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On Writers and Writing
by Margaret AtwoodA brilliant, ambitious, insightful inquiry into the art of writing from the legendary Margaret Atwood.What do we mean when we say that someone is a writer? Is he or she an entertainer? A high priest of the god of Art? An improver of readers' minds and morals? Looking back on her own childhood and the development of her writing career, Margaret Atwood addresses the riddle of her own art. Her wide-ranging reference to other writers, living and dead, is accompanied by personal anecdotes from her own experiences as a writer. The lightness of her touch is offset by a seriousness about the purpose and the pleasures of writing. Wise, candid, informative, and engaging, On Writers and Writing provides an insider's view of the writer's universe, written by one of the most celebrated writers of our time.
On Writers and Writing
by Margaret AtwoodBy the author of THE HANDMAID'S TALE and ALIAS GRACEWhat is the role of the writer? Prophet? High Priest of Art? Court Jester? Or witness to the real world? Looking back on her own childhood and the development of her writing career, Margaret Atwood examines the metaphors which writers of fiction and poetry have used to explain - or excuse! - their activities, looking at what costumes they have seen fit to assume, what roles they have chosen to play. In her final chapter she takes up the challenge of the book's title: if a writer is to be seen as 'gifted', who is doing the giving and what are the terms of the gift?Margaret Atwood's wide and eclectic reference to other writers, living and dead, is balanced by anecdotes from her own experiences as a writer, both in Canada and on the international scene. The lightness of her touch is underlined by a seriousness about the purpose and the pleasures of writing, and by a deep familiarity with the myths and traditions of western literature.Praise for On Writers and Writing: '...a streetwise, erudite suggestive enquiry into problems and myths of the writer's role. Her light touch on hard thoughts, her humour and eclectic quotations, lend enchantment to an argument that has as many undulating tentacles as a well developed sea anemone' -INDEPENDENT'Her witty, occasionally self-deprecating and always ingenious approach is a delight' -SUNDAY TIMES'A witty and profound rumination about writing' -THE TIMES
On Writers and Writing: Selected Essays
by Henry JamesA new selection of Henry James's essays on the art of writing, from his famous essay "The Art of Fiction" to pieces on George Eliot, Ivan Turgenev, Honoré de Balzac, and others. Witty, erudite, and passionate, James's essays are a delight for any lover of the written word."James knew how to be generous without sacrificing the truth. What lends dignity and breadth to [his essays] above their directness and simplicity... is the exploratory reach of James's mind."—Leon EdelHenry James, the master novelist, started his literary career as a brash, often blistering reviewer, unafraid to skewer eminences like Charles Dickens and George Eliot, and continued to be a working critic for the rest of his life, driven by an unflagging desire to know what makes fiction work. James's critical essays represent an ongoing appreciation of the difficult art of the novel, searching in their consideration of story, character, and style. They also stand out as splendid contributions to the art of the essay, brilliantly argued, rich with metaphor, witty, unfailingly personal.In this new selection of James's critical essays, Michael Gorra—the author of Portrait of a Novel: Henry James and the Making of an American Masterpiece—draws on all the different periods of James's writing life, from his fledgling reviews in The Nation to his mature considerations of Gustave Flaubert, Honoré de Balzac, and William Shakespeare's The Tempest. As an overture, there is "The Art of Fiction," in which James insists that the key ingredient of fiction is not to be moral or otherwise improving but simply "to be interesting"; for a coda, "Mr. and Mrs. James T. Fields," a memoir of the literary New England of his boyhood. Overall, On Writers and Writing can be read as an artistic autobiography. Here we see James revisiting and revising his opinions on fiction, that exercise of heart and mind whose very meaning, he insists throughout, is freedom.
On Writing
by A.L. KennedyOn Writing features missives from A. L. Kennedy's hugely popular Guardian blog. Readers and aspiring writers will have almost everything they need to know about the complexities of researching, writing, and publishing fiction from one of the funniest and most alert of our contemporary authors.After six novels, five story collections and two books of non-fiction, and countless international prizes, A.L. Kennedy certainly has the authority to talk about the craft of writing books – it’s just a wonder she’s found the time. On Writing features writing from the authorial front line – urgent and vivid, full of the excitement, fury and frustration of trying to make thousands of words into a publishable book. At the core of On Writing is the hugely popular blog that Kennedy writes for the Guardian – and we follow her during a three-year period when she finished one collection of stories and started another, and wrote a novel in between. Alongside the blogs are brilliant essays on character, voice, writers’ workshops, and writers’ health and the book ends with the transcript of Kennedy’s celebrated one-person show about writing and language that she has performed round the world to huge acclaim. Read together, all these pieces add up to the most intimate master-class imaginable from one of the finest — and most humane — writers in our language.
On Writing (and Writers): A Miscellany of Advice and Opinions
by C. S. LewisA definitive collection of wisdom on every style of writing and a celebration of the transformative power of the written word from one of the most influential writers and thinkers of the modern age, C. S. Lewis, the beloved author of the Chronicles of Narnia series, Mere Christianity, The Screwtape Letters, and other revered classics.Featuring over one hundred excerpts—some short and some essay length—drawn from his wide body of letters, books, and essays, On Writing (and Writers) brings together C. S. Lewis’s reflections on the power, importance, and joy of a life dedicated to writing.Writers and devoted readers will be enriched and inspired by Lewis’s commentary on a range of genres, including:On Good WritingOn Writing FictionOn Writing PoetryOn Writing for ChildrenOn Writing Science FictionOn Christian WritingOn Writing PersuasivelyOn Other WritersWise and practical, On Writing (and Writers) reveals Lewis’s thoughts on both mechanics and style, including choosing adjectives, the art of expression, how to connect with readers, and the core principles of clear, impactful writing.A window into the mind of one of the greatest public intellectuals of the twentieth century—a gifted writer whose influence and insights remain relevant six decades after his death—this engaging collection reveals not only why Lewis loved the written word, but what it means to “gladly teach” the art of writing, so that wise readers can “gladly learn.”
On Writing And The Novel
by Paul Scott Shelley C. ReeceHeard the one about Hercules slaying a lion with his bare hands and making a cloak from its skin? That was no cloak--Hercules was wearing the lion. We're talking Siegfried and Roy here! Sure, Hercules had great big muscles. But he had an itty-bitty brain. He couldn't have done even one heroic deed if that lion hadn't been there, telling him exactly what to do.
On Writing Fiction: Rethinking conventional wisdom about the craft
by David JaussThe pieces of a satisfying novel or story seem to fit together so effortlessly, so seamlessly, that it's easy to find yourself wondering, "How on earth did the author do this?" The answer is simple: He sat alone at his desk, considered an array of options, and made smart, careful choices. In On Writing Fiction, award-winning author and respected creative writing professor David Jauss offers practical information and advice that will help you make smart creative and technical decisions about such topics as: Writing prose with syntax and rhythm to create a "soundtrack" for the narrative Choosing the right point of view to create the appropriate degree of "distance" between your characters and the reader Harnessing the power of contradiction in the creative process In one thought-provoking essay after another, Jauss sorts through unique fiction-writing conundrums, including how to create those exquisite intersections between truth and fabrication that make all great works of fiction so much more resonant than fiction that follows the "write what you know" approach that's so often used.
On Writing History from Herodotus to Herodian
by John MarincolaWhat is history and how should it be written? This important new anthology, translated and edited by Professor John Marincola, contains all the seminal texts that relate to the writing of history in the ancient world.The study of history was invented in the classical world. Treading uncharted waters, writers such as Plutarch and Lucian grappled with big questions such as how history should be written, how it differs from poetry and oratory, and what its purpose really is. This book includes complete essays by Dionysius, Plutarch and Lucian, as well as shorter pieces by Pliny the Younger, Cicero and others, and will be an essential resource for anyone studying history and the ancient world.
On Writing Horror, Revised Edition: A Handbook by the Horror Writers Association
by The Horror Writers AssociationThe masters of horror have united to teach you the secrets of success in the scariest genre of all! In On Writing Horror, Second Edition, Stephen King, Joyce Carol Oates, Harlan Ellison, David Morrell, Jack Ketchum, and many others tell you everything you need to know to successfully write and publish horror novels and short stories. Edited by the Horror Writers Association (HWA), a worldwide organization of writers and publishing professionals dedicated to promoting dark literature, On Writing Horror includes exclusive information and guidance from 58 of the biggest names in horror writing to give you the inspiration you need to start scaring and exciting readers and editors. You'll discover comprehensive instruction such as: The art of crafting visceral violence, from Jack Ketchum Why horror classics like Dracula, The Exorcist, and Hell House are as scary as ever, from Robert Weinberg Tips for avoiding one of the biggest death knells in horror writing#151;predicable clichés#151;from Ramsey Campbell How to use character and setting to stretch the limits of credibility, from Mort Castle With On Writing Horror, you can unlock the mystery surrounding classic horror traditions, revel in the art and craft of writing horror, and find out exactly where the genre is going next. Learn from the best, and you could be the next best-selling author keeping readers up all night long.
On Writing Romance
by Leigh MichaelsSweep Readers Off Their Feet With a Romance They'll Never Forget In On Writing Romance, award-winning romance novelist Leigh Michaels talks you through each stage of the writing and publishing process. From the origins and evolution of the romance novel to establishing a vital story framework to writing that last line to seeking out appropriate publishers, everything you ever wanted to know about writing a romance novel is here. In addition to a comprehensive breakdown of more than thirty romance subgenres, including such categories as historical, inspirational, Regency, and sweet traditional, you'll discover how to: Steer clear of cliches and stereotypes by studying the genre Craft engaging and realistic heroes and heroines readers will adore Convincingly develop the central couple's blossoming relationship Add conflict by utilizing essential secondary characters like the "other woman" Use tension and timing to make your love scenes sizzle with sensuality Get your characters to happily-ever-after with an ending readers will always remember Plus, read a sample query letter, cover letter, and synopsis, and learn how to properly prepare you romance novel for submission to agents and editors. On Writing Romance has everything you need to leave readers swooning!
On Writing Short Stories (2nd Edition)
by Tobias Wolff Tom BaileyOn Writing Short Stories, Second Edition, explores the art and craft of writing short fiction by bringing together nine original essays by professional writers and thirty-three examples of short fiction. The first section features original essays by well-known authors--including Francine Prose, Joyce Carol Oates, and Andre Dubus--that guide students through the process of writing. Focusing on the characteristics and craft of the short story and its writer, these essays take students from the workshopping process all the way through to the experience of working with agents and publishers. The second part of the text is an anthology of stories--many referred to in the essays--that give students dynamic examples of technique brought to life. In this second edition, author-editor Tom Bailey brings the text up-to-date with new and revised essays and a freshened anthology that retains many of the classics while adding new styles and diverse voices. In doing so, Bailey gives readers a broader scope of the short fiction landscape. New to this Edition: * Includes new and revised essays: Two new essays on workshopping by award-winning fiction writers Robert Boswell ("After the Workshop: Transitional Drafts") and Antonya Nelson ("Whose Story Is It? The Anonymous Workshop") introduce the latest techniques in the process. C. Michael Curtis updates his essay on "Publishers and Publishing" in order to take into account the rise of electronic and online publishing. Offers an expanded, diversified anthology of thirty-three stories , including works by short-short fiction and non-Western authors.
On Writing Well, 30th Anniversary Edition: An Informal Guide to Writing Nonfiction
by William ZinsserOn Writing Well has been praised for its sound advice, its clarity and the warmth of its style. It is a book for everybody who wants to learn how to write or who needs to do some writing to get through the day, as almost everybody does in the age of e-mail and the Internet. Whether you want to write about people or places, science and technology, business, sports, the arts or about yourself in the increasingly popular memoir genre, On Writing Well offers you fundamental priciples as well as the insights of a distinguished writer and teacher. With more than a million copies sold, this volume has stood the test of time and remains a valuable resource for writers and would-be writers.
On Writing Well: The Classic Guide to Writing Nonfiction (6th edition)
by William ZinsserPrinciples, methods, forms and attitudes necessary to write nonfiction well.
On Writing with Photography
by Karen Beckman Liliane WeissbergFrom James Agee to W. G. Sebald, there has been an explosion of modern documentary narratives and fiction combining text and photography in complex and fascinating ways. However, these contemporary experiments are part of a tradition that stretches back to the early years of photography. Writers have been integrating photographs into their work for as long as photographs have existed, producing rich, multilayered creations; and photographers have always made images that incorporate, respond to, or function as writing. On Writing with Photography explores what happens to texts—and images—when they are brought together.From the mid-nineteenth century to the present, this collection addresses a wide range of genres and media, including graphic novels, children&’s books, photo-essays, films, diaries, newspapers, and art installations. Examining the works of Herman Melville, Don DeLillo, Claude McKay, Man Ray, Dare Wright, Guy Debord, Zhang Ailing, and Roland Barthes, among others, the essays trace the relationship between photographs and &“reality&” and describe the imaginary worlds constructed by both, discussing how this production can turn into testimony of personal and collective history, memory and trauma, gender and sexuality, and ethnicity.Together, these essays help explain how writers and photographers—past and present—have served as powerful creative resources for each other.Contributors: Stuart Burrows, Brown U; Roderick Coover, Temple U; Adrian Daub, Stanford U; Marcy J. Dinius, DePaul U; Marianne Hirsch, Columbia U; Daniel H. Magilow, U of Tennessee, Knoxville; Janine Mileaf; Tyrus Miller, U of California, Santa Cruz; Leah Rosenberg, U of Florida; Xiaojue Wang, U of Pennsylvania.
On Writing: A Memoir Of The Craft
by Stephen KingCELEBRATING 50 YEARS OF WRITING with fresh testimonials from fellow writers about why they love Stephen King and On Writing—and a few new words on the joy of writing from King himself. *ONE OF TIME MAGAZINE&’S TOP 100 NONFICTION BOOKS OF ALL TIME* Immensely helpful and illuminating to any aspiring writer, this special edition of Stephen King&’s critically lauded, million-copy bestseller shares the experiences, habits, and convictions that have shaped him and his work. &“Long live the King&” hailed Entertainment Weekly upon publication of Stephen King&’s On Writing. Part memoir, part master class by one of the bestselling authors of all time, this superb volume is a revealing and practical view of the writer&’s craft, comprising the basic tools of the trade every writer must have. King&’s advice is grounded in his vivid memories from childhood through his emergence as a writer, from his struggling early career to his widely reported, near-fatal accident in 1999—and how the inextricable link between writing and living spurred his recovery. Brilliantly structured, friendly and inspiring, On Writing will empower and entertain everyone who reads it—fans, writers, and anyone who loves a great story well told.
On Writing: A Memoir of the Craft
by Stephen KingNot since Dickens has a writer had so many readers by the throat . . . King's imagination is vast. He knows how to engage the deepest sympathies of his readers . . . It is part biography, part collection of tips for the aspiring writer. In the final chapters, King tells, in graphic details, the story of his recent accident . . . a bizarre and absorbing story, told brillinatly by one of the great storytellers of our time' - GuardianIn June of 1999, Stephen King was hit by a van while walking along the shoulder of a country road in Maine. Six operations were required to save his life and mend his broken body. When he was finally able to sit up, he immediately started writing. This book is the extraordinary result.(P)2000 Simon & Schuster Audio Division, Simon & Schuster Inc.
On Writing: A Memoir of the Craft
by Stephen KingThere is a reason why Stephen King is one of the bestselling writers in the world, ever. Described in the Guardian as 'the most remarkable storyteller in modern American literature', Stephen King writes books that draw you in and are impossible to put down.Part memoir, part master class by one of the bestselling authors of all time, this superb volume is a revealing and practical view of the writer's craft, comprising the basic tools of the trade every writer must have. King's advice is grounded in the vivid memories from childhood through his emergence as a writer, from his struggling early career to his widely reported, near-fatal accident in 1999 - and how the inextricable link between writing and living spurred his recovery.
On Writing: Women Writing On Photography From The 1850s To The Present
by Eudora WeltyEudora Welty was one of the twentieth century's greatest literary figures. For as long as students have been studying her fiction as literature, writers have been looking to her to answer the profound questions of what makes a story good, a novel successful, a writer an artist. On Writing presents the answers in seven concise chapters discussing the subjects most important to the narrative craft, and which every fiction writer should know, such as place, voice, memory, and language. But even more important is what Welty calls "the mystery" of fiction writing--how the writer assembles language and ideas to create a work of art.Originally part of her larger work The Eye of the Story but never before published in a stand-alone volume, On Writing is a handbook every fiction writer, whether novice or master, should keep within arm's reach. Like The Elements of Style, On Writing is concise and fundamental, authoritative and timeless--as was Eudora Welty herself.From the Hardcover edition.
On Your Toes: A Ballet ABC
by Rachel IsadoraA former professional ballerina and Caldecott Honor artist presents this ABC book that gives young readers an inside look at the ballet while explaining terms and positions using the alphabet.
On a Darkling Plain (Routledge Revivals)
by Harvey Curtis WebsterOriginally published in 1947 and presenting the famed poet-novelist against the background of contemporary thought and society, Harvey Curtis Webster shows that Hardy's later works give consistent evidence of hope; that pervasive pessimism was by no means the keynote of Hardy's thought. On a Darkling Plain traces the evolution of Hardy's thought, from faith, through disillusionment, to a cautious belief in the ultimate progress of man.
On a Wing and a Prayer
by Katherine ValentineThe New England town of Dorsetville, "where miracles are never far away," faces unexpected challenges in this much-anticipated fourth volume of Katherine Valentine's beloved series. The rumor mill is running at full speed: the Country Kettle Café, meeting place for everyone who's anyone, may close down now that the owner's wife has struck it rich. Deputy Hill is devastated over his open-ended assignment to the graveyard shift, his just desserts for having nearly wrecked a car and a wedding in one unfortunate mishap. Then tragedy strikes: the Gallagher twins are fighting for their lives after a fall through the ice--one on life support and the other in a coma. Doc Hammond is waging his own battle for life while helping the twins. More than ever, Dorsetville needs a miracle.
On an Irish Island: The Lost World Of The Great Blasket
by Robert KanigelOn an Irish Island is a love letter to a vanished way of life, in which Robert Kanigel, the highly praised author of The Man Who Knew Infinity and The One Best Way, tells the story of the Great Blasket, a wildly beautiful island off the west coast of Ireland, renowned during the early twentieth century for the rich communal life of its residents and the unadulterated Irish they spoke. With the Irish language vanishing all through the rest of Ireland, the Great Blasket became a magnet for scholars and writers drawn there during the Gaelic renaissance--and the scene for a memorable clash of cultures between modern life and an older, sometimes sweeter world slipping away. Kanigel introduces us to the playwright John Millington Synge, some of whose characters in The Playboy of the Western World, were inspired by his time on the island; Carl Marstrander, a Norwegian linguist who gave his place on Norway's Olympic team for a summer on the Blasket; Marie-Louise Sjoestedt, a Celtic studies scholar fresh from the Sorbonne; and central to the story, George Thomson, a British classicist whose involvement with the island and its people we follow from his first visit as a twenty-year-old to the end of his life. On the island, they met a colorful coterie of men and women with whom they formed lifelong and life-changing friendships. There's Tomás O'Crohan, a stoic fisherman, one of the few islanders who could read and write Irish, who tutored many of the incomers in the language's formidable intricacies and became the Blasket's first published writer; Maurice O'Sullivan, a good-natured prankster and teller of stories, whose memoir, Twenty Years A-Growing, became an Irish classic; and Peig Sayers, whose endless repertoire of earthy tales left listeners spellbound. As we get to know these men and women, we become immersed in the vivid culture of the islanders, their hard lives of fishing and farming matched by their love of singing, dancing, and talk. Yet, sadly, we watch them leave the island, the village becoming uninhabited by 1953. The story of the Great Blasket is one of struggle--between the call of modernity and the tug of Ireland's ancient ways, between the promise of emigration and the peculiar warmth of island life amid its physical isolation. But ultimately it is a tribute to the strength and beauty of a people who, tucked away from the rest of civilization, kept alive a nation's past, and to the newcomers and islanders alike who brought the island's remarkable story to the larger world.
On the Art of Writing
by Arthur Quiller-Couch"The art of writing is a living business," declares Sir Arthur Quiller-Couch in the Preface to this classic. "Literature is not a mere science, to be studied; but an art, to be practiced. Great as is our own literature, we must consider it as a legacy to be improved . . . if we persist in striving to write well, we can easily resign to other nations all the secondary fame."Renowned as a critic, teacher, and educational reformer, Quiller-Couch delivered a series of lectures at the University of Cambridge in 1913-14. His subjects--the artistic and vital nature of language as well as the skills needed to convey and receive the written word--remain as timeless as his advice. This book contains the eminent scholar's remarks from those lectures on the practice of writing, the difference between verse and prose, the use of jargon, the history of English literature, the ways in which English literature is taught at the university, and the importance of style. The principles and practical guidelines he sets forth in this volume offer aspiring writers an enduring source of guidance.
On the Art of the Craft: A Guidebook to Collaborative Storytelling
by Girls Write NowA writing companion, inspirational guide to the craft, and anthology featuring interactive multi-genre work from the acclaimed organization on its twenty-fifth anniversary.We all have stories to tell, but not everyone gets the mentoring and training or encouragement to become a great storyteller. Founded a quarter century ago, Girls Write Now has empowered young women and gender-expansive youth to harness their creative talents, gaining confidence, skills, and a community supporting them in sharing stories the world needs to hear.This hands-on guide—conceived of and written and edited by the young people of Girls Write Now—draws from the organization’s dynamic curriculum and the writers’ own personal experiences spanning decades. It offers aspiring writers the tools they need to develop their craft—including tips, insight, and advice on the writing and publishing process as well as critical thinking about the future of storytelling.With this handbook, readers everywhere can equip themselves to shape their life stories, and become the writers and leaders they dream of being.