the virtues Faulkner held in highest esteem -- such as courage and honor -- are embodied in his fiction. In two essays, "Faulkner and the Community" and "Faulkner's Two Cities," Brooks analyzes the importance of a closely knit world -- specifically the hill region of north Mississippi and the cities of Memphis and New Orleans -- to Faulkner's works.Brooks considers Faulkner's serious regard for the chivalric tradition, as well as his amusement in Gavin Stevens' exemplification of it in Intruder in the Dust and Requiem for a Nun. Faulkner's treatment of women characters, especially in Light in August and The Hamlet, is discussed, as are his ideas about the American Dream.These essays are vintage Brooks. The prose is, as always, felicitous, the manner modest and winning, the thought pertinent and rigorous. Despite the thematic diversity of the essays, the emphasis is ultimately the same: reading and rereading the novels of William Faulkner is a continuing pleasure and an enduring challenge.
On Their Own: Women Journalists and the American Experience in Vietnam
by Joyce HoffmanOver three hundred women, both print and broadcast journalists, were accredited to chronicle America’s activities in Vietnam. Many of those women won esteemed prizes for their reporting, including the Pulitzer, the Overseas Press Club Award, the George Polk Award, the National Book Award, and the Bancroft Prize for History. <P><P>Tragically, several lost their lives covering the war, while others were wounded or taken prisoner. In this gripping narrative, veteran journalist Joyce Hoffmann tells the important yet largely unknown story of a central group of these female journalists, including Dickey Chapelle, Gloria Emerson, Kate Webb, and others. Each has a unique and deeply compelling tale to tell, and vivid portraits of their personal lives and professional triumphs are woven into the controversial details of America’s twenty-year entanglement in Southeast Asia.
On Theory-Fiction and Other Genres
by Simon O'SullivanThis book looks at three different kinds of writing practice - theory-fiction, autofiction/autotheory and art writing - that are increasingly prevalent as genres (or ‘hybrid genres’) in the arts and critical humanities. The chapters in the book operate as a critical survey of these new forms of writing (many examples are listed) whilst at the same time they each work towards some provisional definitions. Some key precursors to these new genres are also identified. The book explores what these new kinds of writing do. What is particular to them or what do they add to those already existing styles and genres (and especially the academic essay and article)? Key here is that each form of writing works in a performative manner or as a device that enables a shift in perspective. A case is made for their urgency in relation to contemporary issues and concerns and for their importance in terms of being both from and for more marginalised communities. The book concludes with a discussion of machine writing and especially our collaboration with artificial intelligence language models.
On Translating Modern Korean Poetry
by Jieun Kiaer Anna Yates-Lu Mattho ManderslootOn Translating Modern Korean Poetry is a research monograph exploring the intricacies and complexities of translating modern Korean poetry. This monograph highlights the difficulties entailed in translating Korean poetry, due to the lexical, structural, social, expressive and attitudinal levels with which the translator must be engaged. Featuring all-new translations, this book explores the question of what exactly modern Korean poetry is, increases the representation of female poets and includes poems addressing modern historical events, globalization, diaspora and mental health. Each chapter provides commentary on both the original and translated texts and looks at some of the issues that arose during the translation process. By doing so the authors draw attention to the intricate, trans-cultural and trans-creational process of Korean poetry translation. Collating contemporary Korean poetry and intricately exploring the translation process, this book is ideal for researchers and advanced level students of Korean Studies, Translation Studies and Literature with an interest in translation.
On Translation (China Perspectives)
by Xu JunThis book presents a fresh perspective on translation, exploring it as a complex process of cultural exchange involving both language and culture.The author examines the core aspects of translation, including its nature and procedures, key factors, text selection and approaches. It also examines the internal tensions and dynamics between authors, translators and readers, and the value system of translation criticism. The book also illustrates the role of culture in translation, discussing the cultural information embedded in language, the relationship between culture and meaning, the cultural interpretation of meaning and texts, the intersection of translation and cultural psychology, and the principles and methods of translation studies from a cultural perspective. By developing a systematic theoretical framework, the book aims to present translation as a complex facet of intercultural communication.This insightful work will appeal to scholars, students, translators and anyone interested in translation theory, translation studies and intercultural communication.
On Uneven Ground
by Hoyt LongThe history of literary and artistic production in modern Japan has typically centered on the literature and art of Tokyo, yet cultural activity in the country's regional cities and rural towns was no less vibrant. On Uneven Ground recovers pieces of this neglected history through the figure of Miyazawa Kenji (1896-1933). While alive, he remained a mostly unknown and unread provincial author whose experiments with narrative fiction, amateur theater, and farmer's art reveal an intense determination to reimagine and remake his native place, in the northeast of Japan, meaningful. Today, Miyazawa is one of the most recognized figures in Japan's modern literary canon. The story of his radical posthumous rise presents an opportunity to examine the larger history of how writing and other forms of artistic practice have intersected with place-based identity and the uneven geography of cultural production. The first book-length study of Miyazawa in English, On Uneven Ground centers on Miyazawa's life and writing to recreate a sense of what it was to write about and remake place from a spatially marginal position in the cultural field.
On Universals: Constructing and Deconstructing Community (Commonalities)
by Étienne BalibarMany on the Left have looked upon “universal” as a dirty word, one that signals liberalism’s failure to recognize the masculinist and Eurocentric assumptions from which it proceeds. In rejecting universalism, we have learned to reorient politics around particulars, positionalities, identities, immanence, and multiple modernities. In this book, one of our most important political philosophers builds on these critiques of the tacit exclusions of Enlightenment thought, while at the same time working to rescue and reinvent what universal claims can offer for a revolutionary politics answerable to the common.In the contemporary quarrel of universals, Balibar shows, the stakes are no less than the future of our democracies. In dialogue with such philosophers as Alain Badiou, Judith Butler, and Jacques Rancière, he meticulously investigates the paradoxical processes by which the universal is constructed and deconstructed, instituted and challenged, in modern society. With critical rigor and keen historical insight, Balibar shows that every statement and institution of the universal—such as declarations of human rights—carry an exclusionary, particularizing principle within themselves and that every universalism immediately falls prey to countervailing universalisms. Always equivocal and plural, the universal is thus a persistent site of conflict within societies and within subjects themselves.And yet, Balibar suggests, the very conflict of the universal—constituted as an ever-unfolding performative contradiction—also provides the emancipatory force needed to reinvigorate and reimagine contemporary politics and philosophy. In conversation with a range of thinkers from Marx, Freud, and Benjamin through Foucault, Derrida, and Scott, Balibar shows the power that resides not in the adoption of a single universalism but in harnessing the energies made available by claims to universality in order to establish a common answerable to difference.
On Voice in Poetry
by David Nowell SmithWhat do we mean by 'voice' in poetry? In this work, David Nowell Smith teases out the diverse meanings of 'voice', from a poem's soundworld to the rhetorical gestures through which poems speak to us, in order to embark on a philosophical exploration of the concept of voice itself.
On War and Writing
by Samuel Hynes“In our imaginations, war is the name we give to the extremes of violence in our lives, the dark dividing opposite of the connecting myth, which we call love. War enacts the great antagonisms of history, the agonies of nations; but it also offers metaphors for those other antagonisms, the private battles of our private lives, our conflicts with one another and with the world, and with ourselves.” Samuel Hynes knows war personally: he served as a Marine Corps pilot in the Pacific Theater during World War II, receiving the Distinguished Flying Cross. He has spent his life balancing two careers: pilot and professor of literature. Hynes has written a number of major works of literary criticism, as well as a war-memoir, Flights of Passage, and several books about the World Wars. His writing is sharp, lucid, and has provided some of the most expert, detailed, and empathetic accounts of a disappearing generation of fighters and writers. On War and Writing offers for the first time a selection of Hynes’s essays and introductions that explore the traditions of war writing from the twentieth century to the present. Hynes takes as a given that war itself—the battlefield uproar of actual combat—is unimaginable for those who weren’t there, yet we have never been able to turn away from it. We want to know what war is really like: for a soldier on the Somme; a submariner in the Pacific; a bomber pilot over Germany; a tank commander in the Libyan desert. To learn, we turn again and again to the memories of those who were there, and to the imaginations of those who weren’t, but are poets, or filmmakers, or painters, who give us a sense of these experiences that we can’t possibly know. The essays in this book range from the personal (Hynes’s experience working with documentary master Ken Burns, his recollections of his own days as a combat pilot) to the critical (explorations of the works of writers and artists such as Thomas Hardy, E. E. Cummings, and Cecil Day-Lewis). What we ultimately see in On War and Writing is not military history, not the plans of generals, but the feelings of war, as young men expressed them in journals and poems, and old men remembered them in later years—men like Samuel Hynes.
On Whitman (Writers on Writers #8)
by C. K. WilliamsPulitzer Prize–winning poet C. K. Williams's personal reflection on the art of Walt WhitmanIn this book, Pulitzer Prize–winning poet C. K. Williams sets aside the mass of biography and literary criticism that has accumulated around Walt Whitman and attempts to go back to Leaves of Grass as he first encountered it—to explore why Whitman's epic "continues to inspire and sometimes daunt" him. The result is a personal reassessment and appreciation of one master poet by another, as well as an unconventional and brilliant introduction to Whitman. Beautifully written and rich with insight, this is a book that refreshes our ability to see Whitman in all his power.
On Wings of Words: The Extraordinary Life of Emily Dickinson
by Jennifer BerneAn inspiring and kid-accessible biography of one of the world's most famous poets.Emily Dickinson, who famously wrote "Hope is the thing with feathers that perches in the soul," is brought to life in this moving story. In a small New England town lives Emily Dickinson, a girl in love with small things—a flower petal, a bird, a ray of light, a word. In those small things, her brilliant imagination can see the wide world—and in her words, she takes wing. From celebrated children's author Jennifer Berne comes a lyrical and lovely account of the life of Emily Dickinson: her courage, her faith, and her gift to the world. With Dickinson's own inimitable poetry woven throughout, this lyrical biography is not just a tale of prodigious talent, but also of the power we have to transform ourselves and to reach one another when we speak from the soul.• Fantastic educational opportunity to share Emily Dickinson's story and poetry with young readers• An inspirational real-life story that will appeal to children and adults alike.• Jennifer Berne is the author of critically acclaimed children's biographies of Albert Einstein and Jacques Cousteau.Fans who enjoyed Emily Writes: Emily Dickinson and her Poetic Beginnings, Emily and Carlo, and Uncle Emily will love On Wings of Words.• Books for kids ages 5–8• Poetry for children• Biographies for childrenJennifer Berne is the award-winning author of the biographies Manfish: A Story of Jacques Cousteau and On a Beam of Light: A Story of Albert Einstein. She lives in Copake, New York.Becca Stadtlander is the illustrator of many children's and young adult publications, including Sleep Tight Farm. She was born and raised in Covington, Kentucky.
On Women
by Susan SontagA pithy and brilliant introduction to Susan Sontag’s writing on women, gathering early essays on aging, equality, beauty, sexuality, and fascism Susan Sontag was one of the most formidable, original, and influential thinkers of the last century. “The most interesting ideas are heresies,” she remarked, and indeed, her writing rejects the familiar and refuses party lines.On Women presents seven essays and exchanges, spanning a range of subjects: the challenges and humiliations women face as they age; the relationship between women’s liberation and class struggle; beauty, which Sontag calls “that over-rich brew of so many familiar opposites”; feminism; fascism; and film. Taken together, these pieces—relentlessly curious, historically precise, politically robust, and allergic to easy categorization Sontag’s inimitable mind at work.
On Wonder: Literature and Science in the Long Eighteenth Century (Elements in Eighteenth-Century Connections)
by Tita ChicoThis is an Element about wonder − as an object, as a feeling, as an invitation to study, and as a way of thinking in both literary and scientific texts of the long eighteenth century. Wonder is at the heart of natural philosophical inquiry in the long eighteenth century, its inaugural provocation, its long-standing problematic. Yet wonder requires observation and imagination, operating together, if uneasily, to give shape to forms of scientific, literary, and social knowledge, shaping how thinking works − and who can do it. Studying wonder in the long eighteenth century helps us to understand our current disciplinary configurations, and also how wonder itself embodies the potential for a more capacious critical practice. Studying wonder as an epistemology, praxis, and thematic in the long eighteenth century also carries the promise of invigorating and reimagining our own critical, creative endeavors.
On Writers & Writing: On Becoming A Novelist, On Writers And Writing, And On Moral Fiction
by John GardnerThe classic work on the art of fiction by the &“refreshingly unpredictable&” novelist and literary critic (Publishers Weekly)In this posthumously published collection of his essays and reviews, acclaimed novelist John Gardner discusses the craft of fiction writing, taking to task some of his best-known contemporaries in the process. Gardner criticizes some for writing disingenuous fiction, and commends others who produce literature that acts as a life-affirming force. He offers insights into and exacting critiques on such writers as Vladimir Nabokov, John Updike, Saul Bellow, and John Cheever, while addressing his personal influences and delivering broad-ranging observations on literary culture. Provocative and poignant, On Writers & Writing is a must-read for both aspiring writers and careful readers of American literature.This ebook features a new illustrated biography of John Gardner, including original letters, rare photos, and never-before-seen documents from the Gardner family and the University of Rochester Archives.
On Writers and Writing
by Margaret AtwoodA brilliant, ambitious, insightful inquiry into the art of writing from the legendary Margaret Atwood.What do we mean when we say that someone is a writer? Is he or she an entertainer? A high priest of the god of Art? An improver of readers' minds and morals? Looking back on her own childhood and the development of her writing career, Margaret Atwood addresses the riddle of her own art. Her wide-ranging reference to other writers, living and dead, is accompanied by personal anecdotes from her own experiences as a writer. The lightness of her touch is offset by a seriousness about the purpose and the pleasures of writing. Wise, candid, informative, and engaging, On Writers and Writing provides an insider's view of the writer's universe, written by one of the most celebrated writers of our time.
On Writers and Writing
by Margaret AtwoodBy the author of THE HANDMAID'S TALE and ALIAS GRACEWhat is the role of the writer? Prophet? High Priest of Art? Court Jester? Or witness to the real world? Looking back on her own childhood and the development of her writing career, Margaret Atwood examines the metaphors which writers of fiction and poetry have used to explain - or excuse! - their activities, looking at what costumes they have seen fit to assume, what roles they have chosen to play. In her final chapter she takes up the challenge of the book's title: if a writer is to be seen as 'gifted', who is doing the giving and what are the terms of the gift?Margaret Atwood's wide and eclectic reference to other writers, living and dead, is balanced by anecdotes from her own experiences as a writer, both in Canada and on the international scene. The lightness of her touch is underlined by a seriousness about the purpose and the pleasures of writing, and by a deep familiarity with the myths and traditions of western literature.Praise for On Writers and Writing: '...a streetwise, erudite suggestive enquiry into problems and myths of the writer's role. Her light touch on hard thoughts, her humour and eclectic quotations, lend enchantment to an argument that has as many undulating tentacles as a well developed sea anemone' -INDEPENDENT'Her witty, occasionally self-deprecating and always ingenious approach is a delight' -SUNDAY TIMES'A witty and profound rumination about writing' -THE TIMES