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On Interpretive Conflict
by John Frow“Interpretation” is a term that encompasses both the most esoteric and the most fundamental activities of our lives, from analyzing medical images to the million ways we perceive other people’s actions. Today, we also leave interpretation to the likes of web cookies, social media algorithms, and automated markets. But as John Frow shows in this thoughtfully argued book, there is much yet to do in clarifying how we understand the social organization of interpretation. On Interpretive Conflict delves into four case studies where sharply different sets of values come into play—gun control, anti-Semitism, the religious force of images, and climate change. In each case, Frow lays out the way these controversies unfold within interpretive regimes that establish what counts as an interpretable object and the protocols of evidence and proof that should govern it. Whether applied to a Shakespeare play or a Supreme Court case, interpretation, he argues, is at once rule-governed and inherently conflictual. Ambitious and provocative, On Interpretive Conflict will attract readers from across the humanities and beyond.
On Joanna Russ
by Farah MendlesohnJoanna Russ, a feminist writer best known for The Female Man (1975), has produced a fierce, intense body of fiction and essays whose influence has been wide-ranging and complex. Her many publications include How to Suppress Women's Writing (1983), and she has won both of science fiction's most prestigious awards, the Nebula and the Hugo. The essays in this volume examine every aspect of Russ's body of work and provide a critical assessment that is long overdue. The first part of the book, "Criticism and Community," gives readers a context for and overview of Russ's works, and includes discussions of Russ's role in the creation of a feminist science fiction tradition. The second part, "Fiction," offers detailed analyses of some of Russ's writing. Contributors include: Andrew M. Butler, Brian Charles Clark, Samuel R. Delany, Edward James , Sandra Lindow, Keridwen Luis, Paul March-Russell, Helen Merrick, Dianne Newell, Graham Sleight, Jenea Tallentire, Jason Vest, Sherryl Vint, Pat Wheeler, Tess Williams, Gary K. Wolfe, and Lisa Yaszek.
On Keats’s Practice and Poetics of Responsibility
by G. Douglas AtkinsThis accessible, informed, and engaging book offers fresh, new avenues into Keats's poems and letters, including a valuable introduction to "the responsible poet. " Focusing on Keats's sense of responsibility to truth, poetry, and the reader, G. Douglas Atkins, a noted T. S. Eliot critic, writes as an ama-teur. He reads the letters as literary texts, essayistic and dramatic; the Odes in comparison with Eliot's treatment of similar subjects; "The Eve of St. Agnes" by adding to his respected earlier article on the poem an addendum outlining a bold new reading; "Lamia" by focusing on its complex and perplexing treatment of philosophy and imagination and revealing how Keats literally represents philosophy as functioning within poetry. Comparing Keats with Eliot, poet-philosopher, this book generates valuable insight into Keats's successful and often sophisticated poetic treatment of ideas, accentuating the image of him as "the responsible poet. "
On Language Change: The Invisible Hand in Language
by Rudi KellerIn the twentieth century paradigms of linguistics have largely left language change to one side. Rudi Keller's book is an exciting contribution to linguistic philosophy becuase it puts language change back on the linguistics agenda and demonstrates that, far from being a remote mystery, it can and should be explained.
On Language and Sexual Politics
by Deborah CameronThis collection of articles presents a selection of Deborah Cameron’s work on language, gender and sex in one single volume. Arranged thematically, this book covers major developments in Anglo-American feminist linguistics, and Cameron’s responses to these, spanning the last twenty years. The collection’s overarching theme is the political relationship between language and gender: four distinctly themed sections demonstrate that a variety of forces affect gender relations, and gender representations, in different times and places. Cameron examines the connections between language and the (mis)representation of reality, and the role language plays in reproducing gender inequalities. More recent articles focus on representations of men and women as communicators, as well as the impact of sexuality on gender and gender relations, an increasingly prominent area of the author’s research. This timely study brings much of Cameron’s work together for the first time, and highlights characteristics of her work with which many readers will be familiar: a combination of linguistic and feminist political orientation; and a distinct focus on conflict in gender relations. Including a new introductory essay and eleven articles, three of which are previously unpublished, with short introductions to contextualize each piece, the collection is extremely useful for students and teachers on a variety of courses including English language and linguistics, women’s studies, gender studies and communication studies.
On Language: Chomsky's Classic Works: Language and Responsibility and Reflections on Language
by Noam ChomskyThe two most popular titles by the noted linguist and critic in one volume—an ideal introduction to his work. On Language features some of Noam Chomsky&’s most informal and highly accessible work. In Part I, Language and Responsibility, Chomsky presents a fascinating self-portrait of his political, moral, and linguistic thinking. In Part II, Reflections on Language, Chomsky explores the more general implications of the study of language and offers incisive analyses of the controversies among psychologists, philosophers, and linguists over fundamental questions of language. &“Language and Responsibility is a well-organized, clearly written and comprehensive introduction to Chomsky&’s thought.&” —The New York Times Book Review &“Language and Responsibility brings together in one readable volume Chomsky&’s positions on issues ranging from politics and philosophy of science to recent advances in linguistic theory. . . . The clarity of presentation at times approaches that of Bertrand Russell in his political and more popular philosophical essays.&” —Contemporary Psychology &“Reflections on Language is profoundly satisfying and impressive. It is the clearest and most developed account of the case of universal grammar and of the relations between his theory of language and the innate faculties of mind responsible for language acquisition and use.&” —Patrick Flanagan
On Late Style: Music and Literature Against the Grain
by Edward W. SaidIn this fascinating book, Edward Said looks at the creative contradictions that often mark the late works of literary and musical artists. Said shows how the approaching death of an artist can make its way into his work, examining essays, poems, novels, films, and operas by such artists as Beethoven, Genet, Mozart, Lampedusa, Euripides, Cavafy, and Mann, among others. He uncovers the conflicts and complexity that often distinguish artistic lateness, resulting in works that stood in direct contrast to what was popular at the time and were forerunners of what was to come in each artist's discipline-works of true genius. Eloquent and impassioned, brilliantly reasoned and revelatory, On Late Style is Edward Said's own great last work.From the Trade Paperback edition.ion." He also writes about Theodor Adorno and about Glenn Gould, who chose to stop performing, thereby creating his own form of lateness. Said makes clear that most of the works discussed are rife with deep conflict and an almost impenetrable complexity. In fact, he feels that lateness is often "a form of exile." These works frequently stood in direct contrast to what was popular at the time, but they were forerunners of what was to come in each artist's particular discipline--works of true genius.Eloquent and impassioned, brilliantly reasoned and revelatory, On Late Style is Edward Said's own great last work.From the Hardcover edition.
On Leaving: A Reading in Emerson
by Branka ArsicThis book excavates passages from Emerson's letters, lectures, and essays.These passages present Arsic's analysis, revealing a cross-section of Emersonian thinking.
On Liberty (SparkNotes Philosophy Guide)
by SparkNotesOn Liberty (SparkNotes Philosophy Guide) Making the reading experience fun! SparkNotes Philosophy Guides are one-stop guides to the great works of philosophy–masterpieces that stand at the foundations of Western thought. Inside each Philosophy Guide you&’ll find insightful overviews of great philosophical works of the Western world.
On Lightness in World Literature
by Bede ScottDespite the apparent ubiquity of light literature, and despite the greater cultural prestige it has been afforded in recent decades, very little has been written on the adjective that actually defines this category. What, precisely, does it signify, and what are some of the key strategies by which the effect of lightness is achieved within literary discourse? In this original and engaging study, Bede Scott explores the aesthetic quality of lightness as demonstrated by a diverse range of narratives - spanning four different centuries and five different countries. In each case he focuses on a specific 'type' of lightness, whether it be the refined triviality of Sei Shonagon's Pillow Book, the ludic tendencies of Joaquim Maria Machado de Assis' Posthumous Memoirs of Br#65533;s Cubas, or the 'exhilarating and primitive vitality' of Voltaire's Candide. By bringing together such disparate sources, Scott makes a strong case for the universality of this particular aesthetic value, while also subjecting to close critical scrutiny its underlying structural features.
On Linearization: Toward a Restrictive Theory
by Guglielmo CinqueThe first attempt at a restrictive theory of the linear order of sentences and phrases of the world's languages, by one of the founders of cartographic syntax.Linearization, or the typical sequence of words in a sentence, varies tremendously from language to language. Why, for example, does the English phrase &“a white table&” need a different word order from the French phrase &“une table blanche,&” even though both refer to the same object? Guglielmo Cinque challenges the current understanding of word order variation, which assumes that word order can be dealt with simply by putting a head either before or after its complements and modifiers. The subtle variations in word order, he says, can provide a window into understanding the deeper structure of language and are in need of a sophisticated explanation.The bewildering variation in word order among the languages of the world, says Cinque, should not dissuade us from researching what, if anything, determines which orders are possible (and attested/attestable) and which orders are impossible (and not attested/nonattestable), both when they maximally conform to the &“head-final&” or &“head-initial&” types and when they depart from them to varying degrees. His aim is to develop a restrictive theory of word order variation—not just a way to derive the ideal head-initial and head-final word orders but also the mixed cases.In the absence of an explicit theory of linearization, Cinque provides a general approach to derive linear order from a hierarchical arrangement of constituents, specifically, by assuming a restrictive movement analysis that creates structures that can then be linearized by Richard S. Kayne's Linear Correspondence Axiom.
On Lingering and Literature (Routledge Focus on Literature)
by Harold SchweizerLingering and its decried equivalents, such as dawdling, idling, loafing, or lolling about, are both shunned and coveted in our culture where time is money and where there is never quite enough of either. Is lingering lazy? Is it childish? Boring? Do poets linger? (Is that why poetry is boring?) Is it therapeutic? Should we linger more? Less? What happens when we linger? Harold Schweizer here examines an experience of time that, though common, usually passes unnoticed. Drawing on a wide range of philosophic and literary texts and examples, On Lingering and Literature exemplifies in its style and accessible argumentation the new genre of post-criticism, and aims to reward anyone interested in slow reading, daydreaming, or resisting our culture of speed and consumption.
On Literary Attachment in South Africa: Tough Love (Routledge Research in Postcolonial Literatures)
by Michael ChapmanThis book reflects on the "literary" in literature. Less ideologically construed, more affirmative of literary attachment, the study adopts a style of intimacy – its "tough love" – in a correlation between the creative work and the critical act. Instead of configuring literary works to "state-of-the-nation" issues – the usual approach to literature from South Africa – the chapters keep alive a space for conversation, whether accented inwards to locality or outwards to the Anglophone world: the world to which literature in South Africa continues to belong, albeit as a "problem child". A postcolony that is not quite a postcolony, South Africa is richly but frustratingly textured between Africa and the West, or the South and the North. Its literature – hovering on the cusp of its locality and its global reach – raises peculiar questions of reader reception, epistemological and aesthetic frame, and archival use. Are the Nobel laureates Nadine Gordimer and J.M. Coetzee local writers or global writers? Is the novel or the short story the more appropriate form at the edges of metropolitan cultures? Given language, race, and culture contestation, how do we recover Bushman expression for contemporary use? How to consider the aesthetic appeal of two contemporaneous works, one in English the other in isiXhosa, the one indebted to Bloomsbury modernism the other to African custom? How does Douglas Livingstone attach the Third World to the First World in both science and poetry? What has a "born free" novelist, Kopano Matlwa, got to do with the Bard of Avon? In a time of theorisation, is it permissible for Lewis Nkosi to embody literary criticism in an autobiographical journey? How to read the rupturing event – the statue of Rhodes must fall – through a literary sensibility? Alert to the influence of critique, the study is equally alert to the "limits of critique". Reflecting on several writers, works, and events that do not feature in current publications, On Literary Attachment in South Africa releases literature to speak to us today, within the contours of its originating energy.
On Literary Plasticity: Readings with Kafka in Ecology, Voice, and Object-Life
by Heather H. YeungOn Literary Plasticity: Readings with Kafka in Ecology, Voice, and Object-Life calls to Franz Kafka, and in particular ‘Die Sorge des Hausvaters’, for aid in charting the long reach of plastic on the human mind and world. In this book, Heather H. Yeung builds a past and future ecology of plastic, arguing that it is through a deep reading of literature that we can begin to understand more clearly what it is that plastic means to us today, asking, under the auspices of the idea of literary plasticity: what are the true depths of our twenty-first-century fascination with plastic? How did we become so entangled? How can we come to a better understanding of plastic’s role in our imagination, our environment, and our lives? What can literature teach us in this respect? Why should we care?
On Literature
by Umberto EcoA wide-ranging collection of essays on the importance and meaning of literature by &“one of the most influential thinkers of our time&” (Los Angeles Times). In this collection of essays and addresses delivered over the course of his long and celebrated career, Umberto Eco seeks "to understand the chemistry of [his] passion" for the word. From musings on Ptolemy and "the force of the false" to reflections on the experimental writing of Borges and Joyce, Eco's restless curiosity and encyclopedic knowledge are on dazzling display. On a more personal note, he also reveals his own ambitions and superstitions, his authorial anxieties and fears, letting readers into the private realms of his creative practice. Remarkably accessible and unfailingly stimulating, this collection exhibits the diversity of interests and originality of thought that have made Eco one of the world's literary giants.
On Literature and Art
by Mao Tse-TungThis historic document brilliantly exemplifies the profound integration of Marxism-Leninism with the practice of the Chinese revolution.
On Literature, Culture, and Religion: Irving Babbitt
by George A. PanichasIrving Babbitt was a giant of American criticism. His writings from the 1890s to the 1930s helped advance American criticism and scholarship to international esteem. More than seventy years after his death his intellectual staying power remains undiminished. On Literature, Culture, and Religion is an ideal introduction to this seminal American thinker.Babbitt's opinions were uncompromising, and his vocal allies and opponents included almost every name in American literature and scholarship: T. S. Eliot, Edmund Wilson, Paul Elmer More, H. L. Mencken, and Sinclair Lewis. A founder of New Humanism, Babbitt was best known for his indictment of Romanticism and his insistence that the modern age had gone wrong. Babbitt argued for a renewal of humanistic values and standards--which he found best articulated in classical Greece, Hinduism, and Buddhism. The selections cover topics central to Babbitt: criticism, Romanti-cism, classical literature, French literature, education, democracy, and Buddhism. They typify Babbitt's method: recondite allusion, penetrating insight and analysis, impeccable scholarship, and unrelenting pursuit of the furthest ramification and the profoundest implication. The original annotation is retained. Brief introductions to the essays place them in the Babbitt canon.A major introductory essay by George A. Panichas surveys Babbitt's career and critical reception and summarizes the concepts that inform Babbitt's writing. Panichas raises again controversial issues that were not really resolved in Babbitt's time. The essay will challenge those long familiar with Babbitt and New Humanism and those newly introduced thereto.
On Location: Theory and Practice in Classroom-Based Writing Tutoring
by Spigelman, Candace; Grobman, LaurieClassroom-based writing tutoring is a distinct form of writing support, a hybrid instructional method that engages multiple voices and texts within the college classroom. Tutors work on location in the thick of writing instruction and writing activity. On Location is the first volume to discuss this emerging practice in a methodical way. The essays in this collection integrate theory and practice to highlight the alliances and connections on-location tutoring offers while suggesting strategies for resolving its conflicts. Contributors examine classroom-based tutoring programs located in composition courses as well as in writing intensive courses across the disciplines.
On Longing: Narratives of the Miniature, the Gigantic, the Souvenir, the Collection
by Susan StewartMiniature books, eighteenth-century novels, Tom Thumb weddings, tall tales, and objects of tourism and nostalgia: this diverse group of cultural forms is the subject of On Longing, a fascinating analysis of the ways in which everyday objects are narrated to animate or realize certain versions of the world. Originally published in 1984 (Johns Hopkins University Press), and now available in paperback for the first time, this highly original book draws on insights from semiotics and from psychoanalytic, feminist, and Marxist criticism. Addressing the relations of language to experience, the body to scale, and narratives to objects, Susan Stewart looks at the "miniature" as a metaphor for interiority and at the "gigantic" as an exaggeration of aspects of the exterior. In the final part of her essay Stewart examines the ways in which the "souvenir" and the "collection" are objects mediating experience in time and space.
On Looking: Essays
by Lia Purpura"Purpura is the real deal, and so is every successive sentence in this collection. A cornucopiac vocabulary is married to a strict economy of expression; an offbeat curiosity is married to the courage of difficult witnessing. . . ."--Albert Goldbarth"Purpura's prose is a system of delicate shocks--leaps and connections and syncopated revelations, all in the service of the spirit negotiating the truth of its experience."--Sven BirkertsLia Purpura's daring new book of lyric essays, On Looking, is concerned with the aesthetics and ethics of seeing. In these elegantly wrought meditations, patterns and meanings emerge from confusion, the commonplace grows strange and complex, beauty reveals its flaws, and even the most repulsive object turns gorgeous. Purpura's hand is clearly guided by poetry and behaves unpredictably, weaving together, in one lit instance, sugar eggs, binoculars, and Emerson's words: "I like the silent church before the sermon begins."In "Autopsy Report," Purpura takes an intimate look at the ruin of our bodies after death, examining the "dripping fruits" of organs and the spine in its "wet, red earth." A similar reverence is held for the alien jellyfish in "On Form," where she notes that "in order to see their particular beauty...we have to suspend our fear, we have to love contradiction." Her essays question art and its responses as well as its responsibilities, challenge familiar and familial relationships, and alter the borders between the violent and the luminous, the harrowing and the sensual. Above all, Purpura's essays are a call to notice. She is writer-as-telescope, kaleidoscope, microscope, and mirror. As she says: "By seeing I called to things, and in turn, things called me, applied me to their sight and we became each as treasure, startling to one another, and rare." This is, indeed, a rare and startling treasure of a book.Lia Purpura is the author of Increase (essays), Stone Sky Lifting (poems), The Brighter the Veil (poems), and Poems of Grzegorz Musial: Berliner Tagebuch and Taste of Ash (translations). Her awards include a National Endowment for the Arts Fellowship in Prose, a Pushcart Prize, a Fulbright Fellowship, the Associated Writing Programs Award in Creative Nonfiction, and the Ohio State University Press/The Journal Award in Poetry. Her poems and essays have appeared in Agni, DoubleTake, The Georgia Review, The Iowa Review, Parnassus: Poetry in Review, Ploughshares, and elsewhere. She is Writer-in-Residence at Loyola College in Baltimore, Maryland, and teaches at the Rainier Writing Workshop MFA Program in Tacoma, Washington.
On Market Street
by Arnold Lobel"In a delightful and unusual book, a boy trots down Market Street buying presents for a friend, each one starting with a letter of the alphabet. Every letter is illustrated by a figure ingeniously composed of, for instance, apples or wigs or quilts. The notion is original, and the sum total enjoyable and unique."--Horn Book. Other books by this author are available in this library.
On Mary Wollstonecraft's A Vindication of the Rights of Woman: The First of a New Genus (Core Knowledge)
by Susan J. WolfsonMary Wollstonecraft’s A Vindication of the Rights of Woman (1792) made a pioneering and durably influential argument for women’s equality. Emerging from the turbulent decade of the French Revolution, her vindication delivered a systematic critique of the treatment of women across time and place. Drawing on extensive experience teaching and writing about Wollstonecraft, Susan J. Wolfson offers new insight into how Wollstonecraft’s particular methods, style, and energy make this case for her readers.Wolfson places this polemic in its political and literary contexts and in relation to Wollstonecraft’s other works about political rights. She considers how Wollstonecraft balanced advocacy for the seemingly universal ideals of the French Revolution with analysis of the gendered exclusions in the vaunted rights of “man.” This book pays particular attention to Wollstonecraft’s literary craft, highlighting the force of her close reading. Wollstonecraft pinpointed the role of gendered phrases and concepts in political discourse, both in her opponents’ metaphors and received ideas and in her own efforts to craft a new political language with which to defend women’s capabilities. Wolfson reveals her as a pioneer in decoupling sex from gender and shows how she provided an enduring model of how to be a female intellectual. Sharing the excitement of reading Wollstonecraft’s work with care for her literary as well as political genius, this book provides fresh perspectives both for first-time readers and those seeking a nuanced appreciation of her achievements.
On Matricide: Myth, Psychoanalysis, and the Law of the Mother
by Amber JacobsDespite advances in feminism, the "law of the father" remains the dominant model of Western psychological and cultural analysis, and the law of the mother continues to exist as an underdeveloped and marginal concept. In her radical rereading of the Greek myth, Oresteia, Amber Jacobs hopes to rectify the occlusion of the mother and reinforce her role as an active agent in the laws that determine and reinforce our cultural organization.According to Greek myth, Metis, Athena's mother, was Zeus's first wife. Zeus swallowed Metis to prevent her from bearing children who would overthrow him. Nevertheless, Metis bore Zeus a child-Athena-who sprang forth fully formed from his head. In Aeschylus's Oresteia, Athena's motherless status functions as a crucial justification for absolving Orestes of the crime of matricide. In his defense of Orestes, Zeus argues that the father is more important than the mother, using Athena's "motherless" birth as an example. Conducting a close reading of critical works on Aeschylus's text, Jacobs reveals that psychoanalytic theorists have unwittingly reproduced the denial of Metis in their own critiques. This repression, which can be found in the work of Sigmund Freud and Melanie Klein as well as in the work of more contemporary theorists such as André Green and Luce Irigaray, has resulted in both an incomplete analysis of Oresteia and an inability to account for the fantasies and unconscious processes that fall outside the oedipal/patricidal paradigm. By bringing the story of Athena's mother, Metis, to the forefront, Jacobs challenges the primacy of the Oedipus myth in Western culture and psychoanalysis and introduces a bold new theory of matricide and maternal law. She finds that the Metis myth exists in cryptic forms within Aeschylus's text, uncovering what she terms the "latent content of the Oresteian myth," and argues that the occlusion of the law of the mother is proof of the patriarchal structures underlying our contemporary social and psychic realities. Jacobs's work not only provides new insight into the Oresteian trilogy but also advances a postpatriarchal model of the symbolic order that has strong ramifications for psychoanalysis, feminism, and theories of representation, as well as for clinical practice and epistemology.
On Melville: The Best from American Literature
by Louis J. Budd Edwin H. CadyFrom 1929 to the latest issue, American Literature has been the foremost journal expressing the findings of those who study our national literature. American Literature has published the best work of literary historians, critics, and bibliographers, ranging from the founders of discipline to the best current critics and researchers. The longevity of this excellence lends a special distinction to the articles in American Literature. Presented in order of their first appearance, the articles in each volume constitute a revealing record of developing insights and important shifts of critical emphasis. Each article has opened a fresh line of inquiry, established a fresh perspective on a familiar topic, or settled a question that engaged the interest of experts.
On Method Acting: The Classic Actor's Guide to the Stanislavsky Technique as Practiced at the Actors Studio
by Ward DwightPracticed by such actors of stature as Marlon Brando, Robert De Niro, Julie Harris, Dustin Hoffman, and Ellen Burstyn (not to mention the late James Dean) the Method offers a practical application of the renowned Stanislavsky technique.On Method Acting demystifies the "mysteries" of Method acting -- breaking down the various steps into clear and simple terms, including chapters on:Sense Memory -- the most vital component of Method actingImprovisation -- without it, the most integral part of the Method is lostAnimal Exercises -- just one way to combat the mental blocks that prevent actors from grasping a characterCreating The Outer Character -- so actors can give the freshness of originality to a role while at the same time living the life of the characterOn Method Acting is also an indispensable volume for directors, designers, lighting technicians, and anyone in the dramatic arts interested in creating a believable and realistic effect in their productions.